|Born||Alfred Damon Runyan|
October 4, 1880
|Died||December 10, 1946 66) (aged|
New York City
Alfred Damon Runyon (October 4, 1880– December 10, 1946) was an American newspaperman and short-story writer.
He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. To New Yorkers of his generation, a "Damon Runyon character" evoked a distinctive social type from Brooklyn or Midtown Manhattan. The adjective "Runyonesque" refers to this type of character as well as to the type of situations and dialog that Runyon depicted.He spun humorous and sentimental tales of gamblers, hustlers, actors, and gangsters, few of whom go by "square" names, preferring instead colorful monikers such as "Nathan Detroit", "Benny Southstreet", "Big Jule", "Harry the Horse", "Good Time Charley", "Dave the Dude", or "The Seldom Seen Kid". His distinctive vernacular style is known as "Runyonese": a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions. He is credited with coining the phrase "Hooray Henry", a term now used in British English to describe the upper class version of a loud-mouthed, arrogant twit.
Runyon's fictional world is also known to the general public through the musical Guys and Dolls based on two of his stories, "The Idyll of Miss Sarah Brown" and "Blood Pressure".The musical additionally borrows characters and story elements from a few other Runyon stories, most notably "Pick The Winner". The film Little Miss Marker (and its three remakes, Sorrowful Jones , 40 Pounds of Trouble and the 1980 Little Miss Marker ) grew from his short story of the same name.
Runyon was also a newspaper reporter, covering sports and general news for decades for various publications and syndicates owned by William Randolph Hearst. Already known for his fiction, he wrote a well-remembered "present tense" article on Franklin Delano Roosevelt's Presidential inauguration in 1933 for the Universal Service, a Hearst syndicate, which was merged with the co-owned International News Service in 1937.
Damon Runyon was born Alfred Damon Runyan to Alfred Lee and Elizabeth (Damon) Runyan.His relatives in his birthplace of Manhattan, Kansas included several newspapermen. His grandfather was a newspaper printer from New Jersey who had relocated to Manhattan, Kansas in 1855, and his father was editor of his own newspaper in the town. In 1882 Runyon's father was forced to sell his newspaper, and the family moved westward. The family eventually settled in Pueblo, Colorado in 1887, where Runyon spent the rest of his youth. By most accounts, he attended school only through the fourth grade. He began to work in the newspaper trade under his father in Pueblo. In present-day Pueblo, Runyon Field, the Damon Runyon Repertory Theater Company, and Runyon Lake are named in his honor.
In 1898, when still in his teens, Runyon enlisted in the US Army to fight in the Spanish–American War. While in the service, he was assigned to write for the Manila Freedom and Soldier's Letter.
After military service, he worked for Colorado newspapers, beginning in Pueblo. His first job as a reporter was in September 1900, when he was hired by the Pueblo Star;he then worked in the Rocky Mountain area during the first decade of the 1900s: at the Denver Daily News, he served as "sporting editor" (today a "sports editor") and then as a staff writer. His expertise was in covering the semi-professional teams in Colorado. He briefly managed a semi-pro team in Trinidad, Colorado. At one of the newspapers where he worked, the spelling of his last name was changed from "Runyan" to "Runyon", a change he let stand.
After failing in an attempt to organize a Colorado minor baseball league, which lasted less than a week,Runyon moved to New York City in 1910. In his first New York byline, the American editor dropped the "Alfred" and the name "Damon Runyon" appeared for the first time. For the next ten years he covered the New York Giants and professional boxing for the New York American .
He was the Hearst newspapers' baseball columnist for many years, beginning in 1911, and his knack for spotting the eccentric and the unusual, on the field or in the stands, is credited with revolutionizing the way baseball was covered. Perhaps as confirmation, Runyon was voted the 1967 J. G. Taylor Spink Award by the Baseball Writers' Association of America (BBWAA),for which he was honored at ceremonies at the National Baseball Hall of Fame in July 1968, and added to what is commonly referred to as the "writers wing" of the Hall. He is also a member of the International Boxing Hall Of Fame and is known for dubbing heavyweight champion James J. Braddock, the "Cinderella Man". Runyon frequently contributed sports poems to the American on boxing and baseball themes, and also wrote numerous short stories and essays.
If I have all the tears that are shed on Broadway by guys in love, I will have enough salt water to start an opposition ocean to the Atlantic and Pacific, with enough left over to run the Great Salt Lake out of business. But I wish to say I never shed any of these tears personally, because I am never in love, and furthermore, barring a bad break, I never expect to be in love, for the way I look at it love is strictly the old phedinkus, and I tell the little guy as much.
from "Tobias the Terrible",
collected in More than Somewhat (1937)
One year, while covering spring training in Texas, he met Pancho Villa in a bar and later accompanied the unsuccessful American expedition into Mexico searching for Villa. It was while he was in Mexico that he met the young girl whom he eventually married.
Gambling, particularly on craps or horse races, was a common theme of Runyon's works, and he was a notorious gambler. One of his paraphrases from a line in Ecclesiastes ran: "The race is not always to the swift, nor the battle to the strong, but that's how the smart money bets."
A heavy drinker as a young man, he seems to have quit drinking soon after arriving in New York, after his drinking nearly cost him the courtship of the woman who became his first wife, Ellen Egan. He remained a heavy smoker.
His best friend was mobster accountant Otto Berman, and he incorporated Berman into several of his stories under the alias "Regret, the horse player". When Berman was killed in a hit on Berman's boss, Dutch Schultz, Runyon quickly assumed the role of damage control for his deceased friend, correcting erroneous press releases (including one that stated Berman was one of Schultz's gunmen, to which Runyon replied, "Otto would have been as effective a bodyguard as a two-year-old.").
Runyon's marriage to Ellen Egan produced two children (Mary and Damon, Jr.), but broke up in 1928 over rumors that Runyon had become infatuated with Patrice Amati del Grande, a Mexican woman he had first met while covering the Pancho Villa raids in 1916 and discovered once again in New York, when she called the American seeking him out. Runyon had promised her in Mexico that if she would complete the education he funded for her, he would find her a dancing job in New York. She became his companion after he separated from his wife. After Ellen Runyon's death, Runyon and del Grande married on July 7, 1932;that marriage ended in 1946 when she left him for a younger man.
Runyon died in New York City from throat cancer in late 1946, at age 66. His body was cremated, and his ashes were scattered from a DC-3 airplane over Broadway in Manhattan by Eddie Rickenbacker on December 18, 1946. This was an infringement of the law, but widely approved.The family plot of Damon Runyon is located at Woodlawn Cemetery in The Bronx, New York.
The English comedy writer Frank Muir commentsthat Runyon's plots were, in the manner of O. Henry, neatly constructed with professionally wrought endings, but their distinction lay in the manner of their telling, as the author invented a peculiar argot for his characters to speak. Runyon almost totally avoids the past tense (English humorist E.C. Bentley thought there was only one instance, and was willing to "lay plenty of 6 to 5 that it is nothing but a misprint", but "was" appears in the short stories "The Lily of St Pierre" and "A Piece of Pie"; "had" appears in "The Lily of St Pierre", "Undertaker Song" and "Bloodhounds of Broadway" ), and makes little use of the future tense, using the present for both. He also avoided the conditional, using instead the future indicative in situations that would normally require conditional. An example: "Now most any doll on Broadway will be very glad indeed to have Handsome Jack Madigan give her a tumble" (Guys and Dolls, "Social error"). Bentley comments that "there is a sort of ungrammatical purity about it [Runyon's resolute avoidance of the past tense], an almost religious exactitude." There is an homage to Runyon that makes use of this peculiarity ("Chronic Offender" by Spider Robinson) which involves a time machine and a man going by the name "Harry the Horse".
He uses many slang terms (which go unexplained in his stories), such as:
There are many recurring composite phrases such as:
Bentley notesthat Runyon's "telling use of the recurrent phrase and fixed epithet" demonstrates a debt to Homer.
Runyon's stories also employ occasional rhyming slang, similar to the cockney variety but native to New York (e.g.: "Miss Missouri Martin makes the following crack one night to her: 'Well, I do not see any Simple Simon on your lean and linger.' This is Miss Missouri Martin's way of saying she sees no diamond on Miss Billy Perry's finger." (from "Romance in the Roaring Forties")).
The comic effect of his style results partly from the juxtaposition of broad slang with mock-pomposity. Women, when not "dolls", "Judies", "pancakes", "tomatoes", or "broads", may be "characters of a female nature", for example. He typically avoided contractions such as "don't" in the example above, which also contributes significantly to the humorously pompous effect. In one sequence, a gangster tells another character to do as he is told, or else "find another world in which to live".
Runyon's short stories are told in the first person by a protagonist who is never named, and whose role is unclear; he knows many gangsters and does not appear to have a job, but he does not admit to any criminal involvement, and seems to be largely a bystander. He describes himself as "being known to one and all as a guy who is just around".The radio program The Damon Runyon Theatre dramatized 52 of Runyon's works in 1949, and for these the protagonist was given the name "Broadway", although it was admitted that this was not his real name, much in the way "Harry the Horse" and "Sorrowful Jones" are aliases.
There are many collections of Runyon's stories, in particular Runyon on Broadway and Runyon from First to Last. A publisher's note in the latter claims that collection contains all of Runyon's short stories not included in Runyon on Broadway,but two Broadway stories originally published in Collier's Weekly are not in either collection: "Maybe a Queen" and "Leopard's Spots", both collected in More Guys And Dolls (1950). The radio show, in addition, has a story, "Joe Terrace", that appears in ‘More Guys and Dolls’ and the August 29, 1936, issue of Colliers. It is one of his "Our Town" stories that does not appear in the “In Our Town” book, and the only episode of the show which is not a Broadway’ story, however, the action is changed in the show from Our Town to Broadway.
The "Our Town" stories are short vignettes of life in a small town, largely based on Runyon's experiences in his home town of Pueblo, Colorado.[ citation needed ] They are written in a simple, descriptive style and contain twists and odd endings based on the personalities of the people involved. Each story's title is the name of the principal character. Twenty-seven of them were published in the 1946 book In Our Town.
Runyon on Broadway contains the following stories:
More Than Somewhat
Take It Easy
Runyon from First to Last includes the following stories and sketches:
The First Stories (early non-Broadway stories):
Stories à la Carte (Broadway stories written in Runyonese):
The Last Stories (Broadway stories written in Runyonese):
Written in Sickness (sketches):
In Our Town contains the following stories:
Twenty of his stories became motion pictures.
In 1938, his unproduced play Saratoga Chips became the basis of The Ritz Brothers film Straight, Place and Show .
The Damon Runyon Theater radio series dramatized 52 of Runyon's short stories in weekly broadcasts running from October 1948 to September 1949 (with reruns until 1951).The series was produced by Alan Ladd's Mayfair Transcription Company for syndication to local radio stations. John Brown played the character "Broadway", who doubled as host and narrator. The cast also comprised Alan Reed, Luis Van Rooten, Joseph Du Val, Gerald Mohr, Frank Lovejoy, Herb Vigran, Sheldon Leonard, William Conrad, Jeff Chandler, Lionel Stander, Sidney Miller, Olive Deering and Joe De Santis. Pat O'Brien was initially engaged for the role of "Broadway". The original stories were adapted for the radio by Russell Hughes.
"Broadway's New York had a crisis each week, though the streets had a rose-tinged aura", wrote radio historian John Dunning. "The sad shows then were all the sadder; plays like For a Pal had a special poignance. The bulk of Runyon's work had been untapped by radio, and the well was deep." 189:
Damon Runyon Theatre aired on CBS-TV from 1955 to 1956.
Mike McShane told Runyon stories as monologues on British TV in 1994, and an accompanying book was released, both titled Broadway Stories.
Three Wise Guys was 2005 TV movie.
Frank Henry Loesser was an American songwriter who wrote the music and lyrics for the Broadway musicals Guys and Dolls, How to Succeed in Business Without Really Trying, and others. He won separate Tony Awards for the music and lyrics in both shows as well as shared the Pulitzer Prize for Drama for the latter. He also wrote songs for over 60 Hollywood films and for Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for "Baby, It's Cold Outside".
Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It is based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", which are two short stories by Damon Runyon, and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".
Robert G. Jordan was an American actor, most notable for being a member of the Dead End Kids, the East Side Kids, and The Bowery Boys.
Albert Gordon MacRae was an American actor, singer and radio/television host who appeared in the film versions of two Rodgers and Hammerstein musicals Oklahoma! (1955) and Carousel (1956) and who played the leading man of Doris Day in On Moonlight Bay (1951) and sequel By The Light of the Silvery Moon (1953).
Nikolaos Andreas Dandolos, commonly known as Nick the Greek, was a Greek professional gambler and high roller.
"The Idyll of Miss Sarah Brown" is a short story by Damon Runyon telling of the improbable — but eventually triumphant — love between an inveterate gambler and a missionary girl. It was the basis for the musical Guys and Dolls, with a similar plot, but with many twists added before the lovers are reunited and live happily ever after. It was published in 1933. In 1949, it was dramatized on radio as part of a program titled Damon Runyon Theatre.
Sheldon Leonard Bershad ,known professionally as Sheldon Leonard, was an American film and television actor, producer, director, and writer.
Sam Levene was a Broadway, film, radio and television actor as well as a director. In a career spanning over five decades, he originated some of the most legendary comedic roles in American theatrical history, including Nathan Detroit, the craps-shooter extraordinaire, in the 1950 original Broadway production of Guys and Dolls (1950), Max Kane, the hapless agent, in the original 1932 Broadway production of Dinner at Eight (1932); Patsy, a professional if not always successful gambler, in the longest running and original Broadway production of Three Men on a Horse (1935); Gordon Miller, the shoestring producer, in the original Broadway production of Room Service (1937); Sidney Black, a theatrical producer, in Moss Hart's original Broadway production of Light Up the Sky (1948), Horace Vandergelder, the crotchety merchant of Yonkers, in the premier UK production of Thornton Wilder's The Matchmaker (1954), a play that became the basis for the musical Hello Dolly, Lou Winkler, a businessman in the original Broadway production of Fair Game (1957) a comedy by Sam Locke that Larry Gelbart attributed its 217-performance run mostly to the performance and drawing power of Sam Levene who starred in the comedy with Ellen McRae, a 25-year ingenue making her Broadway debut and who later changed her name to Ellen Burstyn; and Al Lewis, the retired vaudevillian, in the original Broadway production of The Sunshine Boys (1972), Neil Simon’s salute to vaudevillians opposite Jack Albertson as Willie Clark, a role Levene performed 466 times on Broadway, first with Jack Albertson until October 28, 1974 and later opposite Jack Gilford, October 30, 1974 until February 10, 1975. In 1984, Levene was posthumously inducted in the American Theatre Hall of Fame and in 1998, Sam Levene along with the original Broadway cast of the 1950 Guys and Dolls Decca cast album posthumously inducted into the Grammy Hall of Fame.
Abe Burrows was an American humorist, author, and director for radio and the stage. He won a Tony Award and was selected for two Pulitzer Prizes, only one of which was awarded.
Guys and Dolls is a 1955 American musical film starring Marlon Brando, Jean Simmons, Frank Sinatra, and Vivian Blaine. The film was made by Samuel Goldwyn Productions and distributed by Metro-Goldwyn-Mayer (MGM). It was directed by Joseph L. Mankiewicz, who also wrote the screenplay. The film is based on the 1950 Broadway musical by composer and lyricist Frank Loesser, with a book by Jo Swerling and Abe Burrows, which, in turn, was loosely based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", two short stories by Damon Runyon. Dances were choreographed by Michael Kidd, who had staged the dances for the Broadway production.
Lindy's was two different deli and restaurant chains in Manhattan, New York City. The first chain, founded by Leo "Lindy" Lindemann, operated from 1921 to 1969. In 1979, the Riese Organization determined that the Lindy's trademark had been abandoned, and opened new restaurants, the last of which closed in February 2018.
The Damon Runyon Stakes is an American Thoroughbred horse race operated by the New York Racing Association (NYRA) at its Aqueduct Racetrack in South Ozone Park, Queens. First run in 1979, the annual event is currently contested on dirt over a distance of 7 furlongs. Restricted to horses bred in New York State, it was usually run in the late fall or early winter and open for two-year-olds only until 2020. With no race in 2019, those two-year-olds who turned three in 2020 competed when it was run on March 15th.
Ramon Del Barrio is an American performer, choreographer, dancer and singer. He is sometimes credited as Raymond Del Barrio.
George E. Stone was a Polish-born American character actor in movies, radio, and television.
Bloodhounds of Broadway is a 1952 Technicolor musical film directed by Harmon Jones and based on a Damon Runyon story. It stars Mitzi Gaynor along with Scott Brady, Mitzi Green, Marguerite Chapman, Michael O'Shea, Wally Vernon, and George E. Stone. Charles Bronson appears, uncredited, as Charles Buchinski.
Bloodhounds of Broadway is a 1989 American ensemble period comedy film based on four Damon Runyon stories: "The Bloodhounds of Broadway", "A Very Honorable Guy", "The Brain Goes Home" and "Social Error". Directed by Howard Brookner, it stars Matt Dillon, Jennifer Grey, Anita Morris, Julie Hagerty, Rutger Hauer, Madonna, Esai Morales and Randy Quaid. Madonna and Jennifer Grey perform a duet, "I Surrender Dear", during the film. Madonna earned a Golden Raspberry Award nomination for Worst Supporting Actress for her performance in the film, where she lost to Brooke Shields for Speed Zone.
The Big Street is a 1942 American drama film starring Henry Fonda and Lucille Ball, based on the 1940 short story "Little Pinks" by Damon Runyon, who also produced the movie. The film was directed by Irving Reis. The screenplay was written by Leonard Spigelgass from Runyon's story.
John Brown was an English radio and film actor.
Damon Runyon Theater is an American television program that presented dramatized versions of Damon Runyon's short stories. Hosted by Donald Woods, the program, sponsored by Anheuser-Busch's Budweiser beer, aired for a total of 39 episodes on CBS from April 1955 through February 1956.
Professional Soldier is a 1935 adventure film based on a 1931 story by Damon Runyon, "Gentlemen, the King!" It stars Victor McLaglen and Freddie Bartholomew. The film was directed by Tay Garnett, and produced by Twentieth Century Fox.
The Damon Runyon Theater, dramatic anthology.
|Booknotes interview (December 29, 1991) with Jimmy Breslin on his book, Damon Runyon: A Life, C-SPAN|
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