"Come Spy With Me" (T54145) was a 1967 song recorded by Motown Records R&B group The Miracles, released on its Tamla Records subsidiary label. The B-side of the group's Top 20 hit single "The Love I Saw in You Was Just a Mirage", it was written by Miracles lead singer Smokey Robinson, and was the original titular theme song from the 1967 20th Century Fox feature film of the same name, starring Troy Donahue and Andrea Dromm.
This song, recorded by the group in June 1966, was released the following year and was a regional hit, though not charting nationally, and did not appear on any original Miracles studio album, but since its original release, has been included in The Miracles' 1994 35th Anniversary box set collection. [1]
The Miracles were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a number-one hit on the UK Singles Chart for the week ending September 12, 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a number-one hit on both the Billboard Hot 100 and R&B Singles charts.
The Miracles were the Motown Record Corporation's first group and its first million-selling recording artists. During their nineteen-year run on the American music charts, the Miracles charted over fifty hits and recorded in the genres of doo wop, soul, disco, and R&B. Twenty-six Miracles songs reached the top 10 of the Billboard R&B singles chart, including four R&B number ones. Sixteen charted within the top 20 of the Billboard Hot 100, with seven reaching the top ten and two – 1970's "The Tears of a Clown" and 1975's "Love Machine" – reaching #1. A third song, the million-selling "Shop Around", reached #1 on the Cash Box magazine pop chart. The Miracles also scored 11 U.S. R&B top 10 albums, including 2-#1's.
"Going to a Go-Go" is a 1965 single recorded by The Miracles for Motown's Tamla label.
Greatest Hits, Vol. 2 is the second greatest hits album for The Miracles, released in 1968 on Motown Records' Tamla label. It contained the most popular singles from the successful Going to a Go-Go, Away We A Go-Go and Make It Happen albums of the 1965–1967 period. It also featured the 1964 non-album single "Come On Do The Jerk", and two B-sides, "Choosey Beggar" and "Save Me". The hit single "I Second That Emotion" was new to album. This album reached the Top 10 on the Billboard 200 albums chart, peaking at #7, and peaked at #2 on Billboard's R&B album chart. Ten of the albums' 12 songs were written by Miracles members Smokey Robinson, Pete Moore, Marv Tarplin, Bobby Rogers, and Ronnie White.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
One Dozen Roses is a 1971 album by Smokey Robinson & The Miracles, issued on Motown Records' Tamla label. The penultimate album before lead singer Smokey Robinson departed the group for a solo career, One Dozen Roses features the Top 20 Billboard Hot 100 hit single "I Don't Blame You at All". Also included is the group's number-one smash hit "The Tears of a Clown", which was also made available through the reissue of the 1967 Miracles LP Make It Happen as The Tears of a Clown. Both of these songs were also huge hits in the UK, reaching #11 and #1 respectively.
"If You Can Want" is a 1968 single recorded by R&B group Smokey Robinson & the Miracles for Motown Records' Tamla label. Written and produced by Miracles lead singer Smokey Robinson, "If You Can Want" was the most successful of the three singles included on the group's 1968 album Special Occasion. This single just missed the U.S. Top 10, peaking at number 11 on the Billboard Hot 100 in the United States, and was a Top 5 R&B hit, peaking at number three on Billboard's R&B singles chart, and was also a minor hit in England, peaking at number 50 on the United Kingdom singles chart.
"The Love I Saw in You Was Just a Mirage" is a 1967 song recorded by the American R&B group The Miracles on Motown Records' Tamla label. Written by Miracles members Smokey Robinson and Marv Tarplin and produced by Robinson, it is noted for being the first single to bill the group as "Smokey Robinson" & the Miracles, a billing already present on the group's albums by this time. Miracles members Smokey Robinson and Pete Moore were the song's producers.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was an unusual writing situation for the Miracles, as most of their songs were composed by the group members themselves.
"I've Been Good to You" is a 1961 R&B song by The Miracles on Motown Records' Tamla label. It was released as the B-side of their Billboard Top 40 hit, "What's So Good About Goodbye", and was included on their album I'll Try Something New the following year. This sad, melancholy ballad charted #103 on the Billboard Pop chart. Despite its relatively modest chart placing, this song has been hugely influential, and is noted as Beatle John Lennon's favorite Miracles tune, and was the inspiration for The Beatles' songs "This Boy" and "Sexy Sadie". Written by Miracles lead singer Smokey Robinson, the song begins with the lyric, "Look what you've done...You've made a fool out of someone..." which Lennon later paraphrased in Sexy Sadie song as, "What have you done...You've made a fool of everyone."
"Here I Go Again" was a 1969 hit single by The Miracles. It was written by Miracles members Smokey Robinson and Pete Moore, along with Motown staff songwriters Al Cleveland and Terry "Buzzy" Johnson, a member of the legendary R&B group The Flamingos.
"Come On Do the Jerk" was a 1964 song recorded by R&B group the Miracles on Motown Records' Tamla label subsidiary. The song was co-written by Miracles members Pete Moore, Bobby Rogers, Smokey Robinson, and Ronnie White. A single-only release, it did not appear on any original Miracles studio album, and was the group's last single release of 1964. Robinson and fellow Miracle Bobby Rogers were the song's producers. The song's flip side, "Baby Don't You Go", was also a popular regional hit but was not released on CD until The 35th Anniversary Collection in 1994. Both sides of this single received new stereo mixes for the 2002 compilation Ooo Baby Baby: The Anthology.
"Yester Love" was a 1968 song by Motown Records R&B group The Miracles on its Tamla subsidiary label. It was recorded on December 18, 1967, and was included on the group's album, Special Occasion.
"Everybody's Gotta Pay Some Dues", was a 1961 R&B song by Motown Records group The Miracles released on the label's Tamla Records subsidiary. It was taken from Cookin' with The Miracles, the group's second album, and was written by Miracles members Smokey Robinson and Ronald White. It entered the Billboard Pop and R&B listings that year, and reached #52 and #11 respectively.
"Point It Out" is a 1969 recording by Motown Records R&B group The Miracles on that label's Tamla subsidiary. This mid-tempo song was a national Billboard Top 40 Pop hit, reaching #37 on the Hot 100, and was a Top 10 R&B hit was well, reaching #4. It was taken from their album "A Pocket Full Of Miracles", and was written by Miracles members William "Smokey" Robinson and Marv Tarplin, along with Motown staff songwriter Al Cleveland.
"(You Can't Let the Boy Overpower) The Man in You" is a 1964 R&B song by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Bill "Smokey" Robinson, and was produced by Robinson and Motown president/founder Berry Gordy Jr. One of several gospel-styled call and response tunes the group issued in 1964, this song reached number 59 on the Billboard Pop chart, and the top 20 of the Cash Box R&B chart, peaking at number 12. The song was recorded on August 17, 1963, and was the group's first single release of 1964.
We've Come Too Far to End It Now was a 1972 single by Motown Records R&B group The Miracles on its Tamla Label subsidiary (T54220F) and taken from their 1972 album, Flying High Together, the group's final studio album with original lead singer Smokey Robinson. This song charted at #46 on the Billboard Pop Chart, and reached the Top 10 of its R&B chart, peaking at #9.
"Happy Landing" is a 1962 R&B recording by Motown Records singing group The Miracles, issued on that label's Tamla Records subsidiary label (T54073). It was recorded in November 1962, and appeared on their album The Fabulous Miracles. The group also recorded a live version of this song on their first live album, 1963's The Miracles Recorded Live on Stage.
The Miracles Sing Modern was an unreleased 1963 album by Motown Records R&B group The Miracles. It was given the official catalog number of Tamla T234 and was due for release after The Miracles' 3rd album I'll Try Something New, having been mentioned on the sleeve notes of that album. It was intended for release in March 1963. However it was never given an official release date and Motown later decided to shelve the project.