Douglas William Jerrold (London 3 January 1803 –8 June 1857 London) was an English dramatist and writer.
Jerrold's father, Samuel Jerrold, was an actor and lessee of the little theatre of Wilsby near Cranbrook in Kent.In 1807 Douglas moved to Sheerness, where he spent his childhood. He occasionally took a child part on the stage, but his father's profession held little attraction for him. In December 1813 he joined the guardship Namur , where he had Jane Austen's brother Francis as captain, and served as a midshipman until the peace of 1815. He saw nothing of the war save a number of wounded soldiers from Waterloo, but he retained an affection for the sea.
The peace of 1815 ruined Jerrold's father;on 1 January 1816 he took his family to London, where Douglas began work as a printer's apprentice, and in 1819 he became a compositor in the printing-office of the Sunday Monitor. Several short papers and copies of verses by him had already appeared in the sixpenny magazines, and a criticism of the opera Der Freischütz was admired by the editor, who requested further contributions. Thus Jerrold became a professional journalist.
Jerrold's figure was small and spare, and in later years bowed almost to deformity. His features were strongly marked and expressive, from the thin humorous lips to the keen blue eyes, gleaming from beneath the shaggy eyebrows. He was brisk and active, with the careless bluffness of a sailor. Open and sincere, he concealed neither his anger nor his pleasure; to his sailor's frankness all polite duplicity was distasteful. The cynical side of his nature he kept for his writings; in private life his hand was always open. In politics Jerrold was a Liberal, and he gave eager sympathy to Lajos Kossuth, Giuseppe Mazzini and Louis Blanc. In social politics especially he took an eager part; he never tired of declaiming against the horrors of war, the luxury of bishops, or the iniquity of capital punishment.
Douglas Jerrold is now perhaps better known from his reputation as a brilliant wit in conversation than from his writings. As a dramatist he was very popular, though his plays have not kept the stage. He dealt with rather humbler forms of social world than had commonly been represented on the boards. He was one of the first and certainly one of the most successful of the men who in defence of the native English drama endeavoured to stem the tide of translation from the French, which threatened early in the 19th century to drown original native talent. His skill in construction and his mastery of epigram and brilliant dialogue are well exemplified in his comedy, Time Works Wonders (Haymarket, 26 April 1845). The tales and sketches which form the bulk of Jerrold's collected works vary much in skill and interest; but, although there are evident traces of their having been composed from week to week, they are always marked by keen satirical observation and pungent wit.
In 1821, a comedy that Jerrold had written at the age of 14 was brought out at Sadler's Wells theatre under the title More Frightened than Hurt. Other plays followed, and in 1825 he was employed for a few pounds weekly to produce dramas and farces to order for George Bolwell Davidge of the Coburg Theatre. In the autumn of 1824, the "little Shakespeare in a camlet cloak", as he was nicknamed, married Mary Swanand continued to work as both dramatist and journalist. For a short while he was part proprietor of a small Sunday newspaper. In 1829, through a quarrel with the exacting Davidge, Jerrold left for Coburg.
In 1829, a three-act melodrama about corrupt personnel and press gangs of the Navy launched his fame. Black-Eyed Susan ; or, All in the Downs, was brought out by manager Robert William Elliston at the Surrey Theatre. [ citation needed ] Elliston made a fortune from the piece; T. P. Cooke, who played William, made his reputation; Jerrold received about £60 and was engaged as dramatic author at five pounds a week, but his reputation as a dramatist was established.Britain at the time was recovering from the fallout of the Napoleonic Wars, and was in the midst of a class war involving the Corn laws, and a reform movement, which resulted in the Reform Act of 1832 aimed at reducing corruption. Black-Eyed Susan consisted of various extreme stereotypes representing the forces of good, evil, the innocent and the corrupt, the poor and the rich, woven into a serious plot with comic sub-plots to keep the audience entertained. Its subject was very topical and its success was enormous. It took the town by storm, and all London crossed the river to see it.
It was proposed in 1830 that he should adapt something from the French language for Drury Lane. He declined, preferring to produce original work. The Bride of Ludgate (8 December 1832) was the first of a number of his plays produced at Drury Lane. The other patent houses also threw their doors open to him (the Adelphi had already done so); and in 1836 Jerrold became the manager of the Strand Theatre with W. J. Hammond, his brother-in-law. The venture was not successful, and the partnership was dissolved. While it lasted, Jerrold wrote his only tragedy, The Painter of Ghent, and himself appeared in the title role, without much success.
Jerrold acted in the 1851 production of Not So Bad As We Seem , a play written by Edward Bulwer, starring many notable Victorians (including Charles Dickens) and attended by Queen Victoria.[ citation needed ] He continued to write sparkling comedies until 1854, the date of his last piece, The Heart of Gold.
Jerrold wrote for numerous periodicals, and gradually became a contributor to the Monthly Magazine, Blackwood's , the New Monthly, and the Athenaeum . To Punch , the publication which of all others is associated with his name, he contributed from its second number in 1841 until within a few days of his death. [ citation needed ]Punch was a humorous and liberal publication. Jerrold's liberal and radical perspective was portrayed in the magazine under the pseudonym 'Q', which used satire to attack institutions of the day. Punch was also the forum in which he published in the 1840s his comic series Mrs Caudle's Curtain Lectures , which was later published in book form.
He contributed many articles for Punch under different pseudonyms. On 13 July 1850 he wrote as 'Mrs Amelia Mouser' about the forthcoming Great Exhibition of 1851, coining the phrase the palace of very crystal. From that day forward, the Crystal Palace, at that time still a proposal from his friend Joseph Paxton, gained the name from which it would henceforth be known.
He founded and edited for some time, with indifferent success, the Illuminated Magazine, Jerrold's Shilling Magazine, and Douglas Jerrold's Weekly Newspaper; and under his editorship from 1852, Lloyd's Weekly Newspaper rose from almost nonentity to a circulation of 182,000. The history of his later years is little more than a catalogue of his literary productions, interrupted now and again by brief visits to the Continent or to the country.Douglas Jerrold died at his house, Kilburn Priory, in London on 8 June 1857 and was buried at West Norwood Cemetery, where Charles Dickens was a pall-bearer. Dickens gave a public reading and performances of the drama The Frozen Deep to raise money for his widow.
Among the best known of his numerous works are:
See his eldest son William Blanchard Jerrold's Life and Remains of Douglas Jerrold (1859). A collected edition of his writings appeared between 1851 and 1854, and The Works of Douglas Jerrold, with a memoir by his son, W. B. Jerrold, in 1863–64, but neither is complete. The first article of the first issue of the Atlantic Monthly (November 1857) is a lengthy obituary for Jerrold. Among the numerous selections from his tales and witticisms are two edited by his grandson, Walter Jerrold, Bons Mots of Charles Dickens and Douglas Jerrold (new edn 1904), and The Essays of Douglas Jerrold (1903), illustrated by H. M. Brock. See also The Wit and Opinions of Douglas Jerrold (1858), edited by W. B. Jerrold.
Douglas Jerrold was the great-grandfather of Audrey Mayhew Allen (b. 1870), author of a number of children's stories published in various periodicals, and of a book Gladys in Grammarland , an imitation of Lewis Carroll's Wonderland books.
Henry Mayhew was a journalist, playwright, and advocate of reform. He was one of the co-founders of the satirical magazine Punch in 1841, and was the magazine's joint editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the Morning Chronicle that was later compiled into the book series London Labour and the London Poor (1851), a groundbreaking and influential survey of the city's poor.
Tom Taylor was an English dramatist, critic, biographer, public servant, and editor of Punch magazine.
James Henry Leigh Hunt, best known as Leigh Hunt, was an English critic, essayist and poet.
John Leech was a British caricaturist and illustrator. He was best known for his work for Punch, a humorous magazine for a broad middle-class audience, combining verbal and graphic political satire with light social comedy. Leech catered to contemporary prejudices, such as anti-Americanism and antisemitism and supported acceptable social reforms. Leech's critical yet humorous cartoons on the Crimean War help shape public attitudes toward heroism, warfare, and Britons' role in the world.
William Blanchard Jerrold, was an English journalist and author.
Charles William Shirley Brooks was a journalist and novelist. Born in London, he began his career in a solicitor's office. Shortly afterwards he took to writing, and contributed to various periodicals. In 1851 he joined the staff of Punch, to which he contributed "Essence of Parliament," and on the death of Mark Lemon in 1870 he succeeded him as editor. He published a few novels, including Aspen Court and The Gordian Knot.
James Kenney, an English dramatist, was the son of James Kenney, a founder of Boodles' Club in London. He produced more than 40 plays and opera libretti.
Peter Cunningham FSA (1816–1869) was a British writer born in London, son of the Scottish author Allan Cunningham and his wife Jean. Cunningham published several topographical and biographical studies, of which the most important are his Handbook of London (1849) and The Life of Drummond of Hawthornden (1833). He edited Extracts from the Accounts of the Revels at Court in the Reigns of Elizabeth and James I (1842) and Horace Walpole's Letters (1857).
William Thomas Moncrieff commonly referred as W.T. Moncrieff was an English dramatist.
The Surrey Theatre, London began life in 1782 as the Royal Circus and Equestrian Philharmonic Academy, one of the many circuses that provided entertainment of both horsemanship and drama (hippodrama). It stood in Blackfriars Road, near the junction with Westminster Bridge Road, just south of the River Thames in what is now the London Borough of Southwark.
Robert William Honner was an English actor and theatre manager.
Black-Eyed Susan; or, All in the Downs is a comic play in three acts by Douglas Jerrold. The story concerns a heroic sailor, William, who has been away from England for three years fighting in the Napoleonic Wars. Meanwhile, his wife, Susan, has fallen on hard times and is being harassed by her crooked landlord uncle. A smuggler named Hatchet offers to pay her debts because he wants her for himself; he tries to persuade her that William is dead. Soon after William returns to solve this problem, his drunken, dastardly captain tries to seduce Susan. William, not recognising his captain from behind, strikes him with his cutlass. He is court-martialled for attacking a senior officer and sentenced to be hanged. But it turns out that he had been discharged from the navy before he struck his captain, so all ends well. Much of the humour in the piece centers on the sailor's nautical dialect, combined with his noble character. The play is a nautical melodrama that praises the patriotic British tar (sailor) while critiquing authoritarianism in the British Navy. Aspects of the story were later parodied in H.M.S. Pinafore (1878).
Sarah Jane Woolgar was an English stage actress. She had leading roles in plays by notable dramatists of the day, including original productions. She had a long association with the Adelphi Theatre in London.
Robert Keeley was an English actor-manager, comedian and female impersonator of the nineteenth century. In 1823 he originated the role of 'Fritz' in Presumption; or, the Fate of Frankenstein, the first known stage adaptation of Mary Shelley's novel Frankenstein.
George Dibdin Pitt was an English actor, stage manager and prolific playwright, specializing in melodrama. He was the first playwright to dramatize the fictional character Sweeney Todd, in his 1847 play The String of Pearls; or, The Fiend of Fleet Street.
Watts Phillips was an English illustrator, novelist and playwright best known for his play The Dead Heart, which served as a model for Charles Dickens' A Tale of Two Cities.
Thomas Potter Cooke was an English actor.
William Henry Wills JP was a British journalist, playwright, a newspaper editor and a close friend and confidant of the author Charles Dickens, who entrusted Wills with the task of forwarding his letters to his mistress Ellen Ternan.
Horace Mayhew was an English journalist, a writer of humorous sketches and a sub-editor of the magazine Punch.
William John Hammond was a British actor-manager of the early 19th-century probably most notable for playing Sam Weller in Samuel Weller, or, The Pickwickians in 1837.
|Wikiquote has quotations related to: Douglas William Jerrold|
| Wikisource has original works written by or about:|
Douglas William Jerrold
|Wikimedia Commons has media related to Douglas William Jerrold .|
| Editor of Lloyd's Weekly Newspaper |
William Blanchard Jerrold