Charles Mayne Young (10 January 1777 – 1856) was an English actor. He was born to a respected London surgeon (doctor). His first stage appearance was in Liverpool on 20 September 1798, where he played a Young Norval [1] in Home's blank verse tragedy Douglas . Young's first London appearance [2] was in 1807, as Hamlet with his friend Charles Mathews playing Polonius. "With the decline of John Philip Kemble, and until the coming of Kean and Macready, he was the leading English tragedian". [3] He retired in 1832 in a farewell performance playing Hamlet with, as a special honour to him, Mathews as Polonius and Macready as the Ghost. [4]
Charles Mayne Young was born on 10 January 1777 in Fenchurch Street. He was educated at Eton and Merchant Taylors'. Worked in a merchants' house, Longman & Co. [5]
Following his first performance in Liverpool on 20 September 1798, one review stated, 'A young man (whose name we understand is Green [Young]) appeared for the first time in public last night at our theatre, in the part of Young Norval. He was received with great applause, and acquitted himself in a manner highly credible'. [6]
He was so successful, that the same winter he played lead at Manchester, and returned to fill the like position at Liverpool the following summer, from 1800 to 1802.
Young made his London debut as Hamlet at the Haymarket on 22 June 1807. He joined the Covent Garden Company in 1810, as second to John Kemble, and led when he was absent.
Washington Irving wrote, "I am delighted with Young, who acts with great judgment, discrimination and feeling, I think him much the best actor at present on the English stage. His Hamlet is a very fine performance, as is likewise his Stranger, Pierre, Chamont, etc." [7]
He features as a spectator in George Hayter's epic history painting The Trial of Queen Caroline . [8]
Young married Julia Ann Grimani [9] of the Venice Grimani family. [4] She was famed for her beauty and talent. At the Theatre Royal, Liverpool, on 20 October 1803, she appeared with him in The Belle's Strategy as Letitia Hardy; their first stage performance together. [6] She made her London stage début in 1804 as Juliet. In October of that year, she contracted to play at the Theatre Royal, Liverpool, as Juliet to Young's Romeo. On 9 March 1805, they married at St. Ann's Church, Liverpool. [4] They contracted for a twelve-month season at Manchester. The next year, after giving birth to her son, Julian Charles Young, she fell victim to puerperal fever, dying on 17 July 1806 at age 21. [4]
Young gave custody of his son Julian to the care of the daughter of a Captain Forbes of the Royal Navy. He never remarried. [10]
Julian took holy orders, serving as Chaplain at Hampton Court Palace and Rector of Ilmington, Warwickshire. On 26 April 1832 Julian married Elizabeth Anne Georgiana, daughter of James Willis, Consul-General- later Governor- of Senegambia. They had three sons and two daughters. Julian published in 1871 A memoir of Charles Mayne Young, tragedian: with extracts from his son's journal.
His final performance was as Hamlet at Covent Garden on 30 May 1832. [11]
Rosencrantz and Guildenstern Are Dead is an absurdist, existential tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's Hamlet, the courtiers Rosencrantz and Guildenstern, and the main setting is Denmark.
William Abbot or Abbott was an English actor, and a theatrical manager, both in England and the United States.
William Charles Macready was an English stage actor. The son of Irish actor-manager William Macready the Elder he emerged as a leading West End performer during the Regency era.
Charles Kemble was a Welsh actor of a prominent theatre family.
James Sheridan Knowles was an Irish dramatist and actor. A relative of Richard Brinsley Sheridan, Knowles enjoyed success writing plays for the leading West End theatres. Later in his career he also produced several novels.
Helena Saville Faucit, Lady Martin was an English actress.
Gustavus Vaughan Brooke, commonly referred to as G. V. Brooke, was an Irish stage actor who enjoyed success in Ireland, England, and Australia.
Kathleen Mary Fitzwilliam (1826–1894) was an English actress and singer appearing regularly on the London stage in the mid 19th century.
Hamlet by William Shakespeare has been performed many times since the beginning of the 17th century.
George John Bennett (1800–1879) was for nearly 40 years a Shakespearian actor on the London stage, notably Covent Garden and Drury Lane.
William Creswick was an English actor. A popular tragedian on the London stage, he appeared with many leading actors of his day, including William Charles Macready, Edwin Booth and Fanny Kemble and was well known for his Shakespearean and melodrama roles in Britain, the U.S. and Australia.
Daniel Egerton (1772–1835) was an English actor.
Daniel Terry (1780?–1829) was an English actor and playwright, known also as a close associate of Sir Walter Scott.
William Tell is an 1825 historical play by the Irish writer James Sheridan Knowles. It portrays the legendary 14th-century Swiss folk hero William Tell in his battle against the Habsburg authorities.
James Prescott Warde (1792–1840) was an English actor. He came up as a provincial tragic actor, in the Garrick mould. The Dictionary of National Biography says he was "full of promise at the time of his first appearance in London", in 1818, but did not reach the top ranks of the profession.
Fredolfo is an 1819 historical tragedy by the Irish writer Charles Maturin. It premiered at the Theatre Royal, Covent Garden in London on 12 May 1819. The original cast included William Macready as Wallenberg, Charles Mayne Young as Fredolfo, Charles Kemble as Aldemar, Frederick Henry Yates as Berthold, Charles Connor as Waldo and Elizabeth O'Neill as Urilda. Maturin dedicated the published version to the Duke of Leinster, which was published by Archibald Constable. The work was considered a failure which failed to recaptured the success of his earlier Bertram and Maturin turned back to writing novels.
Foscari is an 1826 historical tragedy by the British writer Mary Russell Mitford. The plot revolves around Francesco Foscari, the son of the Doge of Venice, who is wrongly accused of murder and has to go into exile. It premiered at the Theatre Royal, Covent Garden on 4 November 1826. The original cast included Charles Mayne Young as Foscari, Doge of Venice, Charles Kemble as Francesco Foscari, James Prescott Warde as Count Erizzo, and Daniel Egerton as Donato.
Evadne is an 1819 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 10 February 1819. The original cast included Elizabeth O'Neill as Evadne,William Macready as Ludovico, William Abbot as the King of Naples, Charles Mayne Young as Colonna, Charles Kemble as Vicentio, Charles Connor as Spalatro and Harriet Faucit as Olivia. Sheil dedicated the published play to his fellow Irish writer Thomas Moore.
The Apostate is an 1817 tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden on 3 May 1817. The original cast included William Macready as Pescara, Charles Kemble as Hemeya, Charles Mayne Young as Malec, Thomas Comer as Hamy, Charles Murray as Alvarez, Daniel Egerton as Gomez and Elizabeth O'Neill as Florinda. The prologue was spoken by Charles Connor. It was loosely inspired by a 17th century work by the Spanish playwright Pedro Calderón de la Barca. The play was a success, but reviewers generally attributed this to O'Neill's acting rather than Sheil's writing.
Bellamira is an 1818 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 22 April 1818. The original cast included Elizabeth O'Neill as Bellamira, William Macready as Amurath, Charles Kemble as Manfredi, Charles Mayne Young as Montalto, Daniel Terry as Salerno, Charles Connor as Kaled, and Thomas Comer as Gonzaga. Sheil dedicated the play to the Whig politician Lord Holland.