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Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Roberto Gastone Zeffiro Rossellini was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948). He is also known for his films starring Ingrid Bergman, Stromboli (1950), Europe '51 (1952), Journey to Italy (1954), Fear (1954) and Joan of Arc at the Stake (1954).
Cesare Zavattini was an Italian screenwriter and one of the first theorists and proponents of the Neorealist movement in Italian cinema.
Italian neorealism, also known as the Golden Age, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.
Diego Fabbri was an Italian playwright whose plays centered on religious (Catholic) themes.
Sergio Amidei was an Italian screenwriter and an important figure in Italy's neorealist movement.
The Nastro d'Argento for Best Director is a film award bestowed annually as part of the Nastro d'Argento awards since 1946, organized by the Italian National Association of Film Journalists, the national association of Italian film critics.
Vittorio Mussolini was an Italian film critic and producer. He was also the second child of Prime Minister of Italy Benito Mussolini. However, he was the first officially acknowledged son of Mussolini, with his second wife Rachele; his older half-brother, Benito Albino Dalser, was never officially acknowledged by Mussolini's fascist regime.
Andrea Checchi was a prolific Italian film actor.
Otello Martelli was an Italian cinematographer whose films include La Dolce Vita.
Renzo Rossellini was an Italian composer, best known for his film scores.
Assia Noris was a Russian-Italian film actress. She appeared in over 35 films between 1932 and 1965
Giuseppe Amato was an Italian film producer, screenwriter and director. He produced 58 films between 1932 and 1961, and is especially known for Bicycle Thieves. He was born in Naples and died in Rome from a heart attack.
Enrico Musy, better known as Enrico Glori was an Italian actor.
Anchise Brizzi was an Italian cinematographer.
The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Carlo Montuori was an Italian cinematographer and cameraman.
Fernando Tropea was a prolific Italian film editor, who worked on around ninety films during his twenty-year career. During the Fascist era he worked on films such as Naples of Former Days (1938) and Carmen fra i rossi (1939).
Gherardo Gherardi (1891–1949) was an Italian screenwriter. He co-wrote the screenplay for Vittorio De Sica's 1948 neorealist classic Bicycle Thieves. Originally a playwright, he worked prolifically in the Italian film industry following its rapid expansion during the late Fascist era.
