Domenico Scala (26 March 1903 – 25 December 1989) was an Italian cinematographer. He was credited for more than 60 films. [1] He worked with Aldo Tonti to create the distinctive look of Luchino Visconti's 1943 classic Ossessione . [1] [2] Other films with cinematography by Scala include Steel , The Blue Fleet , Escape to France and The Earth Cries Out .
Luchino Visconti di Modrone, Count of Lonate Pozzolo was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Critic Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.”
Italian neorealism, also known as the Golden Age, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
The Visconti of Milan are a noble Italian family. They rose to power in Milan during the Middle Ages where they ruled from 1277 to 1447, initially as Lords then as Dukes, and several collateral branches still exist. The effective founder of the Visconti Lordship of Milan was the Archbishop Ottone, who wrested control of the city from the rival Della Torre family in 1277.

Ossessione is a 1943 Italian crime drama film directed and co-written by Luchino Visconti, in his directorial debut. It is an unauthorized and uncredited adaptation of the 1934 novel The Postman Always Rings Twice by American author James M. Cain, and stars Clara Calamai, Massimo Girotti, and Juan de Landa in the leading roles. It is often considered to be the first Italian neorealist film, though there is some debate about whether such a categorization is accurate.

My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.
Alessandro Blasetti was an Italian film director and screenwriter who influenced Italian neorealism with the film Quattro passi fra le nuvole. Blasetti was one of the leading figures in Italian cinema during the Fascist era. He is sometimes known as the "father of Italian cinema" because of his role in reviving the struggling industry in the late 1920s.
Giovanni Visconti (1290–1354) was an Italian Roman Catholic cardinal, who was co-ruler in Milan and lord of other Italian cities. He also was a military leader who fought against Florence, and used force to capture and hold other cities.
Massimo Girotti was an Italian film actor whose career spanned seven decades.
Clara Calamai was an Italian actress.
Vittorio Duse was an Italian actor, screenwriter and film director.
Mario Serandrei was an Italian film editor and screenwriter.
Carlo Ninchi was an Italian film actor. He appeared in more than 120 films between 1931 and 1963.

Aldo Tonti was an Italian cinematographer.
The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Juan de Landa (1894–1968) was a Spanish film actor, who was born in the Basque Country. De Landa entered the film industry in 1930 following the arrival of sound film. He initially acted in Spanish-language versions of Hollywood films, but later worked mainly in the Spanish and Italian film industries. His best-known role is in Luchino Visconti's 1943 film Ossessione.
Domenico "Memo" Benassi was an Italian film actor who appeared in more than forty films in a mixture of leading and supporting roles. He played the composer Beethoven in the 1942 film Rossini.

Michele Mario Alberto Riccardini was an Italian film actor. He appeared in around fifty films during his career as well as several television episodes. In 1943 he played the role of Don Remigio in Luchino Visconti's Ossessione.
Calligrafismo is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material, above all the pieces of Italian realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro.
Gente del Po, sometimes referred to in English as People of the Po Valley, is an Italian documentary short film directed by Michelangelo Antonioni in 1943 and released in 1947. It was Antonioni's debut film and is, together with Luchino Visconti's Ossessione, considered to be one of the earliest examples of Italian neorealism. Gente del Po documents people living on or near the Po river, including barge workers and fishermen.