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|History of the Netherlands|
The Dutch Golden Age (Dutch : Gouden EeuwDutch pronunciation: [ˈɣɑudə(n) ˈeːu] ) was a period in the history of the Netherlands, roughly spanning the era from 1581 (the birth of the Dutch republic) to 1672 (the disaster year), in which Dutch trade, science, and art and the Dutch military were among the most acclaimed in the world. The first section is characterized by the Eighty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century.
The transition by the Netherlands to becoming the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart.
In 1568, the Seven Provinces that later signed the Union of Utrecht (Dutch : Unie van Utrecht) started a rebellion against Philip II of Spain that led to the Eighty Years' War. Before the Low Countries could be completely reconquered, a war between England and Spain, the Anglo-Spanish War of 1585-1604, broke out, forcing Spanish troops to halt their advances and leaving them in control of the important trading cities of Bruges and Ghent, but without control of Antwerp, which was then arguably the most important port in the world. Antwerp fell on 17 August 1585, after a siege, and the division between the Northern and Southern Netherlands (the latter mostly modern Belgium) was established.
The United Provinces (roughly today's Netherlands) fought on until the Twelve Years' Truce, which did not end the hostilities. The Peace of Westphalia in 1648, which ended the Eighty Years' War between the Dutch Republic and Spain and the Thirty Years' War between other European superpowers, brought the Dutch Republic formal recognition and independence from the Spanish crown.
Under the terms of the surrender of Antwerp in 1585, the Protestant population (if unwilling to reconvert) were given four years to settle their affairs before leaving the city and Habsburg territory. [ clarification needed ]. Many of those moving north settled in Amsterdam, transforming what was a small port into one of the most important ports and commercial centres in the world by 1630.Similar arrangements were made in other places. Protestants were especially well-represented among the skilled craftsmen and rich merchants of the port cities of Bruges, Ghent, and Antwerp. More moved to the north between 1585 and 1630 than Catholics moved in the other direction, although there were also many of these
In addition to the mass migration of Protestant natives from the southern Netherlands to the northern Netherlands, there were also influxes of non-native refugees who had previously fled from religious persecution, particularly Sephardi Jews from Portugal and Spain, and later Protestants from France. The Pilgrim Fathers also spent time there before their voyage to the New World.
Economists Ronald Findlay and Kevin H. O'Rourke attribute part of the Dutch ascendancy to its Protestant work ethic based on Calvinism, which promoted thrift and education. This contributed to "the lowest interest rates and the highest literacy rates in Europe. The abundance of capital made it possible to maintain an impressive stock of wealth, embodied not only in the large fleet but in the plentiful stocks of an array of commodities that were used to stabilize prices and take advantage of profit opportunities."
Several other factors also contributed to the flowering of trade, industry, the arts and the sciences in the Netherlands during this time. A necessary condition was a supply of cheap energy from windmills and from peat, easily transported by canal to the cities. The inventionof the wind powered sawmill enabled the construction of a massive fleet of ships for worldwide trading and for military defense of the republic's economic interests.
In the 17th century the Dutch – traditionally able seafarers and keen mapmakers – began to trade with the Far East, and as the century wore on, they gained an increasingly dominant position in world trade, a position previously occupied by the Portuguese and Spanish.
In 1602, the Dutch East India Company (VOC) was founded. It was the first-ever multinational corporation, financed by shares that established the first modern stock exchange. The Company received a Dutch monopoly on Asian trade, which it would keep for two centuries, and it became the world's largest commercial enterprise of the 17th century. Spices were imported in bulk and brought huge profits due to the efforts and risks involved and demand. This is remembered to this day in the Dutch word peperduur , meaning something is very expensive, reflecting the prices of spices at the time. To finance the growing trade within the region, the Bank of Amsterdam was established in 1609, the precursor to, if not the first true central bank.
Although the trade with the Far East was the more famous of the VOC's exploits, the main source of wealth for the Republic was in fact its trade with the Baltic states and Poland. Called the "Mothertrade" (Dutch : Moedernegotie), the Dutch imported enormous amounts of bulk resources like grain and wood, stockpiling them in Amsterdam so Holland would never lack for basic goods, as well as being able to sell them on for profit. This meant that unlike their main rivals the Republic would not face the dire repercussions of a bad harvest and the starvation it accompanied, instead profiting when this happened in other states (bad harvests were commonplace in France and England in the 17th century, which also contributed to the Republic's success in that time).
According to Ronald Findlay and Kevin H. O'Rourke, geography favored the Dutch Republic, contributing to its wealth. They write, "The foundations were laid by taking advantage of location, midway between the Bay of Biscay and the Baltic. Seville and Lisbon and the Baltic ports were too far apart for direct trade between the two terminal points, enabling the Dutch to provide profitable intermediation, carrying salt, wine, cloth and later silver, spices, and colonial products eastward while bringing Baltic grains, fish, and naval stores to the west. The Dutch share of European shipping tonnage was enormous, well over half during most of the period of their ascendancy."
Amsterdam's dominant position as a trade center was strengthened in 1640 with a monopoly for the Dutch East India Company (VOC) for trade with Japan through its trading post on Dejima, an island in the bay of Nagasaki. From here the Dutch traded between China and Japan and paid tribute to the shōgun . Until 1854, the Dutch were Japan's sole window to the western world.
The collection of scientific learning introduced from Europe became known in Japan as Rangaku or Dutch Learning.The Dutch were instrumental in transmitting to Japan some knowledge of the industrial and scientific revolution then occurring in Europe. The Japanese purchased and translated numerous scientific books from the Dutch, obtained from them Western curiosities and manufactures (such as clocks) and received demonstrations of various Western innovations (such as electric phenomena, and the flight of a hot air balloon in the early 19th century). In the 17th and 18th centuries, the Dutch were arguably the most economically wealthy and scientifically advanced of all European nations, which put them in a privileged position to transfer Western knowledge to Japan.
The Dutch also dominated trade between European countries. The Low Countries were favorably positioned at a crossing of east–west and north–south trade routes and connected to a large German hinterland through the Rhine river. Dutch traders shipped wine from France and Portugal to the Baltic lands and returned with grain for countries around the Mediterranean Sea. By the 1680s, an average of nearly 1000 Dutch ships entered the Baltic Sea each year,to trade with markets of the fading Hanseatic League. The Dutch were able to gain control of much of the trade with the nascent English colonies in North America; and after the end of the war with Spain in 1648, Dutch trade with that country also flourished.
National industries expanded as well. Shipyards and sugar refineries are prime examples. As more and more land was utilized, partially through transforming lakes into polders such as the Beemster, Schermer and Purmer, local grain production and dairy farming soared.
The outcome of the revolt against Spain, better known as the Eighty Years' War, fought over religious freedom and economic and political independence, ended in total independence of the reformist northern provinces (see also Dutch Republic), almost certainly would have boosted national morale. Already in 1609 much of this was accomplished, when a temporary truce was signed with Spain, which would last for 12 years.
In the Netherlands in the 17th century, social status was largely determined by income. The landed nobility had relatively little importance, since they mostly lived in the more underdeveloped inland provinces, and it was the urban merchant class that dominated Dutch society. The clergy did not have much worldly influence either: the Catholic Church had been more or less suppressed since the onset of the Eighty Years' War with Spain. The new Protestant movement was divided, although exercising social control in many areas to an even greater extent than under the Catholic Church.
That is not to say that aristocrats were without social status. On the contrary, wealthy merchants bought themselves into the nobility by becoming landowners and acquiring a coat of arms and a seal. Aristocrats also mixed with other classes for financial reasons: they married their daughters to wealthy merchants, became traders themselves or took up public or military office. Merchants also started to value public office as a means to greater economic power and prestige. Universities became career pathways to public office. Rich merchants and aristocrats sent their sons on a so-called Grand Tour through Europe. Often accompanied by a private tutor, preferably a scientist himself, these young people visited universities in several European countries. This intermixing of patricians and aristocrats was most prominent in the second half of the century.
After aristocrats and patricians came the affluent middle class, consisting of Protestant ministers, lawyers, physicians, small merchants, industrialists and clerks of large state institutions. Lower status was attributed to farmers, craft and tradesmen, shopkeepers, and government bureaucrats. Below that stood skilled laborers, maids, servants, sailors, and other persons employed in the service industry. At the bottom of the pyramid were "paupers": impoverished peasants, many of whom tried their luck in a city as a beggar or day laborer.
Workers and laborers were generally paid better than in most of Europe, and enjoyed relatively high living standards, although they also paid higher than normal taxes. Farmers prospered from mainly cash crops needed to support the urban and seafaring population.
The central role of women in the 17th-century Dutch household revolved around the home and domestic tasks. [ citation needed ] women in 17th-century Dutch society still enjoyed a wide range of freedoms within their own sphere of control. Unmarried young women were known to enjoy various freedoms with their lovers and suitors, while married women enjoyed the right to publicly shame their husbands who patronized brothels.[ citation needed ] Moreover, married women could legally reject the sexual desires of their husbands if there were proof or reason to believe that a sexual encounter would result in the transmission of syphilis or other venereal diseases. Dutch women were also allowed to take communion alongside men, and widows were able to inherit property and maintain control over their finances and husband's wills. However, a woman's sphere of authority still primarily lay in household duties, despite historical evidence showing certain cases of wives maintaining considerable control in family businesses. Manuals written by men instructing women and wives in various aspects of domestic duties proliferated, the most popular being Jacob Cats' Houwelyck. As evidenced by numerous 17th-century Dutch genre paintings, the most important domestic tasks performed by women included supervising maids, cooking, cleaning, needlework, and spinning.In Dutch culture, the home was regarded as a safe-haven from the lack of Christian virtue and immorality of the outside world. Additionally, the home represented a microcosm of the Dutch Republic, in that the smooth running of an ideal household reflected the relative stability and prosperity of the government. The home was an integral part of public life in Dutch society. Public passersby could clearly view the entrance halls of Dutch homes decorated to show off a particular family's wealth and social standing. The home was also a place for neighbors, friends, and extended family to interact, further cementing its importance in the social lives of 17th-century Dutch burghers. The physical space of the Dutch home was constructed along gender lines. In the front of the house, the men had control over a small space where they could do their work or conduct business, known as the Voorhis, while women controlled most every other space in the house, such as the kitchens and private family rooms. Although there was a clear separation in spheres of power between husband and wife (the husband had authority in the public realm, the wife in the domestic and private),
As seen in art and literature at the time, unmarried young women were valued for maintaining their modesty and diligence as this time in a woman's life was regarded to be the most uncertain.From a young age, burgher women were taught various household related duties by their mothers, including reading, so as to prepare them for their lives as housewives. Dutch art at this time shows the idealized situation in which an unmarried young girl ought to conduct herself in situations such as courtship, which commonly included themes relating to gardens or nature, music lessons or parties, needlework, and reading and receiving love letters. However, ideals of the young women espoused by genre painting and Petrarchian poetry did not reflect the reality. Accounts from travelers described the various freedoms young women were provided in the realm of courtship. The prevalence of Calvinist sermons regarding the consequences of leaving young women unsupervised also spoke to a general trend of a lack of parental oversight in the matters of young love.
Dutch writers, such as Jacob Cats, held the prevailing public opinion concerning marriage. He and other cultural authorities were influenced by Calvinist ideals that stressed an equality between man and wife, considered companionship a primary reason for marriage, and regarded procreation as a mere consequence of that companionship.However, non-egalitarian ideas still existed regarding women as the weaker sex, and the image of the turtle was commonly used to express the separate spheres and strengths of both genders. In addition to supervising maids, cooking, cleaning, and prating needlework, women were also encouraged to maintain some financial control over domestic affairs, such as going to market and buying their own food.
Maternity and motherhood were highly valued in Dutch culture. Mothers were encouraged to breastfeed their children, as using a wet nurse would prevent a bond from forming between mother and child. The Dutch believed that a mother's milk came from the blood originally in her womb and that feeding the infant such substances would also reap physiological and health related benefits.Seventeenth-century Dutch society dictated that children should first begin to learn religion at home. Therefore, along with their husbands, women used family meal times to discuss religious topics and to focus on prayer.
Seventeenth-century Dutch culture maintained contradictory attitudes regarding the elderly, in particular, elderly women. Some Dutch writers idealized old age as a poetic transition from life to death. Others regarded aging as an illness in which one is gradually deteriorating until they reach their final destination, while some lauded the elderly as wise and people who deserve the highest forms of respect.However, treatises on behavior for elderly women and widows stressed not necessarily their inherent wisdom, but that they should maintain piety, practice moderation, and live a relatively secluded life. Unlike other European artistic traditions, Dutch art rarely depicts elderly women as disgusting or grotesque creatures, but rather they are idolized as figures of piety and purity whom the younger generations of women can look up to.
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Calvinism was the state religion in the Dutch Republic, though this does not mean that unity existed. Although the Netherlands was a tolerant nation compared to neighboring states, wealth and social status belonged almost exclusively to Protestants. The cities with a predominantly Catholic background, such as Utrecht and Gouda, did not enjoy the benefits of the Golden Age. As for the Protestant towns, unity of belief was also far from standard. At the beginning of the century bitter controversies between strict Calvinists and more permissive Protestants, known as Remonstrants, split the country. The Remonstrants denied predestination and championed freedom of conscience, while their more dogmatic adversaries (known as Contra-Remonstrants) gained a major victory at the Synod of Dort (1618–19). The variety of sects may well have worked to make religious intolerance impractical.
Renaissance Humanism, of which Desiderius Erasmus (c. 1466–1536) was an important advocate, had also gained a firm foothold and was partially responsible for a climate of tolerance.
Tolerance towards Catholics was not so easy to uphold, as religion had played an important part in the Eighty Years' War of independence against Spain (with political and economic freedom being other important motives). Intolerant inclinations, however, could be overcome by money. Thus Catholics could buy the privilege of holding ceremonies in a conventicle (a house doubling inconspicuously as a church), but public offices were out of the question. Catholics tended to keep to themselves in their own section of each town, even though they were one of the largest single denominations: for example, the Catholic painter Johannes Vermeer lived in the "Papist corner" of the town of Delft. The same applied to Anabaptists and Jews.
Overall, the country was tolerant enough to attract religious refugees from other countries, notably Jewish merchants from Portugal who brought much wealth with them. The revocation of the Edict of Nantes in France in 1685 resulted in the immigration of many French Huguenots, many of whom were shopkeepers or scientists. However, some figures, such as the philosopher Baruch Spinoza (1632–1677), experienced social stigma.
Due to its climate of intellectual tolerance, the Dutch Republic attracted scientists and other thinkers from all over Europe. In particular, the renowned University of Leiden (established in 1575 by the Dutch stadtholder Willem van Oranje as a token of gratitude for Leiden's fierce resistance against Spain during the Eighty Years' War) became a gathering place for intellectuals. Jan Amos Comenius, the Czech educator and writer, was known for his theories of education, but also as a pioneer of Czech Protestantism during the 17th century. To escape the Counter-Reformation, he migrated to the Dutch Republic and is buried in Naarden, North Holland. Comenius accepted the invitation of Laurens de Geer to visit Amsterdam, where he lived the last 14 years of his life (1656–1670). He published his most important works there: 43 volumes in all, about half of his total output. French philosopher and mathematician René Descartes (1596-1650) lived in Holland from 1628 until 1649. He also had his most important works published in Amsterdam and Leiden. Another French-born philosopher, Pierre Bayle, left France in 1681 for the Dutch Republic, where he became a professor of history and philosophy at the Illustrious School of Rotterdam. He lived in Rotterdam until his death in 1706. As Bertrand Russell noted in his A History of Western Philosophy (1945), "He [Descartes] lived in Holland for twenty years (1629–49), except for a few brief visits to France and one to England, all on business. It is impossible to exaggerate the importance of Holland in the 17th century, as the one country where there was freedom of speculation. Hobbes had to have his books printed there; Locke took refuge there during the five worst years of reaction in England before 1688; Bayle (of the Dictionary) found it necessary to live there; and Spinoza would hardly have been allowed to do his work in any other country."
Dutch lawyers were famous for their knowledge of international law of the sea and commercial law. Hugo Grotius (1583–1645) played a leading part in the foundation of international law. He invented the concept of the "Free seas" or Mare liberum, which was fiercely contested by England, the Netherlands' main rival for domination of world trade. He also formulated laws on conflicts between nations in his book De lure Belli ac pacis ("On the law of war and peace").
Christiaan Huygens (1629–1695) was a famous astronomer, physicist and mathematician. He invented the pendulum clock, which was a major step forward towards exact timekeeping. Among his contributions to astronomy was his explanation of Saturn's planetary rings.He also contributed to the field of optics. The most famous Dutch scientist in the area of optics is Antonie van Leeuwenhoek, who was the first to methodically study microscopic life—he was the first person to describe bacteria—thus laying the foundations for the field of microbiology. The "microscopes" were simple magnifiers, not compound microscopes. His skill in grinding lenses (some as small as 1mm in diameter) resulted in a magnification as high as 245x.
Famous Dutch hydraulic engineer Jan Leeghwater (1575–1650) gained important victories in the Netherlands' eternal battle against the sea. Leeghwater added a considerable amount of land to the republic by converting several large lakes into polders, pumping the water out with windmills.
Again due to the Dutch climate of tolerance, book publishers flourished. Many books on religion, philosophy, and science that might have been deemed controversial abroad were printed in the Netherlands and secretly exported to other countries. Thus during the 17th century, the Dutch Republic became more and more Europe's publishing house.
Cultural development in the Low Countries stood out from neighboring countries. With some exceptions (notably Dutch playwright Joost van den Vondel) the Baroque movement did not gain much influence. Its exuberance did not fit the austerity of the largely Calvinistic population. The major force behind new developments was the citizenry, notably in the western provinces: first and foremost in Holland, to a lesser extent Zeeland and Utrecht. Where rich aristocrats often became patrons of art in other countries, because of their comparative absence in the Netherlands this role was played by wealthy merchants and other patricians.
Centres of cultural activity were town militia (Dutch: schutterij ) and chambers of rhetoric (rederijkerskamer). The former were created for town defence and policing, but also served as a meeting-place for the well-to-do, who were proud to play a prominent part and paid well to see this preserved for posterity by means of a group portrait. The latter were associations at a city level that fostered literary activities, like poetry, drama and discussions, often through contests. Cities took pride in their associations and promoted them.
In the Dutch Golden Age, the meals of the middle class consisted of a rich variety of dishes.During the 15th century haute cuisine began to emerge, largely limited to the aristocracy, but from the 17th century onward dishes of this kind became available to the wealthy citizens as well. The Dutch Empire enabled spices, sugar, and exotic fruits to be imported to the country. By the late 17th century, tea and coffee consumption were increasing and becoming part of everyday life. Tea was served with sweets, candy or marzipan and cookies. A rich Dutch mealtime of the time contained many extravagant dishes and drinks.
Dutch Golden Age painting followed many of the tendencies that dominated Baroque art in other parts of Europe, such as Caravaggesque and naturalism, but was the leader in developing the subjects of still life, landscape, and genre painting. Portraiture was also popular, but history painting – traditionally the most-elevated genre – struggled to find buyers. Church art was virtually non-existent, and little sculpture of any kind was produced. While art collecting and painting for the open market was also common elsewhere, art historians point to the growing number of wealthy Dutch middle-class and successful mercantile patrons as driving forces in the popularity of certain pictorial subjects.
This trend, along with the lack of Counter-Reformation church patronage that dominated the arts in Catholic Europe, resulted in the great number of "scenes of everyday life" or genre paintings, and other secular subjects. Landscapes and seascapes, for example, reflect the land reclaimed from the sea and the sources of trade and naval power that mark the Republic's Golden Age. One subject that is quite characteristic of Dutch Baroque painting is the large group portrait, especially of civic and militia guilds, such as Rembrandt van Rijn's Night Watch . A special genre of still life was the so-called pronkstilleven (Dutch for 'ostentatious still life'). This style of ornate still-life painting was developed in the 1640s in Antwerp by Flemish artists such as Frans Snyders, Osias Beert, Adriaen van Utrecht and a whole generation of Dutch Golden Age painters. They painted still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals. The style was soon adopted by artists from the Dutch Republic.
Today, the best-known painters of the Dutch Golden Age are the period's most dominant figure Rembrandt, the Delft master of genre Johannes Vermeer, the innovative landscape painter Jacob van Ruisdael, and Frans Hals, who infused new life into portraiture. Some notable artistic styles and trends include Haarlem Mannerism, Utrecht Caravaggism, the School of Delft, the Leiden fijnschilders, and Dutch classicism.
Dutch architecture was taken to a new height in the Golden Age. Cities expanded greatly as the economy thrived. New town halls, weighhouses and storehouses were built. Merchants who had made their fortune ordered a new house along one of the many new canals that were dug out in and around many cities (for defense and transport purposes), a house with an ornamented façade that befitted their new status. In the countryside, many new castles and stately homes were built; but most of them have not survived.
Early in the 17th century late Gothic elements still prevailed, combined with Renaissance motives. After a few decades French classicism gained prominence: vertical elements were stressed, less ornamentation was used, and natural stone was preferred above bricks. In the last decades of the century this trend towards sobriety intensified. From around 1670 the most prominent feature of a house front was its entrance, with pillars on each side and possibly a balcony above it, but no further decoration.
Starting at 1595, Reformed churches were commissioned, many of which are still landmarks today.
The most famous Dutch architects of the 17th century were Jacob van Campen, Pieter Post, Pieter Vingbooms, Lieven de Key, and Hendrick de Keyser.
Dutch achievements in sculpture in the 17th century are less prominent than in painting and architecture, and fewer examples were created than in neighbouring countries, partly because of their absence in the interiors of Protestant churches, as objections to the Roman Catholic veneration of statues had been one of the contentious points of the Reformation. Another reason was the comparatively small class of nobles. Sculptures were commissioned for government buildings, private buildings (often adorning house fronts) and the exteriors of churches. There was also a market for grave monuments and portrait busts.
Hendrick de Keyser, who was active at the dawn of the Golden Age, is one of the few prominent home-grown sculptors. In the 1650s and 1660s, the Flemish sculptor Artus I Quellinus, along with his family and followers like Rombout Verhulst, were responsible for the classicizing decorations for the Amsterdam city hall (now the Royal Palace, Amsterdam). This remains the major monument of Dutch Golden Age sculpture.
The Golden Age was also an important time for developments in literature. Some of the major figures of this period were Gerbrand Bredero, Jacob Cats, Pieter Hooft, and Joost van den Vondel.
During this time, a climate of tolerance developed in comparison to other European states with strict censorship restrictions paving the way for the Dutch to become a powerhouse in the book trade. This transformation is described by modern historians as the 'Dutch miracle.' Additionally, the Dutch enjoyed high literacy rates, and Dutch entrepreneurs took advantage of this. As a result, seventeenth century Holland became a great centre for the production of news, Bibles, political pamphlets. Louis Elzevir and his descendants created what is considered one of the most eminent dynasties of the book trade. The House of Elzevir produced pocket editions of classical Latin texts which were scholarly, reliable, and reasonably priced. The Elzevir dynasty died out in 1712 and the 'Dutch miracle' waned as international competition caught up to the Dutch book trade.
Amsterdam is the capital and most populous city of the Netherlands with a population of 872,680 within the city proper, 1,380,872 in the urban area and 2,410,960 in the metropolitan area. Found within the province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", attributed by the large number of canals which form a UNESCO World Heritage Site.
The History of the Netherlands is a history of seafaring people thriving on a lowland river delta on the North Sea in northwestern Europe. Records begin with the four centuries during which the region formed a militarized border zone of the Roman Empire. This came under increasing pressure from Germanic peoples moving westwards. As Roman power collapsed and the Middle Ages began, three dominant Germanic peoples coalesced in the area, Frisians in the north and coastal areas, Low Saxons in the northeast, and the Franks in the south.
The Netherlands, informally Holland, is a country primarily located in Western Europe and partly in the Caribbean, forming the largest constituent country of the Kingdom of the Netherlands. In Europe, it consists of 12 provinces that border Germany to the east, Belgium to the south, and the North Sea to the northwest, with maritime borders in the North Sea with those countries and the United Kingdom. In the Caribbean, it consists of three special municipalities: the islands of Bonaire, Sint Eustatius and Saba. The country's official language is Dutch, with West Frisian as a secondary official language in the province of Friesland, and English and Papiamentu as secondary official languages in the Caribbean Netherlands. Dutch Low Saxon and Limburgish are recognised regional languages, while Sinte Romani and Yiddish are recognised non-territorial languages.
The United Provinces of the Netherlands, or simply United Provinces, and commonly referred to historiographically as the Dutch Republic, was a federal republic formally established from the formal creation of a federal state in 1581 by several Dutch provinces—seceded from Spanish rule—until the Batavian Revolution of 1795. It was a predecessor state of the Netherlands and the first fully independent Dutch nation state.
The culture of the Netherlands is diverse, reflecting regional differences as well as the foreign influences built up by centuries of the Dutch people's mercantile and explorative spirit. The Netherlands and its people have long played an important role as centre of cultural liberalism and tolerance. The Dutch Golden Age is popularly regarded as its zenith.
Amsterdam has a long and eventful history. The origins of the city lie in the 12th century, when fishermen living along the banks of the River Amstel built a bridge across the waterway near the IJ, which at the time was a large saltwater inlet. Wooden locks under the bridge served as a dam protecting the village from the rising IJ waters, which often flooded the early settlement. The mouth of the river Amstel, where the Damrak is now, formed a natural harbor, which became important for trading-exchange from the larger koggeships into the smaller ships that sailed the merchandise deeper into the hinterland.
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens.
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
The Renaissance in the Low Countries was a cultural period in the Northern Renaissance that took place in around the 16th century in the Low Countries.
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting.
Dutch Baroque architecture is a variety of Baroque architecture that flourished in the Dutch Republic and its colonies during the Dutch Golden Age of the 17th century..
The naval history of the Netherlands dates back to the 15th century. As overseas trade was a traditional cornerstone of the Dutch economy, naval defence was indispensable for the protection of commercial interests.
The art of the Low Countries consists of painting, sculpture, architecture, printmaking, pottery and other forms of visual art produced in the Low Countries, and since the 19th century in Belgium in the southern Netherlands and the Netherlands in the north.
The economic history of the Netherlands (1500–1815) is the history of an economy that American-Dutch scholar and economist Jan de Vries calls the first "modern" economy. It covers the Netherlands as the Habsburg Netherlands, through the era of the Dutch Republic, the Batavian Republic and the Kingdom of Holland.
The Dutch Revolt (1566–1648) was the revolt in the Low Countries against the rule of the Habsburg King Philip II of Spain, hereditary ruler of the provinces. The northern provinces eventually separated from the southern provinces, which continued under Habsburg Spain until 1714. The northern provinces adopted Calvinism and Republicanism whereas the southern provinces became wholly Catholic again due to the expulsion of Protestants and the efforts of the Counter-Reformation and remained under absolutist rule. The Dutch Revolt has been viewed as the seedbed of the great democratic revolutions from England, to America to France.
The Amsterdam Entrepôt is the shorthand term that English-language economic historiographers use to refer to the trade system that helped the Dutch Republic achieve primacy in world trade during the 17th century.
The development of urban centers in the Low Countries shows the process in which a region, the Low Countries in Western Europe, evolves from a highly rural outpost of the Roman Empire into the largest urbanized area above the Alps by the 15th century CE. As such, this article covers the development of Dutch and Flemish cities beginning at the end of the migration period till the end of the Dutch Golden Age.
The history of the Dutch economy has faced several ups and downs throughout the 16th and 17th centuries. It has undergone moments of prosperity and was once noted as one of the most dominant world powers in the 17th Century. It was heavily involved in the Atlantic Trade that had a large impact on its economy and growth. There is no clear definition for the Atlantic Trade, but researchers have concluded it may be referred to as: Trade with the New World, and trade with Asia through the Atlantic including, but not limited to, imperialism and slavery based undertakings. Among the most important of these traders were the Dutch and the British. It is noted that these two nations experienced a more rapid growth than most due to their non-absolutist political institutions. This is only one of many benefactors that played a large role in the shaping in the growth and economic change within the Netherlands that occurred throughout the 16th and 17th Centuries.
The Dutch Empire is a term comprising different territories that were controlled by Netherlands from the seventeenth to the twentieth century. They settled outside Europe, they had skills in trade and transport. In the late sixteenth century, the Netherlands took back their lead at sea, and by the second half of the seventeenth century their cultural and economy rose to dominate the sea. These two hundred years were called the Golden Age. The Dutch built their empire with corporate colonialism by conducting the East Indies and the West Indies companies, following the British Empire footsteps, which led to war between both empires. All Dutch sailors and merchants were part of the voyages that explored around the world. After the French Revolutionary Wars, Netherlands lost most of its power to the British after the French armies invaded Holland and parts of the Dutch colonies. So, the Dutch leaders had to defend their colonies and homeland.
The Golden Age of Flanders, or Flemish Golden Age, is a term that has been used to describe the flourishing of cultural and economic actitivies of the Low Countries around the 16th century. The term Flanders in the 1500s referred to the entire Habsburg Netherlands within the Burgundian Circle of the Holy Roman Empire and inclusive of modern-day Belgium, the Netherlands, and Luxembourg. Its political capital was Brussels, while the financial-economic centre was Antwerp. Other major artistic and cultural centres of the period included Bruges, Ghent, Mechelen and Leuven. It is also grouped with the Dutch Golden Age, a more common term used primarily in reference to the Dutch Republic in the 1600s, within a "Flemish and Dutch golden age" covering the period from the late 15th to the 17th century.