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In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design (sometimes called an ordinary ) or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles ("[the] mobile [ones]").
The term charge can also be used as a verb; for example, if an escutcheon depicts three lions, it is said to be charged with three lions; similarly, a crest or even a charge itself may be "charged", such as a pair of eagle wings charged with trefoils (as on the coat of arms of Brandenburg). It is important to distinguish between the ordinaries and divisions of the field, as that typically follow similar patterns, such as a shield divided "per chevron", as distinct from being charged with a chevron.
While thousands of objects found in religion, nature, mythology, or technology have appeared in armory, there are several charges (such as the cross, the eagle, and the lion) which have contributed to the distinctive flavour of heraldic design. Only these and a few other notable charges (crowns, stars, keys, etc.) are discussed in this article, but a more exhaustive list will be found in the list of heraldic charges.
In addition to being shown in the regular way, charges may be blazoned as umbrated (shadowed), detailed,(rather incorrectly) outlined, highly unusually shaded and rather irregularly in silhouette or, more ambiguously, confusingly, and unhelpfully, futuristic, stylized or simplified. There are also several units in the United States Air Force with charges blazoned as "mythical", or beasts as "chimerical", but those conceptions are meaningless and irrelevant to the conception of heraldry, and it does not affect the appearance of those charges.
Unlike mobile charges, the ordinary charchesreach to the edge of the field. Some heraldic writers distinguish, albeit arbitrarily, between (honourable) ordinaries and sub-ordinaries. While some authors hold that only nine charges are "honourable" ordinaries, exactly which ones fit into this category is a subject of constant disagreement. The remainder are often termed sub-ordinaries, and narrower or smaller versions of the ordinaries are called diminutives. While the term ordinaries is generally recognised, so much dispute may be found among sources regarding which are "honourable" and which are relegated to the category of "sub-ordinaries" that indeed one of the leading authors in the field, Arthur Charles Fox-Davies (1871–1928), wrote at length on what he calls the "utter absurdity of the necessity for any [such] classification at all", stating that the ordinaries and sub-ordinaries are, in his mind, "no more than first charges". Apparently ceding the point for the moment, Fox-Davies lists the generally agreed-upon "honourable ordinaries" as the bend, fess, pale, pile, chevron, cross, saltire, and chief. Woodcock sheds some light on the matter, stating that earlier writers such as Leigh, Holme and Guillim proposed that "honourable ordinaries" should occupy one-third of the field, while later writers such as Edmondson favoured one-fifth, "on the grounds that a bend, pale, or chevron occupying one-third of the field makes the coat look clumsy and disagreeable". Woodcock goes so far as to enumerate the ordinaries thus: "The first Honourable Ordinary is the cross", the second is the chief, the third is the pale, the fourth is the bend, the fifth is the fess, the sixth is the inescutcheon, the seventh is the chevron, the eighth is the saltire, and the ninth is the bar, while stating that "some writers" prefer the bordure as the ninth ordinary. Volborth, having decidedly less to say on the matter, agrees that the classifications are arbitrary and the subject of disagreement, and lists the "definite" ordinaries as the chief, pale, bend, fess, chevron, cross and saltire. Boutell lists the chief, pale, bend, bend sinister, fess, bar, cross, saltire and chevron as the "honourable ordinaries". Thus, the chief, bend, pale, fess, chevron, cross and saltire appear to be the undisputed ordinaries, while authors disagree over the status of the pile, bar, inescutcheon, bordure and others.
Several different figures are recognised as honourable ordinaries, each normally occupying about one-fifth to one-third of the field.As discussed above, much disagreement exists among authors regarding which ordinary charges are "honourable", so only those generally agreed to be "honourable ordinaries" will be discussed here, while the remainder of ordinary charges will be discussed in the following section.
Most of the ordinaries have corresponding diminutives, narrower versions, most often mentioned when two or more appear in parallel: bendlets, pallets, bars (multiples of the fess), and chevronels.
In addition to those mentioned in the above section, the following are variously called "honourable ordinaries" by different authors, while others of these are often called sub-ordinaries.
The so-called mobile charges(or sometimes common charges) are not tied to the size and shape of the shield, and so may be placed in any part of the field, although whenever a charge appears alone, it is placed with sufficient position and size to occupy the entire field. Common mobile charges include human figures, human parts, animals, animal parts, legendary creatures (or "monsters"), plants and floral designs, inanimate objects, and other devices. The heraldic animals need not exactly resemble the actual creatures.
A number of geometric charges are sometimes listed among the subordinaries (see above), but as their form is not related to the shape of the shield – indeed they may appear independent of the shield (i.e. in crests and badges) – they are more usefully considered here. These include the escutcheon or inescutcheon, lozenge, fusil, mascle, rustre, billet, roundel, fountain, and annulet.
Several other simple charges occur with comparable frequency. These include the mullet or star, crescent and cross:
In English heraldry the crescent, mullet, martlet, annulet, fleur-de-lis and rose may be added to a shield to distinguish cadet branches of a family from the senior line. It does not follow, however, that a shield containing such a charge necessarily belongs to a cadet branch. All of these charges occur frequently in basic (undifferenced) coats of arms.
Humans, deities, angels and demons occur more often as crests and supporters than on the shield. (Though in many heraldic traditions the depiction of deities is considered taboo, exceptions to this also occur.) When humans do appear on the shield, they almost always appear affronté (facing forward), rather than toward the left like beasts. Such as the arms of the Dalziel family of Scotland, which depicted a naked man his arms expanded on a black background.The largest group of human charges consists of saints, often as the patron of a town. Knights, bishops, monks and nuns, kings and queens also occur frequently. There are rare occurrences of a "child" (without further description, this is usually understood to be a very young boy, and young girls are extremely rare in heraldry), both the head and entire body. A famous example is the child swallowed by a dragon (the biscione) in the arms of Visconti dukes of Milan.
Greco-Roman mythological figures typically appear in an allegorical or canting role. Angels very frequently appear, but angelic beings of higher rank, such as cherubim and seraphim, are extremely rare. An archangel appears in the arms of Arkhangelsk. The Devil or a demon is occasionally seen, being defeated by the archangel Saint Michael. Though the taboo is not invariably respected, British heraldry in particular, and to a greater or lesser extent the heraldry of other countries, frowns on depictions of God or Christ, though an exception may be in the not-uncommon Continental depictions of Madonna and Child, including the Black Madonna in the arms of Marija Bistrica, Croatia.
Moors—or more frequently their heads, often crowned—appear with some frequency in medieval European heraldry. They are also sometimes called moore, blackmoor or negro.Moors appear in European heraldry from at least as early as the 13th century, and some have been attested as early as the 11th century in Italy, where they have persisted in the local heraldry and vexillology well into modern times in Corsica and Sardinia. Armigers bearing moors or moors' heads may have adopted them for any of several reasons, to include symbolizing military victories in the Crusades, as a pun on the bearer's name in the canting arms of Morese, Negri, Saraceni, etc., or in the case of Frederick II, possibly to demonstrate the reach of his empire. Even the arms of Pope Benedict XVI feature a moor's head, crowned and collared red. Nevertheless, the use of moors (and particularly their heads) as a heraldic symbol has been deprecated in modern North America, where racial stereotypes have been influenced by a history of Trans-Atlantic slave trade and racial segregation, and applicants to the College of Arms of the Society for Creative Anachronism are urged to use them delicately to avoid creating offensive images.
Parts of human bodies occur more often than the whole, particularly heads (occasionally of exotic nationality), hearts (always stylized), hands, torso and armored limbs. A famous heraldic hand is the Red Hand of Ulster, alluding to an incident in the legendary Milesian invasion. Hands also appear in the coat of arms of Antwerp. Ribs occur in Iberian armory, canting for the Portuguese family da Costa. According to Woodward & Burnett, the Counts Colleoni of Milan bear arms blazoned: "Per pale argent and gules, three hearts reversed counterchanged;" but in less delicate times these were read as canting armsshowing three pairs of testicles (coglioni = "testicles" in Italian). The community of Cölbe in Hesse has a coat of arms with a similar charge.
Animals, especially lions and eagles, feature prominently as heraldic charges. Some differences may be observed between an animal's natural form and the conventional attitudes (positions) into which heraldic animals are contorted; additionally, various parts of an animal (claws, horns, tongue, etc.) may be differently coloured, each with its own terminology. Most animals are broadly classified, according to their natural form, into beasts, birds, sea creatures and others, and the attitudes that apply to them may be grouped accordingly. Beasts, particularly lions, most often appear in the rampant position; while birds, particularly the eagle, most often appear displayed. While the lion, regarded as the king of beasts, is by far the most frequently occurring beast in heraldry, the eagle, equally regarded as the king of birds, is overwhelmingly the most frequently occurring bird, and the rivalry between these two is often noted to parallel with the political rivalry between the powers they came to represent in medieval Europe. Neubecker notes that "in the heroic poem by Heinrich von Veldeke based on the story of Aeneas, the bearer of the arms of a lion is set against the bearer of the arms of an eagle. If one takes the latter to be the historical and geographical forerunner of the Holy Roman emperor, then the bearer of the lion represents the unruly feudal lords, to whom the emperor had to make more and more concessions, particularly to the powerful duke of Bavaria and Saxony, Henry the Lion of the House of Welf."
The beast most often portrayed in heraldry is the lion. When posed passant guardant (walking and facing the viewer), he is called a léopard in French blazon. Other beasts frequently seen include the wolf, bear, boar, horse, bull or ox, and stag or hart. The tiger (unless blazoned as a Bengal tiger ) is a fanciful beast with a wolflike body, a mane and a pointed snout. Dogs of various types, and occasionally of specific breeds, occur more often as crests or supporters than as charges. According to Neubecker, heraldry in the Middle Ages generally distinguished only between pointers, hounds and whippets, when any distinction was made.The unicorn resembles a horse with a single horn, but its hooves are usually cloven like those of a deer. The griffin combines the head (but with ears), chest, wings and forelegs of the eagle with the hindquarters and legs of a lion. The male griffin lacks wings and his body is scattered with spikes.
The bird most frequently found in armory is, by far, the eagle. Eagles in heraldry are predominantly presented with one or two heads, though triple-headed eagles are not unknown, and one eagle appearing in the Codex Manesse curiously has its wing bones fashioned into additional heads.Eagles and their wings also feature prominently as crests. Eagles most frequently appear full-bodied, with one head, in numerous positions including displayed, statant, passant and rising. The demi-eagle, which is shown only from the waist up, occurs less frequently. Double-headed eagles almost always appear displayed. As a result of being the dominant charge on the imperial Byzantine, Holy Roman, Austrian and Russian coats of arms, the double eagle gained enduring renown throughout the Western world. Among the present day nations with an eagle charge on their coat of arms are: Albania, Austria, Germany, Montenegro, Poland, Romania, Russia, and Serbia. Additionally, the Double-Headed Eagle of Lagash is used as an emblem by the Scottish Rite of Freemasonry. There are many meanings attached to this symbol, and it was introduced in France in the early 1760s as the emblem of the Knight Kadosh degree.
The martlet, a stylized swift or swallow without feet (sometimes incorrectly, at least in the Anglophone heraldries these days, said to have no beak), is a mark of cadency in English heraldry, but also appears as a simple charge in undifferenced arms. Its attitude is usually statant (and is never blazoned as such); but it can also be found volant. The pelican is notable as frequently occurring in a peculiar attitude described as in her piety (i.e. wings raised, piercing her own breast to feed her chicks in the nest, which is how it is actually often blazoned, 'in its piety' being a fairly modern conceit). This symbol carries a particular religious meaning (as a symbol of Christ sacrificing Himself),[ citation needed ] and became so popular in heraldry that pelicans rarely exist in heraldry in any other position. Distinction is however observed, between a pelican "vulning herself" (alone, piercing her breast) and "in her piety" (surrounded by and feeding her chicks). The swan is also often seen, and the peacock in heraldry is described as being in its pride. The domestic cock (or rooster) is sometimes called dunghill cock to distinguish it from the game cock which has a cut comb and exaggerated spurs, and the moor cock, which is the farmyard cock with a game bird's tail. Other birds occur less frequently.
The category of sea creatures may be seen to include various fish, a highly stylized "dolphin", and various fanciful creatures, sea monsters, which are shown as half-fish and half-beast, as well as mermaids and the like. The "sea lion" and "sea horse", for example, do not appear as natural sea lions and seahorses, but rather as half-lion half-fish and half-horse half-fish, respectively. Fish of various species often appear in canting arms, e.g.: pike, also called luce, for Pike or Lucy; dolphin (a conventional kind of fish rather than the natural mammal) for the Dauphin de Viennois. The escallop (scallop shell) became popular as a token of pilgrimage to the shrine of Santiago de Compostela. The sea-lion and sea-horse, like the mermaid, combine the foreparts of a mammal with the tail of a fish, and a dorsal fin in place of the mane. (When the natural seahorse is meant, it is blazoned as a hippocampus.) The sea-dog and sea-wolf are quadrupeds but with scales, webbed feet, and often a flat tail resembling that of the beaver.
Reptiles and invertebrates occurring in heraldry include serpents, lizards, salamanders and others, but the most frequently occurring of these are various forms of dragons. The "dragon", thus termed, is a large monstrous reptile with, often, a forked or barbed tongue, membraned wings like a bat's, and four legs. The wyvern and lindworm are dragons with only two legs. The salamander is typically shown as a simple lizard surrounded by flames. Also notably occurring (undoubtedly owing much of its fame to Napoleon, though it also appears in much earlier heraldry) is the bee.
Animals' heads are also very frequent charges, as are the paw or leg (gamb) of the lion, the wing (often paired) of the eagle, and the antlers (attire) of the stag. Sometimes only the top half of a beast is shown; for example, the demi-lion is among the most common forms occurring in heraldic crests.
Heads may appear cabossed (also caboshed or caboched): with the head cleanly separated from the neck so that only the face shows; couped: with the neck cleanly separated from the body so that the whole head and neck are present; or erased : with the neck showing a ragged edge as if forcibly torn from the body. While cabossed heads are shown facing forward (affronté), heads that are couped or erased face dexter unless otherwise specified for differencing. Heads of horned beasts are often shown cabossed to display the horns, but instances can be found in any of these circumstances. A lion's head cabossed is called simply a face, and a fox's head cabossed, a mask.
The attitude, or position, of the creature's body is usually explicitly stated in English blazon. When such description is omitted, a lion can be assumed to be rampant, a leopard or herbivore passant.
By default, the charge faces dexter (left as seen by the viewer); this would be forward on a shield worn on the left arm. In German armory, animate charges in the dexter half of a composite display are usually turned to face the center.
Certain features of an animal are often of a contrasting tincture. The charge is then said to be armed (claws and horns and tusks), langued (tongue), vilenéor pizzled (penis), attired (antlers or very occasionally horns), unguled (hooves), crined (horse's mane or human hair) of a specified tincture.
Many attitudes have developed from the herald's imagination and ever-increasing need for differentiation, but only the principal attitudes found in heraldry need be discussed here. These, in the case of beasts, include the erect positions, the seated positions, and the prone positions. In the case of birds, these include the "displayed" positions, the flying positions, and the resting positions. Additionally, birds are frequently described by the position of their wings. A few other attitudes warrant discussion, including those particular to fish, serpents, griffins and dragons.
The principal attitude of beasts is rampant (i.e. standing on one hind leg with forepaws raised as if to climb or mount - sometimes including an erect member). Beasts also frequently appear walking, passant or, in the case of stags and the occasional unicorn, trippant, and may appear statant (standing), salient or springing (leaping), sejant (seated), couchant or lodged (lying prone with head raised), or occasionally dormant (sleeping). The principal attitude of birds, namely the eagle, is displayed (i.e. facing the viewer with the head turned toward dexter and wings raised and upturned to show the full underside of both wings). Birds also appear rising or rousant (i.e. wings raised and head upturned as if about to take flight), volant (flying), statant (standing, with wings raised), close (at rest with wings folded), and waterfowl may appear naiant (swimming), while cranes may appear vigilant (standing on one leg). Fish often appear naiant (swimming horizontally) or hauriant (upwards) or urinant (downwards), but may also appear addorsed (two fish hauriant, back to back). Serpents may appear glissant (gliding in a wavy form) or nowed (as a figure-eight knot). Griffins and quadrupedal dragons constantly appear segreant (i.e. rampant with wings addorsed and elevated) and, together with lions, may appear combatant (i.e. two of them turned to face each other in the rampant position).
Plants are extremely common in heraldry and figure among the earliest charges. The turnip, for instance, makes an early appearance, as does wheat. Trees also appear in heraldry; the most frequent tree by far is the oak (drawn with large leaves and acorns), followed by the pine. Apples and bunches of grapes occur very frequently, other fruits less so. When the fruit is mentioned, as to indicate a different tincture, the tree is said to be fructed of the tincture. If a tree is "eradicated" it is shown as if it has been ripped up from the ground, the roots being exposed. "Erased" is rarely used for a similar treatment.In Portuguese heraldry, but rarely in other countries, trees are sometimes found decorticated.
The most famous heraldic flower (particularly in French heraldry) is the fleur-de-lis , which is often stated to be a stylised lily, though despite the name there is considerable debate on this.[ citation needed ] The "natural" lily, somewhat stylised, also occurs, as (together with the fleur-de-lis) in the arms of Eton College. The rose is perhaps even more widely seen in English heraldry than the fleur-de-lis. Its heraldic form is derived from the "wild" type with only five petals, and it is often barbed (the hull of the bud, its points showing between the petals) and seeded in contrasting tinctures. The thistle frequently appears as a symbol of Scotland.
The trefoil, quatrefoil and cinquefoil are abstract forms resembling flowers or leaves. The trefoil is always shown slipped (i.e. with a stem), unless blazoned otherwise. The cinquefoil is sometimes blazoned fraise (strawberry flower), most notably when canting for Fraser. The trillium flower occurs occasionally in a Canadian context, and the protea flower constantly appears in South Africa, since it is the national flower symbol.
Wheat constantly occurs in the form of "garbs" or sheaves and in fields (e.g. in the arms of the province of Alberta, Canada), though less often as ears, which are shown unwhiskered (though some varieties of wheat are naturally whiskered). Ears of rye are depicted exactly as wheat, except the ears droop down and are often whiskered, e.g. in the arms of the former Ruislip-Northwood Urban District. Barley, cannabis, maize, and oats also occur. The "garb" in the arms of Gustav Vasa (and in the Coat of Arms of Sweden) is not a wheatsheaf, although it was pictured in that way from the 16th to 19th century; rather, this "vasa" is a bundle but of unknown sort.
Very few inanimate objects in heraldry carry a special significance distinct from that of the object itself, but among such objects are the escarbuncle, the fasces, and the key. The escarbuncle developed from the radiating iron bands used to strengthen a round shield, eventually becoming a heraldic charge.The fasces (not to be confused with the French term for a bar or fess) is emblematic of the Roman magisterial office and has often been granted to mayors. Keys (taking a form similar to a "skeleton key") are emblematic of Saint Peter and, by extension, the papacy, and thus frequently appear in ecclesiastical heraldry. Because St. Peter is the patron saint of fishermen, keys also notably appear in the arms of the Worshipful Company of Fishmongers.
The sun is a disc with twelve or more wavy rays, or alternating wavy and straight rays, often represented "in his splendour" (i.e. with a face). The moon "in her plenitude" (full) sometimes appears, distinguished from a roundel argent by having a face; but crescents occur much more frequently. Estoiles are stars with six wavy rays, while stars (when they occur under that name) have straight rays usually numbering five in British and North American heraldry and six in continental European heraldry. Clouds often occur, though more frequently for people or animals to stand on or issue from than as isolated charges.The raindrop as such is unknown, though drops of fluid ( goutte ) is known. These occasionally appear as a charge, but more frequently constitute a field semé (known as goutté). The snowflake occurs in modern heraldry, sometimes blazoned as a "snow crystal" or "ice crystal".
The oldest geological charge is the mount, typically a green hilltop rising from the lower edge of the field, providing a place for a beast, building or tree to stand. This feature is exceedingly common in Hungarian arms. Natural mountains and boulders are not unknown, though ranges of mountains are differently shown. An example is the arms of Edinburgh, portraying Edinburgh Castle atop Castle Rock. Volcanos are shown, almost without exception, as erupting, and the eruption is generally quite stylised. In the 18th century, landscapes began to appear in armory, often depicting the sites of battles. For example, Admiral Horatio Nelson, 1st Viscount Nelson received a chief of augmentation containing a landscape alluding to the Battle of the Nile.
By far the most frequent building in heraldry is the tower , a tapering cylinder of masonry topped with battlements, usually having a door and a few windows. The canting arms of the Kingdom of Castile are Gules, a tower triple-turreted Or (i.e. three small towers standing atop a larger one). A castle is generally shown as two towers joined by a wall, the doorway often shown secured by a portcullis. The portcullis was used as a canting badge by the House of Tudor ("two-doors"), and has since come to represent the British Parliament. The modern chess-rook would be indistinguishable from a tower; the heraldic chess rook, based on the medieval form of the piece, instead of battlements, has two outward-splayed "horns". Civic and ecclesiastical armory sometimes shows a church or a whole town, and cities, towns and Scots burghs often bear a mural crown (a crown in the form of a wall with battlements or turrets) in place of a crown over the shield. Ships of various types often appear; the most frequent being the ancient galley often called, from the Gaelic, a lymphad. Also frequent are anchors and oars.
The maunch is a 12th-century lady's sleeve style. Its use in heraldry arose from the custom of the knights who attended tournaments wearing their ladies sleeves, as "gages d'amour" (tokens of love). This fashion of sleeve would later evolve into Tippet-style stoles. In French blazon this charge is sometimes informally referred to as manche mal taillée (a sleeve badly cut).
Spurs also occur, sometimes "winged", but more frequently occurring is the spur-rowel or spur-revel, which is said to more often termed a "mullet of five points pierced" by English heralds.
Crowns and coronets of various kinds are constantly seen. The ecclesiastical hat and bishop's mitre are nearly ubiquitous in ecclesiastical heraldry. The sword is sometimes a symbol of authority, as in the royal arms of the Netherlands, but may also allude to Saint Paul, as the patron of a town (e.g. London) or dedicatee of a church. Sometimes it is shown with a key, owing to the fact that Saints Peter and Paul are paired together. Other weapons occur more often in modern than in earlier heraldry. The mace also appears as a weapon, the war mace, in addition to its appearance as a symbol of authority, plain mace. The globus cruciger , also variously called an orb, a royal orb, or a mound (from French monde, Latin mundus, the world) is a ball or globe surmounted by a cross, which is part of the regalia of an emperor or king, and is the emblem of sovereign authority and majesty.
Books constantly occur, most frequently in the arms of colleges and universities, though the Gospel and Bible are sometimes distinguished. Books if open may be inscribed with words. Words and phrases are otherwise rare, except in Spanish and Portuguese armory. Letters of the various alphabets are also relatively rare. Arms of merchants in Poland and eastern Germany are often based on house marks, abstract symbols resembling runes, though they are almost never blazoned as runes, but as combinations of other heraldic charges. Musical instruments commonly seen are the harp (as in the coat of arms of Ireland), bell and trumpet. The drum, almost without exception, is of the field drum type. Since musical notation is a comparatively recent invention, it is not found in early heraldry, though it does appear in 20th century heraldry.
Japanese mon are sometimes used as heraldic charges. They are blazoned in traditional heraldic style rather than in the Japanese style.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, gules is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple).
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
The lines in heraldry used to divide and vary fields and charges are by default straight, but may have many different shapes. Care must be taken to distinguish these types of lines from the use of lines as charges, and to distinguish these shapes from actual charges, such as "a mount [or triple mount] in base," or, particularly in German heraldry, different kinds of embattled from castle walls.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
Ordinaries in heraldry are sometimes embellished with stripes of colour alongside them, have lumps added to them, shown with their edges arciform instead of straight, have their peaks and tops chopped off, pushed up and down out of the usual positions, or even broken apart.
In heraldry, a fess or fesse is a charge on a coat of arms that takes the form of a band running horizontally across the centre of the shield. Writers disagree in how much of the shield's surface is to be covered by a fess or other ordinary, ranging from one-fifth to one-third. The Oxford Guide to Heraldry states that earlier writers including Leigh, Holme, and Guillim favour one-third, while later writers such as Edmondson favour one-fifth "on the grounds that a bend, pale, or chevron occupying one-third of the field makes the coat look clumsy and disagreeable." A fess is likely to be shown narrower if it is uncharged, that is, if it does not have other charges placed on it, and/or if it is to be shown with charges above and below it; and shown wider if charged. The fess or bar, termed fasce in French heraldry, should not be confused with fasces.
In heraldry, an ordinary is a one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldic blazon, a chief is a charge on a coat of arms that takes the form of a band running horizontally across the top edge of the shield. Writers disagree in how much of the shield's surface is to be covered by the chief, ranging from one-fourth to one-third. The former is more likely if the chief is uncharged, that is, if it does not have other objects placed on it. If charged, the chief is typically wider to allow room for the objects drawn there.
A pale is a term used in heraldic blazon and vexillology to describe a charge on a coat of arms, that takes the form of a band running vertically down the centre of the shield. Writers broadly agree that the width of the pale ranges from about one-fifth to about one-third of the width of the shield, but this width is not fixed. A narrow pale is more likely if it is uncharged, that is, if it does not have other objects placed on it. If charged, the pale is typically wider to allow room for the objects drawn there.
In heraldry, impalement is a form of heraldic combination or marshalling of two coats of arms side by side in one divided heraldic shield or escutcheon to denote a union, most often that of a husband and wife, but also for unions of ecclesiastical, academic/civic and mystical natures. An impaled shield is bisected "in pale", that is by a vertical line.
The most basic rule of heraldic design is the rule of tincture: metal should not be put on metal, nor colour on colour. This means that the heraldic metals or and argent should not be placed on each other, nor may any of the colours be placed on another colour. Heraldic furs as well as "proper" are exempt from the rule of tincture.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
In heraldry, the term attitude describes the position in which a figure is emblazoned as a charge, a supporter, or as a crest. The attitude of a heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry — the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind".
In heraldry, a pile is a charge usually counted as one of the ordinaries. It consists of a wedge emerging from the upper edge of the shield and converging to a point near the base. If it touches the base, it is blazoned throughout.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
In heraldry, a bar is an ordinary consisting of a horizontal band across the shield. If only one bar appears across the middle of the shield, it is termed a fess; if two or more appear, they can only be called bars. Calling the bar a diminutive of the fess is inaccurate, however, because two bars may each be no smaller than a fess. Like the fess, bars too may bear complex lines. The diminutive form of the bar is the barrulet, though these frequently appear in pairs, the pair termed a "bar gemel" rather than "two barrulets".