Curt Courant | |
---|---|
![]() Fritz Lang with cameraman Curt Courant (middle) on film Frau im Mond (1929) | |
Born | 11 May 1899 |
Died | 20 April 1968 68) Los Angeles, California, U.S. | (aged
Occupation | Cinematographer |
Years active | 1917–1962 |
Curt Courant (11 May 1899 – 20 April 1968) was a German cinematographer who worked on over a hundred films during the silent and early sound eras. Courant worked in several European countries, collaborating with figures such as Alfred Hitchcock and Fritz Lang. As he was of Jewish ancestry, Courant was forced to leave Germany in 1933 and go into exile following the Nazi takeover of power. Courant worked at several of the leading British studios during the mid-1930s. He was the uncle of Willy Kurant who also became a cinematographer.
George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
Arthur Edeson, A.S.C. was a film cinematographer, born in New York City. His career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
George Joseph Folsey, A.S.C., was an American cinematographer who worked on 162 films from 1919 to his retirement in 1976.
Arthur Charles Miller, A.S.C. was an American cinematographer. He was nominated for the Oscar for Best Cinematography six times, winning three times: for How Green Was My Valley in 1941, The Song of Bernadette in 1944, and Anna and the King of Siam in 1947.
Philip E. Rosen was an American film director and cinematographer. He directed more than 140 films between 1915 and 1949.
George Henry Irving was an American film actor and director.
Harry Semels was an American film actor. He appeared in over 315 film between 1917 and 1946.
Arthur L. Todd was an American cinematographer whose work included Hot Saturday (1932), I've Got Your Number (1934) and You're in the Army Now (1941).
Hans Ferdinand Junkermann was a German actor. He was married to the Austrian actress Julia Serda.
Ernst Behmer was a prolific German stage and film actor who appeared in more than a hundred films during the silent and early sound eras.
Georg Alexander was a German film actor who was a prolific presence in German cinema. He also directed a number of films during the silent era.
Leopold von Ledebur was a German stage and film actor.
Willy Goldberger (1898–1961) was a German-Spanish cinematographer. On some Spanish films he is credited as Guillermo Goldberger.
Carl Hoffmann was a German cinematographer and film director.
Margarete Kupfer was a German actress.
Karl Platen was a German actor and cinematographer known for Girl in the Moon (1929) and M (1931).
Paul Anton Heinrich Rehkopf was a German actor.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
Harry Fischbeck (1879–1968) was a German-born cinematographer who emigrated to the United States where he worked in the American film industry. He was employed by a variety of different studios during his career including Universal, United Artists and Warner Brothers, but primarily for Paramount Pictures. One of his first credits was for the historical The Lincoln Cycle films directed by John M. Stahl.