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Sodom und Gomorrha: Die Legende von Sünde und Strafe is an Austrian silent epic film from 1922. It was shot on the Laaer Berg, Vienna, as the enormous backdrops specially designed and constructed for the film were too big for the Sievering Studios of the production company, Sascha-Film, in Sievering. The film is distinguished, not so much by the strands of its often opaque plot, as by its status as the largest and most expensive film production in Austrian film history. In the creation of the film between 3,000 and 14,000 performers, extras and crew were employed.
Lucy Doraine was a Hungarian film actress of the silent era. Born as Ilona Kovács in Budapest, she appeared in more than 20 films between 1918 and 1931. She was married to film director Michael Curtiz from 1918 to 1923. She died in Los Angeles, California, aged 91.
The House in Montevideo is a 1951 West German comedy film directed by Curt Goetz and Valérie von Martens and starring Goetz, von Martens, Albert Florath and Lia Eibenschütz. It is an adaptation of Goetz's 1945 comic play The House in Montevideo. Goetz and von Martens had frequently played the lead parts on the stage. The play was later adapted into another film of the same title in 1963.
Lia Eibenschütz (1899–1985) was a German actress. She was married to the actor Kurt Vespermann with whom she had a son Gerd Vespermann who also became an actor.
The Doll Maker of Kiang-Ning is a 1923 German silent fantasy film directed by Robert Wiene and starring Werner Krauss, Lia Eibenschütz, and Ossip Runitsch. A doll maker in China crafts a puppet which he is convinced is lifelike. He takes it to exhibit at a public event, but is outraged to find an even more convincing and beautiful doll there. It is in fact a real woman pretending to be a doll, but he becomes so obsessed he attempts to steal her and the film ends with her rescue and his tragic death.
William Tell is a 1923 German silent adventure film directed by Rudolf Dworsky and Rudolf Walther-Fein and starring Hans Marr, Conrad Veidt, and Erich Kaiser-Titz. The film portrays the story of the legendary Swiss national hero William Tell. The sets were designed by Rudi Feld.
William Tell is a 1934 German-Swiss historical drama film directed by Heinz Paul and starring Hans Marr, Conrad Veidt and Emmy Göring. It is based on the 1804 play William Tell by Friedrich Schiller about the Swiss folk hero William Tell. It was made in Germany by Terra Film, with a separate English-language version supervised by Manning Haynes also being released. While working on the film Veidt, who had recently given sympathetic performances of Jews in Jew Suss (1934) and The Wandering Jew, was detained by the authorities. It was only after pressure from the British Foreign Office that he was eventually released. It is also known by the alternative title The Legend of William Tell.
Nathan the Wise is a 1922 German silent historical film directed by Manfred Noa and starring Fritz Greiner, Carl de Vogt and Lia Eibenschütz. It is based on the 1779 play Nathan the Wise by Gotthold Ephraim Lessing. It was made by Bavaria Film at the Emelka Studios. The film provoked protests in Munich from far-right groups who felt it was too pro-Jewish.
The Great Opportunity is a 1925 German silent film directed by Lorand von Kabdebo and starring Kurt Vespermann, Lia Eibenschütz and Colette Brettel. The production is notable as marking the filmmaking debut of Henry Koster, who co-wrote the screenplay. Koster would go on to become a top Hollywood film director.
The Woman from Berlin is a 1925 German silent drama film directed by Lorand von Kabdebo and starring Werner Krauss, Lia Eibenschütz and William Dieterle.
Women of Luxury is a 1925 German silent comedy film directed by Erich Schönfelder and starring Lee Parry, Hans Albers and Rudolf Lettinger. It was made at the Johannisthal Studios near Berlin.
Hunted Men is a German silent film made in 1924 and directed by Erich Schönfelder and starring Lucy Doraine, Johannes Riemann and Hans Albers.
The Merry-Go-Round is a 1920 German silent film directed by Richard Oswald and starring Asta Nielsen, Conrad Veidt and Eduard von Winterstein. It was adapted from the 1897 play, La Ronde by Arthur Schnitzler.
Unheimliche Geschichten, titled Eerie Tales in English, is a 1919 German silent anthology film directed by Richard Oswald and starring Conrad Veidt. The film is split into five stories: The Apparition, The Hand, The Black Cat, The Suicide Club and Der Spuk.
Love's Finale is a 1925 German silent film directed by Felix Basch and starring Nils Asther and Lucy Doraine.
The Little Duke is a 1924 German silent film directed by Rudolf Walther-Fein and starring Carl Wallauer, Paul Biensfeldt and Lia Eibenschütz.
Diary of a Lost Woman is a 1918 German silent drama film directed by Richard Oswald and starring Erna Morena, Reinhold Schünzel, and Werner Krauss. The rising star Conrad Veidt also appeared. It is now considered a lost film. It was remade at the end of the silent era as Diary of a Lost Girl by Georg Wilhelm Pabst.
Kurfürstendamm is a 1920 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Asta Nielsen, and Erna Morena. It is set on the Kurfürstendamm in central Berlin. It is now considered a lost film.
The Passion of Inge Krafft is a 1921 German silent drama film directed by Robert Dinesen and starring Mia May, Albert Steinrück and Conrad Veidt.
Prostitution is a 1919 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Reinhold Schünzel and Gussy Holl. It was released in two parts Das gelbe Haus and Die sich verkaufen. It was one of several enlightenment films made during the era by Oswald. The physician Magnus Hirschfeld was an advisor on the production. The first part premiered at the Marmorhaus in Berlin.
References
- ↑ Grange, William (2008). Cultural Chronicle of the Weimar Republic. Lanham, MD: Scarecrow Press. p. 211. ISBN 978-0-8108-5967-8.
