Christopher Greenbury (September 24, 1951 – January 4, 2007) was an English film editor with more than thirty film credits dating from 1979's The Muppet Movie .  With Tariq Anwar, he won the BAFTA Award for Best Editing for American Beauty (1999), which he was also nominated for an Academy Award for Best Film Editing.  American Beauty is a serious drama, but in general Greenbury edited comedy films, including six directed by the Farrelly brothers commencing with 1994's Dumb and Dumber .
Greenbury was a member of the American Cinema Editors (ACE). 
This film-related list is incomplete; you can help by adding missing items. (October 2021)
Based on Greenbury's filmography at the Internet Database.  The director and release date of each film are indicated in parenthesis.
In addition to winning the BAFTA, the editors of American Beauty were also nominated for the Academy Award for Film Editing, an ACE Eddie Award, the Las Vegas Film Critics Society Award, the Online Film Critics Society Award and the Satellite Award.
Sally JoAnne Menke was an American film editor, who worked in cinema and television. Over the span of her 30-year career in film, she accumulated more than 20 feature film credits.
Thelma Schoonmaker is an American film editor, known for her over fifty years of work with director Martin Scorsese. She started working with Scorsese on his debut feature film Who's That Knocking at My Door (1967), and has edited all of Scorsese's films since Raging Bull (1980). Schoonmaker has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raging Bull, The Aviator (2004), and The Departed (2006), which were all Scorsese-directed films.
Stephen Mirrione is an American film editor. He is best known for winning an Academy Award for his editing of the film Traffic (2000).
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Arthur Robert Schmidt is an American film editor with about 27 film credits between 1977 and 2005. Schmidt has had an extended collaboration with director Robert Zemeckis from Back to the Future (1985) to Cast Away (2000).
Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Tariq Anwar is an Indian-born British-American film editor whose credits include Center Stage, The Good Shepherd, Sylvia, Oppenheimer, and American Beauty, for which he was nominated for an Academy Award and won two BAFTA Awards. He has also been nominated for an Academy Award in 2011 for editing The King's Speech. He is now based in the United States and the United Kingdom. With Shirley Hills, he is the father of actress Gabrielle Anwar.
Claire Simpson is a British film editor whose work has been honored with an Academy Award and a BAFTA Film Award for Best Editing for The Constant Gardener. She was mentored by Dede Allen and in turn mentored such notable and renowned Academy Award-winning film editors as Pietro Scalia, David Brenner, Joe Hutshing and Julie Monroe. She also worked as editor of Oliver Stone's Salvador and Wall Street.
Carol Sue Littleton, ACE is an American film editor.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 percent of all editors working on the top 250 films of 2004, and 80 percent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Craig McKay is an American feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing Reds and The Silence of the Lambs, and an Emmy Award for editing the NBC miniseries Holocaust, he has edited more than forty films including Philadelphia, The Manchurian Candidate, Cop Land and Maid in Manhattan.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.
Terence Rawlings was a British film editor and sound editor with several BAFTA nominations and one Academy Award nomination. His credits as a sound editor date from 1962–1977, after which he was credited primarily as a film editor.
Richard Pearson is an American film editor who is mainly associated with action films. Pearson, with Clare Douglas and Christopher Rouse, received the BAFTA Award for Best Editing for the film United 93 (2006).
Fredric Steinkamp was an American film editor with more than 40 film credits. He had a longstanding, notable collaboration with director Sydney Pollack, editing nearly all of Pollack's films from They Shoot Horses, Don't They? (1969) through Sabrina (1995).
Richard Halsey is an American film editor with more than 60 credits from 1970 onwards. An alumnus of Hollywood High School, he won an Academy Award for Best Film Editing at the 49th Academy Awards for editing Rocky with Scott Conrad, also being nominated for one BAFTA and one Emmy Award. He often works with his wife Colleen Halsey and they are credited together. Both have been elected to membership in American Cinema Editors (A.C.E.); Halsey has been a member since 1988. He is now living in the Hollywood Hills.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Danford B. "Danny" Greene was an American film and television editor with about twenty five feature film credits. He was nominated for the Academy Award for Best Film Editing for MASH and, with John C. Howard, for Blazing Saddles.