Dudley Moore

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Dudley Moore

CBE
Dudley Moore.jpg
Moore at the 43rd Emmy Awards
25 August 1991
Born(1935-04-19)19 April 1935
Died27 March 2002(2002-03-27) (aged 66)
Alma mater Magdalen College, Oxford
OccupationActor, comedian, musician
Years active1961–1998
Spouse(s)
  • Suzy Kendall
    (m. 1968;div. 1972)
  • Tuesday Weld
    (m. 1975;div. 1980)
  • Brogan Lane
    (m. 1988;div. 1991)
  • Nicole Rothschild
    (m. 1994;div. 1998)
Children2 [1]

Dudley Stuart John Moore, CBE (19 April 1935 27 March 2002) was an English actor, comedian, musician and composer.

Order of the British Empire order of chivalry of British constitutional monarchy

The Most Excellent Order of the British Empire is a British order of chivalry, rewarding contributions to the arts and sciences, work with charitable and welfare organisations, and public service outside the civil service. It was established on 4 June 1917 by King George V and comprises five classes across both civil and military divisions, the most senior two of which make the recipient either a knight if male or dame if female. There is also the related British Empire Medal, whose recipients are affiliated with, but not members of, the order.

Contents

Moore first came to prominence in the UK as one of the four writer-performers in the comedy revue Beyond the Fringe from 1960, and with one member of that team, Peter Cook, collaborated on the television series Not Only... But Also . The double act worked on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.

<i>Beyond the Fringe</i> 1960s British revue/play

Beyond the Fringe was a British comedy stage revue written and performed by Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller. It played in London's West End and then in America, both on tour and on New York's Broadway in the early 1960s. Hugely successful, it is widely regarded as seminal to the "satire boom", the rise of satirical comedy in 1960s Britain.

Peter Cook British actor, satirist, writer and comedian

Peter Edward Cook was an English satirist and comedic actor. He was a leading figure of the British satire boom of the 1960s, and associated with the Anti-Establishment comedic movement that emerged in the United Kingdom in the late 1950s.

Not Only... But Also was a popular 1960s BBC British sketch comedy show starring Peter Cook and Dudley Moore.

His solo career as a comedy film actor was heightened by the success of hit Hollywood films, particularly Foul Play (1978), 10 (1979) and Arthur (1981). For Arthur, Moore was nominated for the Academy Award for Best Actor and won a Golden Globe Award. He received a second Golden Globe for his performance in Micki & Maude (1984).

<i>Foul Play</i> (1978 film) 1978 film by Colin Higgins

Foul Play is a 1978 American comedy mystery-thriller film written and directed by Colin Higgins, and starring Goldie Hawn, Chevy Chase, Dudley Moore, Burgess Meredith, Eugene Roche, Rachel Roberts, Brian Dennehy and Billy Barty. In it, a recently divorced librarian is drawn into a mystery when a stranger hides a roll of film in a pack of cigarettes and gives it to her for safekeeping.

<i>10</i> (film) 1979 film by Blake Edwards

10 is a 1979 American romantic comedy film written, produced, and directed by Blake Edwards, and starring Dudley Moore, Julie Andrews, Robert Webber, and Bo Derek in her first major film appearance. It was considered a trend-setting film at the time and was one of the year's biggest box-office hits. It follows a man in middle age who becomes infatuated with a young woman whom he has never met, leading to a comic chase and an encounter in Mexico.

<i>Arthur</i> (1981 film) 1981 comedy film directed by Steve Gordon

Arthur is a 1981 American comedy film written and directed by Steve Gordon. The film stars Dudley Moore as the eponymous Arthur Bach, a drunken New York City millionaire who is on the brink of an arranged marriage to a wealthy heiress, but ends up falling for a common working-class girl from Queens. It was the first and only film directed by Gordon, who died in 1982 of a heart attack at age 44.

Early life

Moore was born at the original Charing Cross Hospital in central London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician. His father was Scottish, from Glasgow. [2] Moore was brought up in Dagenham, Essex. He was notably short at 5 ft 2 in (1.57 m) and was born with club feet that required extensive hospital treatment and, coupled with his diminutive stature, made him the butt of jokes from other children. His right foot responded well to corrective treatment and had straightened itself by the time he was six, but his left foot became permanently twisted and consequently his left leg below the knee was withered. This was something of which he remained very self-conscious throughout his life.

Charing Cross Hospital Hospital in London

Charing Cross Hospital is an acute general teaching hospital located in Hammersmith, London, United Kingdom. The present hospital was opened in 1973, although it was originally established in 1818, approximately five miles east, in central London.

Central London innermost part of London, England

Central London is the innermost part of London, in the United Kingdom, spanning several boroughs. Over time, a number of definitions have been used to define the scope of central London for statistics, urban planning and local government. Its characteristics are understood to include a high density built environment, high land values, an elevated daytime population and a concentration of regionally, nationally and internationally significant organisations and facilities.

Glasgow City and council area in Scotland

Glasgow is the most populous city in Scotland, and the third most populous city in the United Kingdom, as of the 2017 estimated city population of 621,020. Historically part of Lanarkshire, the city now forms the Glasgow City council area, one of the 32 council areas of Scotland; the local authority is Glasgow City Council. Glasgow is situated on the River Clyde in the country's West Central Lowlands. Inhabitants of the city are referred to as "Glaswegians" or "Weegies". It is the fourth most visited city in the UK. Glasgow is also known for the Glasgow patter, a distinct dialect of the Scots language that is noted for being difficult to understand by those from outside the city.

Moore became a choirboy at the age of six. At age eleven he earned a scholarship to the Guildhall School of Music, where he took up harpsichord, organ, violin, musical theory and composition. [3] He rapidly developed into a highly talented pianist and organist and was playing the pipe organ at local church weddings by the age of 14. He attended Dagenham County High School where he received musical tuition from a dedicated teacher, Peter Cork, who became a friend and confidant to Moore and continued to correspond with him until 1994.

A choirboy is a boy member of a choir, also known as a treble.

Guildhall School of Music and Drama music and dramatic arts school in London, England

The Guildhall School of Music and Drama is an independent music and dramatic arts school which was founded in 1880 in London, England. Students can pursue courses in music, opera, drama and technical theatre arts.

The Sydney Russell School is a coeducational secondary school and sixth form located in Dagenham, London, England.

Moore's musical talent won him an organ scholarship to Magdalen College, Oxford, where he was tutored by the composer Bernard Rose. [3] [4] While studying music and composition there, he also performed with Alan Bennett in the Oxford Revue. During his university years, Moore had developed a love of jazz music and soon became an accomplished jazz pianist and composer. He began working with such leading musicians as John Dankworth and Cleo Laine.

Organ scholar subclass of an Organist

An organ scholar is a young musician employed as a part-time assistant organist at a cathedral, church or institution where regular choral services are held. The idea of an organ scholarship is to provide the holder with playing, directing and administrative experience. It is an important part of music-making in Christian worship and is strongly associated with, but is not limited to, Anglican church music in the United Kingdom, Australia and the USA.

Magdalen College, Oxford constituent college of the University of Oxford in England

Magdalen College is one of the wealthiest constituent colleges of the University of Oxford, with an estimated financial endowment of £180.8 million as of 2014.

Bernard Rose (musician) British organist and composer (1916–1996)

Bernard William George Rose, OBE, Doctor in Music, Fellow of the Royal College of Organists, was a British organist, soldier, composer, and academic.

In 1960 he left Dankworth's band to work on Beyond the Fringe.

Career

Beyond the Fringe

Moore (left) in Beyond the Fringe, c. 1963 Beyond the Fringe original cast.JPG
Moore (left) in Beyond the Fringe, c. 1963

John Bassett, a graduate of Wadham College, Oxford recommended Moore, his jazz bandmate and a rising cabaret talent, to producer Robert Ponsonby, who was putting together a comedy revue entitled Beyond the Fringe . Bassett also chose Jonathan Miller. Moore then recommended Alan Bennett, who in turn suggested Peter Cook.

Beyond the Fringe was at the forefront of the 1960s UK satire boom, although the show's original runs in Edinburgh and the provinces in 1960 had had a lukewarm response. When the revue transferred to the Fortune Theatre in London, in a revised production by Donald Albery and William Donaldson, it became a sensation, thanks in some part to a favourable review by Kenneth Tynan. [5] There were also a number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March which resists Moore's repeated attempts to bring it to an end.

In 1962 the show transferred to the John Golden Theatre in New York, with its original cast. President John F. Kennedy attended a performance on 10 February 1963. The show continued in New York until 1964.

Partnership with Peter Cook

When Moore returned to the UK he was offered his own series on the BBC, Not Only... But Also (1965, 1966, 1970). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they also fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper class eccentrics.

The pair developed an unorthodox method for scripting the material, using a tape recorder to tape an ad-libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script, so they often had a set of cue cards. Moore was famous for 'corpsing' — the programmes often went on live, and Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. The BBC wiped much of the series, though some of the soundtracks (which were issued on record) have survived.

In 1968 Cook and Moore briefly switched to ATV for four one-hour programmes entitled Goodbye Again ; however, they were not as critically well-received as the BBC shows.

On film, Moore and Cook appeared in the 1966 British comedy film The Wrong Box , before co-writing and co-starring in Bedazzled (1967) [6] with Eleanor Bron. The film was directed by Stanley Donen. The pair closed the decade with appearances in the ensemble caper film Monte Carlo or Bust and Richard Lester's The Bed Sitting Room , based on the play by Spike Milligan and John Antrobus.

In 1968 and 1969 Moore embarked on two solo comedy ventures, firstly in the film 30 Is a Dangerous Age, Cynthia and secondly, on stage, for an Anglicised adaptation of Woody Allen's Play It Again, Sam at the Globe Theatre in London's West End.

Moore (right) with Peter Cook in 1974 Peter Cook Dudley Moore Good Evening 1974.JPG
Moore (right) with Peter Cook in 1974

In the 1970s the relationship between Moore and Cook became increasingly strained as the latter's alcoholism began affecting his work. In 1971, however, Cook and Moore took sketches from Not Only....But Also and Goodbye Again, together with new material, to create the stage revue Behind the Fridge. This show toured Australia in 1972 before transferring to New York City in 1973, re-titled as Good Evening. Cook frequently appeared on and off stage the worse for drink. Nonetheless, the show proved very popular and it won Tony and Grammy Awards.

When the Broadway run of Good Evening ended, Moore stayed on in the U.S. to pursue his film acting ambitions in Hollywood, but the pair reunited to host Saturday Night Live on 24 January 1976 during the SNL first season. They performed a number of their classic stage routines, including "One Leg Too Few" and "Frog and Peach", among others, in addition to participating in some skits with the show's ensemble.

It was during the Broadway run of Good Evening that Cook persuaded Moore to take the humour of Pete and Dud farther on long-playing records as Derek and Clive. Chris Blackwell circulated bootleg copies to friends in the music business and the popularity of the recording convinced Cook to release it commercially as Derek and Clive (Live) (1976). Two further "Derek and Clive" albums, Derek and Clive Come Again (1977) and Derek and Clive Ad Nauseam (1978), were later released. The latter was also filmed for a documentary, Derek and Clive Get the Horn . In the film it is clear tensions between the two men were at a breaking point, with Moore at one point walking out of the recording room singing, 'Breaking up is so easy to do.' In 2009, it came to light that, at the time, three separate British police forces had wanted them to be prosecuted under obscenity laws for their "Derek and Clive" comedy recordings.

The last significant appearance for the partnership was in 1978's The Hound of the Baskervilles , where Moore played Dr. Watson to Cook's Sherlock Holmes, as well as three other roles: in drag; as a one-legged man; and at the start and end of the film as a flamboyant and mischievous pianist. He also wrote the film's score. Co-star Terry-Thomas described it as "the most outrageous film I ever appeared in ... there was no magic ... it was bad!". [7] The film was not a success critically or financially.

Moore and Cook eventually reunited for the annual American benefit for the homeless, Comic Relief , in 1987, and again in 1989 for a British audience at the Amnesty International benefit The Secret Policeman's Biggest Ball .

Moore was deeply affected by the death of Cook in 1995, and for weeks would regularly telephone Cook's home in London, just to hear his friend's voice on the telephone answering machine. Moore attended Cook's memorial service in London and, at the time, many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.

In December 2004 the Channel 4 television station in the United Kingdom broadcast Not Only But Always , a TV film dramatising the relationship between Moore and Cook, although the principal focus of the production was on Cook. Around the same time the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again by Chris Bartlett and Nick Awde. For this production Moore is the main subject. Set in a chat-show studio in the 1980s, it focuses on Moore's comic and personal relationship with Cook and the directions their careers took after the split of the partnership.

Music

During the 1960s he formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement. [8]

Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the Establishment. Amongst other albums, they recorded The Dudley Moore Trio , Dudley Moore plays The Theme from Beyond the Fringe and All That Jazz, The World of Dudley Moore, The Other Side Of Dudley Moore and Genuine Dud.

Moore was a close friend of record producer Chris Gunning and played piano (uncredited) on the 1969 single "Broken Hearted Pirates" which Gunning produced for Simon Dupree and the Big Sound. [9] In 1976 he played piano on Larry Norman's album In Another Land , in particular on the song The Sun Began to Rain. In 1981 he recorded Smilin' Through with Cleo Laine.

He composed the soundtracks for the films Bedazzled (1967), 30 Is a Dangerous Age, Cynthia (1968), Inadmissible Evidence (1968), Staircase (1969), The Hound of the Baskervilles (1978) and Six Weeks (1982), among others.

Later career in film, television and music

In the late 1970s Moore moved to Hollywood, where he had a supporting role in the hit film Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his breakout role in Blake Edwards's 10 , which became one of the biggest box-office hits of 1979 and gave him an unprecedented status as a romantic leading man. Moore followed up with the comedy film Wholly Moses!, which was not a major success.

In 1981 Moore appeared in the title role of the comedy Arthur , an even bigger hit than 10. Co-starring Liza Minnelli and Sir John Gielgud, it was both commercially and critically successful, Moore receiving an Oscar nomination for Best Actor, whilst Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for On Golden Pond ). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In the same year, on British television, Moore was the featured guest subject on An Audience With... .

His subsequent films, Six Weeks (1982), Lovesick (1983), Romantic Comedy (1983) and Unfaithfully Yours (1984) were only moderate successes, but he had another hit in 1984, starring in the Blake Edwards directed Micki + Maude , co-starring Amy Irving. This won him another Golden Globe for Best Actor in a Musical/Comedy.

Later films, including Best Defense (1984), Santa Claus: The Movie (1985), Like Father Like Son (1987), Arthur 2: On the Rocks , a sequel to the original, Crazy People (1990), Blame It on the Bellboy (1992) and an animated adaptation of King Kong, were inconsistent in terms of both critical and commercial reception. Moore eventually disowned the Arthur sequel, but, in later years, Cook would wind him up by claiming he preferred Arthur 2: On the Rocks to Arthur.

In 1986 he once again hosted Saturday Night Live, albeit without Peter Cook this time.

Moore was the subject of the British This Is Your Life —for a second time—in March 1987 when he was surprised by Eamonn Andrews at his Venice Beach restaurant; he had previously been honoured by the programme in December 1972.

In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, which were highlighted by his popular parodies of classical favourites. He also appeared as Ko-Ko in Jonathan Miller's production of The Mikado in Los Angeles in March 1988.

In 1991 he released the album Songs Without Words and in 1992 Live From an Aircraft Hangar, recorded at London's Royal Albert Hall.

He collaborated with the conductor Sir Georg Solti in 1991 to create a Channel 4 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series, Concerto! (1993), likewise designed to introduce audiences to classical music concertos.

Moore appeared in two series for CBS, Dudley (1993) and Daddy's Girls (1994); however, both were cancelled before the end of their run.

Moore had been interviewed for The New York Times in 1987 by the music critic Rena Fruchter, herself an accomplished pianist, and the two became close friends. By 1995 Moore's film career was on the wane and he was having trouble remembering his lines, a problem he had never previously encountered. It was for this reason he was sacked from Barbra Streisand's film The Mirror Has Two Faces . [10] However, his difficulties were, in fact, due to the onset of the medical condition that eventually led to his death. Opting to concentrate on the piano, he enlisted Fruchter as an artistic partner. They performed as a duo in the US and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Further symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years; however, this placed a great strain both on her marriage and her friendship with Moore, and she later set him up in the house next door.

Personal life

Moore was married and divorced four times: to actresses Suzy Kendall (15 June 1968 – 15 September 1972), Tuesday Weld (20 September 1975 – 18 July 1980; by whom he had a son in 1976), Brogan Lane (21 February 1988 – 1991), and Nicole Rothschild (16 April 1994 – 1998; one son, born in 1995). [11]

He maintained good relationships with Kendall, Weld and Lane, but expressly forbade Rothschild to attend his funeral. At the time his illness became apparent, he was going through a difficult divorce from Rothschild while at the same time sharing a house in Los Angeles with her and her previous husband. [11]

Moore dated Susan Anton in the early 1980s, with a lot of talk being made of their height difference: Moore at 5 feet 2 12 inches (1.588 m) and Anton at 5 feet 11 inches (1.80 m).

Illness and death

In April 1997, after spending five days in a New York hospital, Moore was informed that he had calcium deposits in the basal ganglia of his brain and irreversible frontal lobe damage. In September 1997 Moore underwent quadruple heart bypass surgery in London. He also suffered four strokes. [12]

On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy (PSP), some of the early symptoms being so similar to intoxication that he had been reported as being drunk, and that the illness had been diagnosed earlier in the year. [12]

Moore died on the morning of 27 March 2002 [6] as a result of pneumonia, secondary to immobility caused by the palsy, in Plainfield, New Jersey, at age 66. Rena Fruchter was holding his hand when he died; she reported his final words were "I can hear the music all around me." [13] [14] Moore was interred at Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship (Dudley Moore, Ebury Press, 2004).

Honours and awards

In 1981 Moore won the Golden Globe for Best Actor for his role in Arthur, for which he was also Oscar-nominated. In November 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony at Buckingham Palace on 16 November to collect his honour in a wheelchair. [10]

Filmography and television shows

Discography

UK chart singles

Jazz discography

Comedy discography

Bibliography

Related Research Articles

Pete and Dud were characters played by the comedians and entertainers Peter Cook and Dudley Moore.

The Establishment (club)

The Establishment was a London nightclub which opened in October 1961, at 18 Greek Street, Soho and which became known in retrospect for satire although at the time was a venue more commonly booking jazz acts and used for other events. It was founded by Peter Cook and Nicholas Luard, both of whom were also important in the history of the magazine Private Eye. The name "The Establishment" is a play on the meaning of "establishment" as in "institution," i.e. the club itself, and the broader definition meaning the prevailing social order of the time, which the satirists who founded, funded and performed at the club typically undermined. A pun is sugested as, to be a member of this club, was to literally but not figuratively be a 'member of the establishment'. Peter Cook called it "the only good title I ever came up with."

<i>Not Only But Always</i> 2004 television film directed by Terry Johnson

Not Only But Always is a British TV movie, originally screened on the Channel 4 network in the UK on 30 December 2004.

Derek and Clive was a double act of comedic characters created by Dudley Moore (Derek) and Peter Cook (Clive) in the 1970s. The performances were captured on the records Derek and Clive (Live) (1976), Derek and Clive Come Again (1977), and Derek and Clive Ad Nauseam (1978), as well as in a film documentary, Derek and Clive Get the Horn (1979). A greatest hits album containing some previously unreleased material, called Rude & Rare: The Best of Derek and Clive, was released in 2011. The characters are foul-mouthed extensions of the earlier characters Pete and Dud.

<i>Derek and Clive</i> (Live) Album created by Peter Cook and Dudley Moore as the eponymous characters

Derek and Clive (Live) is the debut comedy record recorded by Derek and Clive, drunken alter-egos created by comedy duo Peter Cook and Dudley Moore. The double act began as a private joke between the two of them at the Electric Lady Studios, as a way of easing the tension of their 1973 Broadway show Good Evening. Originally, the record was never intended for release, but when bootleg copies of the recordings proved popular, Cook decided there was money to be made and, padding the record out with live material recorded at the Bottom Line in New York City, the album was released in 1976. The record was very nearly called Derek and Clive (Dead).

<i>Derek and Clive Come Again</i> album by Derek and Clive

Derek and Clive Come Again, subtitled on the CD reissue as "Further Ejaculations From......" is the second record released by Derek and Clive, a pair of characters created by comedy duo Peter Cook and Dudley Moore. Although the first album, Derek and Clive (Live), was reasonably good-natured in its blasphemous subversiveness, Come Again was released at the height of the punk rock phenomenon and Cook, in particular, seems keen to elevate the excess to new heights of jaw-dropping offensiveness. To that end, he improvises routines about raping the victims of road traffic accidents and cross-dressing members of the aristocracy masturbating rent boys in taxi cabs, not to mention several extended routines on cancer in all its variations. Moore, on the other hand, improvises a smutty rhyme about his mother sucking his penis, oral sex performed in lavatory cubicles and how he masturbates with the aid of a greased toilet roll connected to his electric train-set.

<i>Derek and Clive Ad Nauseam</i> album by Derek and Clive

Derek and Clive Ad Nauseam is the third and final recording made by Peter Cook and Dudley Moore featuring their characters Derek and Clive. It also charts the breakup of Cook and Moore's partnership.

<i>Derek and Clive Get the Horn</i> 1979 film by Russell Mulcahy

Derek and Clive Get the Horn is a 1979 British documentary comedy film that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter-egos Derek and Clive, two foul-mouthed lavatory attendants who banter at length about their surreal day-to-day existences. The footage was shot in early September 1978. The film was the directorial debut of Russell Mulcahy, who would go on to direct Highlander.

Kevin Bishop English actor, comedian and writer

Kevin Brian Bishop is an English comedian, actor, writer and star of The Kevin Bishop Show, which he co-wrote with Lee Hupfield.

Chris Bartlett is a Cheshire-based playwright and arts journalist.

Pete and Dud: Come Again is a stage play about British Beyond the Fringe comedians Peter Cook and Dudley Moore, which was written by Chris Bartlett and Nick Awde. The comedy-drama had a sellout run at the Assembly Rooms as part of the 2005 Edinburgh Festival Fringe, where it was shortlisted for a Fringe First Award by The Scotsman, before moving to London's West End at The Venue in March 2006; this version starred Kevin Bishop as Moore, Tom Goodman-Hill as Cook, Colin Hoult as Jonathan Miller and Fergus Craig as Alan Bennett. It was published in playtext form by Methuen.

Simon Lowe is a British actor who, amongst other titles, has played series regulars in Bodies, and The Grimleys, both of which were written by Jed Mercurio. He also played Derek Evans in EastEnders. He is also the regular character, Sgt. James Collins in the British series, Doctors. In 2007, he portrayed the survivor of the Hindenburg disaster, Joseph Spah, in the drama from Channel 4, Hindenburg: The Untold Story, directed by Sean Grundy.

Judy Huxtable is a British actress.

Fergus Craig is a British stand-up comic and actor in theatre, television and radio. He studied at the University of Manchester.

Film Stars is a well-known comedy sketch by Peter Cook and Dudley Moore. It originally featured on their BBC sketch show Not Only... But Also (1965) and was subsequently performed many times on stage by the duo.

Rude & Rare: The Best of Derek and Clive is a greatest hits album starring Peter Cook and Dudley Moore as their characters Derek and Clive. The collection contains two discs: the first featuring selected tracks from two of the previous three Derek and Clive albums. The second disc contains previously unreleased material.

Play Wisty For Me – The Life of Peter Cook is an original play by Matthew Perret and Jeremy Limb, using the characters portrayed by Peter Cook and Dudley Moore to tell the story of Peter Cook's life and pay tribute to his comic genius. After Moore's death, it was slightly rewritten, to become more of a tribute to Moore too.

References

  1. "Obituaries: Dudley Moore". Telegraph Media Group Limited – Telegraph.Co.UK. 22 March 2002. Retrieved 23 April 2016.
  2. 1 2 "The Official Site of Dudley Moore: Biography". The Estate of Dudley Moore - DudleyMoore.com. Retrieved 24 April 2016.
  3. "Bernard Rose (Obituary)". The Independent. 3 December 1996. Archived from the original on 22 August 2017. Retrieved 28 May 2014.
  4. Humphrey Carpenter That Was Satire That Was, pp. 122–23; Tynan's review is extensively quoted.
  5. 1 2 "Hollywood Star Walk: Dudley Moore". Patrick Kevin Day, Los Angeles Times - Projects.LATimes.com. 23 February 2010. Retrieved 23 April 2016.
  6. Thomas, Terry; Daum, Terry (1990). Terry-Thomas Tells Tales: An Autobiography. Robson Books. p. 117. ISBN   9780860516620 . Retrieved 1 March 2017.
  7. Chilton. John., 2004, Who's Who of British Jazz, London: Continuum, p.240 ISBN   9780826472342
  8. "Sounds Of The 60s". bbc.co.uk. 8 June 2013. Retrieved 23 April 2016.
  9. 1 2 "Tributes flood in for Moore". BBC News. 28 March 2002. Retrieved 25 August 2011.
  10. 1 2 Daniel Jeffreys (17 June 1996). "The wives and times of cuddly Dudley". The Independent. Retrieved 23 April 2016.
  11. 1 2 "Dudley Moore has rare brain disease". BBC News. 30 September 1999. Retrieved 29 March 2010.
  12. "There's Been A Life!" . Retrieved 24 April 2016.
  13. "Famous last words". Julian James, Monster lists - Lists.MonstersAndCritics.com. Archived from the original on 12 June 2016. Retrieved 24 April 2016.
  14. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 119. ISBN   1-904994-10-5.

Further reading