Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.
François Roland Truffaut was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the French film industry.
Marcel Marceau was a French actor and mime artist most famous for his stage persona, "Bip the Clown". He referred to mime as the "art of silence", performing professionally worldwide for more than 60 years.
The Gaumont Film Company, often shortened to Gaumont, is a French film studio headquartered in Neuilly-sur-Seine, France. Founded by the engineer-turned-inventor Léon Gaumont (1864–1946) in 1895, it is the oldest extant film company in the world, established before other studios such as Pathé, Titanus (1904), Nordisk Film (1906), Universal, Paramount, and Nikkatsu.
Jean-Pierre Léaud, ComM is a French actor, known for playing Antoine Doinel in François Truffaut's series of films about that character, beginning with The 400 Blows (1959). He also worked several times with Jean-Luc Godard and Aki Kaurismäki, as well as with other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, Agnès Varda, Jacques Rivette, etc. He is a significant figure of the French New Wave.
Henri Langlois was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer, was a French film director, film critic, journalist, novelist, screenwriter, and teacher.
Shoot the Piano Player is a 1960 French New Wave crime drama film directed by François Truffaut that stars Charles Aznavour as the titular pianist with Marie Dubois, Nicole Berger, and Michèle Mercier as the three women in his life. It is based on the novel Down There by David Goodis.
The Green Room is a 1978 French historical drama film directed by François Truffaut, based on the 1895 short story "The Altar of the Dead" by Henry James, in which a man becomes obsessed with the dead people in his life and builds a memorial to them. It is also based on two other works by James: the 1903 novella The Beast in the Jungle and the 1896 short story "The Way It Came". It was Truffaut's seventeenth feature film as a director and the third and last of his own films in which he acted in a leading role. It stars Truffaut, Nathalie Baye, Jean Dasté and Patrick Maléon.
The Last Metro is a 1980 historical drama film, written and directed by François Truffaut, that stars Catherine Deneuve and Gérard Depardieu.
The 21st Cannes Film Festival was to have been held from 10 to 24 May 1968, before being curtailled due to the turmoil of May 1968 in France.
A list of books and essays written by and about François Truffaut:
Leather-Nose is a 1936 novel by the French writer Jean de La Varende, about Achille Perrier de La Genevraye, an officer during the Napoleonic Wars and the author's grand uncle. An English translation by R. Wills Thomas was published in 1938.
Jacques Rivette was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, Aux quatre coins, in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles led to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on French Cancan and Jacques Becker on Ali Baba and the Forty Thieves. During this period he began writing film criticism for the magazine Gazette du Cinéma and later Cahiers du Cinéma, and was one of the most respected writers by his peers.
Jean de La Varende was a French writer. He wrote novels, short stories, biographies and monographs, in particular on the subject of Normandy. He initially tried to become a naval officer like his father, but gave up because of his weak heart. He was elected into the Académie Goncourt in 1942.
This is a bibliography of articles and books by or about the director and film critic Jacques Rivette.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Ignace Morgenstern was a Hungarian-born French film producer. He was the owner of Cocinor, one of the largest French film distributors of the 1950s.
Edmond Ténoudji (1902-1986) was a French Algerian film producer. He controlled the Les Films Marceau film production and distribution company active in the postwar era. He was also involved with Cocinor. In 1965 he served on the Cannes Film Fesival Jury.
