Charles Whibley | |
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![]() Charles Whibley, English writer and journalist | |
Born | Sittingbourne, Kent, England | 9 December 1859
Died | 4 March 1930 70) Hyères, France | (aged
Occupation | Writer and journalist |
Spouse(s) | Ethel Birnie Philip (1896–1920) Philippa Raleigh (1927–1930) |
Parent(s) | Ambrose Whibley and Mary Jean Davy |
Charles Whibley (9 December 1859 – 4 March 1930) was an English literary journalist and author. In literature and the arts, his views were progressive. He supported James Abbott McNeill Whistler [1] (they had married sisters). [2] He also recommended T. S. Eliot to Geoffrey Faber, which resulted in Eliot's being appointed as an editor at Faber and Gwyer. [3] Eliot's essay Charles Whibley (1931) was contained within his Selected Essays, 1917-1932 . Whibley's style was described by Matthew as "often acerbic high Tory commentary". [4]
Whibley was born 9 December 1859 at Sittingbourne, Kent, England. His parents were Ambrose Whibley, [6] silk mercer, and his second wife, Mary Jean Davy. [7] He was educated at Bristol Grammar School and Jesus College, Cambridge, where he took a first in classics in 1883. [8] [9]
Charles Whibley's immediate family included his brother Leonard Whibley, who was Fellow of Pembroke College, Cambridge, from 1899–1910, and a lecturer in Classics (Ancient History). [10] Charles also had a half-brother, Fred Whibley, copra trader, on Niutao, Ellice Islands (now Tuvalu), and a half-sister, Eliza Elenor, who was the wife of John T. Arundel, the owner of J. T. Arundel & Co. which evolved into Pacific Islands Company and later the Pacific Phosphate Company, which commenced phosphate mining in Nauru and Banaba Island (Ocean Island).
Whibley worked for three years in the editorial department of Cassell & Co, publishers. He shared a house with his brother Leonard Whibley, William Ernest Henley, and George Warrington Steevens. [11]
In 1894 Whibley became the Paris correspondent for the Pall Mall Gazette . This Tory evening paper conformed with Whibley's conservative political views.
In Paris Whibley moved in symbolist circles with Stéphane Mallarmé, Marcel Schwob, and Paul Valéry. [12] He was a witness at the wedding of Marcel Schwob and Marguerite Moreno in England on 12 September 1900.
In 1896 Charles married Ethel Birnie Philip in the garden of the house occupied by James McNeill Whistler at n° 110 Rue du Bac, Paris. The photographs of the wedding were taken by Louis Edmond Vallois, [13] who had a studio at 99 rue de Rennes, Paris. [14] Ethel Birnie Philip was the daughter of the sculptor John Birnie Philip and Frances Black. Before her marriage Ethel Whibley worked during 1893–4 as secretary to James McNeill Whistler. Whistler painted a number of full-length portraits of Ethel Whibley, including Mother of Pearl and Silver: The Andalusian, and portraits and sketches of her titled as Miss Ethel Philip or Mrs Ethel Whibley. [2]
Hartrick (1939) describes Whibley as "an obviously English type, and therefore something of a red rag to Whistler". [15] As the brother-in-law of James McNeill Whistler, Whibley was part of Whistler's intimate family circle, referred to as "Wobbles" in Whistler's correspondence. On one occasion Whistler mocked Whibley for describing himself as "something of a boulevardier" during his time in Paris. [1] In 1897 Whistler created the cover design for Whibley's volume of essays A Book of Scoundrels. [16]
Whibley's wife, Ethel, died in 1920, and in 1927 Charles married Philippa Raleigh, the daughter of Walter Raleigh, Chair of English Literature at Oxford University. [17]
Whibley contributed to the London and Edinburgh magazines, including The Pall Mall Magazine , Macmillan's Magazine , and Blackwood's Magazine . As a writer on Blackwood's Magazine, he was a prominent conservative columnist, as well as an influential literary figure, recruited by its editor William Blackwood III. [18]
He was a persistent critic of the system of state education. [19]
It was an open secret that Whibley contributed anonymously, to the Magazine, his Musings without Methods for over twenty-five years. T. S. Eliot described them as "the best sustained piece of literary journalism that I know of in recent times". [4] Whibley was friends with William Ernest Henley and contributed to the Scots Observer (published in Edinburgh) and also to the National Observer (published in London) under Henley's editorship. [20]
Whibley died on 4 March 1930 at Hyères, France, and his body was buried at Great Brickhill, Buckinghamshire. [8]
A portrait of Charles Whibley (1925–26), by Sir G. Kelly, is held by Jesus College, Cambridge. A sketch of Charles Whibley is held by the National Portrait Gallery, London. [21]
Project Gutenberg publishes online editions of American Sketches [25] and A Book of Scoundrels [26]
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James Abbott McNeill Whistler was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other leading artists and writers.
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John Birnie Philip was a nineteenth-century English sculptor. Much of his work was carried out for the architect Sir George Gilbert Scott.
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Ethel Whibley, was the sister-in-law of James McNeill Whistler. Ethel was a secretary to Whistler who used Ethel as a model for a number of full-length portraits painted during the period 1888 to the mid-1890s. Her sister Beatrice married James McNeill Whistler in 1888, following the death of her first husband Edward William Godwin. In 1896 Ethel married the writer Charles Whibley. Her sister Rosalind Birnie Philip (1873-1958) subsequently acted as secretary to Whistler and was appointed Whistler's executrix at his death.
The T. S. Eliot bibliography contains a list of works by T. S. Eliot.
Mother of Pearl and Silver: The Andalusian is a painting by James McNeill Whistler. The work shows a woman in full figure standing with her back to the viewer, with her head in profile. The model is Ethel Whibley, the artist's secretary and sister-in-law.
Beatrice Whistler was born in Chelsea, London on 12 May 1857. She was the eldest daughter of ten children of the sculptor John Birnie Philip and Frances Black. She studied art in her father's studio and with Edward William Godwin who was an architect-designer. On 4 January 1876 she became the second wife of Edward Godwin. Following the death of Godwin, Beatrice married James McNeill Whistler on 11 August 1888.
Rosalind Birnie Philip was the sister-in-law of James McNeill Whistler. After the death of her sister Beatrice in 1896 Rosalind acted as secretary to Whistler and was appointed Whistler's sole beneficiary and the executrix in his will.
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