|Observed by||Bengali, Odia, Maithils and Assamese communities as a socio-cultural and religious festival|
|Celebrations||Worshipping Hindu deities, family and other social gatherings, shopping and gift-giving, feasting, pandal visiting, and cultural events|
|Observances||Ceremonial worship of goddess Durga|
|Begins||On the sixth day of Ashwin shukla paksha|
|Ends||On the tenth day of Ashwin shukla paksha|
|Date||11 October 2021 - 15 October 2021|
|Related to||Mahalaya, Navratri, Dussehra|
|Part of a series on|
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Durga Puja (pronounced [dʊrɡa puːdʒa] ), also called Durgotsava (pronounced [dʊrɡoːtsəʋə] ), is an annual Hindu festival originating in the Indian subcontinent which reveres and pays homage to the Hindu goddess, Durga. It is particularly popular and traditionally celebrated in the Indian states of West Bengal, Bihar, Assam, Odisha, Tripura and the country of Bangladesh, and the diaspora from this region, and also in Mithilanchal regions of Bihar and Nepal. The festival is observed in the Indian calendar month of Ashwin, which corresponds to the months of September–October in the Gregorian calendar, and is a ten-day festival, of which the last five are of significance. The puja is performed in homes and in the public, the latter featuring temporary stage and structural decorations (known as pandals ). The festival is also marked by scripture recitations, performance arts, revelry, gift giving, family visits, feasting, and public processions. Durga puja is an important festival in the Shaktism tradition of Hinduism.
As per Hindu scriptures, the festival marks the victory of goddess Durga in her battle against the shape-shifting asura , Mahishasura.Thus, the festival epitomises the victory of good over evil, though it is also in part a harvest festival celebrating the goddess as the motherly power behind all of life and creation. Durga puja coincides with Navaratri and Dussehra celebrations observed by other traditions of Hinduism, in which the Ram lila dance-drama is enacted, celebrating the victory of Rama against Ravana, and effigies of Ravana are burnt.
The primary goddess revered during Durga puja is Durga but celebrations also include other major deities of Hinduism such as Lakshmi (the goddess of wealth and prosperity), Saraswati (the goddess of knowledge and music), Ganesha (the god of good beginnings), and Kartikeya (the god of war). In Bengali and Odia traditions, these deities are considered to be Durga's children and Durga puja is believed to commemorate Durga's visit to her natal home with her beloved and nice children. The festival is preceded by Mahalaya, which is believed to mark the start of Durga's journey to her natal home. Primary celebrations begin on the sixth day (Shasthi), on which the goddess is welcomed with rituals. The festival ends on the tenth day (Vijaya dashami), when devotees embark on a procession carrying the worshipped clay sculpture-idols to a river, or other water body, and immerse them, symbolic of her return to the divine cosmos and her marital home with Shiva in Kailash. Regional and community variations in celebration of the festival and rituals observed exist.
Durga puja is an old tradition of Hinduism,though its exact origins are unclear. Surviving manuscripts from the 14th—century provide guidelines for Durga puja, while historical records suggest that the royalty and wealthy families were sponsoring major Durga puja festivities since at least the 16th-century. The prominence of Durga puja increased during the British Raj in the provinces of Bengal, Odisha and Assam. In today's time, the importance of Durga puja is as much as a social and cultural festival as a religious one, wherever it is observed.
Over the years, Durga puja has become an inseparable part of Indian culture with innumerable people celebrating this festival in their own unique way while pertaining to tradition.
In West Bengal, Odisha, Assam, and Tripura, Durga puja is also called Akalbodhan (literally, "untimely awakening of Durga"), Sharadiya pujo ("autumnal worship"), Sharodotsab ("festival of autumn"), Maha pujo ("grand puja"), Maayer pujo ("worship of the Mother"),[ citation needed ]Durga pujo, or merely Puja or Pujo. In Bangladesh, Durga puja has historically been celebrated as Bhagabati puja.[ citation needed ] Maa Durga is known as the Goddess of Power (feminine) which represents triumph of Goodness over evil.
Durga puja is also referred to by the names of related Shakta Hindu festivals such as Navaratri, celebrated on the same days elsewhere in India;such as in Bihar, Jharkhand, Gujarat, Uttar Pradesh, Punjab, Kerala, and Maharashtra, Kullu dussehra, celebrated in Kullu Valley, Himachal Pradesh; Mysore dussehra celebrated in Mysore, Karnataka; Bommai golu, celebrated in Tamil Nadu; Bommala koluvu, celebrated in Andhra Pradesh; and Bathukamma, celebrated in Telangana.
Durga is an ancient deity of Hinduism according to available archeological and textual evidence. However, the origins of Durga puja are unclear and undocumented. Surviving manuscripts from the 14th-century provide guidelines for Durga puja, while historical records suggest the royalty and wealthy families to be sponsoring major Durga Puja public festivities, since at least the 16th-century.The 11th or 12th-century Jain text Yasatilaka by Somadeva mentions an annual festival dedicated to a warrior goddess, celebrated by the king and his armed forces, and the description mirrors attributes of Durga puja.
The name Durga, and related terms, appear in Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the AtharvavedaA deity named Durgi appears in section 10.1.7 of the Taittiriya Aranyaka . While the Vedic literature uses the word Durga, the description therein lacks legendary details about her or about Durga puja that is found in later Hindu literature. A key text associated with Durga puja is Devi Mahatmya , which is recited during the festival. Durga was likely well established by the time this Hindu text was composed, which scholars variously estimate Durgato date between 400 and 600 CE. The Devi Mahatmya scripture describes the nature of evil forces symbolised by Mahishasura as shape-shifting, deceptive, and adapting in nature, in form and in strategy to create difficulties and thus achieve their evil ends. Durga calmly understands and counters the evil in order to achieve her solemn goals. Durga, in her various forms, appears as an independent deity in the Indian texts. Both Yudhisthira and Arjuna characters of the Mahabharata invoke hymns to Durga. She appears in Harivamsa in the form of Vishnu's eulogy, and in Pradyumna's prayer. The prominent mention of Durga in such epics may have led to her worship.
The Indian texts with mentions of Durga puja are inconsistent. A legend found in some versions of the Puranas mention it to be a spring festival, while the Devi-Bhagavata Purana and two other Shakta Puranas mention it to be an autumn festival. The Ramayana manuscripts are also inconsistent. Versions of Ramayana found in north, west, and south of the Indian subcontinent describe Rama to be remembering Surya (the Hindu sun god) before his battle against Ravana, but the Bengali manuscripts of Ramayana, such as the 15th-century manuscript by Krttivasa, mention Rama to be worshipping Durga.According to some scholars, the worship of the fierce warrior goddess Durga, and her darker and more violent manifestation Kali, became popular in the Bengal region during and after the medieval era, marked by Muslim invasions and conquests.
The significance of Durga and other goddesses in Hindu culture is stated to have increased after Islamicate armies conquered regions of the Indian subcontinent.According to yet other scholars, the marginalisation of Bengali Hindus during the medieval era led to a reassertion of Hindu identity and an emphasis on Durga puja as a social festival, publicly celebrating the warrior goddess. From the medieval era up to present-day, Durga puja has been celebrated as a socio-cultural event, while maintaining the roots of religious worship.
Durga puja is a ten-day event, of which the last five days involve certain rituals and practices. The festival begins with Mahalaya, a day on which Hindus perform tarpaṇa by offering water and food to their dead ancestors. The day also marks the advent of Durga from her mythological marital home in Kailash.The next significant day of the festival is the sixth day (Sashthi), on which devotees welcomes the goddess and festive celebrations are inaugurated. On the seventh day (Saptami), eighth (Ashtami) and ninth (Navami) days, the goddess along with Lakshmi, Saraswati, Ganesha, and Kartikeya are revered and these days mark the main days of worship with recitation of scriptures, puja, legends of Durga in Devi Mahatmya, social visits to elaborately decorated and illuminated pandals (temporary structures meant for hosting the puja), among others.
Om you are rice [wheat...],Om you are life,you are the life of the gods,you are our life,your are our internal life,you are long life,you give life,Om the Sun with his rays (....)
Durga puja is, in part, a post-monsoon harvest festival observed on the same days in the Shaktism tradition of Hinduism as those in its other traditions.The practice of including a bundle of nine different plants, called navapatrika, as a symbolism of Durga, is a testament practice to its agricultural importance. The typically selected plants include not only representative important crops, but also non-crops. This probably signifies the Hindu belief that the goddess is "not merely the power inherent in the growth of crops but the power inherent in all vegetation". The festival is a social and public event in eastern and northeastern states of India, where it dominates religious and socio-cultural life, with temporary pandals built at community squares, roadside shrines, and temples. The festival is also observed by some Shakta Hindus as a private home-based festival. The festival is started at twilight with prayers to Saraswati. She is believed to be another aspect of goddess Durga, and who is the external and internal activity of all existence, in everything and everywhere. This is typically also the day on which the eyes of the deities on the representative clay sculpture-idols are painted, bringing them to a lifelike appearance. The day also marks prayers to Ganesha and visit to pandals temples. Day two to five mark the remembrance of the goddess and her manifestations, such as Kumari (goddess of fertility), Mai (mother), Ajima (grandmother), Lakshmi (goddess of wealth) and in some regions as the Saptamatrikas (seven mothers) or Navadurga (nine aspects of Durga). On the sixth day major festivities and social celebrations start. The first nine days overlap with Navaratri festivities in other traditions of Hinduism. The puja rituals involve mantras (words manifesting spiritual transformation), shlokas (holy verses), chants and arati, and offerings. These also include Vedic chants and recitations of the Devi Mahatmya text in Sanskrit. The shlokas and mantras praise the divinity of the goddess; according to the shlokas Durga is omnipresent as the embodiment of power, nourishment, memory, forbearance, faith, forgiveness, intellect, wealth, emotions, desires, beauty, satisfaction, righteousness, fulfillment and peace. The specific practices vary by region.
The rituals before the puja begins include the following:
The process of the creation of clay sculpture-idols (pratima or murti ) for the puja, from the collection of clay to the ornamentation is a ceremonial process. Though the festival is observed post-monsoon harvest, the artisans begin making the sculpture-idols months before, during summer. The process begins with prayers to Ganesha and to the perceived divinity in materials such as bamboo frames in which the sculpture-idols are cast.
Clay, or alluvial soil, collected from different region form the base. This choice is a tradition wherein Durga, perceived as the creative energy and material, is believed to be present everywhere and everything in the universe.In certain traditions in Kolkata, a custom is to include soil samples in the clay mixture for Durga from areas believed to be nishiddho pallis (forbidden territories; territories inhabited by the "social outcasts" such as brothels).
The clay base is combined with straw, kneaded, and then molded into a cast made from hay and bamboo. This is layered to a fine final shape, cleaned, painted, and polished. A layer of a fiber called jute, mixed in with clay, is also attached to the top to prevent the statue from cracking in the months ahead. The heads of the statues are more complex, and are usually made separately.The limbs of the statues are mostly shaped from bundles of straws. Then, starting about August, the local artisans hand-paint the sculpture-idols which are later dressed in clothing, are decorated and bejewelled, and displayed at the puja altars.
The procedure for and proportions of the sculpture-idols are described in arts-related Sanskrit texts of Hinduism, such as the Vishvakarma Sashtra.
The sculpture-idols for the puja are traditionally made of biodegradable materials such as straw, clay, soil, and wood.In today's times, brighter colored statues have increased in popularity and have diversified the use of non-biodegradable, cheaper or more colorful substitute synthetic raw materials. Environmental activists have raised concerns about the paint used to produce the statue, stating that the heavy metals in these paints pollute rivers when the statues are immersed at the end of the Durga festival.
Brighter colors that are also biodegradable and eco-friendly, as well as the traditional natural colors, are typically more expensive compared to the non biodegradable paints.The Indian state of West Bengal has banned the use of hazardous paints, and various state government have started distributing lead-free paints to artisans at no cost to prevent pollution.
Shakta Hindu communities mark the slaying of Mahishasura and the victory of Durga with a symbolic or actual sacrifice. Most communities prefer symbolic sacrifice, where a statue of the asura is made of flour or equivalent, is immolated and smeared with vermilion, symbolic of the blood that had spilled during the battle.Other substitutes include a vegetable or a sweet dish considered equivalent to the animal. In certain instances, devotees consider animal sacrifice distasteful, and practice alternate means of expressing devotion while respecting the views of others in their tradition.
In communities performing actual sacrifice, an animal is sacrificed, mainly at temples.In Nepal, West Bengal, Odisha and Assam, animal sacrifices are performed at Shakta temples to commemorate the legend of Durga slaying Mahishasura. This involves slaying of a fowl, goat or a male water-buffalo. This practice is rare among Hindus outside the regions of Bengal, Odisha and Assam. In these regions, the festival season is primarily when significant animal sacrifices are observed.
The Rajputs of Rajasthan worship their weapons and horses in the related festival of Navaratri, and some historically observed the sacrifice of a goat, a practice that continues in some places. [ better source needed ]The sacrifice ritual, supervised he the priest, requires slaying of the animal with a single stroke. In the past this ritual was considered a rite of passage into manhood and readiness as a warrior. The Kuldevi (clan deity) among these Rajput communities is a warrior goddess, with local legends tracing reverence for her during Rajput-Muslim wars.
Months before the start of Durga Puja, youth members of the community collect funds and donations, engage priests and artisans, buy votive materials and help build pandals centred around a theme, which has rose to prominence in recent years. Such themes have included sex work,celebration of humanity, marginalisation of queer persons and transgender persons, folk culture, celebration of cinema, womanhood, pro-environment themes, while others have chosen metaphorical themes such as celebration of maati (literally, soil or ash) and "finding one's own light". Pandals have also been replicated on existing temples, structures, and monuments and yet others have been made of elements such as metal scraps, nails, and turmeric among others. Durga puja pandals have also been centred around themes to acknowledge political events such as the 2019 Balakot airstrike and to protest against the National Register of Citizens of India.
Designs and sculpture-idols are made by commissioned artisans, which is also a team effort involving labourers, architects, and community representatives hosting it. The budget required for such theme-based pujas is significantly higher than traditional pujas. For such theme-based pujas, the preparations and the building of pandals are a significant arts-related economic activity, often attracting major sponsors.Such commercialised pujas attract crowds of visitors. The growth of competitiveness in theme-based pandals has escalated costs and scale of Durga puja in eastern states of India. Some segments of the society criticise the billboards, the economic competition, and seek return to basics. The competition takes many forms, such as the height of statue. In 2015, an 88-foot statue of Durga in Kolkata's Deshapriya Park attracted numerous devotees, with some estimates placing visitors at one million.
There exists variation in worship practices and rituals associated with Durga puja, as is the case with other Hindu festivals, in the Indian subcontinent.Hinduism accepts flexibility and leaves the set of practices to the choice of the individuals concerned. Different localised rituals may be observed regionally, with these variations accepted across temples, pandals, and within families.
The festival is most commonly associated with Bengali Hindus, and with the community having variability and differences in practices. There may exist differences of practice between the puja of theme-based Pandals, family pujas (with puja of erstwhile aristocrat families known as bonedi puja), and community pujas (known as barowari pujas ) of neighbourhoods or apartments.
The rituals of the puja also varies from being Vedic, Puranic, or Tantric, or a combination of these.The Bengali Durga puja rituals typically combine all three. The non-Bengali Durga puja rituals tend to be essentially Vedic ( srauta ) in nature but they too incorporate esoteric elements making the puja an example of a culmination of Vedic-Tantric practices.
Historical evidence suggests that the Durga puja has evolved over time, becoming more elaborate, social, and creative. The festival had earlier been a domestic puja, a form of practice that still remains popular. But it had also come to be celebrated in the sarvajanin (public) form, where communities get together, pool their resources and efforts to set up pandals and illuminations, and celebrate the event as a "mega-show to share".The origins of this variation are unclear, with some sources suggesting a family in Kolkatta reviving such celebration in 1411 CE. While other set of sources suggest that a Bengali landlord, named Kamsanarayan, held a mega-show puja in late 16th-century Bengal. Yet, this festival of Bengal is likely much older with the discovery of 11th and 12th-century Durga puja manual manuscripts such as Durgotsavaviveka, Durgotsava Prayoga, Vasantaviveka and Kalaviveka. The rituals associated with the Durga puja migrated to other regions from Bengal, such as in Varanasi, a city that has historically attracted sponsorship from Hindus from various parts of the Indian subcontinent including Bengal. In contemporary India, Durga puja is celebrated in various styles and forms.
Durga puja is a widely celebrated festival in the Indian states of West Bengal, Bihar, Assam, and Odisha.It is celebrated over a five-day period. Streets are decked up with festive lights, loudspeakers play festive songs as well as recitation of hymns and chants by priests, and pandals are erected by communities. The roads become overcrowded with revellers, devotees, and pandal-hoppers visiting the pandals on puja days. It often creates chaotic traffic conditions. Shops, eateries, and restaurants stay open all night; fairs are also set up and cultural programmes are held. People form organizing committees, which plan and oversee the pandal during the festivities. Today, Durga Puja has turned into a consumerist social carnival, a major public spectacle and a major arts event riding on the wave of commercialisation, corporate sponsorship, and craze for award-winning. For private domestic pujas, families dedicate an area of their homes, known as thakur dalan, for Durga puja where the sculpture-idols for worship is placed and decorated with home-dyed fabric, sola ornamentations, and gold and silver foil decorations. Elaborate rituals like arati are performed and prasad is distributed after being offered to the deities. As a tradition, married daughters visit their parents and celebrate the Durga puja with them, a symbolism alluding to Durga who is popularly believed to return to her natal home during the puja.
Durga Puja is also a gift-giving and shopping season for communities celebrating it, with people buying gifts for not only family members but also for close relatives and friends. New clothes are the traditional gift, and people wear them to go out together during Durga puja. During puja holidays, people may also go to places of tourist attractions while others return home to spend Durga puja with their family.It's a common trend amongst youngsters and even those who are older to go pandal-hopping and enjoy the celebrations.
The organising committees of each puja pandal hires a purohita (priest) who performs the puja rituals on behalf of the community.For the priests, Durga puja is a time of activity wherein he pursues the timely completion of Vedic-Puranic-Tantric ritual sequences to make various offerings and perform fire oblations, in full public view, while the socio-cultural festivities occur in parallel. The complex puja rituals include periods of accurate and melodic scripture recitation. The puja involves crowds of people visiting the pandals, with smaller groups visiting family pujas, to witness the celebrations. On the last day, the sculpture-idols are carried out in immersion processions across Bengal, following which they are ritually immersed into rivers or other waterbodies. The immersion ceremony continues till a couple of days after the last day of puja.
According to some scholars, the ritual of immersing the Durga sculpture-idol into the river attracted the attention of colonial era travelers to the Bengal region from Europe, such as Garcin de Tassy and Emma Roberts. In 1831, Tassy reported that similar rituals were annually observed by the Muslim community in Bengal. Shia Muslims observed Muharram over ten days, taking out processions in memory of the martyrdom of Imam Husayn ibn Ali, and then cast a memorial Imam's cenotaph into a river on the tenth day. Tassy further stated that the Muslim rituals included the same offerings at the annual observation of Muharram that the Hindu rituals included during Durga puja.According to yet other scholars, the ritual of immersion in water by Hindus for Durga puja in Bengal and Ganesh Chaturthi in the western states of India, may have grown because members of the Hindu community attempted to create a competing procession and immersion ritual to that of Muharram, allowed by the colonial British Indian government in the 19th and early 20th-centuries.
In Maharashtra, the city of Nashik and other places such as CIDCO, Rajeevnagar, Panchavati, and Mahatmanagar host Durga puja celebrations.[ citation needed ] While in Delhi, the first community Durga puja was organised near Kashmiri Gate by a group of expatriate Bengalis, in 1910, a year before Delhi was declared the capital of British India. This group came to be the Delhi Durga Puja Samiti, popularly known as the Kashmere Gate Durga puja. The Durga puja at Timarpur, Delhi was started in the year 1914. In 2011, over 800 Durga pujas were held in Delhi, with a few hundred more in Gurgaon and NOIDA.
In Odisha, Durga puja is the most important festival of the people of the state. Durga puja is a very important festival for Odias, during the 4 days of the festival, the streets of the city turns into a wonderland throughout the state, people welcome the arrival of their maa by rejoicing themselves, eating tasty food, wearing new clothes,seeing different pandals across the city, family gathering and gift givings. In 2019, ninety-seven pandals in Cuttack alone, Odisha were reported to bedeck respective sculpture-idols with silver jewellery for Durga puja celebrations; such club of pandals termed regionally as Chandi Medha. The state capital is famous for the modern themes and creativity In the pandals, while the Western part of the state has a more retro decoration theme to the pandal. In the northern parts of the state particularly Balasore, durga puja is celebrated with much fervor and the odia diaspora abroad especially in Australia, which originates 95% from the district of Balasore celebrates the puja in the same manner which is done back home in Balasore.In September 2019, 160 pandals were reported to be hosting Durga puja in Cuttack.
While in Tripura there were over 2,500 community Durga puja celebrations in 2013. Durga puja has been started at the Durgabari temple, in Agartala by King Radha Kishore Manikya Bahadur.
Beyond being an art festival and a socio-religious event, Durga puja has also been a political event with regional and national political parties having sponsored Durga puja celebrations. In 2019, West Bengal Chief Minister, Mamata Banerjee announced a grant of ₹25,000 to all community organised Durga pujas in the state.
In 2019, Kolkata's Durga puja was nominated by the Indian government for the 2020 UNESCO Representative list of the Intangible Cultural Heritage of Humanity. ₹25,000 to puja organising committees in West Bengal by a debt-ridden state government was reported to cost a budget a ₹70 crores. The state government also announced an additional grant of ₹5,000 to puja organising committees fully managed by women alone, while also announcing a twenty-five per-cent concession on total electricity bills for puja pandal. The government had made a grant of ₹10,000 each to more than 20,000 puja organising committees in the state, in 2018.Durga puja also stands to be politically and economically significant. The committees organising Durga puja in Kolkata have close links to politicians. Politicians patronise the festival by making donations or helping raise money for funding of community pujas, or by marking their presence at puja events and inaugurations. The grant of
A 2013 report by ASSOCHAM states West Bengal's Durga puja to be a ₹25,000 crores worth economy, expected to grow at the compound annual growth rate of about 35 per-cent. Economic slowdowns in India, such as in 2019, have hence affected corporate sponsorships and puja budgets for public celebrations. In August 2019, the Income Tax Department of India had allegedly sent notices to various Durga puja organising committees in West Bengal, against which the ruling party of the state, All India Trinamool Congress (AITMC) protested. The Central Board of Direct Taxes denied sending any such notices, to which AITMC politician Madan Mitra is reported to have said that the intention may have been to enquire if tax deducted at source had been deducted on payments to vendors for organising community pujas.
The day of Mahalaya is marked by the Bengali community with Mahishasuramardini — a two-hours long All India Radio programme — that has been popular in the Bengali community since the 1950s. While in earlier days it used to be recorded live, a pre-recorded version has come to be broadcast in recent decades. Bengalis traditionally wake up at four in the morning on Mahalaya to listen to the radio show, primarily involving recitations of chants and hymns from Devi Mahatmyam (or Chandi Path) by Birendra Krishna Bhadra and Pankaj Kumar Mullick. The show also features various devotional melodies.
Dramas enacting the legend of Durga slaying Mahishasura are telecasted on the television. Radio and television channels also air other festive shows,[ citation needed ] while Bengali and Odia magazines publish special editions for the puja known as Pujabarshiki (Annual Puja Edition) or Sharadiya Sankhya (Autumnal Volume). These contain works of writers, both established and upcoming, and are more voluminous than the regular issues. Some notable examples of such magazines in Bengali are Anandamela , Shuktara, Desh, Sananda, Nabakallol, and Bartaman.
Durga puja is celebrated commonly by Bangladesh's Hindu community. Some Bengali Muslims also take part in the festivities.In Dhaka, the Dhakeshwari Temple puja attracts visitors and devotees. In Nepal, the festivities are celebrated as Dashain.
Beyond south Asia, Durga puja is organised by Bengali communities in the United States of America.Durga puja celebrations have also been started in Hong Kong by the Bengali diaspora.
Celebrations are also organised in Europe. The sculpture-idols are shipped from India and stored in warehouses to be re-used over the years.According to BBC News, for community celebrations in London in 2006, these "idols, belonging to a tableau measuring 18ft by 20ft, were made from clay, straw and vegetable dyes". At the end of the puja, the sculpture-idols were immersed in River Thames for the first time in 2006, after "the community was allowed to give a traditional send-off to the deities by London's port authorities". In Germany, the puja is celebrated in Cologne, and other cities. In Switzerland, puja in Baden, Aargan has been celebrated since 2003. In Sweden, the puja is celebrated in cities such as Stockholm and Helsingborg. In the Netherlands, the puja is celebrated in places such as Amstelveen, Eindhoven, and Voorschoten. In Japan Durga Puja is celebrated in Tokyo with much fanfare.
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Shaktism is one of several major Hindu denominations, wherein the metaphysical reality is considered metaphorically a woman and Shakti is regarded as the supreme godhead. It includes many goddesses, all considered aspects of the same supreme goddess. Shaktism has different sub-traditions, ranging from those focused on gracious Parvati to that of fierce Kali.
Mahishasura was a buffalo Asura (Demon) in Hinduism. He is known among Hindus as a deceitful demon who pursued his evil ways by shape-shifting. Mahishasura was the son of Mahisi (Buffalo), and the great-grandson of Brahmarshi Kashyapa. He was ultimately killed by Goddess Durga - after which She gained the epithet Mahishasuramardini. The Navaratri festival eulogizes this battle between Mahishasura and Durga, culminating in Vijaya Dasami, a celebration of his ultimate defeat. This story of the "triumph of Good over Evil" carries profound symbolism in Hinduism, particularly Shaktism, and is both narrated as well as reenacted from the Devi Mahatmya at many South- and Southeast Asian Hindu temples.
Ganesh Chaturthi, also known as Vinayaka Chaturthi, is a Hindu festival celebrating the arrival of Ganesh to earth from Kailash Parvat with his mother Goddess Parvati/Gauri. The festival is marked with the installation of Ganesh clay idols privately in homes and publicly by Shri Bal Gangadhar Tilak popularly known as Lokmanya Tilak in Pune in the year 1893 on elaborate pandals. Observations include chanting of Vedic hymns and Hindu texts such as, prayers and vrata (fasting). Offerings and prasāda from the daily prayers, that are distributed from the pandal to the community, include sweets such as modaka as it is believed to be a favourite of Lord Ganesh. The festival ends on the tenth day after start, when the idol is carried in a public procession with music and group chanting, then immersed in a nearby body of water such as a river or sea. In Mumbai alone, around 150,000 statues are immersed annually. Thereafter the clay idol dissolves and Ganesh is believed to return to Mount Kailash to Parvati and Shiva. The festival celebrates Lord Ganesh as the God of New Beginnings and the Remover of Obstacles as well as the god of wisdom and intelligence and is observed throughout India, especially in the states such as Maharashtra, Goa, Karnataka, Rajasthan, Madhya Pradesh, Andhra Pradesh, Telangana, Odisha, West Bengal, Gujarat, Chhattisgarh and Tamil Nadu. Ganesh Chaturthi is also observed in Nepal and by the Hindu diaspora elsewhere such as in Australia, New Zealand, Canada, Singapore, Malaysia, Trinidad and Tobago, Guyana, Suriname, other parts of the Caribbean, Fiji, Mauritius, South Africa United States, and Europe. In the Gregorian calendar, Ganesh Chaturthi falls between 22 August and 20 September every year.
Kolkata has many festivals throughout the year. Durga Puja is the largest festival of West Bengal, and it features colourful pandals, decorative idols of Hindu goddess Durga and her family, lighting decorations and fireworks. Other major festivals are Diwali, Kali Puja, Holi, Saraswati Puja, Poush Parbon, Poila Boishakh, etc.
The culture of West Bengal is an Indian culture which has its roots in the Bengali literature, music, fine arts, drama and cinema. Different geographic regions of West Bengal have subtle as well as more pronounced variations between each other, with Darjeeling Himalayan hill region and Duars showing particularly different socio-cultural aspects.
Mysore Dasara is the Nadahabba of the state of Karnataka in India. It is a 10-day festival, starting with nine nights called Navaratri and the last day being Vijayadashami. The festival is observed on the tenth day in the Hindu calendar month of Ashvin, which typically falls in the Gregorian months of September and October.
This article lists the traditional festivals and other cultural events in the Odisha region of India.Odisha celebrates 13 festivals in 12 months as the saying goes "BAARA MASARE TERATA PARBA"
Navaratri is a Hindu festival that spans nine nights and is celebrated every year in the autumn. It is observed for different reasons and celebrated differently in various parts of the Indian cultural sphere. Theoretically, there are four seasonal Navaratri. However, in practice, it is the post-monsoon autumn festival called Sharada Navaratri that is the most observed in the honor of the divine feminine Devi (Durga). The festival is celebrated in the bright half of the Hindu calendar month Ashvin, which typically falls in the Gregorian months of September and October.
Kali Puja, also known as Shyama Puja or Mahanisha Puja, is a festival, originating from the Indian subcontinent, dedicated to the Hindu goddess Kali, celebrated on the new moon day of the Hindu month Kartik especially in the regions of Bengal, and in Mithila, Odisha, Assam and the town of Titwala in Maharashtra. It coincides with the Lakshmi Puja day of Diwali. While the Hindu Bengalis, Odias, Assamese and Maithils worship the goddess Kali on this day, the rest of India and Nepal worships goddess Lakshmi on Diwali.
The modern practice of Hindu animal sacrifice is mostly associated with Shaktism, and in currents of folk Hinduism strongly rooted in local popular or tribal traditions. Animal sacrifices were part of the ancient Vedic religion in India, and are mentioned in scriptures such as the Yajurveda. Some Puranas forbid animal sacrifice.
New Delhi Kali Bari is a Hindu temple dedicated to Goddess Kali and the center for Bengali culture in New Delhi, India. Established in 1930s, it is situated on Mandir Marg, close to Laxminarayan Temple in Delhi.
Chittaranjan Park Kali Mandir is a temple complex and Bengali community cultural center in Chittaranjan Park in New Delhi, India. Built on a small hill, it started as a Shiv temple in 1973, which still stands within the complex, the larger shrines dedicated to goddess Kali, Shiva, and Radhakrishna were added in 1984. Over the years it has remained an important centre of convergence of local Bengali community during annual Durga Puja festivities.
Sarathi Socio Cultural Trust is a non profit organization in Bangalore, founded in 2003. The organization is involved in organizing socio-cultural events in Koramangala, the highlight being the grand "Durga Puja", which sees at least 150,000 to 200,000 visitors every year, and which got the "Senco Sharod Samman" award for the best ambiance and crowd management in 2018. In 2020, Sarathi used its funds to help many people, like the idol-makers and others, whose livelihoods were badly impacted due to the pandemic.
Kurumgram is an old village located in Nalhati I CD Block in Rampurhat subdivision of Birbhum district in West Bengal State of India.