Elizabeth Robins Pennell

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Sketch of Pennell by her husband Joseph Elizabeth Robins Pennell cph.3b02785.jpg
Sketch of Pennell by her husband Joseph

Elizabeth Robins Pennell (February 21, 1855 – February 7, 1936) was an American writer who, for most of her adult life, made her home in London. A recent researcher summed her up as "an adventurous, accomplished, self-assured, well-known columnist, biographer, cookbook collector, and art critic"; [1] in addition, she wrote travelogues, mainly of European cycling voyages, and memoirs, centred on her London salon. Her biographies included the first in almost a century of the proto-feminist Mary Wollstonecraft, one of her uncle the folklorist Charles Godfrey Leland, and one of her friend the painter Whistler. In recent years, her art criticism has come under scrutiny, and her food criticism has been reprinted.

Mary Wollstonecraft British writer and philosopher

Mary Wollstonecraft was an English writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and work as important influences.

Charles Godfrey Leland Union Army soldier

Charles Godfrey Leland was an American humorist, writer, and folklorist, born in Philadelphia, Pennsylvania. He was educated at Princeton University and in Europe.

James Abbott McNeill Whistler American painter

James Abbott McNeill Whistler was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail. The symbol was apt, for it combined both aspects of his personality: his art is characterized by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting is Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, the revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.

Contents

Early life

She grew up in Philadelphia. Her mother died when she was very young, and she was sent away to a convent school from the ages of 8 to 17. When she returned to her father's home, he had remarried, and she was bored with the demands and restrictions of being a proper Catholic young lady. She wanted to work, and, with the encouragement of her uncle, the writer and folklorist Charles Godfrey Leland, she took up writing as a career. She started with articles in periodicals such as Atlantic Monthly , and through this work she met a young Quaker artist named Joseph Pennell, who had also had to face down parental disapproval to pursue his creative calling. This began a fruitful collaboration between writer and illustrator. [2]

Philadelphia Largest city in Pennsylvania, United States

Philadelphia, known colloquially as Philly, is the largest city in the U.S. state and Commonwealth of Pennsylvania, and the sixth-most populous U.S. city, with a 2018 census-estimated population of 1,584,138. Since 1854, the city has been coterminous with Philadelphia County, the most populous county in Pennsylvania and the urban core of the eighth-largest U.S. metropolitan statistical area, with over 6 million residents as of 2017. Philadelphia is also the economic and cultural anchor of the greater Delaware Valley, located along the lower Delaware and Schuylkill Rivers, within the Northeast megalopolis. The Delaware Valley's population of 7.2 million ranks it as the eighth-largest combined statistical area in the United States.

Joseph Pennell American artist and author

Joseph Pennell was an American artist and author.

First book, marriage, move to London

Cover of Mary Wollstonecraft, Pennell's first book Mary Wollstonecraft - Elizabeth Robins Pennell - Cover.jpg
Cover of Mary Wollstonecraft, Pennell's first book

Her first book was the first full-length biography of Mary Wollstonecraft (1759–97) since the hastily published Memoirs of the Author of A Vindication of the Rights of Woman by her widower William Godwin. [3] Pennell's biography drew on three main sources: Godwin's Memoirs; a London publisher named Charles Kegan Paul, who had written a sketch about the husband and wife a few years previously; and a curator at the British Library, Richard Garnett. It was published in 1884 by the Roberts Brothers of Boston, as one of the first in their Famous Women series, and also in London by the Walter Scott Publishing Company.

<i>Memoirs of the Author of A Vindication of the Rights of Woman</i> literary work

Memoirs of the Author of A Vindication of the Rights of Woman (1798) is William Godwin's biography of his wife Mary Wollstonecraft, the author of A Vindication of the Rights of Woman (1792).

William Godwin English journalist, political philosopher and novelist

William Godwin was an English journalist, political philosopher and novelist. He is considered one of the first exponents of utilitarianism and the first modern proponent of anarchism. Godwin is most famous for two books that he published within the space of a year: An Enquiry Concerning Political Justice, an attack on political institutions, and Things as They Are; or, The Adventures of Caleb Williams, an early mystery novel which attacks aristocratic privilege. Based on the success of both, Godwin featured prominently in the radical circles of London in the 1790s. He wrote prolifically in the genres of novels, history and demography throughout his lifetime.

Charles Kegan Paul British publisher and author

Charles Kegan Paul was an English publisher and author.

In June that year, Elizabeth Robins married Joseph Pennell. [4] The couple accepted a travel writing commission from The Century Magazine and set off for Europe, making several cycling journeys, in 1884 from London to Canterbury and then in 1885 through France. Her uncle had travelled widely in Europe and settled in London, and so did the Pennells, basing themselves in the British capital for more than thirty years, with frequent visits to the Continent. They made a good working team, producing many articles and books together, and supporting each other in their work. For many years they opened their home on Thursday evenings as a literary and artistic salon; some of the people who enjoyed their hospitality included: "critics Sir Edmund Gosse and William Archer; artists Aubrey Beardsley and James McNeil Whistler; authors Henry James, Max Beerbohm, Oscar Wilde, and George Bernard Shaw; and publishers John Lane and William E. Henley." [5] Pennell wrote of these gatherings in her memoirs, Our House and the People in It (1910), Our House and London Out of Our Windows (1912), and Nights: Rome & Venice in the Aesthetic Eighties, London & Paris in the Fighting Nineties (1916).

<i>The Century Magazine</i> US publication 1880s-1930s

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William Archer (critic) 19th/20th-century Scottish writer and critic

William Archer was a Scottish writer and theatre critic, based, for most of his career, in London. He was an early advocate of the plays of Henrik Ibsen, and was an early friend and supporter of Bernard Shaw.

Her works and their appraisal

Art criticism

Pennell's main work was as an art and, later, a food critic, writing for periodicals including the Daily Chronicle and the Pall Mall Gazette . [6] Scholar Meaghan Clarke ties "real-life women art journalists" such as Pennell to the literary figures and hacks that populate George Gissing's New Grub Street , as well as to the concept of the New Woman. "Like journalism and, one might argue, because of journalism, the London art world was undergoing an intensive popularization during the 1880s and 1890s." Keeping up (as Clarke puts it) "a peripatetic pace in search of copy", Pennell went to Paris in May for the art salons, and regularly visited the London galleries (from Cork Street and Bond Street in the fashionable West End to philanthropic art projects in the slums of the East End) to review the exhibitions. She wrote critically of Walter Besant’s People’s Palace at Mile End (similar in spirit to Samuel and Henrietta Barnett’s St Jude’s at Whitechapel). [7] Kimberly Morse Jones writes that "Pennell's criticism constitutes a vital component of a wider movement in Victorian criticism that came to be known as the New Art Criticism", listing Alfred Lys Baldry, D.S. MacColl, George Moore, R.A.M. Stevenson, Charles Whibley and Frederick Wedmore as fellow contributors to this movement. [8]

George Gissing English novelist

George Robert Gissing was an English novelist who published 23 novels between 1880 and 1903. Gissing also worked as a teacher and tutor throughout his life. He published his first novel, Workers in the Dawn, in 1880. His best known novels, which are published in modern editions, include The Nether World (1889), New Grub Street (1891), and The Odd Women (1893).

<i>New Grub Street</i> 1891 Smith, Elder & Co. edition of the novel by George Gissing

New Grub Street is a novel by George Gissing published in 1891, which is set in the literary and journalistic circles of 1880s London. Gissing revised and shortened the novel for a French edition of 1901.

New Woman feminist ideal emerging in the late nineteenth century; a feminist, educated, independent career woman, involved with activities such as bicycling

The New Woman was a feminist ideal that emerged in the late nineteenth century and had a profound influence on feminism well into the twentieth century. The term "New Woman" was coined by writer Charles Reade in his novel "A Woman Hater", originally published serially in Blackwood's Magazine and in three volumes in 1877. Of particular interest in the context are Chapters XIV and XV in volume two, which made the case for the equal treatment of women and arguably sparked off the whole Women's Movement in the latter part of the nineteenth century.

Food criticism

Pennell's place in the literary history of cooking and eating has recently been reappraised, as she "paved the way for food writers such as Elizabeth David, M. F. K. Fisher, and Jane Grigson," according to Jacqueline Block Williams. [9] The Delights of Delicate Eating was reprinted in 2000, and Pennell appears as one of the "forgotten female aesthetes" that Shaeffer evaluates in her book of that title, [10] one who "aimed to reconfigure meals as high art, employing the language of aestheticism to turn eating into an act of intellectual appreciation". [11] Clarke holds that Pennell demonstrated a "continuity" between "her thoughts on other types of taste". [11]

Elizabeth David British cookery writer

Elizabeth David, CBE was a British cookery writer. In the mid-20th century she strongly influenced the revitalisation of home cookery in her native country and beyond with articles and books about European cuisines and traditional British dishes.

Mary Frances Kennedy Fisher was a preeminent American food writer. She was a founder of the Napa Valley Wine Library. Over her lifetime she wrote 27 books, including a translation of The Physiology of Taste by Brillat-Savarin. Fisher believed that eating well was just one of the "arts of life" and explored this in her writing. W. H. Auden once remarked, "I do not know of anyone in the United States who writes better prose."

Jane Grigson was an English cookery writer.

Cookbook collecting

To enable her to write these light but erudite columns, Pennell bought cookbooks to use as reference material. At one point she owned more than 1000 volumes, including a rare first edition of Hannah Glasse, which led to her becoming, in the view of culinary historian Cynthia D. Bertelsen, "one of the most well-known cookbook collectors in the world". [5] Pennell compiled a bibliography of her culinary library, which appeared first in articles for The Atlantic and then in a book entitled My Cookery Books, focussing on C17 and C18 English writers. Much of this collection eventually went to the Rare Book and Special Collections Division at the Library of Congress, where curator Leonard N. Beck gave it a professional evaluation, pairing her collection with that of food chemist Katherine Bitting [12] See the Elizabeth Robins Pennell Collection. [13] The title, Two Loaf-Givers, refers to the Old English etymology of "lady"; a digital version is available. [14]

Biographies

Following her success with Mary Wollstonecraft, Pennell wrote other biographies, producing in 1906 the first one of her uncle, [15] Charles Leland, who had written, or compiled, Aradia, or the Gospel of the Witches (1899), a book very influential in the development of the Neopagan religion of Wicca. The Pennells were friends and correspondents of the painter James Abbott McNeill Whistler, and they wrote a lengthy biography of him in 1911. (Her fellow art critic Lady Colin Campbell, whose famous portrait by Giovanni Boldini Pennell had praised, was also close to Whistler.) Pennell also wrote a biography, after his death in 1928, of her husband.

Cycle tourism

A Humber tandem tricycle, circa 1885 Thomas Humber and C H Lambert on a Tandem 1885.jpg
A Humber tandem tricycle, circa 1885

The final string to her bow was as a cyclist. She praised cycling in general, and the ease with which it enabled city dwellers to escape to the countryside, for its fresh air and views. She claimed that "there is no more healthful or more stimulating form of exercise; there is no physical pleasure greater than that of being borne along, at a good pace, over a hard, smooth road by your own exertions". [16] She disparaged racing (for men but especially for women), preferring long unpressured travel, and wondering if she had inadvertently "broken the record as a touring wheel-woman". [17]

She started off cycling in the 1870s, while she still lived in Philadelphia. [18] On moving to London, she and her husband exchanged their Coventry Rotary tandem tricycle for a Humber model, going on to experiment with a single tricycle, a tandem bicycle, and finally a single bicycle with a step-through ("dropped") frame. [19]

The first journey that she turned into a book was A Canterbury Pilgrimage, a homage to Chaucer's Canterbury Tales , as a gentle introduction to cycling in England. Over the next few years, the pair took several trips together, including another literary pilgrimage, this time on the trail of Laurence Sterne's 1765 travel novel A Sentimental Journey Through France and Italy . On a later leg of this 1885 journey they "wheeled" a tandem tricycle from Florence to Rome, attracting more attention than she was comfortable with, as possibly the first female rider that the Italians had ever seen. [20] In 1886, now each on safety bicycles, they journeyed to Eastern Europe. [21] This was at a key time in the history of the bicycle, and, of course, in the history of women's rights as well, and they were both intertwined, in the figure of the New Woman. Suffragists and social activists such as Susan B. Anthony and Frances Willard recognised the transformative power of the bicycle. By the time the Pennells had gone Over the Alps on a Bicycle (1898), Annie Londonderry had already become the first woman to bicycle around the world. There was a ready audience for Robins Pennell's books, and the last-mentioned was chosen as a book of the month. [22]

Later life

The Pennells moved back to the United States towards the end of World War I, settling in New York City. After her husband's death, she moved from Brooklyn to Manhattan, dying there in February 1936. [4] Their books, especially her significant cookbook collection (reduced to 433) and a 300-strong collection on fine printing and bibliography, were bequeathed to the Library of Congress. Her papers and those of her husband are held by university archives.

Pennell often made her contributions under nom de plumes [23] such as "N.N." (No Name), "A.U." (Author Unknown) and "P.E.R." (her initials jumbled up). [8]

Bibliography

Notes

  1. Jacqueline Block Williams, introduction to 2000 reprint of The Delights of Delicate Eating
  2. From the introduction to the 2000 reprint of The delights of delicate eating.
  3. A Routledge literary sourcebook on Mary Wollstonecraft's A vindication of the rights of woman. Adriana Craciun, 2002, p36
  4. 1 2 Biographical Sketch of Joseph and Elizabeth R. Pennell
  5. 1 2 "A Greedy Woman:The Long, Delicious Shelf Life of Elizabeth Robins Pennell". Cynthia D. Bertelsen. August 2009. Fine Books Magazine.
  6. Robins, Anna Gruetzner. Walter Sickert: the Complete Writings on Art. Page 84. Oxford University Press, 2000.
  7. Clarke, Meaghan. "New Woman on Grub Street: Art in the City" (PDF). palgrave.com.
  8. 1 2 "Bibliography of the New Art Criticism of Elizabeth Robins Pennell (1890–95)" by Kimberly Morse Jones. Victorian Periodicals Review, Volume 41, Number 3, Fall 2008, pp. 270–287
  9. Introduction to 2000 reprint of The Delights of Delicate Eating
  10. Forgotten Female Aesthetes:Literary Culture in Late-Victorian England. University of virginia Press. Talia Schaffer
  11. 1 2 Clarke, Meaghan. "Bribery with sherry and the influence of weak tea: Women Critics as Arbiters of Taste in the late Victorian and Edwardian Press" (PDF). manchesteruniversitypress.co.uk. Archived from the original (PDF) on 2011-09-27.
  12. Two Loaf-Givers: Or a Tour through the Gastronomic Libraries of Katherine Golden Bitting and Elizabeth Robins Pennell. by Leonard N. Beck ISBN   0-8444-0404-7 (0-8444-0404-7)
  13. "Elizabeth Robins Pennell Collection (Selected Special Collections: Rare Book and Special Collections, Library of Congress)". loc.gov.
  14. "From the Rare Book and Special Collections Division". loc.gov.
  15. Grimassi, Raven. Encyclopedia of Wicca & Witchcraft. Page 252. Llewellyn Worldwide, 2000.
  16. "Cycling", in St. Nicholas. XVII (July 1890):732-40, cite in "In Praise of Bicycling and Women", Rambler Newsletter. part 1 part 2
  17. Robins Pennell, Elizabeth (1894). Ladies in the Field: Sketches of Sport. London: Ward & Downey. p. 264.|access-date= requires |url= (help)
  18. p 16 Over the Alps on Bicycle (1898). "I steered from the precipice and tried to come round with the dignity that befits my twenty years of cycling."
  19. Robins Pennell, Elizabeth (1894). Ladies in the Field: Sketches of Sport. London: Ward & Downey. p. 250.|access-date= requires |url= (help)
  20. Robins Pennell, Elizabeth (1894). Ladies in the Field: Sketches of Sport. London: Ward & Downey. p. 250.|access-date= requires |url= (help)
  21. Around the World on Two Wheels: Annie Londonderry's Extraordinary Ride By Peter Zheutlin. Page 33. Citadel Press, 2008
  22. by Sandow's Magazine of Physical Culture, July to December 1899
  23. Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. Page 14. Sage Publications Inc., 2005.

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