|Opera by Giselher Klebe|
The composer in 2008
|Based on|| Die Räuber |
by Friedrich Schiller
|Premiere||3 June 1957|
Deutsche Oper am Rhein, Düsseldorf
Die Räuber (The Robbers), Op. 25, is an opera in four acts by Giselher Klebe who also wrote the libretto based on the play by Friedrich Schiller.
Giselher Wolfgang Klebe was a German composer, and an academic teacher. He composed more than 140 works, among them 14 literary operas, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music.
A libretto is the text used in, or intended for an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
The Robbers is the first drama by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim, Germany, and was inspired by Leisewitz' earlier play Julius of Tarent. It was written towards the end of the German Sturm und Drang movement, and many critics, such as Peter Brooks, consider it very influential in the development of European melodrama. The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi's opera of the same name, I masnadieri.
It premiered on 3 June 1957 at the Deutsche Oper am Rhein, Düsseldorf. It is dedicated to the memory of Giuseppe Verdi. It was written between 1951 and 1956, and revised in 1961/1962.
The Deutsche Oper am Rhein is an opera company based in Düsseldorf and Duisburg. The opera also has an associated classical ballet company. Axel Kober has been its Music Director since 2009. The resident orchestra, the Düsseldorfer Symphoniker, play both opera and symphonic repertoire.
Düsseldorf is the capital and second-largest city of the most populous German federal state of North Rhine-Westphalia after Cologne, as well as the seventh-largest city in Germany. with a population of 617,280. At the confluence of the Rhine and its tributary Düssel, the city lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Regions with the Cologne Bonn region to its south and the Ruhr to its north. Most of the city lies on the right bank of the Rhine. The city is the largest in the German Low Franconian dialect area. "Dorf" meaning "village" in German, the "-dorf" suffix is unusual in the German-speaking area for a settlement of Düsseldorf's size.
Giuseppe Fortunino Francesco Verdi was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.
Tenor is a male voice type in classical music whose vocal range lies between the countertenor and baritone. The tenor's vocal range extends up to C5. The low extreme for tenors is roughly A♭2 (two A♭s below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. Originally from the Greek βαρύτονος (barýtonos), meaning heavy sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but can be extended at either end. The baritone voice type is generally divided into the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
A soprano[soˈpraːno] is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) =880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) =1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano.
Time and place: Germany in the middle of the 18th century
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The German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
Edmund Josef von Horváth was a German-writing Austro-Hungarian-born playwright and novelist. He preferred the Hungarian version of his first name and published as Ödön von Horváth.
Thomas Stewart was an American bass-baritone who specialized in Wagnerian roles.
Die tödlichen Wünsche, Op. 27, is an opera by Giselher Klebe who also wrote the libretto based on La Peau de chagrin by Honoré de Balzac. It consists of fifteen lyrical scenes in three acts. It premiered on 14 June 1959 at the Deutsche Oper am Rhein in Düsseldorf, conducted by Reinhard Peters, and was published by Boosey & Hawkes. The opera was revived in 2006 at the Landestheater Detmold on the occasion of the composer's 80th birthday.
Die Ermordung Cäsars, Op. 32, is an opera in one act by Giselher Klebe who also wrote the libretto based on the translation by August Wilhelm von Schlegel of Shakespeare's play Julius Caesar.
Alkmene (Alcmene), op. 36, is an opera in three acts, with music and libretto by Giselher Klebe. Klebe based the libretto on Amphitryon by Heinrich von Kleist, which in turn was based on Molière's play of the same name. The composer dedicated the work to his mother, the violinist Gertrud Klebe.
Figaro läßt sich scheiden, op.40, is an opera in two acts by Giselher Klebe based on the comedy of the same name by Ödön von Horváth. Klebe also wrote the libretto for this work.
Das Märchen von der schönen Lilie, Op. 55, is an opera in two acts by Giselher Klebe; his wife, Lore Klebe, wrote the libretto based on the fairy tale, Das Märchen, part of the novella Unterhaltungen deutscher Ausgewanderten by Johann Wolfgang von Goethe.
Das Mädchen aus Domrémy, Op. 72, is an opera in two acts by Giselher Klebe who with his wife, Lore Klebe, also wrote the libretto based on the play Die Jungfrau von Orléans by Friedrich Schiller.
Der Jüngste Tag, op.82, is an opera in three acts composed by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the play of the same name by Ödön von Horváth.
A bass ( BAYSS) is a type of classical male singing voice and has the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the basso cantante (singing bass), basso buffo ("funny" bass), or the dramatic basso profondo (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German fach system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can overlap. Rare is the performer who embodies a single fach without also touching repertoire from another category.
A robber is someone who steals.
Bluthochzeit is an opera in two acts by Wolfgang Fortner. The libretto, also by Fortner, is based on Enrique Beck's German translation of García Lorca's 1933 play Bodas de sangre. It premiered at the Cologne Opera on 8 June 1957.
Hans-Dieter Bader is a German operatic tenor. He performed for decades leading parts as both a dramatic and a lyrical tenor at the Staatsoper Hannover. He appeared in around 90 operatic roles and in concert and oratorio.
Melitta Muszely is an Austrian operatic soprano and a voice teacher. She made a career based in Germany, mainly at the Hamburg State Opera with guest contracts to the Komische Oper Berlin and the Vienna State Opera, among others. She took part in world premieres, and performed internationally in Europe. She appeared in all four female characters in Offenbach's Hoffmanns Erzählungen in the 1958 legendary production by Walter Felsenstein, and sang recitals until 2008.