Etta James

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Etta James
Etta James04.JPG
James performing in France in July 1990
Background information
Birth nameJamesetta Hawkins
Born(1938-01-25)January 25, 1938
Los Angeles, California, U.S.
DiedJanuary 20, 2012(2012-01-20) (aged 73)
Riverside, California, U.S.
Genres
Occupation(s)Singer
InstrumentsVocals
Years active1954–2012
Labels
Associated acts

Etta James (born Jamesetta Hawkins; January 25, 1938 – January 20, 2012) was an American singer who performed in various genres, including blues, R&B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as "The Wallflower", "At Last", "Tell Mama", "Something's Got a Hold on Me", and "I'd Rather Go Blind". [1] She faced a number of personal problems, including heroin addiction, severe physical abuse, and incarceration, before making a musical comeback in the late 1980s with the album Seven Year Itch . [2]

Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1870s by African-Americans from roots in African musical traditions, African-American work songs, and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.

Rhythm and blues, commonly abbreviated as R&B, is a genre of popular music that originated in African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.

Soul music is a popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues and jazz. Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa.

Contents

James's powerful, deep, earthy voice bridged the gap between rhythm and blues and rock and roll. She won six Grammy Awards and 17 Blues Music Awards. She was inducted into the Rock and Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in 1999. [3] Rolling Stone magazine ranked James number 22 on its list of the 100 Greatest Singers of All Time; she was also ranked number 62 on its list of the 100 Greatest Artists of All Time. [4] [5]

Rock and roll is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s from musical styles such as gospel, jump blues, jazz, boogie woogie, and rhythm and blues, and country music. While elements of what was to become rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.

The Blues Music Awards are awards presented by the Blues Foundation, a non-profit organization set up to foster blues heritage. The awards, started in 1980, are according to Offbeat music magazine "universally recognized as the highest accolade afforded musicians and songwriters in blues music."

Rock and Roll Hall of Fame Hall of fame located on the shore of Lake Erie in downtown Cleveland, Ohio, United States

The Rock and Roll Hall of Fame (RRHOF) is a museum and hall of fame located in downtown Cleveland, Ohio, on the shore of Lake Erie. The museum documents the history of rock music and the artists, producers, engineers, and other notable figures who have influenced its development. Small groups of distinguished individuals are inducted into the Hall of Fame annually.

Life and career

1938–1959: Childhood and career beginnings

Hawkins was born on January 25, 1938, in Los Angeles, California, to Dorothy Hawkins, who was 14 at the time. Her father has never been identified. [6] James speculated that she was the daughter of pool player Rudolf "Minnesota Fats" Wanderone, whom she met briefly in 1987. [7] Her mother was frequently absent from their apartment in Watts, conducting relationships with various men, and James lived with a series of foster parents, most notably "Sarge" and "Mama" Lu. James referred to her mother as "the Mystery Lady". [6]

Rudolf Wanderone American pool player

Rudolf Walter Wanderone Jr. was an American professional billiards player, also known as "Minnesota Fats". Although he never won a major pool tournament as "Fats", he was perhaps the most publicly recognized pool player in the United States — not only as a player, but also as an entertainer. Wanderone was inducted in 1984 into the Billiard Congress of America Hall of Fame for his decades-long public promotion of pool.

Watts, Los Angeles Neighborhood of Los Angeles in California, United States

Watts is a neighborhood in southern Los Angeles, California. It is located within the South Los Angeles region, bordering the cities of Lynwood and South Gate to the east and southeast, respectively, and the unincorporated community of Willowbrook to the south.

James received her first professional vocal training at the age of five from James Earle Hines, musical director of the Echoes of Eden choir at the St. Paul Baptist Church, in South-Central Los Angeles. Under his tutelage, she suffered physical abuse during her formative years, with her instructor often punching her in the chest while she sang to force her voice to come from her gut. As a consequence, she developed an unusually strong voice for a child her age. [8]

South Los Angeles Regions of Los Angeles County in California, United States

South Los Angeles is a region in southern Los Angeles County, California, and mostly lies within the city limits of Los Angeles, just south of downtown.

Sarge, like the musical director for the choir, was also abusive. During drunken poker games at home, he would awaken James in the early morning hours and force her with beatings to sing for his friends. The trauma of her foster father forcing her to sing under these humiliating circumstances caused her to have difficulties with singing on demand throughout her career. [9]

A music director, musical director, or director of music is the person responsible for the musical aspects of a performance, production, or organization, for example the artistic director and usually chief conductor of an orchestra or concert band, the director of music of a film, the director of music at a radio station, the person in charge of musical activities or the head of the music department in a school, the coordinator of the musical ensembles in a university, college, or institution, the head bandmaster of a military band, the head organist and choirmaster of a church, or an organist and master of the choristers.

Choir Ensemble of singers

A choir is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm and face gestures.

In 1950, Mama Lu died, and James's biological mother took her to the Fillmore district of San Francisco. [10] Within a couple of years, she began listening to doo-wop and was inspired to form a girl group, the Creolettes (because of the members' light-skinned complexions).

Fillmore District, San Francisco Neighborhood in San Francisco, California, United States

The Fillmore District is a historical neighborhood in San Francisco located to the southwest of Nob Hill, west of Market Street and north of the Mission District. It has been given various nicknames such as “the Moe” or “the Fill”. The Fillmore District began to rise to prominence after the 1906 San Francisco earthquake. As a result of not being affected by the earthquake itself nor the large fires that ensued, it quickly became one of the major commercial and cultural centers of the city.

Doo-wop Style of rhythm & blues

Doo-wop is a genre of rhythm and blues music developed in the 1940s by African American youth, mainly in the large cities of the upper East Coast, including New York. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, ornamented with nonsense syllables, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Gaining popularity in the 1950s, doo-wop enjoyed its peak successes in the early 1960s, but continued to influence performers in other genres.

A girl group is a music act featuring several female singers who generally harmonize together. The term "girl group" is also used in a narrower sense in the United States to denote the wave of American female pop music singing groups, many of whom were influenced by doo-wop and which flourished in the late 1950s and early 1960s between the decline of early rock and roll and start of the British Invasion. All-female bands, in which members also play instruments, are usually considered a separate phenomenon. These groups are sometimes called "girl bands" to differentiate, although this terminology is not universally followed.

At the age of 14, she met musician Johnny Otis. Stories on how they met vary. In Otis's version, she came to his hotel after one of his performances in the city and persuaded him to audition her. Another story was that Otis spotted the Creolettes performing at a Los Angeles nightclub and sought for them to record his "answer song" to Hank Ballard's "Work with Me, Annie". Otis took the group under his wing, helping them sign to Modern Records and changing their name from the Creolettes to the Peaches. [11] He also gave the singer her stage name, transposing Jamesetta into Etta James. James recorded the version, for which she was given credit as co-author, in 1954, and the record was released in early 1955 as "Dance with Me, Henry". The original title of the song was "Roll with Me, Henry", but it was changed to avoid censorship due to the off-color title (roll connoting sexual activity). In February of that year, the song reached number one on the Hot Rhythm & Blues Tracks chart. [12] Its success gave the group an opening spot on Little Richard's national tour. [13]

While James was on tour with Richard, pop singer Georgia Gibbs recorded a version of James's song, which was released under the title "The Wallflower" and became a crossover hit, reaching number one on the Billboard Hot 100, which angered James. After leaving the Peaches, James had another R&B hit with "Good Rockin' Daddy" but struggled with follow-ups. When her contract with Modern came up for renewal in 1960, she signed a contract with Chess Records instead. Shortly afterwards she was involved in a relationship with the singer Harvey Fuqua, the founder of the doo-wop group the Moonglows.

Musician Bobby Murray toured with James for over 20 years. He wrote that James had her first hit single when she was 15 years old and went steady with B.B. King when she was 16. James believed that King's hit single "Sweet Sixteen" was about her. [14] In early 1955, she and an aspiring singer, the 19-year-old Elvis Presley, then recording for Sun Studios and an avid fan of King's, shared a bill in a large club just outside Memphis. In her autobiography, she noted how impressed she was with the young singer's manners. She also recalled how happy he made her many years later when she found out that it was Presley who had moved her close friend Jackie Wilson from a substandard convalescent home to a more appropriate facility and, as she put it, paid all the expenses. Presley died a year later. Wilson went on to live for another ten years in the care center Presley found for him.

1960–1978: Chess and Warner Brothers years

Dueting with Harvey Fuqua, James recorded for Argo Records (later renamed Cadet Records), a label established by Chess. Her first hit singles with Fuqua were "If I Can't Have You" and "Spoonful". Her first solo hit was the doo-wop–styled rhythm-and-blues song "All I Could Do Was Cry", which was a number two R&B hit. [15] Chess Records co-founder Leonard Chess envisioned James as a classic ballad stylist who had potential to cross over to the pop charts and soon surrounded the singer with violins and other string instruments. [15] The first string-laden ballad James recorded was "My Dearest Darling" in May 1960, which peaked in the top five of the R&B chart. James sang background vocals for her labelmate Chuck Berry on his "Back in the U.S.A." [16] [17]

Her debut album, At Last! , was released in late 1960 and was noted for its varied selection of music, from jazz standards to blues to doo-wop and rhythm and blues (R&B). [18] The album included the future classic "I Just Want to Make Love to You" and "A Sunday Kind of Love". In early 1961, James released what was to become her signature song, "At Last", which reached number two on the R&B chart and number 47 on the Billboard Hot 100. Though the record was not as successful as expected, her rendition has become the best-known version of the song. [16] James followed that with "Trust in Me", which also included string instruments. [15] Later that same year, James released a second studio album, The Second Time Around . The album took the same direction as her first, covering jazz and pop standards and with strings on many of the songs. It produced two hit singles, "Fool That I Am" and "Don't Cry Baby". [19]

James started adding gospel elements in her music the following year, releasing "Something's Got a Hold on Me", which peaked at number four on the R&B chart and was a Top 40 pop hit. [20] That success was quickly followed by "Stop the Wedding", which reached number six on the R&B chart and also had gospel elements. [16] In 1963, she had another major hit with "Pushover" and released the live album Etta James Rocks the House , recorded at the New Era Club in Nashville, Tennessee. [15] After a couple years of minor hits, James's career started to suffer after 1965. After a period of isolation, she returned to recording in 1967 and reemerged with more gutsy R&B numbers thanks to her recording at the legendary FAME Studios in Muscle Shoals, Alabama. These sessions yielded her comeback hit "Tell Mama", co-written by Clarence Carter, which reached number ten R&B and number twenty-three pop. An album of the same name was also released that year and included her take on Otis Redding's "Security". [21] The B-side of "Tell Mama" was "I'd Rather Go Blind", which became a blues classic and has been recorded by many other artists. In her autobiography, Rage to Survive, she wrote that she heard the song outlined by her friend Ellington "Fugi" Jordan when she visited him in prison. [22] According to her account, she wrote the rest of the song with Jordan, but for tax reasons gave her songwriting credit to her partner at the time, Billy Foster.

Following this success, James became an in-demand concert performer though she never again reached the heyday of her early to mid-1960s success. Her records continued to chart in the R&B Top 40 in the early 1970s, with singles such as "Losers Weepers" (1970) and "I Found a Love" (1972). Though James continued to record for Chess, she was devastated by the death of Leonard Chess in 1969. James ventured into rock and funk with the release of her self-titled album in 1973, with production from the famed rock producer Gabriel Mekler, who had worked with Steppenwolf and Janis Joplin, who had admired James and had covered "Tell Mama" in concert. The album, known for its mixture of musical styles, was nominated for a Grammy Award. [21] The album did not produce any major hits; neither did the follow-up, Come a Little Closer, in 1974, though, like Etta James before it, the album was also critically acclaimed. James continued to record for Chess (now owned by All Platinum Records), releasing one more album in 1976, Etta Is Betta Than Evvah! Her 1978 album Deep in the Night, produced by Jerry Wexler for Warner Bros., incorporated more rock-based music in her repertoire. [15] That same year, James was the opening act for the Rolling Stones and performed at the Montreux Jazz Festival. Following this brief success, however, she left Chess Records and did not record for another ten years as she struggled with drug addiction and alcoholism.

1984–2012: Later career

Though she continued to perform, little was heard of James until 1984, when she contacted David Wolper and asked to perform in the opening ceremony of the 1984 Summer Olympics, at which she sang "When the Saints Go Marching In". [23] In 1987, she performed "Rock & Roll Music" with Chuck Berry in the documentary film Hail! Hail! Rock 'n' Roll . [24]

In 1989, she signed with Island Records and released the albums Seven Year Itch and Stickin' to My Guns, both of which were produced by Barry Beckett and recorded at FAME Studios. [21] Also in 1989 James was filmed in a concert at the Wiltern Theater in Los Angeles with Joe Walsh and Albert Collins for the film Jazzvisions: Jump the Blues Away. Many of the backing musicians were top-flight players from Los Angeles: Rick Rosas (bass), Michael Huey (drums), Ed Sanford (Hammond B3 organ), Kip Noble (piano) and Josh Sklair, her longtime guitar player.

James participated with the rap singer Def Jef on the song "Droppin' Rhymes on Drums", which mixed James's jazz vocals with hip-hop. In 1992, she recorded the album The Right Time , produced by Jerry Wexler for Elektra Records. She was inducted into the Rock and Roll Hall of Fame in 1993. [12]

James signed with Private Music Records in 1993 and recorded a Billie Holiday tribute album, Mystery Lady: Songs of Billie Holiday. [20] The album set a trend of incorporating more jazz elements in James's music. [15] The album won James her first Grammy Award, for Best Jazz Vocal Performance, Female, in 1994. In 1995, her autobiography, A Rage to Survive, co-written with David Ritz, was published. Also in 1995, she recorded the album Time After Time. A Christmas album, Etta James Christmas, was released in 1998. [15]

By the mid-1990s, James's earlier classic music was being used in commercials, including "I Just Wanna Make Love to You". After an excerpt of the song was featured in a Diet Coke advertising campaign in the UK, it reached the top ten on the UK charts in 1996. [12]

By 1998, with the release of Life, Love & the Blues , she had added as backing musicians her sons, Donto and Sametto, on drums and bass, respectively. [25] They continued as part of her touring band. She went on recording for Private Music, which released the blues album Matriarch of the Blues in 2000, on which she returned to her R&B roots; Rolling Stone hailed it as a "solid return to roots", further stating that with this album she was "reclaiming her throne—and defying anyone to knock her off it". [20] In 2001, she was inducted into the Blues Hall of Fame and the Rockabilly Hall of Fame, the latter for her contributions to the developments of both rock and roll and rockabilly. In 2003, she received a Grammy Lifetime Achievement Award. On her 2004 release, Blue Gardenia, she returned to a jazz style. Her final album for Private Music, Let's Roll , released in 2005, won the Grammy Award for Best Contemporary Blues Album. [26]

In 2004, Rolling Stone magazine ranked her number 62 on its list of the 100 Greatest Artists of All Time. [27]

James at the 2006 Common Ground Festival in Lansing, Michigan Etta James.jpg
James at the 2006 Common Ground Festival in Lansing, Michigan

James performed at the top jazz festivals in the world, such as the Montreux Jazz Festival in 1977, 1989, 1990 and 1993. [28] She performed nine times at the legendary Monterey Jazz Festival and five times at the San Francisco Jazz Festival. She performed at the Playboy Jazz Festival in 1990, 1997, 2004, and 2007. [29] She performed at the New Orleans Jazz & Heritage Festival in 2006, 2009, and 2012. She also often performed at free summer arts festivals throughout the United States.

In 2008, James was portrayed by Beyoncé Knowles in the film Cadillac Records , a fictional account of Chess Records, James's label for 18 years, and how label founder and producer Leonard Chess helped the careers of James and others. [30] The film portrayed her pop hit "At Last". James later said that her previous critical remarks about Knowles for having performed "At Last" at the inauguration of Barack Obama were a joke stemming from how she felt hurt that she herself was not invited to sing her song. [31] It was later reported that Alzheimer's disease and "drug-induced dementia" had contributed to her negative comments about Knowles. [32]

In April 2009, at the age of 71, James made her final television appearance, performing "At Last" on the program Dancing with the Stars . In May 2009, she received the Soul/Blues Female Artist of the Year award from the Blues Foundation, the ninth time she won the award. She carried on touring but by 2010 had to cancel concert dates because of her gradually failing health, after it was revealed that she was suffering from dementia and leukemia. In November 2011, James released her final album, The Dreamer , which was critically acclaimed upon its release. She announced that this would be her final album. Her continuing relevance was affirmed in 2011 when the late Swedish DJ Avicii achieved substantial chart success with the song "Levels", which samples her 1962 song "Something's Got a Hold on Me". The same sample was used by the east coast rapper Flo Rida in his 2011 hit single "Good Feeling". Both artists issued statements of condolence upon James's death. [33]

Style and influence

James possessed the vocal range of a contralto. [34] Her musical style changed during the course of her career. At the beginning her recording career, in the mid-1950s, James was marketed as an R&B and doo-wop singer. [15] After signing with Chess Records in 1960, James broke through as a traditional pop-styled singer, covering jazz and pop music standards on her debut album, At Last! [35] James's voice deepened and coarsened, moving her musical style in her later years into the genres of soul and jazz. [15]

James was once considered one of the most overlooked blues and R&B musicians in the music history of the United States. It was not until the early 1990s, when she began receiving major industry awards from the Grammys and the Blues Foundation, that she began to receive wide recognition. In recent years, she was seen as bridging the gap between rhythm and blues and rock and roll. James has influenced a wide variety of musicians, including Diana Ross, Christina Aguilera, Janis Joplin, Bonnie Raitt, Shemekia Copeland, [20] and Hayley Williams of Paramore [36] as well as British artists The Rolling Stones, [37] Elkie Brooks, [38] Paloma Faith, [39] Joss Stone [40] Rita Ora, and Adele, [41] and the Belgian singer Dani Klein.

Her song "Something's Got a Hold on Me" has been recognized in many ways. Brussels music act Vaya Con Dios covered the song on their 1990 album Night Owls . Another version, performed by Christina Aguilera, was in the 2010 film Burlesque . Pretty Lights sampled the song in "Finally Moving", followed by Avicii's dance hit "Levels", and again in Flo Rida's single "Good Feeling".

Personal life

James encountered a string of legal problems during the early 1970s due to her heroin addiction. She was continuously in and out of rehabilitation centers, including the Tarzana Treatment Centers, in Los Angeles, California. Her husband Artis Mills, whom she married in 1969, accepted responsibility when they were both arrested for heroin possession and served a 10-year prison sentence. [42] He was released from prison in 1981 and was still married to James at her death. [20]

In 1974, James was sentenced to drug treatment instead of serving time in prison. She was in the Tarzana Psychiatric Hospital for 17 months, at the age of 36, and went through a great struggle at the start of treatment. In her autobiography, she said that the time she spent in the hospital changed her life. After leaving treatment, however, her substance abuse continued after she developed a relationship with a man who was also using drugs. In 1988, at the age of 50, she entered the Betty Ford Center, in Rancho Mirage, California, for treatment. [20] In 2010, she received treatment for a dependency on painkillers. [43]

James had two sons, Donto and Sametto. Both started performing with their mother — Donto played drums at Montreux in 1993, and Sametto played bass guitar circa 2003. [44]

On June 25, 2019, The New York Times Magazine listed Etta James among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. [45]

Illness and death

James was hospitalized in January 2010 to treat an infection caused by MRSA, a bacterium resistant to many antibiotics. During her hospitalization, her son Donto revealed that she had received a diagnosis of Alzheimer's disease in 2008. [32]

She was diagnosed with leukemia in early 2011. The illness became terminal, and she died on January 20, 2012, five days before her 74th birthday, at Riverside Community Hospital in Riverside, California. [46] [47] Her death came three days after that of Johnny Otis, the man who had discovered her in the 1950s. Thirty-six days after her death, her sideman Red Holloway died. [48]

James's tomb at Inglewood Park Cemetery Etta James at Inglewood Park Cemetery.jpg
James's tomb at Inglewood Park Cemetery

Her funeral was presided over by Reverend Al Sharpton and took place in Gardena, California eight days after her death. Stevie Wonder, Beyoncé, and Christina Aguilera each gave a musical tribute. She was buried at Inglewood Park Cemetery in Los Angeles County, California.

Discography

Studio albums

Awards

From 1989, James received over 30 awards and recognitions from eight different organizations, including the Rock and Roll Hall of Fame and Museum [49] and the National Academy of Recording Arts and Sciences which organizes the Grammys. [50]

In 1989, the newly formed Rhythm and Blues Foundation included James in their first Pioneer Awards for artists whose "lifelong contributions have been instrumental in the development of Rhythm & Blues music". [51] The following year, 1990, she received an NAACP Image Award, which is given for "outstanding achievements and performances of people of color in the arts"; [52] an award she cherished as it "was coming from my own people". [53]

Grammys

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences. James has received six Grammy Awards. Her first was in 1995, when she was awarded Best Jazz Vocal Performance for the album Mystery Lady, which consisted of covers of Billie Holiday songs. [57] Two other albums have also won awards, Let's Roll (Best Contemporary Blues Album) in 2003, and Blues to the Bone (Best Traditional Blues Album) in 2004. Two of her early songs have been given Grammy Hall of Fame Awards for "qualitative or historical significance": "At Last", in 1999, [58] and "The Wallflower (Dance with Me, Henry)" in 2008. [59] In 2003, she was given the Grammy Lifetime Achievement Award. [60]

YearNominee / workAwardResult
1961 All I Could Do Was Cry Best Rhythm & Blues Performance Nominated
1962 Fool That I AmBest Rhythm & Blues PerformanceNominated
1968 Tell Mama Best R&B Solo Vocal Performance, Female Nominated
1969 SecurityNominated
1974 Etta JamesNominated
1975 St. Louis BluesNominated
1989 Seven Year Itch Best Contemporary Blues Recording Nominated
1991 Stickin' to My GunsNominated
1993 The Right TimeNominated
1995 Mystery Lady: Songs of Billie Holiday Best Jazz Vocal Performance Won
1999 At Last Grammy Hall of Fame Award Inducted
Life, Love & the BluesBest Contemporary Blues AlbumNominated
2000 Heart of a Woman Best Jazz Vocal PerformanceNominated
2002 Matriarch of the BluesBest Contemporary Blues AlbumNominated
2003 Etta James Grammy Lifetime Achievement Award Inducted
2004 Let's Roll Best Contemporary Blues AlbumWon
2005 Blues to the Bone Best Traditional Blues Album Won
2008 The Wallflower Grammy Hall of Fame AwardInducted

Blues Foundation

The members of the Blues Foundation, a nonprofit organization set up in Memphis, Tennessee, to foster the blues and its heritage, [61] have nominated James for a Blues Music Award nearly every year since its founding in 1980; and she received some form of Blues Female Artist of the Year award 14 times since 1989, continuously from 1999 to 2007. [62] Her albums Life, Love, & the Blues (1999), Burnin' Down the House (2003), and Let's Roll (2004) were awarded Soul/Blues Album of the Year, [62] and in 2001 she was inducted into the Blues Hall of Fame. [57]

Books

See also

Notes

  1. James, Etta; Ritz, David (2003). Rage to Survive: The Etta James Story. Da Capo Press. p. 173. Retrieved May 21, 2011.
  2. Sonneborn, Liz (2002). A to Z of American Women in the Performing Arts. Infobase Publishing. p. 116. Retrieved May 22, 2011.
  3. "Etta James Hospitalized, Tour Suspended" Archived January 13, 2009, at the Wayback Machine . Down Beat, July 27, 2007.
  4. "100 Greatest Singers of All Time". Rolling Stone. Retrieved November 11, 2008.
  5. "100 Greatest Artists of All Time". Rolling Stone. Retrieved November 11, 2008.
  6. 1 2 Bob Gulla (2008). Icons of R&B and Soul. ABC-CLIO. p. 149. Retrieved May 21, 2011.
  7. Quan, Denise (September 25, 2002). "A Life Singing the Blues". CNN. Archived from the original on January 23, 2012. Retrieved May 21, 2011.
  8. Leigh, Spencer (January 20, 2012). "Etta James: Acclaimed Soul Singer Who Fought to Overcome Her Personal Demons". The Independent. Retrieved December 8, 2016.
  9. James, Etta; Ritz, David (2003). Rage to Survive. p. 20. Retrieved May 21, 2011.
  10. James, Etta; Ritz, David (2003). Rage to Survive. p. 31. Retrieved May 21, 2011.
  11. "Etta James | Biography & History | AllMusic". AllMusic. Retrieved June 17, 2018.
  12. 1 2 3 "Etta James – inductee". Rock & Roll Hall of Fame. Archived from the original on November 23, 2006. Retrieved December 5, 2006.
  13. White, Charles (2003). The Life and Times of Little Richard: The Authorised Biography. Omnibus Press. pp. 68, 78.
  14. "Taters and Other Fascinating People". Noquarterusa.net. Retrieved January 20, 2012.
  15. 1 2 3 4 5 6 7 8 9 Dahl, Bill. "Etta James: Biography". Allmusic.com. Retrieved December 5, 2008.
  16. 1 2 3 "Etta James: Biography". Rolling Stone. Archived from the original on December 6, 2008. Retrieved December 5, 2008.
  17. In the Can, May 1960.
  18. Cook, Stephen. "Etta Hames, At Last!: Review". Allmusic.com. Retrieved December 5, 2008.
  19. Unterberger, Richie. "Etta James, The Second Time Around: Review". Allmusic.com. Retrieved December 5, 2008.
  20. 1 2 3 4 5 6 Taylor, B. Kimberley; Paulson, Linda Dailey. "Etta James Biography". Musician Guide. Retrieved December 5, 2008.CS1 maint: uses authors parameter (link)
  21. 1 2 3 Larkin, Collin. "Etta James Biography". oldies.com. Retrieved December 5, 2008.
  22. James, Etta; Ritz, David (1995). Rage to Survive. ISBN   0-306-80812-9.
  23. "Los Angeles 1984 Olympic Opening Ceremony Complete". YouTube. September 6, 2014. Retrieved September 7, 2015.
  24. "Chuck Berry: 10 Great Collaborations". Rolling Stone. Retrieved June 17, 2018.
  25. "Life, Love & the Blues, Etta James". All Music Guide. Retrieved June 1, 2016.
  26. "Etta James Awards". Grammy.com. Retrieved December 5, 2008.
  27. "The Immortals, the First Fifty". Rolling Stone. 946.
  28. Montreux Jazz Festival Database Archived February 16, 2008, at the Wayback Machine
  29. "Playboy Jazz Festival Historical Highlights" (PDF). LA Phil . Retrieved June 30, 2018.
  30. "Beyonce to Portray Legendary Blues Singer Etta James in 'Cadillac Records'". MTV.com . Retrieved December 5, 2008.
  31. "Etta James Says Rip on Beyonce Was a Joke". Access Hollywood . Retrieved June 30, 2018.
  32. 1 2 "Hospitalized Etta James Battling Alzheimer's, Infection, Son Says". CNN. January 30, 2010. Retrieved January 31, 2010.
  33. Vena, Jocelyn (January 20, 2012). "Etta James Remembered by will.i.am, Hayley Williams". MTV.com. Retrieved January 20, 2012.
  34. Cartwright, Garth (January 20, 2012). "Etta James obituary". The Guardian. Retrieved July 26, 2012.
  35. Dahl, Bill. "Tell Mama album review". allmusic. Retrieved December 8, 2008.
  36. "Musicians Mourn Etta James". Rolling Stone. Retrieved January 21, 2012.
  37. "Etta James: A life in music". telegraph.co.uk. London. January 21, 2012. Retrieved January 21, 2012.
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