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Charles-Joseph Flipart (1721–1797) was a French painter and engraver.
He was born in Paris to Jean-Charles Flipart, also an engraver, and his wife Maria (Boll); Jean-Jacques Flipart was his brother. He was baptized in the parish of Saint-Severin. Initially he trained under his father. He later visited Venice, and studied painting under Tiepolo and Amigoni, and engraving under Joseph Wagner. After staying for some time in Rome he was appointed court painter and engraver by King Ferdinand VI of Spain in 1750. His best plates are the portraits of the King and the Queen of Spain. Some of his paintings are in two of the churches at Madrid, where he died in 1797. [1]
Manuel Salvador Carmona was a Spanish engraver, designer and illustrator. Two of his brothers were also artists: José Salvador Carmona, a sculptor, and Juan Antonio Salvador Carmona, also an engraver.
Francisco (Francesco) Leonardoni (1654–1711) was an Italian painter of the Baroque period, active mainly in Spain.
Tomás de Aguiar was a Spanish painter, active during the Baroque period. He was a pupil of Diego Velázquez, and known for painting portraits.
Antonio Castrejon (1625–1690) was a Spanish painter.

Joaquín Ibarra y Marín, also known as Joaquín Ibarra, was a Spanish printer who was known for several important technical developments in the fields of the press, books, and typography. Some of his most important works are Conhuración de Catilina y la guerra de Yugurta, printed in 1772, and an edition of Don Quijote de la Mancha, as well as Real Academia Española, done in 1780.

Narciso Méndez Bringa was one of the most important Spanish illustrators. His illustrations won two awards in 1906 and 1910 from the National Exhibition of Fine Arts (Spain).

Manuel Tovar Siles was a Spanish cartoonist and caricaturist. In addition to "Tovar", he also signed with the pseudonym "Don Hermógenes".
Jean Laurent or, in Spanish, Juan Laurent Minier; sometimes simply J. Laurent was a French photographer who mostly worked in Spain.
María Eugenia de Beer, was a Spanish chalcographer.
Andres Rossi was a Spanish artist. He worked as a painter, draughtsman, print maker, sculptor and writer in Madrid and Seville.
Rafael Esteve Vilella was a Spanish engraver in the Romantic style.
Juan Gálvez was a Spanish artist who served as court painter for King Ferdinand VII and Director of the Real Academia de Bellas Artes de San Fernando.
José Jiménez Donoso was a Spanish Baroque architect and painter. He decorated many of his own buildings, using the Italian technique of quadratura.
Juan Bernabé Palomino y Fernández de la Vega was a Spanish engraver.
José Gómez de Navia was a Spanish engraver and draftsman.
Luis Fernández Noseret was a Spanish engraver who studied with Manuel Salvador Carmona at the Real Academia de Bellas Artes de San Fernando.
Pedro Perete, was a seventeenth-century Baroque engraver and painter in Madrid. He was the son, and pupil, of engraver Peter Perret. Perete Hispanicized the family name from the Dutch "Perret". Many of his works have been attributed to or confused with those by his father.
Twentieth-century art underwent a profound transformation: in a more materialist, more consumerist society, art was directed to the senses, not to the intellect. The avant-garde movements arose, which sought to integrate art into society through a greater interrelation between artist and spectator, since it is the latter who interprets the work, being able to discover meanings that the artist did not even know.
European printmaking in the 18th century grew greatly in quantity, and generally had high levels of technical skill. But original artistic printmaking declined, with reproductive prints becoming the majority. Many printmakers mixed intaglio printing techniques on the same plates with great skill. The generally reduced level of artistic creativity in printmaking changed at the end of the century with the great print series of Goya, whose career stretched into the 1820s but is all covered here. Goya is usually taken as the end of the old master print era, to which the 18th century added relatively little.