Donga | |
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| Background information | |
| Birth name | Ernesto Joaquim Maria dos Santos |
| Born | April 5, 1890 Rio de Janeiro, Brazil |
| Died | August 25, 1974 (aged 84) Rio de Janeiro |
| Genres | Samba |
| Instruments | |
| Years active | 1916–1953 |
Ernesto Joaquim Maria dos Santos, most known as Donga, (April 5, 1890 – August 25, 1974) was a Brazilian guitarist and composer. He composed what is considered the first recorded samba, the 1916 song Pelo Telefone. [1]
Donga was born in Rio de Janeiro, the son of Pedro Joaquim Maria and Amélia Silvana de Araújo; he had eight siblings. His father was a bricklayer and played the euphonium in his spare time; his mother was the known Tia Amélia from the group of tias baianas of Cidade Nova and liked to sing modinhas and promoted countless parties. [2]
He participated in the musical gatherings at the home of Tia Ciata, alongside João da Baiana, Pixinguinha, Hilário Jovino Ferreira and others. A big fan of Mário Cavaquinho, he started playing that instrument by ear, at the age of 14. Shortly afterwards he learned to play the guitar, studying with Quincas Laranjeiras. In November 1916 he registered in the National Library of Brazil the recording of Pelo Telefone, considered the first recorded samba in history. [1]
He organized with Pixinguinha the Orquestra Típica Donga-Pixinguinha. In 1919, together with Pixinguinha and six other musicians, he joined, as a guitarist, the group Oito Batutas, which toured Europe in 1922.
In 1926 he joined the band Carlito Jazz band. [3] In 1940 Donga recorded nine compositions (among sambas, toadas, macumbas and lundus) from the album Native Brazilian Music , organized by two conductors: Leopold Stokowski and Heitor Villa-Lobos, released in the United States by Columbia. [1]
At the end of the 50s he returned to perform with the group Velha Guarda, in shows organized by Almirante .
In 1932 Donga married Zaíra de Oliveira, also a musician, with whom he had a daughter, Lígia. Zaíra died in 1951; Donga married again in 1953 and went to live in the neighborhood of Aldeia Campista, where he retired as a retired bailiff. Sick and almost blind, he lived his last days at the Retiro dos Artistas, dying in 1974. He is buried in the São João Batista Cemetery. [4]
Elson Nascimento, most well known as a member of the Sun Ra Arkestra, is one of Donga's direct descendants. [5]
Samba, is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, recognized as part of the Intangible Cultural Heritage of Humanity by UNESCO, amongst many other forms of Samba, mostly originated in the Rio de Janeiro and Bahia States. Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, having continued its development on the communities of Rio de Janeiro in the early 20th century. Having its roots in the Afro-Brazilian Candomblé, as well as other Afro-Brazilian and Indigenous folk traditions, such as the traditional Samba de Caboclo, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada, frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
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