Jugendstil was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration.
Henry Clemens van de Velde was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. He worked in Paris with Siegfried Bing, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German Jugendstil. He had a decisive influence on German architecture and design at the beginning of the 20th century.
In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend (Youth), which also went on to lend its name to the Jugendstil. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined.
The first Werkbund Exhibition of 1914 was held at Rheinpark in Cologne, Germany.
Heinrich Tessenow was a German architect, professor, and urban planner active at the time of the Weimar Republic.
The National Prize of the German Democratic Republic (East Germany) (German: Nationalpreis der Deutschen Demokratischen Republik) was an award of the German Democratic Republic (GDR) given out in three different classes for scientific, artistic, and other meritorious achievement. With scientific achievements, it was often given to entire research groups rather than individual scientists.
Bruno Paul was a German architect, illustrator, interior designer, and furniture designer.
Der Ring was an architectural collective founded in 1926 in Berlin. It emerged from expressionist architecture with a functionalist agenda. Der Ring was a group of young architects, formed with the objective of promoting Modernist architecture. It took a position against the prevailing architecture of the time, Historicism. With the rise of National Socialism and the increasing difficulty between Hugo Häring and the other members, Der Ring dissolved in 1933.
In the meantime the German architects whose work follows newly discovered laws of design, have founded a new association. 'The Ring' — a figure of self-contained form without a head — unites a group of like-minded people to pursue their ideals in unison.
The House Order of Hohenzollern was a dynastic order of knighthood of the House of Hohenzollern awarded to military commissioned officers and civilians of comparable status. Associated with the various versions of the order were crosses and medals which could be awarded to lower-ranking soldiers and civilians.
Richard Riemerschmid was a German architect, painter, designer and city planner from Munich. He was a major figure in Jugendstil, the German form of Art Nouveau, and a founder of architecture in the style. A founder member of both the Vereinigte Werkstätte für Kunst im Handwerk and the Deutscher Werkbund and the director of art and design institutions in Munich and Cologne, he prized craftsmanship but also pioneered machine production of artistically designed objects.
Will Lammert was a German sculptor. In 1959 he was posthumously awarded the National Prize of the German Democratic Republic.
Events in the year 1907 in Germany.
The Kölner Werkschulen, formerly Cologne Art and Craft Schools, was a university in Cologne training artists in visual arts, architecture and design from 1926 to 1971.
Bekenntnis der Professoren an den Universitäten und Hochschulen zu Adolf Hitler und dem nationalsozialistischen Staat officially translated into English as the Vow of allegiance of the Professors of the German Universities and High-Schools to Adolf Hitler and the National Socialistic State was a document presented on 11 November 1933 at the Albert Hall in Leipzig. It had statements in German, English, Italian, and Spanish by selected German academics and included an appendix of signatories. The purge to remove academics and civil servants with Jewish ancestry began with a law being passed on 7 April 1933. This document was signed by those that remained in support of Nazi Germany.
Werkbund exhibition – The Dwelling was an exhibition organised by Deutscher Werkbund held in Stuttgart between July and October 1927.
Große Berliner Kunstausstellung , abbreviated GroBeKa or GBK, was an annual art exhibition that existed from 1893 to 1969 with intermittent breaks. In 1917 and 1918, during World War I, it was not held in Berlin but in Düsseldorf. In 1919 and 1920, it operated under the name Kunstausstellung Berlin. From 1970 to 1995, the Freie Berliner Kunstausstellung was held annually in its place.
Max Creutz was a German art historian and curator of the Museum für Angewandte Kunst Köln and the Kaiser-Wilhelm-Museum in Krefeld where he worked from 1922 until his death. In Cologne, in 1914 he was instrumental in the first exhibition of the Deutscher Werkbund, Deutsche Werkbundausstellung. In Krefeld, he succeeded in acquiring modern art exhibits, including works by Max Ernst, Wassily Kandinsky, and Alexej von Jawlensky. He included a substantial collection of art, crafts and design from the Bauhaus.
Kunst und Künstler: illustrierte Monatsschrift für bildende Kunst und Kunstgewerbe was a German periodical, that shaped the reception of art during the first third of the 20th century. It was in circulation between 1902 and 1933.
Walter Rossow was a leading German Landscape architect and, during his later years, a university professor. After 1945, together with leading architects of the time such as Egon Eiermann and Paul Baumgarten, Walter Rossow played a key role in reconstructing Berlin.
