In music, montage or sound collage is a technique where newly branded sound objects or compositions, including songs, are created from collage, also known as montage. This is often done through the use of sampling, while some playable sound collages were produced by gluing together sectors of different vinyl records. In any case, it may be achieved through the use of previous sound recordings or musical scores. Like its visual cousin, the collage work may have a completely different effect than that of the component parts, even if the original parts are completely recognizable or from only one source.
A mashup is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law.
The Olivia Tremor Control is an American psychedelic band from Athens, Georgia. The band's main line-up consists of Will Cullen Hart, Bill Doss, Eric Harris, John Fernandes, and Peter Erchick. The Olivia Tremor Control's music combines indie rock and neo-psychedelia, taking influence from psychedelic pop bands of the 1960s, such as the Beach Boys and the Beatles.
Unfinished Music No. 1: Two Virgins is the first of three experimental albums released by John Lennon and Yoko Ono on Apple Records. It was the result of an all-night session of musical experimentation with Yoko in John's home studio at Kenwood, while his wife, Cynthia Lennon, was on holiday in Greece. Lennon and Ono's 1968 debut recording is known not only for its avant-garde content, but also for its cover, which shows the couple naked. This made the album controversial to both the public and the parent record company EMI, which refused to distribute it. In an attempt to avoid controversy, the LP record was sold in a brown paper bag, and distributed by Track and Tetragrammaton in the United Kingdom and the United States respectively. Two Virgins, while failing to chart in the UK, reached number 124 in the US. The album was followed six months later by Unfinished Music No. 2: Life with the Lions.
"Revolution 9" is a sound collage from the Beatles' 1968 self-titled double album. The composition, credited to Lennon–McCartney, was created primarily by John Lennon with assistance from Yoko Ono and George Harrison. Lennon said he was trying to paint a picture of a revolution using sound. The composition was influenced by the avant-garde style of Ono as well as the musique concrète works of composers such as Edgard Varèse and Karlheinz Stockhausen.
"Carnival of Light" is an unreleased avant-garde recording by the English rock band the Beatles. It was commissioned for the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on 28 January and 4 February 1967. Recorded during a session for the song "Penny Lane", "Carnival of Light" is nearly 14 minutes long and contains distorted, echo-laden sounds of percussion, keyboards, guitar and vocals. Its creation was initiated by Paul McCartney's interest in the London avant-garde scene and through his connection with the design firm Binder, Edwards & Vaughan.
"Wild Honey Pie" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by Paul McCartney and credited to Lennon–McCartney. Less than a minute in length, the song mainly consists of the title being chanted repeatedly and was performed by McCartney without the participation of the other Beatles. The track is often viewed as a filler track and is generally regarded as inconsequential and unmemorable due to its experimental nature.
"I Don't Want to Spoil the Party" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was released on the album Beatles for Sale in the United Kingdom in December 1964. "I Don't Want to Spoil the Party" was also released on the Beatles for Sale EP.
"Misery" is a song by the English rock band the Beatles from their 1963 debut album Please Please Me. It was co-written by John Lennon and Paul McCartney. According to Lennon, "It was kind of a John song more than a Paul song, but it was written together." McCartney was to say: "I don't think either one of us dominated on that one, it was just a hacking job."
Future Games is the ninth studio album by American rock band Spirit. Released in April 1977, it was their final album for Mercury Records and the last of their four "comeback" releases of the mid-1970s. It is essentially a solo project for frontman Randy California, who recorded it with drummer Ed Cassidy, though he later expressed dissatisfaction with the recording.
"Band on the Run" is a song by the British–American rock band Paul McCartney and Wings, released as the title track to their 1973 album Band on the Run. The song was released as a single in April 1974 in the US and in June 1974 in the UK, following the success of "Jet", and became an international chart success. The song topped the charts in the United States, also reaching number 3 in the United Kingdom. The single sold over one million copies in 1974 in America. It has since become one of the band's most famous songs.
"The Beatles Play the Residents and the Residents Play the Beatles" is a 1977 single by the Residents. The A-side, "Beyond the Valley of a Day in the Life", is an audio collage of recordings by the Beatles and John Lennon, with a looped clip from the Beatles' third Christmas record, in which Paul McCartney says "Please everybody, if we haven't done what we could have done, we've tried."
Carney is Leon Russell's third solo studio album, released in 1972. It peaked at number 2 on the Billboard Hot 200 and was the first for Russell to contain a hit single — "Tight Rope" b/w "This Masquerade" — which reached number 11 on the Billboard Hot 100 chart.
Master-Dik is the third EP by American alternative rock band Sonic Youth. It was released on November 4, 1987, in the United States by record label SST, and on January 22, 1988, in the United Kingdom by label Blast First.
"Dream Police" is a song written by Rick Nielsen and originally released in 1979 by the American rock band Cheap Trick. It is the first track on the group's album of the same name. The single peaked at #26 on the Billboard Hot 100. Nielsen has stated that the song "is an attempt to take a heavy thought - a quick bit of REM snatched right before waking up - and put into a pop format." He also stated that "the song was about Big Brother watching you."
"The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer", and "Nullis Pretii ". The composition includes a musical quote from "Louie Louie".
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
"Dream Scene" is an experimental composition by English rock musician George Harrison. It was released in November 1968 on his debut solo album, Wonderwall Music, which was the soundtrack to the psychedelic film Wonderwall, directed by Joe Massot. The track is an instrumental piece, apart from occasional non-English language vocals and a spoken word segment. It comprises three sections and combines meditative Indian sounds and singing with passages of Western instrumentation and avant-garde styling, including backwards tape loops and sound effects. After viewing an early edit of Wonderwall at Twickenham Film Studios, Harrison devised the piece to accompany a psychedelic dream sequence in the film. The song serves as the narrative for the sequence, in which a strait-laced professor imagines himself duelling with the fashion photographer boyfriend of the young woman he obsessively spies on through a hole in the wall separating their apartments.
Nanobots is the sixteenth studio album from Brooklyn-based alternative rock group They Might Be Giants. Uncharacteristically for the band, the album's title comes from an album track, as the second track shares a title with the album. The album was released on March 5, 2013 on Idlewild Recordings — the band's independent imprint — with Megaforce Records in the US. The album was also separately released on March 8 in Australia through Breakaway Records and on March 11 in Europe, through Lojinx. One week before its physical release, Nanobots was released digitally for streaming in its entirety through the band's SoundCloud, announced by Rolling Stone. Prior to this, "Call You Mom", "Black Ops" and "Lost My Mind" were released through the advance digital Nanobots EP in January 2013. The EP, released through Amazon.com and iTunes, was met with fairly positive responses.
Avant Slant is an album by American jazz ensemble the John Benson Brooks Trio, released in September 1968 by Decca Records. Produced by Decca A&R executive Milt Gabler, it was pianist and bandleader John Benson Brooks' third and final released recording, arriving ten years after his previous record, the acclaimed Alabama Concerto (1958).
