Devil's Elbow (Doug Kershaw album)

Last updated
Devil's Elbow
Devil's Elbow (Doug Kershaw album).jpg
Studio album by
Released1972
RecordedThe Sound Shop, Nashville, Tennessee
Label Warner Bros.
Producer Buddy Killen
Doug Kershaw chronology
Swamp Grass
(1972)
Devil's Elbow
(1972)
Douglas James Kershaw
(1973)

Devil's Elbow is a 1972 album by Doug Kershaw. [1]

Reception

The album was received as a swing towards psychedelic music. [2] [3] [4] Stereo Review did not welcome Kershaw's move from Cajun fiddler to Nashville singer. [5]

Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline and DMT to experience visual and auditory hallucinations, synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs.

Contents

Track listing

  1. "Super Cowboy" (Joe Allen)
  2. "Devil's Elbow" (Don Wayne)
  3. "Get a Little Dirt on Your Hands" (Bill Anderson)
  4. "Jamestown Ferry" (Bobby Borchers, Mack Vickery)
  5. "Billy Bayou" (Roger Miller)
  6. "Lou'siana Sun" (Doug Kershaw)
  7. "You Don't Want My Love" (Roger Miller)
  8. "Honky Tonk Wine" (Mack Vickery)
  9. "Fisherman's Luck" (Doug Kershaw)
  10. "Sally Was a Good Old Girl" (Harlan Howard)
  11. "I Like Babies" (Doug Kershaw, Don Wayne)
  12. "(Had Not Been For) My Sally Jo" (Doug Kershaw, Buddy Killen)

Personnel

Johnny Christopher is a songwriter.

Troy Harold Seals is an American singer, songwriter, and guitarist.

Thomas Clark Cogbill was an American bassist, guitarist and record producer working in the R&B, soul music, and country music genres.

Technical

Edward Lee Thrasher Jr., known as Ed Thrasher, was an American Art Director and photographer. He was the recipient of numerous Grammy Award nominations for his work on album covers and won a Grammy for Best Album Package in 1974 for the Mason Proffit cover "Come & Gone". He worked with many artists, such as Frank Sinatra, Dean Martin and The Beach Boys.

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References

  1. Donald Clarke, Alan Cackett, Paul Balmer The Penguin encyclopedia of popular music 1998 p.688 "DOUG KERSHAW .. The Cajun Way '69, Spanish Moss '70, Doug Kershaw and Devil's Elbow '71, Douglas James Kershaw '73, "
  2. Phil Hardy, Dave Laing Da Capo companion to twentieth-century popular music 1995- Page 510 " Swamp Grass (1972) had a heavy-rock emphasis while Devil's Elbow swung towards psychedelic music and Douglas James Kershaw..."
  3. Patricia Nyhan, Brian Rollins, David Babb Let the good times roll!: a guide to Cajun & zydeco music 1998 - Page 87 "Devil's Elbow i 1972/Warner Bros. 2649 LP This album has a country & western feel, probably due to the country music writers producer Buddy Killen chose: Roger Miller, Don Wayne and Harlan Howard. Kershaw delivers forceful vocals on the title track and his own Louisiana"
  4. High Fidelity 1973- Volume 23 Page 266 "Doug Kershaw: Devil's Elbow. Doug Kershaw, fiddle and vocals; vocal and instrumental accompaniment. Devil's Elbow, eleven more. Warner Bros. BS 2649, $5.98. Kershaw claims to have written more than 19,000 songs, which may lead "
  5. Stereo Review -1973 Volume 30 p. 94 "DOUG KERSHAW: Devil's Elbow. ... Performance: Wrong turn Recording: Commercial Doug Kershaw seems to have decided to leave the Bayou country and move up deep into the heart of commercial Nashville. This album displays almost none .. purely magical fiddling and features him as a vocalist. Bad move. As a c-&-w singer he is just an adequate one among many. Slickness pervades everything here, and dullness is the result. As a fiddler the man is an artist, uniquely evocative"