Column X | |
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Directed by | Reinhold Schünzel |
Written by | |
Produced by | Reinhold Schünzel |
Starring |
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Cinematography | Willy Goldberger |
Music by | Werner Schmidt-Boelcke |
Production company | Reinhold Schünzel Film |
Distributed by | Süd-Film |
Release date |
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Country | Germany |
Languages |
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Column X (German : Kolonne X) is a 1929 German silent crime film directed by Reinhold Schünzel and starring Schünzel, Ernst Stahl-Nachbaur and Grete Reinwald. The film attempted to imitate the style of American crime films, switched to a German setting. [1] It was shot at the Tempelhof Studios in Berlin and premiered at the city's Marmorhaus cinema.
Reinhold Schünzel was a German actor and director, active in both Germany and the United States. The son of a German father and a Jewish mother, he was born in St. Pauli, the poorest part of Hamburg. Despite his ancestry, Schünzel was allowed by the Nazis to continue making films for several years until he left in 1937 to live abroad.
Grete Reinwald was a German stage and film actress. As a child, due to her sweet, appealing features she modeled for many monochrome, hand-tinted and autochrome postcards. Her siblings Hanni Reinwald and Otto Reinwald were also actors.
Ernst Stahl-Nachbaur was a German film actor.
Panic in the House of Ardon is a 1920 German silent crime film directed by Robert Wiene and starring Stella Harf, Max Kronert and Paul Mederow. The film was finished by August 1920, but did not have its premiere until July 1921. It also had several alternative titles including Die Welteroberer. A crime syndicate attempts to discover the scientific secrets of the chemical company Ardon. The film was made in the Expressionist style that had been used for Wiene's earlier hit The Cabinet of Dr. Caligari. It features the popular detective Stuart Webbs, closely modeled on Sherlock Holmes.
Peter the Mariner is a 1929 German silent comedy drama film directed by Reinhold Schünzel and starring Schünzel, Renate Müller, and Hans Heinrich von Twardowski. It was shot at the Grunewald Studios in Berlin and on location in St. Moritz and in the North Sea.
Land of Love is a 1937 German romance film directed by Reinhold Schünzel and starring Albert Matterstock, Gusti Huber and Valerie von Martens. It was shot at the Bavaria Studios in Munich and the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Wilhelm Depenau, Kurt Dürnhöfer and Ludwig Reiber. Although Schünzel was Jewish he had been allowed to continue directing films in Germany after the Nazi takeover. However, this film faced objections from the censors and from Joseph Goebbels. It was briefly shown and then disappeared from cinemas. It was Schünzel's final German film as director, and he went into exile shortly afterwards.
Chased by the Devil is a 1950 West German crime film directed by Viktor Tourjansky and starring Hans Albers, Willy Birgel and Lil Dagover.
Attorney for the Heart is a 1927 German silent romance film directed by Wilhelm Thiele and starring Lil Dagover, Jean Murat, and Ernst Stahl-Nachbaur. The film's sets were designed by the art director Alexander Ferenczy.
All for Money is a 1923 German silent film directed by Reinhold Schünzel and starring Emil Jannings, Hermann Thimig, and Dagny Servaes. In 1928, a sound version was prepared for American audiences by Gotham Productions. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
The Bull of Olivera is a 1921 German silent historical drama film directed by Erich Schönfelder and starring Emil Jannings. It was shot at the Tempelhof Studios in Berlin. The film's art direction was by Kurt Richter. It premiered at the Ufa-Palast am Zoo.
Lilli is a 1919 German silent film directed by Jaap Speyer.
Lilli's Marriage is a 1919 German silent film directed by Jaap Speyer. It is a sequel to the film Lilli, and premiered at the Marmorhaus in Berlin.
The League of Three is a 1929 German silent crime film directed by Hans Behrendt and starring Jenny Jugo, Max Maximilian and Ernst Stahl-Nachbaur. The film's art direction was by Willi Herrmann. It premiered at the Ufa-Pavillon am Nollendorfplatz.
The Daredevil is a 1931 German crime film directed by Richard Eichberg and starring Hans Albers, Gerda Maurus and Mártha Eggerth.
Boycott is a 1930 German drama film directed by Robert Land and starring Ernst Stahl-Nachbaur, Lil Dagover, and Rolf von Goth. It was shot at the Emelka Studios in Munich. The film's sets were designed by the art director Ludwig Reiber.
The Dancer Barberina is a 1920 German silent historical drama film directed by Carl Boese and starring Lyda Salmonova, Otto Gebühr, and Harry Liedtke. Part of the group of Prussian films of the Weimar and Nazi eras, it portrays the relationship between Frederick the Great and the dancer Barberina Campanini in eighteenth century Prussia. Gebühr starred as Frederick in another film on the subject, The Dancer of Sanssouci (1932).
The Story of a Maid is a 1921 Austrian-German silent drama film directed by Reinhold Schünzel and starring Liane Haid, Otto Tressler and Erika Glässner. It premiered at the Marmorhaus in Berlin.
The Grehn Case is a 1916 German silent crime film directed by William Kahn and starring Reinhold Schünzel and Ernst Pittschau. A detective investigates the murder of a painter.
The Devil and the Madonna is a 1919 German silent drama film directed by Carl Boese and starring Gertrude Welcker, Magnus Stifter and Reinhold Schünzel.
The Girl from Acker Street is a 1920 German silent drama film directed by Reinhold Schünzel and starring Otto Gebühr, Lilly Flohr, and Rosa Valetti. It was followed by two sequels directed by Werner Funck and Martin Hartwig respectively.