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Enrique Serrano | |
|---|---|
 | |
| Born | 1891 |
| Died | 1965 (age 73–74) |
| Years active | 1935–1964 |
Enrique Serrano (1891–1965) was an Argentine actor and comedian in the 1940s and 1950s.
He appeared in many films of the 1940s and 1950s including Muchachas que estudian , Asi es la vida (1939). He starred in some 40 films between 1935 and 1964.
Alejandro Rodríguez Álvarez, known as Alejandro Casona was a Spanish poet and playwright born in Besullo, Spain, a member of the Generation of '27. Casona received his bachelor's degree in Gijon and later studied at the University of Murcia. After Franco's rise in 1936, he was forced, like many Spanish intellectuals, to leave Spain. He lived in Buenos Aires, Argentina until April 1962, when he definitively returned to Spain.
Francisco Múgica was an Argentine film director, film editor and cinematographer. He was born and died in Buenos Aires.
Delia Amadora García Gerboles better known as Delia Garcés was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960). She made almost 30 appearances in film between 1937 and 1959 and acted on stage from 1936 to 1966. She won the Premios Sur Best Actress award three times from the Argentine Academy of Cinematography Arts and Sciences, as well as the Argentine Film Critics Association's Silver Condor Award for Best Actress, the Premios Leopold Torre Nilsson, Premio Pablo Podestá, and the inaugural ACE Platinum Lifetime Achievement Award from the Asociación de Cronistas del Espectáculo.
Luis Bayón Herrera was a Spanish film director and screenwriter who worked in Argentine film of the 1940s and 1950s. He was "one of the most important directors of the golden age of Argentine cinema".
Enrique Cahen Salaberry was a prolific Argentine film director whose career in the Cinema of Argentina as a movie director spanned five decades.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
Tito Lusiardo was an iconic Argentine film actor and tango singer of the classic era.
Roque Funes was the most prolific Argentine cinematographer in the history of the Cinema of Argentina whose career spanned over 40 years of cinema.
Juan Carlos Thorry, born José Antonio Torrontegui, was an Argentine film actor, tango musician and director.
Sofía Bozán was an Argentine film actress and tango performer of the 1930s and 1940s. She made almost 30 appearances in film between 1937 and 1959.
Irma Córdoba was an Argentine film actress of the classic era.
Emilio Tuero Cubillas, known as Emilio Tuero, was a Spanish-Mexican actor, producer, and singer. He was considered a popular star of the Golden Age of Mexican cinema.
Alberto Terrones was an Argentine film and theater actor, with an extensive filmography.
Olinda Bozán was an Argentine film actress and comedian of the Golden Age of Argentine Cinema (1940–1960). Born into a circus family, she acted on the vaudeville circuit, and performed in silent and sound movies. She was trained by the Podestá brothers, one of whom she married, who have one of the most prestigious Argentine acting awards named for them. Bozán' appeared in 75 films and was considered one of the best comic actors of Argentine cinema in the 20th century.
Lumiton is a former film production company and current museum located in Munro, Buenos Aires, Argentina. Lumiton Studios was founded in 1932 at the start of the golden age of film in that country. Its lowbrow, populist films appealed to local audiences and were highly successful in Argentina and throughout Latin America. It was the main competitor to Argentina Sono Film in the 1940s.
Miguel Gómez Bao was a Spanish-born Argentine actor of the Golden Age of Argentine cinema. He appeared in films, such as Amalia, (1936), Safo, historia de una pasión (1943) and La pequeña señora de Pérez (1944). He also did much work for radio and appeared on Radio El Mundo in the late 1930s.
George Andreani, pseudonym Josef Dvořáček (born as Josef Kumok; 28 February 1901 in Warsaw, Poland – 2 April 1979 in Buenos Aires, Argentina) was a Polish composer, film score composer, pianist, conductor, and actor. He was noted for his scores of some 75 Argentine films during the Golden Age of Argentine cinema from 1937 to 1959. Aside from his prolific work as a score composer, he was also conductor of the Orquesta Sinfónica Schenley in the 1940s.
Sara Ramona Alicia Masriera del Campillo was a Chilean actress who made her acting career in Argentina. Born in Chile, Barrie moved to Buenos Aires with her family and made her acting debut in the 1933 film, Dancing.
Mary Dormal (?–?) was an Argentine actress and vedette of the 1930s. She was one of the notable performers of the golden decade (1938–1948). Dormal worked with the director Manuel Romero, and with the film actors, Paulina Singerman, Enrique Serrano, and Niní Marshall. In theater, she appeared with Camila Quiroga, Norma Castillo, Nelida Quiroga, Mangacha Gutierrez, Arrieta Rosita Blanca Vidal, Dora Dolly, and Carmen Castex. Dorman was born in Buenos Aires and died there as well.
Paulina Singerman Begun was an Argentine actress and businesswoman who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. In the later part of her career, she spent a decade performing for television. She was the younger sister of actress Berta Singerman. In 1981, she was awarded both a Diploma of Merit and a Platinum Konex for her comedy work in film and theatre.
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