Akira Kurosawa was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is regarded as one of the most important and influential filmmakers in film history.
Throne of Blood is a 1957 Japanese jidaigeki film co-written, produced, edited, and directed by Akira Kurosawa, with special effects by Eiji Tsuburaya. The film transposes the plot of William Shakespeare's play Macbeth from Medieval Scotland to feudal Japan, with stylistic elements drawn from Noh drama. The film stars Toshiro Mifune and Isuzu Yamada in the lead roles, modelled on the characters Macbeth and Lady Macbeth.
Toshiro Mifune was a Japanese actor who appeared in over 150 feature films. He is best known for his 16-film collaboration (1948–1965) with Akira Kurosawa in such works as Rashomon, Seven Samurai, The Hidden Fortress, Throne of Blood, and Yojimbo. He also portrayed Miyamoto Musashi in Hiroshi Inagaki's Samurai Trilogy and one earlier Inagaki film, Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three different films.
Red Beard is a 1965 Japanese jidaigeki film co-written, edited, and directed by Akira Kurosawa, in his last collaboration with actor Toshiro Mifune. Based on Shūgorō Yamamoto's 1959 short story collection, Akahige Shinryōtan, the film takes place in Koishikawa, a district of Edo, towards the end of the Tokugawa period, and is about the relationship between a town doctor and his new trainee. Fyodor Dostoevsky's novel Humiliated and Insulted provided the source for a subplot about a young girl, Otoyo, who is rescued from a brothel.
Takashi Shimura was a Japanese actor who appeared in over 200 films between 1934 and 1981. He is particularly noted for his appearances in 21 of Akira Kurosawa's 30 films, including as a lead actor in Drunken Angel (1948), Rashomon (1950), Ikiru (1952) and Seven Samurai (1954). He is also known for his role as Professor Kyohei Yamane in Ishirō Honda's original Godzilla (1954). For his contributions to the arts, the Japanese government decorated Shimura with the Medal with Purple Ribbon in 1974 and the Order of the Rising Sun, 4th Class, Gold Rays with Rosette in 1980.
Yojimbo is a 1961 Japanese samurai film co-written, produced, edited, and directed by Akira Kurosawa. The film stars Toshiro Mifune, Tatsuya Nakadai, Yoko Tsukasa, Isuzu Yamada, Daisuke Katō, Takashi Shimura, Kamatari Fujiwara, and Atsushi Watanabe. In the film, a rōnin arrives in a small town where competing crime lords vie for supremacy. The two bosses each try to hire the newcomer as a bodyguard.
Kamatari Fujiwara was a Japanese actor.
Stray Dog is a 1949 Japanese film noir crime drama directed by Akira Kurosawa and starring Toshiro Mifune and Takashi Shimura. It was Kurosawa's second film of 1949 produced by the Film Art Association and released by Shintoho. It is also considered a detective movie that explores the mood of Japan during its painful postwar recovery. The film is also considered a precursor to the contemporary police procedural and buddy cop film genres, based on its premise of pairing two cops with different personalities and motivations together on a difficult case.
The Bad Sleep Well is a 1960 Japanese crime mystery film directed by Akira Kurosawa. It was the first film to be produced under Kurosawa's own independent production company. It was entered into the 11th Berlin International Film Festival.
Dodes'ka-den is a 1970 Japanese drama film directed by Akira Kurosawa. The film stars Yoshitaka Zushi, Kin Sugai, Toshiyuki Tonomura, and Shinsuke Minami. It is based on Shūgorō Yamamoto's 1962 novel A City Without Seasons and is about a group of homeless people living in poverty on the outskirts of Tokyo.
Tatsuya Nakadai is a Japanese film actor famous for the wide variety of characters he has portrayed and many collaborations with famous Japanese film directors.
I Live In Fear is a 1955 Japanese drama film directed by Akira Kurosawa, produced by Sōjirō Motoki, and written by Kurosawa with Shinobu Hashimoto, Fumio Hayasaka, and Hideo Oguni. The film stars Toshiro Mifune as an elderly factory owner so terrified of the prospect of a nuclear attack that he becomes determined to move his entire extended family to what he imagines is the safety of a farm in Brazil.
Yakuza film is a popular film genre in Japanese cinema which focuses on the lives and dealings of yakuza, Japanese organized crime syndicates. In the silent film era, depictions of bakuto as sympathetic Robin Hood-like characters were common.
Battles Without Honor and Humanity: Proxy War is a 1973 Japanese yakuza film directed by Kinji Fukasaku. It is the third film in a five-part series that Fukasaku made in a span of just two years, focusing on the events prior to a major war between Hiroshima yakuza in the early 1960s.
Fumio Hayasaka was a Japanese composer of classical music and film scores.
Chanbara (チャンバラ), also commonly spelled "chambara", meaning "sword fighting" films, denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. Chanbara is a sub-category of jidaigeki, which equates to period drama. Jidaigeki may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay.
Shizuko Kasagi was a popular Japanese jazz singer and actress. At the peak of her fame in the immediate post-war era, she was known as the "Queen of the Boogie-Woogie".
Kajirō Yamamoto was a Japanese film director, screenwriter, and actor who was known for his war films and comedies and as the mentor of Akira Kurosawa. The combined list of his efforts as a director for documentaries, silent, and sound films includes over 90 film titles during his lifetime.
The legacy of filmmaking technique left by Akira Kurosawa for subsequent generations of filmmakers has been diverse and of international influence. The legacy of influence has ranged from working methods, influence on style, and selection and adaptation of themes in cinema. Kurosawa's working method was oriented toward extensive involvement with numerous aspects of film production. He was also an effective screenwriter who would work in close contact with his writers very early in the production cycle to ensure high quality in the scripts which would be used for his films.
