|Do Bigha Zamin|
|Directed by||Bimal Roy|
|Produced by||Bimal Roy|
|Written by||Paul Mahendra|
|Screenplay by||Hrishikesh Mukherjee|
|Story by||Salil Chowdhury|
|Based on||"Dui Bigha Jomi"|
by Rabindranath Tagore
|Starring|| Balraj Sahni |
|Music by||Salil Chowdhury|
|Edited by||Hrishikesh Mukherjee|
Bimal Roy Productions
|Distributed by||Bimal Roy Productions|
|Box office||₹70 lakh (equivalent to ₹60 croreorUS$8.3 million in 2019)|
Do Bigha Zamin (lit. 'Two bighas of land') is a 1953 Indian Hindi-language drama film directed by Bimal Roy. Based on Rabindranath Tagore's Bengali poem "Dui Bigha Jomi", the film stars Balraj Sahni and Nirupa Roy in lead roles. Known for its socialist theme, it is considered an important film in the early parallel cinema of India, and a trend setter.
Inspired by Italian neo-realistic cinema, Bimal Roy made Do Bigha Zameen after watching Vittorio De Sica's Bicycle Thieves (1948).Like most of Bimal Roy's movies, art and commercial cinema merge to create a movie that is still viewed as a benchmark. It has paved the way for future cinema makers in the Indian neo-realist movement and the Indian New Wave, which began in the 1950s.
A moderate commercial success, it was awarded the All India Certificate of Merit for Best Feature Film, it became the first film to win the Filmfare Best Movie Award and the first Indian film to win the International Prize at the Cannes Film Festival, after Neecha Nagar (1946), which won the Palme d'Or (Grand Prize).It was also winner of the Social Progress Award at the Karlovy Vary International Film Festival. In 2005, Indiatimes Movies ranked the movie amongst the Top 25 Must See Bollywood Films. The film was also released in China and in USSR.
The film also marks Meena Kumari's maiden guest appearance in her 33 years long career. The lullaby, Aa Jaa Ri Aa is picturised on her.
The story revolves around a farmer, Shambu Mahato (Balraj Sahni), who lives with his wife Parvati ("Paro" (Nirupa Roy)) and son Kanhaiya (Ratan Kumar) in a small village that is hit by drought. After years of drought and famine, the region finally gets rain, leading the farmers to rejoice. Shambu owns two bighas of land (a bigha being the equivalent of two-thirds of an acre of land), which is the only means of livelihood for the whole family. The local zamindar (landlord) Thakur Harnam Singh (Murad) partners with some businessmen to construct a mill on his large parcel of land, which in return, he opines, would bring them profit and bring prosperity to the village. The only problem is that in the middle of Harnam Singh's land lies Shambu's meager two bighas of land.
Harnam Singh is very confident that he can buy Shambu's land. Shambu has borrowed money from Harnam Singh several times in the past and has not paid off his debt. Harnam Singh calls for Shambu and proposes to Shambu to sell his land to him in exchange for his debt. Shambu disagrees to sell his only means of livelihood. Angered by the refusal, Harnam Singh orders him to repay his debt by the next day or risk the auctioning of his land.
Shambu returns home to discuss the issue with his father; father and son figure that the debt amounts to Rs. 65/-. Shambu wants to save his land by all means and sells all his household items, including his wife's gold earrings. When Shambu meets Harnam Singh's accountant to pay back his debt of Rs. 65/-, he is shocked to know that he actually owes Rs. 235/-. The accountant had fudged the accounts and now refuses to consider the labor provided by Shambu's father Gangu as a portion of the debt payoff. The case goes to court and Shambu, being illiterate, has a tough time explaining to the judge how the accountant fudged the numbers and how he took the accountant's word at face value and did not demand any receipt. Shambu loses the case and the judge orders Shambu to pay Rs. 235/- to Harnam Singh in 3 months. If Shambu is not able to clear the debt, then his land would be auctioned off and the proceeds would go to pay off his debts.
Shambu now struggles to get the money. He is unable to get a loan because he has no collateral. One of his friends gives him an idea to go to Calcutta (now Kolkata) and try to get a job to earn enough money to pay off his debt. Shambu likes this idea but faces resistance from his wife as she is pregnant and does not want to live away from him. Shambu persuades her that he'll be gone for only 3 months and it would benefit his family and the soon-to-be-born baby. Kanhaiya wants to join his father too, but Shambu refuses and scolds him. On the train to Calcutta, Shambu finds Kanhaiya hiding in it - hitchhiking or as a stowaway - and after a brief confrontation agrees to take Kanhaiya with him.
In Calcutta, Shambu and Kanhaiya have a harsh welcome. Nobody is willing to talk with them, let alone help them. Kanhaiya befriends a street-side shoe-shiner named Lalu "Ustad" (Jagdeep). They even lose their last possessions while they are asleep on the footpath. Kanhaiya falls ill and Shambu ends up renting a small room in the slums with the help of a tea vendor and the landlady's adopted grandchild, Rani. To pay the rent, Shambu works as a coolie. Shambu befriends an old rickshaw-puller, (Nazir Hussain), who helps him get a license as a rickshaw-puller. Kanhaiya tries to help his family by taking up shoe-shining with the help of the old rickshaw-puller and Lalu. Back in the village, Parvati and Gangu survive on eating water chestnuts picked from the local river. She seeks help from Bahu (Meena Kumari) to write letters to Shambu and stay in touch.
Near the end of the third month, Shambu becomes desperate about earning and saving money. One day, a man asks Shambu to chase another rickshaw that is carrying his girlfriend. Shambu is asked to pull the rickshaw very fast for more money. The rickshaw loses a wheel and Shambu meets with an accident. Looking at the condition of his father, Kanhaiya joins a pickpocket to earn quick money. Shambu gets angry on learning this and beats Kanhaiya. Meanwhile, Parvati gets worried since she receives no letters or money from Shambu and the Zamindar's accountant accuses Shambu of forgetting his family. She ends up working at a local construction site and is devastated when she receives news of Shambu's accident. Finally, Parvati decides to visit Shambu in the city even though Gangu is bedridden and has a high fever.
Parvati arrives in Calcutta and is taken in by a strange man, who claims he knows Shambu and will take her to him. He takes her to his shed and tries to steal her belongings and rape her. She flees from him but comes under a car. A crowd gathers around her and they call for a rickshaw to take her to the hospital. Shambu, who is passing by, offers a ride and is shocked to see that it is his own wife - injured. Meanwhile, Kanhaiya, unable to withstand his father's condition, steals money from a lady and runs back to the slum. He comes to know about his mother's condition and rushes to the hospital. He cries after seeing his injured mother and claims that God has punished them because he started stealing money. He rips the money into pieces. The doctors tell Shambu that he has to spend money on medicine and blood to save his wife. Poor Shambu has no choice but to spend all his earnings to save his wife.
Back in the village, the land is auctioned because Shambu could not pay back the debt and Gangu becomes insane. The land, now owned by Harman Singh, sees the beginning of mill construction. Shambu and his family return to the village, only to see their land sold and a factory being constructed on it. He then tries to get a handful of dirt (soil) from his land but is stopped by a strongman (security guard). The film ends as Shambu and his family walk away from their former land.
In 1952, at the first International Film Festival in Mumbai, director Bimal Roy saw Vittorio De Sica's 1948 Italian film Bicycle Thieves (1954). In the train while he was returning home, he decided to make his next film as real as the film and shot on location.His wife, Manobina Roy, recalled her excited husband instructing his unit to come up with a story right after the screening. The film was based on Rickshawalla, a short story written by composer Salil Chowdhury. It revolved around a farmer who desperately pounds the streets of Kolkata to earn the Rs 235 needed to save his two acres of land, only to lose it to the industrialisation. Chowdhury agreed to Roy taking his idea, but on the condition that he would score the music.
Initially Roy had planned to cast Paidi Jairaj, Trilok Kapoor and Nazir Hussain in the lead, then he saw the performance of Balraj Sahni in Hum Log (1951) and decided to cast him.This decision of Roy was criticised by his team as Sahni had mostly done rich roles. To better prepare for the role, Balraj Sahni actually rehearsed for the role by pulling a rickshaw on the streets of Calcutta. He interacted with many rickshaw pullers and some of them were facing the same situation as portrayed in the movie. Actress Nirupa Roy had mostly done the role of Hindu goddess in several mythological films till that time. She was cast in the role of Parvati. She wept in real for her scenes in the film, saying, "this is the first film I didn't use glycerine for tears."
The films title is derived from a famous poem by Rabindranath Tagore, called "Dui Bigha Jomi". Bimal Roy distributed the film abroad with the name "Calcutta – The Cruel City". The measurement of Bigha varies from state to state. In Bengal, where the movie is based, 3 bigha is one acre (4,000 m2). Roy filmed Parineeta (1953) and Do Bigha Zamin at the same time in Kolkata. Hrishikesh Mukherjee was the film's editor and scenario writer. He asked Meena Kumari if she'd do a cameo in the film, on which she agreed after seeing the stills of the film.
The music for the film was composed by Salil Chowdhury, with lyrics written by Shailendra. In an interview with All India Radio, Chowdhury described the tune for "Apni Kahani Chod Ja – Dharti kahe pukaar ke" having been inspired by a Red Army march song as well as influenced by Bhairavi (hence the added stanza and Aalap at the beginning of the song), thus giving it a Komal Gandhara (Ga) lilt to make it softer.
Nirupa Roy was an Indian actress who had appeared in Hindi films. Noted for her portrayals of tragedy and sorrow, Roy was known for her acting ability, and was uncharitably called the "Queen of Misery" in Hindi film circles. Roy was active from 1946 to 1999, and was best known for playing motherly roles. Roy appeared in over 250 films, and won three Filmfare Awards throughout her career, as well as being nominated for one. In 2004, Roy received the Filmfare Lifetime Achievement Award.
Bimal Roy was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin, Parineeta, Biraj Bahu, Devdas, Madhumati, Sujata, Parakh and Bandini, making him an important director of Hindi cinema. Inspired by Italian neo-realistic cinema, he made Do Bigha Zamin after watching Vittorio De Sica's Bicycle Thieves (1948). His work is particularly known for his mise en scène which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.
Balraj Sahni was an Indian film and stage actor, who is best known for Dharti Ke Lal (1946), Do Bigha Zameen (1953), Chhoti Bahen (1959), Kabuliwala (1961) and Garam Hawa (1973). He was the brother of Bhisham Sahni, noted Hindi writer, playwright, and actor.
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Salil Chowdhury; was an Indian songwriter, music director, lyricist, writer, and poet who predominantly composed for Bengali, Hindi, and Malayalam films. He composed music for films in 13 languages. This includes over 75 Hindi films, 41 Bengali films, around 27 Malayalam films, and a few Marathi, Tamil, Telugu, Kannada, Gujarati, Oriya and Assamese films. His musical ability was widely recognised and acknowledged in the Indian film industry. He was an accomplished composer and arranger who was proficient in several musical instruments, including flute, the piano, and the esraj. He was also widely acclaimed and admired for his inspirational and original poetry in Bengali.
Madhumati is a 1958 Indian Hindi-language paranormal romance film directed and produced by Bimal Roy, and written by Ritwik Ghatak and Rajinder Singh Bedi. The film stars Dilip Kumar and Vyjayanthimala in the lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. They are unable to have a relationship during their lifetimes and are reincarnated.
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Dharti Ke Lal is a 1946 Hindustani film, the first directorial venture of the noted film director Khwaja Ahmad Abbas. It was jointly written by Khwaja Ahmad Abbas and Bijon Bhattacharya, based on plays by Bhattacharya and the story Annadata by Krishan Chander. The film had music by Ravi Shankar, with lyrics by Ali Sardar Jafri, Nemichand Jain, Vamiq, and Prem Dhawan.
Rajinder Singh Bedi was an Indian Urdu writer of the progressive writers' movement and a playwright, who later worked in Hindi cinema as a film director, screenwriter and dialogue writer.
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Nana Palshikar was an Indian film actor who appeared in over 80 Hindi films. He made his film debut in 1935 with Dhuwandhar, and went on to play character roles in both Hindi mainstream and arthouse films. He was also cast in small parts in a few international productions such as Maya (1966), The Guru (1969) and Gandhi (1982). Palshikar was awarded the Filmfare Award for Best Supporting Actor twice, in 1962 and 1965. He was recognised with an award in the same category by the Bengal Film Journalists' Association in 1965.
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Filmography for the Indian actor Nazir Hussain, who has acted in more than 500 films. The list below is incomplete.
Garam Coat was a 1955 Indian Hindi drama film, directed by Amar Kumar and written by noted writer Rajinder Singh Bedi, adapted from the short story, The Overcoat (1842) by Nikolai Gogol. Bedi set the story in the economic turmoil of the post-partition North India, also experiencing a collapse in human values, fractured social fabric and growing cynicism towards the state. However, beyond that, the story of the film diverges from the original; Bedi took the story to a completely different development and also gives it an optimistic ending, unlike the original, where the protagonist turns into a ghost. The film starred Balraj Sahni, Nirupa Roy, Jayant, Brahm Bhardwaj, Rashid Khan, and Vijayalaxmi. Music was by classical singer Pandit Amar Nath, and songs were sung by Lata Mangeshkar.
"Dui Bigha Jomi" is a Bengali language poem written by Rabindranath Tagore. The poem describes a peasant's love towards his land and was the inspiration for the story Rickshawala, on which the Hindi film Do Bigha Zamin, directed by Bimal Roy, was based.