Charles Mackerras

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Mackerras in 2005 Sir Charles Mackerras.jpg
Mackerras in 2005

Sir Alan Charles Maclaurin Mackerras AC CH CBE ( /məˈkɛrəs/ ; 17 November 1925 14 July 2010) [1] [2] was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra.

Conducting Directing a musical performance by way of visible gestures

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

Leoš Janáček Czech composer

Leoš Janáček was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical style.

Wolfgang Amadeus Mozart Austrian composer of the Classical period

Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

Contents

Early life and education

Mackerras was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin. [3] His father was an electrical engineer and a Quaker. [3] In 1928, when Charles was aged two, the family returned to Sydney, Australia. They initially lived in the suburb of Rose Bay, and in 1933 they moved to the then semi-rural suburb of Turramurra. [4] Mackerras was the eldest of seven children. His siblings were Alastair (1928–99), Neil (1930–87), Joan (b. 1934), Elisabeth (b. 1937) and twins Malcolm and Colin (b. 1939). [5] They are descendants of the pioneer Australian musician Isaac Nathan. [3] Mackerras studied violin at the age of seven and later the flute. [3] He was setting poems to music at eight and wrote a piano concerto when he was 12. [4]

Schenectady, New York City in New York, United States

Schenectady is a city in Schenectady County, New York, United States, of which it is the county seat. As of the 2010 census, the city had a population of 66,135. The name "Schenectady" is derived from a Mohawk word, skahnéhtati, meaning "beyond the pines". Schenectady was founded on the south side of the Mohawk River by Dutch colonists in the 17th century, many from the Albany area. They were prohibited from the fur trade by the Albany monopoly, which kept its control after the English takeover in 1664. Residents of the new village developed farms on strip plots along the river.

Sydney State capital of New South Wales and most populous city in Australia and Oceania

Sydney is the state capital of New South Wales and the most populous city in Australia and Oceania. Located on Australia's east coast, the metropolis surrounds Port Jackson and extends about 70 km (43.5 mi) on its periphery towards the Blue Mountains to the west, Hawkesbury to the north, the Royal National Park to the south and Macarthur to the south-west. Sydney is made up of 658 suburbs, 40 local government areas and 15 contiguous regions. Residents of the city are known as "Sydneysiders". As of June 2017, Sydney's estimated metropolitan population was 5,230,330 and is home to approximately 65% of the state's population.

Rose Bay, New South Wales Suburb of Sydney, New South Wales, Australia

Rose Bay is a harbourside, eastern suburb of Sydney, in the state of New South Wales, Australia. Rose Bay is located seven kilometres east of the Sydney central business district, in the local government areas of Waverley Council and Municipality of Woollahra.

Mackerras initially attended his father's alma mater, Sydney Grammar School, and also St Aloysius College in Sydney. [3] While at Sydney Grammar, he showed a precocious talent by composing operas and conducting student performances in his early teens, but his non-musical studies suffered. [4] At all-male St Aloysius, he participated in the school's Gilbert and Sullivan productions, playing the roles of Kate in The Pirates of Penzance , Leila in Iolanthe and Ko-Ko in The Mikado . [5] Unconvinced that music was a viable profession, his parents removed the young Mackerras from temptation by sending him to board at The King's School. The school's focus on sport and discipline led the young artist to run away several times, and he was eventually expelled. [4] At age 16, Mackerras studied oboe, piano and composition at the NSW State Conservatorium of Music. He earned additional income from writing orchestral scores from recordings. [4]

Sydney Grammar School Grammar school in Sydney, Australia

Sydney Grammar School is an independent, fee-paying, non-denominational, day school for boys, located in Darlinghurst, Edgecliff and St Ives, which are all suburbs of Sydney, Australia.

St Aloysius College (Sydney) independent Catholic day school for boys in Sydney

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Gilbert and Sullivan Victorian-era theatrical partnership

Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.

Early career

By 1941, while still at the conservatory, Mackerras began to get professional performing jobs in Sydney, partly because he was too young to join the military, while older musicians had been called up to go to the war. From 1941 to 1942, Mackerras played the oboe for the J. C. Williamson Company during one of their Gilbert and Sullivan seasons, and he was a rehearsal pianist for the Kirsova ballet company. [5] In 1943, Mackerras joined the ABC Sydney Orchestra, under Malcolm Sargent, as second oboist and at age 19, became principal oboist. [4] [6] [7] On 6 February 1947, Mackerras sailed for England on the RMS Rangitiki [3] intending to pursue conducting. [4] He joined Sadler's Wells Theatre as an orchestral oboist and cor anglais player. [3] He later won a British Council Scholarship, enabling him to study conducting with Václav Talich at the Prague Academy of Music. [3] [4] While there, he formed a strong friendship with Jiří Tancibudek, Principal Oboe of the Czech Philharmonic, who introduced him to the operas of Leoš Janáček, thus commencing Mackerras's lifelong passion for that composer's music. [8]

J. C. Williamson actor and theatre manager

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Sydney Symphony Orchestra orchestra

The Sydney Symphony Orchestra (SSO) is an Australian symphony orchestra that was initially formed in 1908. Since its opening in 1973, the Sydney Opera House has been its home concert hall. The orchestra's current chief conductor is David Robertson.

Malcolm Sargent English conductor, organist and composer

Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s.

In August 1947, shortly before the couple set off for Prague, Mackerras married Judy Wilkins, a clarinettist at Sadlers' Wells. [5] They had two daughters, Fiona and Catherine. [4] [9] Fiona died of cancer in September 2006. [10] He was also the uncle of the Australian conductor Alexander Briger [11] and the British-born American conductor Drostan Hall, Music Director of Camerata Chicago. [12]

(Andrew) Alexander Briger AO is an Australian classical conductor. He is the nephew of the conductor Sir Charles Mackerras, and both are descended from the composer Isaac Nathan.

Camerata Chicago is a Chicago-based chamber orchestra founded by conductor Drostan Hall which had its debut in 2003. The orchestra performs a wide array of classical and romantic works as well as newly commissioned pieces.

Returning to England from Prague in 1948, Mackerras rejoined Sadler's Wells as an assistant conductor and began his lifelong association with the Sadler's Wells Opera, now English National Opera, conducting, among others, Janáček, Handel, Gluck, Bach, and Donizetti. [3] [4] In the 1950s, well before the "authenticity" movement had come to general notice, Mackerras focused on the study and practical realization of period performance techniques, culminating in his landmark 1959 recording of Handel's Music for the Royal Fireworks using the original wind band instrumentation. In his 1965 performance of The Marriage of Figaro , he added the ornamentation in a historically informed style.

English National Opera opera company based in London

English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera, Covent Garden. ENO's productions are sung in English.

George Frideric Handel 18th-century German, later British, Baroque composer

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Christoph Willibald Gluck composer

Christoph WillibaldGluck was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. Gluck introduced more drama by using simpler recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera.

Mackerras also strongly championed the music of Janáček outside Czechoslovakia, where Mackerras himself judged his work with Janáček as his single most important legacy to music. [13] In 1951, he conducted the British premiere of Káťa Kabanová . He was also a noted authority on Mozart's operas and those of Sir Arthur Sullivan. His ballet with John Cranko, Pineapple Poll , is an arrangement of Sullivan music with a story based on one of W. S. Gilbert's Bab Ballads . The piece premiered in 1951, soon after the expiration of copyright on Sullivan's music, and continues to be a popular light music favourite in English speaking countries. [5] Mackerras later arranged music by Giuseppe Verdi for the ballet The Lady and the Fool . He also arranged a suite from John Ireland's score for the 1946 film The Overlanders , after Ireland's death in 1962.

He became principal conductor of the BBC Concert Orchestra from 1954 to 1956. [14] In 1963, he made his debut at London's Covent Garden conducting Shostakovich's Katerina Izmailova . He directed the Hamburg State Opera from 1965 to 1969 and the English National Opera from 1970 to 1977. [15] In 1972, he made his Metropolitan Opera debut in New York conducting Gluck's Orfeo ed Euridice . Mackerras worked closely with Benjamin Britten for a time until 1958, when, during rehearsals for the first performance of Britten's opera Noye's Fludde , he made comments about Britten liking prepubescent boys' company and Britten subsequently stopped speaking to him. [3] [4] The events are described in John Bridcut's Britten's Children .

He conducted the Sydney Symphony Orchestra and Birgit Nilsson in the opening concert of the Concert Hall of the Sydney Opera House, in the presence of Queen Elizabeth II, in 1973. [7] [16]

Later career

Mackerras had conducted a few Gilbert and Sullivan productions for English National Opera, but his first experience as a guest conductor of the D'Oyly Carte Opera Company was for Trial by Jury , The Pirates of Penzance and The Mikado during the 1975 D'Oyly Carte centenary season at the Savoy. He conducted Patience at the Proms in 1976, the first full-length Gilbert and Sullivan opera given complete at the Proms. In 1980 he joined the D'Oyly Carte Opera Trust and later its Board of Trustees. In the early 1980s he conducted two New Year's Eve broadcasts of Savoy operas for the BBC, and his recordings of eight of the operas were broadcast in 1989 by BBC Radio 2 as part of a complete Gilbert and Sullivan series. He also conducted a centennial performance of Sullivan's The Golden Legend in Leeds and the first staging of a complete Gilbert and Sullivan opera at the Royal Opera House, The Yeomen of the Guard , with Welsh National Opera in 1995. [17] In 1980, also, he became the first non-Briton to conduct the BBC Symphony Orchestra at the Last Night of the Proms. [3]

In 1982 Mackerras was the first Australian national appointed chief conductor of the Sydney Symphony Orchestra, a post he held until 1985. [4] he directed the Welsh National Opera from 1987 to 1992, where his Janáček productions won particular praise. One of the highlights of the 1991 season was the reopening of the Estates Theatre in Prague, scene of the original premiere of Mozart's Don Giovanni , in which Mackerras conducted a new production of that opera to mark the bicentenary of Mozart's death. As Conductor Emeritus of Welsh National Opera, his successes included Tristan und Isolde , The Yeomen of the Guard , and La clemenza di Tito (all of which productions were brought to London). He was the principal guest conductor of the Scottish Chamber Orchestra (SCO) from 1992 to 1995, and held the title of Conductor Laureate with the SCO. He was principal guest conductor of the Royal Philharmonic Orchestra from 1993 to 1996. During the same period, he was also principal guest conductor of the San Francisco Opera. From 1998 to 2001 he was the music director of the Orchestra of St. Luke's. From 1987, he regularly conducted the Orchestra of the Age of Enlightenment and was appointed Emeritus Conductor in 2007.

In 2004 he became principal guest conductor of the Philharmonia Orchestra. He was also principal guest conductor of the Czech Philharmonic. With the Royal Opera, he conducted productions of Gounod's Roméo et Juliette and Handel's Semele . Mackerras also had a long association with the Metropolitan Opera, where he conducted The Makropulos Case , Káťa Kabanová , Le prophète , Lucia di Lammermoor , +Billy Budd , Hansel and Gretel and The Magic Flute .

In August 2008, Mackerras was announced as the new Honorary President of the Edinburgh International Festival Society. [18] He was only the second person to hold this role, after Yehudi Menuhin. As the original part of the largest arts festival in the world, the Edinburgh International Festival featured performances from Mackerras throughout six decades since his first in 1952. Mackerras summarised his strategy for working with an orchestra as follows:

I believe it's very important to edit orchestral parts explicitly and as thoroughly as possible, so that the musicians can play them without too much rehearsal. For instance, the other day I did all the Schumann symphonies with very little rehearsal at all. Because the parts were clearly marked, particularly with regard to dynamics, we were able to play them without needing to do that much preliminary work, focusing our attention on the interpretation rather than the technical business of who plays too loud or too soft. [19]

Mackerras was the President of Trinity College of Music, London. [6] He also served as Music Advisor to City Opera of Vancouver, a professional chamber opera company led by conductor Charles Barber. [20] He was also a Patron of Bampton Classical Opera.[ citation needed ] From 1999 Mackerras was a Patron of the Australian children's cancer charity Redkite. [21]

On 18 December 2008, Mackerras served as the conductor for Alfred Brendel's final concert performance with the Vienna Philharmonic. Mackerras's last performance at the BBC Proms included Gilbert and Sullivan's Patience . [5] His final public performance saw him conduct Così fan tutte at Glyndebourne in the summer of 2010. [22]

Death

Mackerras died in London on 14 July 2010 at the age of 84, having suffered from cancer. [1] [23] Throughout his final illness, he had continued to conduct, and had been scheduled to direct two of the BBC Proms on 25 July and 29 July 2010. He was also due to conduct the Scottish Chamber Orchestra performing Mozart's Idomeneo at the Edinburgh International Festival in August 2010, which would have been his 56th appearance at the festival. [23] [24] The director of the BBC Proms, Roger Wright, announced that a Prom would be dedicated to Mackerras's memory. [24] Wright paid tribute to Mackerras, saying "Sir Charles was a great conductor and his loss will be deeply felt by musicians and audiences alike", [24] while Rory Jeffes of the Sydney Symphony Orchestra said that Australia had "lost a living treasure". [24] Mackerras is survived by his wife, Judy, and their daughter, Catherine. [3] [4] [25] His funeral was held at St Paul's, Covent Garden on 23 July 2010. [26]

Recordings

Mackerras made his earliest records for EMI, in the final days of 78 rpm records, and he continued recording well into the era of compact discs in the multi-channel Super Audio CD format. In 1952, he conducted his first recording of his own Pineapple Poll ballet, which was issued on twelve sides, and subsequently transferred to LP. He later conducted two more complete recordings of the ballet. [17] Some of his early recording sessions were for Walter Legge, standing in when Otto Klemperer and other eminent conductors were ill. [27] He did not always restrict himself to the classical repertoire. For example, on 4 May 1955 he recorded Albert Arlen's song Clancy of the Overflow (to Banjo Paterson's poem) with Peter Dawson and the London Symphony Orchestra. [28]

A smaller UK record company, Pye Records, asked Mackerras to record Handel's Music for the Royal Fireworks . 'We had to do that in the middle of the night, in order to get our twenty-six oboes together.' [27] The recording, issued in 1959, was received with critical acclaim for attempting to reproduce the sound Handel would have heard, rather than the smoother orchestral arrangements usually played at that time.

In the 1960s Mackerras made the first recording of the Italian version of Gluck's Orfeo . For DG he conducted Purcell's Dido and Aeneas , and for EMI a 'new-look' Messiah , with scholarly texts, small forces and sprightly tempi. He followed that up with Handel's Saul and Israel in Egypt for DG. He also recorded the first complete Roberto Devereux with Beverly Sills. In 1986, he conducted the London Symphony Orchestra in the soundtrack to Carroll Ballard's film version of The Nutcracker (better known as Nutcracker: The Motion Picture), the first full-length film version of Tchaikovsky's ballet to be given a major release in theatres.

Mackerras recorded three Mahler symphonies and all of the symphonies of Mozart, Brahms and Beethoven. [14] Along with the Mozart operas, these recordings continue to attract critical acclaim; as do his recordings of the operas of Janáček (Decca, Supraphon, and Chandos), and major works of Handel, Dvořák, Martinů, Richard Strauss, Shostakovich, Sibelius, Donizetti, Elgar, Delius, Walton, Holst, and Haydn, among many others.

In 1953, he conducted Sullivan's cello concerto, broadcast on the BBC. [17] Sullivan's manuscript and most of the orchestra parts were destroyed in a fire, and more than three decades after that single BBC performance, in collaboration with David Mackie, Mackerras reconstructed the concerto, conducting its first performance with cellist Julian Lloyd Webber and the London Symphony Orchestra at Barbican Hall, London, in April 1986, and a recording for EMI shortly afterwards. [29] [30] For Telarc in the 1990s, with Welsh National Opera's chorus and orchestra, he also conducted Gilbert and Sullivan's Trial by Jury , H.M.S. Pinafore , The Pirates of Penzance , The Mikado and The Yeomen of the Guard . [17]

Mackerras's discography also includes a recording of Britten's Gloriana , which won Gramophone magazine's "Best Opera Recording" in 1994. [14] In 1997, Mackerras recorded Le delizie dell'amor, with the soprano Andrea Rost, for Sony Classical. His most recent release for that label was Lucia di Lammermoor with the Hanover Band (S2K 63174). Other recent recordings for Sony Classical include Chopin's two piano concertos with Emanuel Ax and the Orchestra of the Age of Enlightenment (SK 60771) and (SK 63371). He also recorded Dvořák's Rusalka (Decca) and Slavonic Dances (Supraphon), Josef Suk's A Summer Tale (Decca), Mozart's Piano Concertos Nos. 20 and 24 with Alfred Brendel (Philips), and Brahms's two orchestral serenades (Telarc). For Linn Records he recorded a two-SACD set of Mozart's last four symphonies with the Scottish Chamber Orchestra in August 2007. [31] His final recording was Suk's Asrael Symphony , which was the composer's response to the deaths of his father-in-law Dvořák and wife in quick succession. It was recorded not long after the death of Mackerras's own daughter Fiona.

Honours

Charles Mackerras was appointed a Commander of the Order of the British Empire (CBE) in the 1974 New Year Honours, [32] and was knighted in the 1979 New Year Honours. [33] [34] In 1978, he was presented with the Janáček Medal for services to Czech music, on stage at the Coliseum Theatre, by the Czechoslovak ambassador. [35] In 1990, he was awarded an Honorary Degree by the University of Hull. In 1996, he received the Medal of Merit from the Czech Republic, and, in 1997 he was made a Companion of the Order of Australia (AC) for services to music and Australian music. [6] [36] In 2000 he was awarded the Hanno R. Ellenbogen Citizenship Award by the Prague Society for International Cooperation. [37] In 2001, he was awarded the Centenary Medal, created to mark the centenary of the Federation of Australia. [38] In 2003 he was made a Companion of Honour (CH) in the Queen's Birthday Honours. [39] In 2005, he was presented with the Royal Philharmonic Society Gold Medal, [40] and he was also the first recipient of the Queen's Medal for Music, announced by the Master of the Queen's Music, Sir Peter Maxwell Davies, on the stage of the Royal Albert Hall before a Proms performance of H.M.S. Pinafore . [41]

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References

Notes

  1. 1 2 Wilson, Ashleigh (15 July 2010). "Symphony mourns death of conductor Charles Mackerras". The Australian . Retrieved 15 July 2010.
  2. "Sir Charles Mackerras dies". The Daily Telegraph . 15 July 2010. Retrieved 15 July 2010.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 "Sir Charles Mackerras". The Daily Telegraph . Telegraph Media Group. 15 July 2010. Retrieved 15 July 2010.
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 Maunder, Patricia (16 July 2010). "Scion of an Australian dynasty conducted for the whole world". The Sydney Morning Herald . Fairfax Media . Retrieved 16 July 2010.
  5. 1 2 3 4 5 6 Simeone, Nigel. "Sir Charles Mackerras (1925–2010): A Lifetime of Gilbert and Sullivan" (Part I), Gilbert and Sullivan News, Vol. V, No. 9, Autumn/Winter 2015, pp. 12–14, The Gilbert and Sullivan Society
  6. 1 2 3 "Sir Charles Mackerras dies". Classic FM . Global Radio. 15 July 2010. Retrieved 15 July 2010.[ permanent dead link ]
  7. 1 2 Weaver, Matthew (15 July 2010). "Conductor Charles Mackerras dies". The Guardian . Retrieved 15 July 2010.
  8. Australasian Double Reed Society Archived 19 February 2011 at the Wayback Machine
  9. Blyth, Alan (15 July 2010). "Sir Charles Mackerras obituary". The Guardian . Retrieved 15 July 2010.
  10. "Conductor led concert hours after death of his daughter", The Scotsman, 8 September 2006. Retrieved 16 October 2014
  11. Meacham, Steve (22 August 2006). "A Dream Comes True". The Sydney Morning Herald . Fairfax Media . Retrieved 15 July 2010.
  12. "Camerata Chicago celebrates 10th anniversary". tribunedigital-chicagotribune. Retrieved 13 December 2015.
  13. Moss, Stephen (20 August 2005). "The modest maestro". The Guardian . Retrieved 18 September 2007.
  14. 1 2 3 Cutler, David (15 July 2010). "Factbox – Orchestra conductor Charles Mackerras dies". Reuters . Retrieved 15 July 2010.
  15. Phelan 1987, p. ?? [ page needed ]
  16. "National treasure made music until the end". The Sydney Morning Herald . Fairfax Media. 16 July 2010. Retrieved 15 July 2010.
  17. 1 2 3 4 Simeone, Nigel. "Sir Charles MacKerras (1925–2010): A Lifetime of Gilbert and Sullivan", Gilbert and Sullivan News, The Gilbert and Sullivan Society (London), Vol. V, No. 10, Spring 2016, pp. 4–7
  18. "Edinburgh International Festival Society Announces Sir Charles Mackerras as New Honorary President". 2008. Archived from the original on 23 August 2008. Retrieved 24 August 2008.
  19. Hurwitz, David (2000). "A Talk With Sir Charles Mackerras". Classics Today. Archived from the original on 5 July 2007. Retrieved 15 April 2007.
  20. "Who's Who". City Opera of Vancouver . Retrieved 15 July 2010.
  21. Redkite website
  22. Christiansen, Rupert (15 July 2010). "A tribute to Sir Charles Mackerras". The Daily Telegraph . Retrieved 15 July 2010.
  23. 1 2 "Conductor Sir Charles Mackerras dies". The Sydney Morning Herald . Fairfax Media. 15 July 2010. Retrieved 15 July 2010.
  24. 1 2 3 4 "Conductor Sir Charles Mackerras dies aged 84". BBC News . BBC. 15 July 2010. Retrieved 15 July 2010.
  25. Wakin, Daniel J (15 July 2010). "Charles Mackerras, a Wide-Ranging Conductor, Dies at 84". The New York Times . The New York Times Company . Retrieved 15 July 2010.
  26. "Charles Mackerras". The Times (personal announcements). 20 July 2010. Retrieved 20 July 2010.
  27. 1 2 Blyth, Alan (March 1975). "Charles Mackerras". The Gramophone. pp. 1, 626.
  28. optus net
  29. Shepherd, Marc. "Concerto for Cello and Orchestra in D (1866)", Discography of Sir Arthur Sullivan: Orchestral and Band Music, Gilbert and Sullivan Discography, 12 July 2009, retrieved 2 October 2015
  30. Stone, David (2002). "D'Oyly Carte Opera Company: Charles Mackerras". The Gilbert and Sullivan Archive. Retrieved 11 June 2007.
  31. "Entry for Mozart Symphonies 38–41". SA-CD.net. Retrieved 5 June 2008.
  32. "No. 46162". The London Gazette (Supplement). 1 January 1974. p. 8.
  33. "No. 47723". The London Gazette (Supplement). 30 December 1978. p. 1.
  34. "No. 47792". The London Gazette . 13 March 1979. p. 3365.
  35. Phelan 1987, p. ? [ page needed ]
  36. Companion of the Order of Australia, AC, 26 January 1997, itsanhonour.gov.au. Citation: "For service to music as an operatic conductor and for the promotion of the international status of Australian music."
  37. Hanno R. Ellenbogen Citizenship Award Archived 3 September 2014 at the Wayback Machine , 3 September 2014, praguesociety.org
  38. Centenary Medal, 1 January 2001, itsanhonour.gov.au. Citation: "For service to Australian society and music"
  39. "No. 56963". The London Gazette (1st supplement). 14 June 2003. p. 4.
  40. "Gold Medallists 2000 to date". Royal Philharmonic Society. Retrieved 14 September 2009.
  41. "First winner of The Queen's Medal for Music announced at BBC Proms". BBC. 16 July 2005. Retrieved 14 September 2009.

Sources

Cultural offices
Preceded by
Gilbert Vinter
Principal Conductor, BBC Concert Orchestra
1954–1956
Succeeded by
Vilém Tauský
Preceded by
Bryan Balkwill and Mario Bernardi
Music Director, Sadler's Wells (English National Opera from 1974)
1970–1977
Succeeded by
Charles Groves
Preceded by
Richard Armstrong
Music Director, Welsh National Opera
1987–1992
Succeeded by
Carlo Rizzi