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Giovanni Battista Viotti was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.
Michel Corrette was a French composer, organist and author of musical method books.
Joseph Bologne, Chevalier de Saint-Georges, was a French Creole virtuoso violinist and composer, who was conductor of the leading symphony orchestra in Paris.
Louis Abel Beffroy de Reigny was a French dramatist and man of letters.
Egidio Romualdo Duni was an Italian composer who studied in Naples and worked in Italy, France and London, writing both Italian and French operas.
Henri-Gustave Casadesus was a violist, viola d'amore player, composer, and music publisher.
Jean-Joseph de Mondonville, also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin claimed, "If I couldn't be Rameau, there's no one I would rather be than Mondonville".
Michel de la Barre was a French composer and renowned flautist known as being the first person to publish solo flute music. He played at the Académie Royale de Musique, the Musettes and Hautbois de Poitou and the courts of Louis XIV and Louis XV.
Tom Jones is a comédie mêlée d'ariettes, a kind of opéra comique, by the French composer and chess champion François-André Danican Philidor which first appeared at the Comédie-Italienne, Paris, on 27 February 1765. Its French libretto, by Antoine-Alexandre-Henri Poisenet and Bertin Davesne, is loosely based on the 1749 novel by Henry Fielding.
The French term comédie mêlée d'ariettes was frequently used during the late ancien régime for certain types of opéra comique.
Frédéric Blasius was a French violinist, clarinetist, conductor, and composer. Born MatthäusBlasius, he used Frédéric as his pen name on his publications in Paris.
Jean-Pierre Solié was a French cellist and operatic singer. He began as a tenor, but switched and became well known as a baritone. He sang most often at the Paris Opéra-Comique. He also became a prolific composer, writing primarily one-act comic operas.
Nicolas-Étienne Framery was a French music theorist, critic and lyric writer associated with opera, especially opéra comique. He wrote and adapted librettos. His work became more academic and abstract and he eventually became surintendant de la musique for the Comte d'Artois,.
Giovanni Cifolelli was an Italian mandolin virtuoso and dramatic composer whose date and place of birth are unknown. In 1764 he made his appearance in Paris as a mandolin virtuoso and was highly esteemed, both as a performer and teacher. He published his Method for the mandolin while residing in Paris, which met with great success throughout France, being the most popular of its period.
Philippe Hersant is a French composer. He studied at the Conservatoire de Paris.
Isidore Bertheaume was a French classical composer and violinist.
Rose Françoise Carpentier called Madame Gonthier 7 December 1829, was a French actress and lyrical artist.
Jean-Maurice Bourges, distinguished musical critic, translator and composer who came early to Paris to study composition under Auguste Barbereau. He became joint-editor for Revue et gazette musicale de Paris from 1839, which acquired an excellent reputation in great measure owing to him.
