Ella Wheeler Wilcox (November 5, 1850–October 30, 1919) was an American author and poet. Her works include the collection Poems of Passion and the poem "Solitude", which contains the lines "Laugh, and the world laughs with you; weep, and you weep alone." Her autobiography, The Worlds and I, was published in 1918, a year before her death.
Ella Wheeler was born in 1850 on a farm in Johnstown, Wisconsin, east of Janesville, the youngest of four children. The family later moved north of Madison, after losing its wealth, as the result of her father's failed business aspirations and speculation. Wilcox's family held themselves to be intellectuals, and a mastery of the nuances of the English language was prized. During her childhood, Wilcox amused herself by reading books and newspapers, which may have influenced her later writing (most notably William Shakespeare, The Arabian Nights, The Diverting History of John Gilpin and Gulliver's Travels, in addition to the few other pieces of literature that were to be had in her home).
Around the age of 8, Wilcox turned to writing poetry as an outlet. When she was 13 years old, her first poem was published. After losing her subscription to The New York Mercury, and being unable to afford to resubscribe, Wilcox thought that if she could get a piece of literature published, she would at least receive a copy of the paper wherein her piece was printed. The piece that she submitted is lost, and Wilcox later admitted that she could not recall even the topic of the poem. Wilcox became known as a poet in her own state by the time she graduated from high school.[1]
Her poem "The Way of the World" was first published in the February 25, 1883 issue of The New York Sun. The inspiration for the poem came as she was travelling to attend the Governor's inaugural ball in Madison, Wisconsin. On her way to the celebration, there was a young woman dressed in black sitting across the aisle from her. The woman was crying. Miss Wheeler sat next to her and sought to comfort her for the rest of the journey. When they arrived, the poet was so depressed that she could barely attend the scheduled festivities. As she looked at her own radiant face in the mirror, she suddenly recalled the sorrowful widow. It was at that moment that she wrote the opening lines of "Solitude":
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow its mirth
But has trouble enough of its own
She sent the poem to the Sun and received $5 for her effort. It was collected in the book Poems of Passion shortly afterward in May 1883. This collection was reported to have made $2000 that year.[2]
In 1884, she married Robert Wilcox of Meriden, Connecticut,[3] where the couple lived before moving to New York City and then to Granite Bay in the Short Beach section of Branford, Connecticut. The two homes they built on Long Island Sound, along with several cottages, became known as Bungalow Court, and they would hold gatherings there of literary and artistic friends.[4] They had one child, a son, who died shortly after birth. Not long after their marriage, they both became interested in Theosophy, New Thought, and Spiritualism.
Early in their married life, Robert and Ella Wheeler Wilcox promised each other that whoever died first would return and communicate with the other. Robert Wilcox died in 1916, after over thirty years of marriage. She was overcome with grief, which became ever more intense as week after week went without any message from him. It was at this time that she went to California to see the Rosicrucian astrologer, Max Heindel, still seeking help in her sorrow, still unable to understand why she had no word from her Robert. She wrote of this meeting:
In talking with Max Heindel, the leader of the Rosicrucian Philosophy in California, he made very clear to me the effect of intense grief. Mr. Heindel assured me that I would come in touch with the spirit of my husband when I learned to control my sorrow. I replied that it seemed strange to me that an omnipotent God could not send a flash of his light into a suffering soul to bring its conviction when most needed. Did you ever stand beside a clear pool of water, asked Mr. Heindel, and see the trees and skies repeated therein? And did you ever cast a stone into that pool and see it clouded and turmoiled, so it gave no reflection? Yet the skies and trees were waiting above to be reflected when the waters grew calm. So God and your husband's spirit wait to show themselves to you when the turbulence of sorrow is quieted.
Several months later she composed a little mantra or affirmative prayer which she said over and over "I am the living witness: The dead live: And they speak through us and to us: And I am the voice that gives this glorious truth to the suffering world: I am ready, God: I am ready, Christ: I am ready, Robert."
Ella Wheeler Wilcox in 1897 publication
Wilcox made efforts to teach occult things to the world. Her works, filled with positive thinking, were popular in the New Thought Movement and by 1915 her booklet, What I Know About New Thought had a distribution of 50,000 copies, according to its publisher, Elizabeth Towne.
The following statement expresses Wilcox's unique blending of New Thought, Spiritualism, and a Theosophical belief in reincarnation: "As we think, act, and live here today, we build the structures of our homes in spirit realms after we leave earth, and we build karma for future lives, thousands of years to come, on this earth or other planets. Life will assume new dignity, and labor new interest for us, when we come to the knowledge that death is but a continuation of life and labor, in higher planes."
Her final words in her autobiography The Worlds and I: "From this mighty storehouse (of God, and the hierarchies of Spiritual Beings) we may gather wisdom and knowledge, and receive light and power, as we pass through this preparatory room of earth, which is only one of the innumerable mansions in our Father's house. Think on these things."
None of Wilcox's works were included by F. O. Matthiessen in The Oxford Book of American Verse, but Hazel Felleman chose fourteen of her poems for Best Loved Poems of the American People, while Martin Gardner selected "The Way Of The World" and "The Winds of Fate" for Best Remembered Poems.
She is cited in the anthology of bad poetry, Very Bad Poetry. Sinclair Lewis indicates Babbitt's lack of literary sophistication by having him refer to a piece of verse as "one of the classic poems, like 'If—' by Kipling, or Ella Wheeler Wilcox's 'The Man Worth While.'" The latter opens:
Wheeler Wilcox cared about alleviating animal suffering, as can be seen from her poem, "Voice of the Voiceless". It begins as follows:[8]
So many gods, so many creeds,
So many paths that wind and wind,
While just the art of being kind
Is all the sad world needs.
I am the voice of the voiceless;
Through me the dumb shall speak,
Till the deaf world’s ear be made to hear
The wrongs of the wordless weak.
From street, from cage, and from kennel,
From stable and zoo, the wail
Of my tortured kin proclaims the sin
Of the mighty against the frail.
She made an appearance during World War I in France, reciting her poem, The Stevedores ("Here's to the Army stevedores, lusty virile and strong...") while visiting a camp of 9,000 US Armystevedores.[9]
The titles for the ten episodes of the final, fifth season of the science fiction television series Orphan Black come from Wilcox's poem, "Protest"[10]
Marina Ivanovna Tsvetaeva was a Russian poet. Her work is considered among some of the greatest in twentieth century Russian literature. She lived through and wrote of the Russian Revolution of 1917 and the Moscow famine that followed it. In an attempt to save her daughter Irina from starvation, she placed her in a state orphanage in 1919, where she died of hunger. Tsvetaeva left Russia in 1922 and lived with her family in increasing poverty in Paris, Berlin and Prague before returning to Moscow in 1939. Her husband Sergei Efron and their daughter Ariadna (Alya) were arrested on espionage charges in 1941; her husband was executed. Tsvetaeva committed suicide in 1941. As a lyrical poet, her passion and daring linguistic experimentation mark her as a striking chronicler of her times and the depths of the human condition.
Elysium, otherwise known as the Elysian Fields or Elysian Plains, is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults. It was initially separated from the Greek underworld--the realm of Hades. Only mortals related to the gods and other heroes could be admitted past the river Styx. Later, the conception of who could enter was expanded to include those chosen by the gods, the righteous, and the heroic. They would remain at the Elysian Fields after death, to live a blessed and happy afterlife, and indulge in whatever enjoyment they had enjoyed in life.
Dame Carol Ann Duffy [] is a Scottish poet and playwright. She is a professor of contemporary poetry at Manchester Metropolitan University, and was appointed Poet Laureate in May 2009, resigning in 2019. She was the first female poet, the first Scottish-born poet and the first openly gay poet to hold the Poet Laureate position.
Ina Donna Coolbrith was an American poet, writer, librarian, and a prominent figure in the San Francisco Bay Area literary community. Called the "Sweet Singer of California", she was the first California Poet Laureate and the first poet laureate of any American state.
"Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 in Cascine wood near Florence, Italy. It was originally published in 1820 by Charles Ollier in London as part of the collection Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem was written in response to the loss of his son, William in 1819. The ensuing pain influenced Shelley. The poem allegorises the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—"The Masque of Anarchy", Prometheus Unbound, and "England in 1819"—take up these same themes of political change, revolution, and role of the poet.
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats' death. It is a pastoral elegy, in the English tradition of John Milton's Lycidas. Shelley had studied and translated classical elegies. The title of the poem is modelled on ancient works, such as Achilleis, an epic poem by the 1st-century AD Roman poet Statius, and refers to the untimely death of the Greek Adonis, a god of fertility. Some critics suggest that Shelley used Virgil's tenth Eclogue, in praise of Cornelius Gallus, as a model.
"Do not stand at my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934.
Feste is a fictional character in William Shakespeare's comedy Twelfth Night. He is a fool attached to the household of the Countess Olivia. He has apparently been there for some time, as he was a "fool that the Lady Olivia's father took much delight in" (2.4). Although Olivia's father has died within the last year, it is possible that Feste approaches or has reached middle age, though he still has the wit to carry off good 'fooling' when he needs to, and the voice to sing lustily or mournfully as the occasion demands. He is referred to by name only once during the play, in answer to an inquiry by Orsino of who sang a song that he heard the previous evening. Curio responds "Feste, the jester, my lord; a fool that the lady Olivia's father took much delight in. He is about the house" (2.4). Throughout the rest of the play, he is addressed only as "Fool," while in the stage directions he is mentioned as "Clown."
Nationality words link to articles with information on the nation's poetry or literature.
Yolande Cornelia "Nikki" Giovanni Jr. is an American poet, writer, commentator, activist, and educator. One of the world's most well-known African-American poets, her work includes poetry anthologies, poetry recordings, and nonfiction essays, and covers topics ranging from race and social issues to children's literature. She has won numerous awards, including the Langston Hughes Medal and the NAACP Image Award. She has been nominated for a Grammy Award for her poetry album, The Nikki Giovanni Poetry Collection. Additionally, she has been named as one of Oprah Winfrey's 25 "Living Legends".
Affirmative prayer is a form of prayer or a metaphysical technique that is focused on a positive outcome rather than a negative situation. For instance, a person who is experiencing some form of illness would focus the prayer on the desired state of perfect health and affirm this desired intention "as if already happened" rather than identifying the illness and then asking God for help to eliminate it.
George Ella Lyon is an American author from Kentucky, who has published in many genres, including picture books, poetry, juvenile novels, and articles.
Giantesses are imaginary, gigantic women, some of which paraphilia vorarephilia or macrophilia, form but superhuman size, strength, and others. They are widely believed to be mythological by the humans of modern-day Earth, but real specimens have been known to exist on the planet. Indeed, since the term "giantess" is so generic, it seems possible to describe female giants not native to Earth which fall under the very forgiving criteria as giantesses. This includes the female giant: either a mythical being, such as the Amazons of Greek mythology, resembling a woman of superhuman size and strength or a human woman of exceptional stature, often the result of some medical or genetic abnormality.
Stephanie Burt is a literary critic and poet who is Professor of English at Harvard University. The New York Times has called her "one of the most influential poetry critics of [her] generation". Burt grew up around Washington, D.C. She has published various collections of poetry and a large amount of literary criticism and research. Her work has appeared in The New Yorker,The New York Times Book Review, The London Review of Books, The Times Literary Supplement, The Believer, and The Boston Review.
"The Deserted House" is a poem written by Alfred Lord Tennyson in 1830, as part of his collection Poems, Chiefly Lyrical. The poem is characterised by its reliance on short lines which alternate in rhyme and meter to prevent a felicitous feel. In the poem, Tennyson uses the image of a dark house as a metaphor for a dead body
"Mutability" is a poem by Percy Bysshe Shelley which appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems. Half of the poem is quoted in his wife Mary Shelley's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with the name of the author given. Only Percy Bysshe Shelley is not acknowledged as an author. There is also a prose version or further elaboration of the same themes of the poem in Frankenstein that immediately precedes the quotation of the poem.
The Judge Arthur B. Braley House is a Gothic Revival-style house built in 1875 in Madison, Wisconsin by a long-respected jurist, writer and a supporter of other writers, including Ella Wheeler Wilcox. In 1980 the house was added to the National Register of Historic Places.
Poems of Passion is a collection of poems by Ella Wheeler Wilcox that was published in 1883.
Ella Giles Ruddy was an American author and editor. She published a large number of essays on social science topics. Ruddy was the author of Bachelor Ben, Out From the Shadows, Maiden Rachel, and Flowers of the Spirit (verse). She also wrote stories for Harper’s Bazaar, literary sketches for Chicago Times, The Century, New York Evening Post, and others. She was the editor of Mother of Clubs. Her literary friends included Lilian Whiting and Zona Gale.
The 2020 Nobel Prize in Literature was awarded to the American poet Louise Glück who the Swedish Academy members praised "for her unmistakable poetic voice that with austere beauty makes individual existence universal." The winner was announced on October 8, 2020, by Mats Malm, permanent secretary of the Swedish Academy. She is the 13th Nobel laureate in Literature from the United States after 2016 laureate Bob Dylan and 1993 laureate Toni Morrison.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
