Eugene Ormandy (born Jenő Blau; November 18, 1899 – March 12, 1985) was a Hungarian-born American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with any American orchestra. Ormandy made numerous recordings with the orchestra, and as guest conductor with European orchestras, and achieved three gold records and two Grammy Awards. His reputation was as a skilled technician and expert orchestral builder.
Ormandy was born in Budapest, Austria-Hungary, as Jenő Blau, the son of Jewish parents Benjamin Blau, a dentist and amateur violinist, and Rozália Berger. [ citation needed ], he emigrated to the US in 1921.His musical talents emerged early. Blau received his first violin lessons from his father at the age of three and a half and was proficient enough as a violinist to enter the Royal National Hungarian Academy of Music at the age of five, being the youngest student to date. From 1909 a student of Jenő Hubay, he passed the finals in chamber music and in violin in spring of 1915. From 1917 Blau undertook first tours in Hungary and Germany; among other things as concertmaster of the Berlin Blüthner Orchestra. In 1918 he became briefly professor for violin at his old university. From 1917 to 1920 he also completed a degree in philosophy. Motivated by promises made by a dubious impresario
Until 1918 Ormandy used the stage name "Eugen Blau" in public performances, "Eugen" being the German equivalent of "Jenő".About 1919, after the end of the Austro-Hungarian Empire, he used "Jenő B. Ormándy". At the time of his arrival in America in 1921, he was using "Jeno Blau", but by 1925 he was going by "Eugene Ormandy". The origin of the surname "Ormandy" is uncertain. Speculation that it was either his middle name or that of his mother appears to be unfounded. His father changed his surname to "Ormándi" on March 22, 1937, a few weeks before emigrating to the United States.
Arthur Judson, the most powerful manager of American classical music during the 1930s, first heard Ormandy when he conducted (as a freelancer) for a dance recital at Carnegie Hall by Isadora Duncan; Judson later said, "I came to see a dancer and instead heard a conductor".
At Judson's instigation Ormandy substituted for the ailing Arturo Toscanini with the Philadelphia Orchestra in 1931. This led to an appointment as musical director of the Minneapolis Symphony Orchestra, a post he held from 1931 to 1936. In this post he became nationally known in the US through his recordings, which included the first versions on disc of Kodály's Háry János suite and Schoenberg's Verklärte Nacht .In 1936 he returned to Philadelphia as joint conductor with Leopold Stokowski. After two years he became the orchestra's sole music director; he held the post for 42 years (1938–1980), before stepping down to be its conductor laureate. He took the Philadelphia Orchestra on several national and international tours, and appeared as a guest conductor with other orchestras in Europe, Australia, South America and East Asia. Ormandy built on what Grove's Dictionary of Music and Musicians calls "Stokowski's voluptuous 'Philadelphia Sound'" and added further polish and precision. Despite, or even because of, this, among many music critics and others, as Harold C. Schonberg put it in a 1967 study, "there was a singular reluctance in musical circles to admit him into the ranks of great conductors". He was thought superficial; Toscanini dismissed him as "an ideal conductor of Johann Strauss", and a similar remark is attributed to Igor Stravinsky. Donald Peck, principal flute of the Chicago Symphony Orchestra, reports that a fellow flutist was won over when Ormandy conducted the Chicago in Beethoven's Ninth Symphony; he told Peck that it was the greatest Ninth he had ever heard. The conductor Kenneth Woods ranked Ormandy 14th of the "Real Top 20 of Conducting," saying,
Schonberg called Ormandy "an excellent technician with a technicolored approach".Grove comments that Ormandy may have contributed to this image by concentrating on the late-Romantic and early 20th-century repertory that showed to advantage the lush sound he could command in works by composers such as Debussy, Ravel, Richard Strauss and Tchaikovsky. Schonberg commented that Ormandy programmed very little Haydn or Mozart and approached Beethoven "in a rather gingerly manner". He conducted much less new music than his predecessor, Stokowski, had done, but did not ignore it, and gave the premieres of works including Rachmaninoff's Symphonic Dances , which is dedicated to him and the orchestra, Bartók's Piano Concerto No.3, Britten's Diversions for Piano Left Hand and Orchestra and music by Ginastera, Hindemith, Martinů, Milhaud, Villa-Lobos and Webern. He did not neglect American composers, and among premieres he gave were works by Samuel Barber, David Diamond, Walter Piston, Ned Rorem, William Schuman, Roger Sessions and Virgil Thomson.
Schonberg concluded his study of Ormandy with the words, "Ormandy does not conduct with the overwhelming personality of a Furtwängler, or with the ferocity and clarity of a Toscanini, or with the immense knowledge and classicism of a Szell. But he has carved out an area for himself, and within it he is secure, a perfect workman and a sensitive interpreter. And it is an area that takes in a great deal more than Strauss waltzes".
In 1980, aged 80, Ormandy retired as chief conductor of the Philadelphia Orchestra, but continued to appear as its conductor laureate.His last concert was with his Philadelphia colleagues at Carnegie Hall on January 10, 1984. His tenure, as chief conductor and then laureate was the longest unbroken association between a conductor and a major American orchestra.
He died of pneumonia at his home in Philadelphia, Pennsylvania, on March 12, 1985, at the age of 85.
In honor of Ormandy's vast influence on American music and the Philadelphia performing arts community, on December 15, 1972, he was awarded the University of Pennsylvania Glee Club Award of Merit.He was appointed by Queen Elizabeth II as an honorary Knight Commander of the Order of the British Empire (KBE) in 1976, and received of Yale University's Sanford Medal. He was elected to the American Philosophical Society in 1977. After Ormandy's death the US Congress and President Ronald Reagan declared that November 18 would be "Eugene Ormandy Appreciation Day", with a recognition ceremony held on that date at the Academy of Music.
On 8 August 1922 Ormandy married Stephanie Goldner (1896–1962)."Steffy" Goldner had come to New York in 1921 from her native Vienna, where she had attended the city's Academy of Music. Soon after arriving in New York she took a position at Capitol Theatre where Ormandy was a violinist. For more than a decade she was harpist for the New York Philharmonic, the only woman on its roster. The two later did broadcast performances on WABC radio, where Ormandy was one of the staff conductors.
In the fall of 1946, the couple parted. "There is no talk now of divorce [...] It's just a separation," Mrs. Ormandy reported.However, she later filed for divorce, decreed 4 August 1947 "on grounds of extreme mental cruelty." Following the divorce she joined the faculty at the Philadelphia Music Academy while announcing plans to resume her performing.
On 15 May 1950 Ormandy married Margaret Frances Hiltsch (1909–1998) in a civil ceremony in Philadelphia.In a statement released by the Philadelphia Orchestra Association, the two were described as "family friends for many years [...] Mrs. Ormandy came to the United States about 12 years ago from Vienna [...] shortly thereafter she became an American citizen. During the war years Mrs. Ormandy became a licensed pilot in preparation for the WASP training program. However, as the unit was then disbanded, she enlisted in the U.S. Navy and for two years was then stationed at Norfolk, VA., in operations work at the Naval Air Station."
The couple remained wed until his death in 1985.
|You may hear Eugene Ormandy conducting Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92 with the Philadelphia Orchestra in 1945 here on archive.org|
Ormandy's recording career began with the Minneapolis Symphony for RCA Victor in 1934 and included the first US recordings of symphonies by Anton Bruckner (No. 7) and Gustav Mahler (No. 2). He remained with RCA Victor after becoming music director of the Philadelphia Orchestra in 1938. In 1944, Ormandy and the Philadelphians began a 23-year association with Columbia Records. His many recordings for Columbia include the first US recording of the Fourth Symphony of Dmitri Shostakovich and the first ever recording of Mahler's Tenth Symphony in the performing version by Deryck Cooke. (Ormandy and the Philadelphia Orchestra gave the first public performance of the Mahler/Cooke Symphony No. 10 at the express invitation of Mahler's widow Alma.) In 1968, conductor and orchestra returned to RCA Victor, recording for the label until 1981. His recordings of Saint-Saëns's Symphony No. 3, "Organ'" were considered the best ever produced by Fanfare Magazine which remarked of the 1974 RCA Red Seal recording with organist Virgil Fox: "This beautifully played performance outclasses all versions of this symphony." The Telarc recording of the symphony with Michael Murray from 1980 is also highly praised.
Under Ormandy's baton, the Philadelphia Orchestra had three gold records and won two Grammy Awards.
Ormandy's first digital recording was a performance of Béla Bartók's Concerto for Orchestra for RCA Red Seal in 1979.
|You may hear Eugene Ormandy conducting Sergei Prokofiev's Symphony No. 1 in D major ("Classical"), Op. 25 with the Philadelphia Orchestra in 1950 Here on archive.org|
|You may hear Eugene Ormandy conducting Johannes Brahms' Violin Concerto in D major, Op. 77 with Joseph Szigeti and the Philadelphia Orchestra in 1945 Here on archive.org|
|You may hear Eugene Ormandy conducting Nikolai Rimsky-Korsakov's Russian Easter Festival Overture, Op. 36 with the Philadelphia Orchestra in 1950 Here on archive.org|
The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the "Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, in Verizon Hall.
Leopold Anthony Stokowski was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film Fantasia with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.
The Concerto for Orchestra, Sz. 116, BB 123, is a five-movement orchestral work composed by Béla Bartók in 1943. It is one of his best-known, most popular, and most accessible works.
Eugene George Istomin was an American pianist. He was a winner of the Leventritt Award and recorded extensively as a soloist and in a piano trio in which he collaborated with Isaac Stern and Leonard Rose.
Frederick Martin "Fritz" Reiner was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s.
Frederick Stock was a German conductor and composer, most famous for his 37-year tenure as music director of the Chicago Symphony Orchestra.
Shlomo Mintz is an Israeli violin virtuoso, violinist and conductor. He regularly appears with orchestras and conductors on the international scene and is heard in recitals and chamber music concerts around the world.
Philippe Entremont is a French classical pianist and conductor. His recordings as a pianist include concertos by Tchaikovsky, Maurice Ravel, Rachmaninoff, Saint-Saëns and others.
Anshel Brusilow was an American violinist, conductor, and music educator at the collegiate level.
Ernö Rapée was a Hungarian-born American symphonic conductor in the first half of the 20th century whose prolific career spanned both classical and popular music. His most famous tenure was as the head conductor of the Radio City Symphony Orchestra, the resident orchestra of the Radio City Music Hall, whose music was also heard by millions over the air.
Symphonic Dances, Op. 45, is an orchestral suite in three movements completed in October 1940 by Russian composer Sergei Rachmaninoff. It is his final major composition, and his only piece written in its entirety while living in the United States.
The Piano Concerto No. 2 in G major, Sz. 95, BB 101 of Béla Bartók is a musical composition for piano and orchestra. The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire.
Samuel Barber's Essay for Orchestra, Op. 12, completed in the first half of 1938, is an orchestral work in one movement. It was given its first performance by Arturo Toscanini with the NBC Symphony Orchestra on November 5, 1938 in New York in a radio broadcast concert in which the composer's Adagio for Strings saw its first performance. It lasts around 8 minutes and is dedicated "To C.E." The essay is now known as the First Essay for Orchestra after Barber wrote his Second Essay for Orchestra in 1942. He also wrote a Third Essay in 1978.
David Bowie Narrates Prokofiev's Peter and the Wolf is a classical music album containing English musician David Bowie's narration of Sergei Prokofiev's 1936 composition Peter and the Wolf. Produced by Jay David Saks, the music is performed by the Philadelphia Orchestra conducted by Eugene Ormandy. Bowie recorded his narration in December 1977 at RCA Studio B in New York City after completing his promotional appearances for his album "Heroes" (1977). The album was released in May 1978 on the RCA Red Seal label. The LP also contained a recording of Benjamin Britten‘s The Young Person's Guide to the Orchestra on the B-side. It reached number 136 on the US Billboard Top LPs & Tape chart. The recording has received positive reviews from critics and Bowie's biographers, with Bowie's appearance garnering praise. It has since been reissued with different artworks.
The Blüthner Orchestra was a German symphony orchestra based in Berlin. Founded in 1907, it operated until 1925 when it was absorbed into the Berlin Symphony Orchestra.
Samuel Carlton Cooley was an American violist and composer.
RCA Red Seal is a classical music label whose origin dates to 1902 and is currently owned by Sony Music Entertainment.
Robert Pikler OBE was a Hungarian-Australian violinist, violist and teacher.
Mason Jones was an American horn player and music educator who had a lengthy association with the Philadelphia Orchestra as principal hornist under conductor Eugene Ormandy. He also served as principal hornist of the United States Marine Band during World War II and was the head of the horn faculty at the Curtis Institute of Music from 1946–1995. He was a founding member of the Philadelphia Woodwind Quintet and the Philadelphia Brass Ensemble.
A Midsummer Night's Dream is a 51-minute studio album containing the overture and most of the incidental music that Felix Mendelssohn wrote to accompany William Shakespeare's play of the same name. It is performed by Judith Blegen, Frederica von Stade, the Women's Voices of the Mendelssohn Club of Philadelphia and the Philadelphia Orchestra under the direction of Eugene Ormandy. It was released in 1977.