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Fūjin(風神) or Futen is the Japanese god of the wind and one of the eldest Shinto gods.
Japan is an island country in East Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asian continent and stretches from the Sea of Okhotsk in the north to the East China Sea and the Philippine Sea in the south.
Wind is the flow of gases on a large scale. On the surface of the Earth, wind consists of the bulk movement of air. In outer space, solar wind is the movement of gases or charged particles from the Sun through space, while planetary wind is the outgassing of light chemical elements from a planet's atmosphere into space. Winds are commonly classified by their spatial scale, their speed, the types of forces that cause them, the regions in which they occur, and their effect. The strongest observed winds on a planet in the Solar System occur on Neptune and Saturn. Winds have various aspects, an important one being its velocity ; another the density of the gas involved; another its energy content or wind energy. Wind is also a great source of transportation for seeds and small birds; with time things can travel thousands of miles in the wind.
Shinto or kami-no-michi is the traditional religion of Japan that focuses on ritual practices to be carried out diligently to establish a connection between present-day Japan and its ancient past.
He is portrayed as a terrifying wizard-like demon, resembling a red headed green-skinned humanoid wearing a leopard skin, carrying a large bag of winds on his shoulders.
The leopard is one of the five extant species in the genus Panthera, a member of the Felidae. It occurs in a wide range in sub-Saharan Africa, in small parts of Western Asia, on the Indian subcontinent to Southeast and East Asia. The leopard is listed as Vulnerable on the IUCN Red List because leopard populations are threatened by habitat loss and fragmentation, and are declining in large parts of the global range. In Hong Kong, Singapore, Kuwait, Syria, Libya, Tunisia and most likely in Morocco, leopard populations have already been extirpated. Contemporary records suggest that the leopard occurs in only 25% of its historical global range. Leopards are hunted illegally, and their body parts are smuggled in the wildlife trade for medicinal practices and decoration.
In Japanese art, the deity is often depicted together with Raijin, the god of lightning, thunder and storms.
Raijin (雷神), also known as Raiden-sama, Yakusa no ikazuchi no kami, Kaminari-sama, and Narukami, is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. The name "Raijin" is derived from the Japanese words kaminari(雷, "thunder") and kami(神, "god"). He is typically depicted as a demon-looking spirit beating drums to create thunder, usually with the symbol tomoe drawn on the drums.
Lightning is a violent and sudden electrostatic discharge where two electrically charged regions in the atmosphere temporarily equalize themselves, usually during a thunderstorm.
Thunder is the sound caused by lightning. Depending on the distance from and nature of the lightning, it can range from a sharp, loud crack to a long, low rumble (brontide). The sudden increase in pressure and temperature from lightning produces rapid expansion of the air surrounding and within a bolt of lightning. In turn, this expansion of air creates a sonic shock wave, similar to a sonic boom, often referred to as a "thunderclap" or "peal of thunder".
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According to Kojiki , Fujin (Shinatsuhiko) was born from Izanami.
Kojiki, also sometimes read as Furukotofumi, is the oldest extant chronicle in Japan, dating from the early 8th century (711–712) and composed by Ō no Yasumaro at the request of Empress Genmei. The Kojiki is a collection of myths, early legends, songs, genealogies, oral traditions and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, and the Kami (神). The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.
Shinatsuhiko is a Japanese mythological god of wind (Fūjin). Another name for this deity is Shinatobe, which originally may have been a separate goddess of wind.
In Japanese mythology, Izanami no mikoto is a goddess of both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.
The iconography of Fujin seems to have its origin in the cultural exchanges along the Silk Road. Starting with the Hellenistic period when Greece occupied parts of Central Asia and India, the Greek wind god Boreas became the god Wardo in Greco-Buddhist art, then a wind deity in China (frescoes of the Tarim Basin), and finally the Japanese Wind God Fujin.
The Silk Road was an ancient network of trade routes that connected the East and West. It was central to cultural interaction between the regions for many centuries. The Silk Road primarily refers to the terrestrial routes connecting East Asia and Southeast Asia with East Africa, West Asia and Southern Europe.
Central Asia stretches from the Caspian Sea in the west to China in the east and from Afghanistan in the south to Russia in the north. The region consists of the former Soviet republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. It is also colloquially referred to as "the stans" as the countries generally considered to be within the region all have names ending with the Persian suffix "-stan", meaning "land of".
India, also known as the Republic of India, is a country in South Asia. It is the seventh largest country by area and with more than 1.3 billion people, it is the second most populous country as well as the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the northeast; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives, while its Andaman and Nicobar Islands share a maritime border with Thailand and Indonesia.
The wind god kept its symbol, the windbag, and its dishevelled appearance throughout this evolution.
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Kami are the spirits or phenomena that are worshipped in the religion of Shinto. They can be elements of the landscape, forces of nature, as well as beings and the qualities that these beings express; they can also be the spirits of venerated dead persons. Many kami are considered the ancient ancestors of entire clans. Traditionally, great or sensational leaders like the Emperor could be or became kami.
The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin serpens, a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to humankind and represent dual expression of good and evil.
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, and more recently manga which is modern Japanese cartoons and comics along with a myriad of other types. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country.
Buddhism in Japan has been practiced since its official introduction in 552 CE according to the Nihon Shoki from Baekje, Korea, by Buddhist monks. Buddhism has had a major influence on the development of Japanese society and remains an influential aspect of the culture to this day.
Obverse and its opposite, reverse, refer to the two flat faces of coins and some other two-sided objects, including paper money, flags, seals, medals, drawings, old master prints and other works of art, and printed fabrics. In this usage, obverse means the front face of the object and reverse means the back face. The obverse of a coin is commonly called heads, because it often depicts the head of a prominent person, and the reverse tails.
Greco-Buddhism, or Graeco-Buddhism, is the cultural syncretism between Hellenistic culture and Buddhism, which developed between the 4th century BC and the 5th century AD in Bactria and the Indian subcontinent. It was a cultural consequence of a long chain of interactions begun by Greek forays into India from the time of Alexander the Great. The Macedonian satraps were then conquered by the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. Following the collapse of the Mauryan Empire, Greco-Buddhism continued to flourish under the Greco-Bactrian Kingdom, Indo-Greek Kingdoms, and Kushan Empire. Buddhism was adopted in Central and Northeastern Asia from the 1st century AD, ultimately spreading to China, Korea, Japan, Siberia, and Vietnam.
Niō (仁王) or Kongōrikishi (金剛力士) are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapāṇi, the oldest and most powerful of the Mahayana Buddhist pantheon. According to Japanese tradition, they travelled with Gautama Buddha to protect him and there are references to this in the Pāli Canon as well as the Ambaṭṭha Sutta. Within the generally pacifist tradition of Buddhism, stories of dharmapalas justified the use of physical force to protect cherished values and beliefs against evil. The Niō are also seen as a manifestation of Mahasthamaprapta, the bodhisattva of power that flanks Amitābha in Pure Land Buddhism and as Vajrasattva in Tibetan Buddhism.
Greco-Buddhist art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between the Classical Greek culture and Buddhism, which developed over a period of close to 1,000 years in Central Asia, between the conquests of Alexander the Great in the 4th century BC, and the Islamic conquests of the 7th century AD. Greco-Buddhist art is characterized by the strong idealistic realism and sensuous description of Hellenistic art and the first representations of the Buddha in human form, which have helped define the artistic canon for Buddhist art throughout the Asian continent up to the present. It is also a strong example of cultural syncretism between eastern and western traditions.
Many artistic influences transited along the Silk Road, especially through the Central Asia, where Hellenistic, Iranian, Indian and Chinese influence were able to interact. In particular Greco-Buddhist art represent one of the most vivid examples of this interaction. As shown on the 1st century CE Silk Road map, there is no single road but a whole network of long-distance routes: mainly two land routes and one sea route.
The Nara National Museum is one of the pre-eminent national art museums in Japan.
In ancient Greek religion and myth, the Anemoi were wind gods who were each ascribed a cardinal direction from which their respective winds came, and were each associated with various seasons and weather conditions.
Buddhism in Central Asia refers to the forms of Buddhism that existed in Central Asia, which were historically especially prevalent along the Silk Road. The history of Buddhism in Central Asia is closely related to the Silk Road transmission of Buddhism during the first millennium of the common era.
The Indo-Greeks practiced numerous religions during the time they ruled in present-day northwestern India from the 2nd century BCE to the beginning of the 1st century CE. In addition to the worship of the Classical pantheon of the Greek deities found on their coins, the Indo-Greeks were involved with local faiths, particularly with Buddhism, but also with Hinduism and Zoroastrianism.
The legacy of the Indo-Greeks starts with the formal end of the Indo-Greek Kingdom from the 1st century CE, as the Greek communities of central Asia and northwestern India lived under the control of the Kushan branch of the Yuezhi, apart from a short-lived invasion of the Indo-Parthian Kingdom. The Kushans founded the Kushan Empire, which was to prosper for several centuries. In the south, the Greeks were under the rule of the Western Kshatrapas.
The art of the Indo-Greek is poorly documented, and few works of art are directly attributed to them. The coinage of the Indo-Greeks however is generally considered as some of the most artistically brilliant of Antiquity. The Hellenistic heritage (Ai-Khanoum) and artistic proficiency of the Indo-Greek would suggest a rich sculptural tradition as well, but traditionally very few sculptural remains have been attributed to them. On the contrary, most Gandharan Hellenistic works of art are usually attributed to the direct successors of the Indo-Greeks in India in the 1st century CE, such as the nomadic Indo-Scythians, the Indo-Parthians and, in an already decadent state, the Kushans In general, Gandharan sculpture cannot be dated exactly, leaving the exact chronology open to interpretation.
The sources used to reconstruct the history of the Indo-Greeks are few and disparate, leading to much uncertainty about the precise state of the Indo-Greek kingdom and its chronology. Sources related to the Indo-Greeks can be classified into various categories: ancient literary sources from both the West and the Indian world, archaeological sources from the general area of present day Pakistan, Kashmir and North Indian states of Punjab, Haryana, Himachal Pradesh, Uttar Pradesh & Bihar, and numismatical sources, which are abundant and well-preserved but often rather cryptic.
A phallus is a penis, an object that resembles a penis, or a mimetic image of an erect penis.
Celtic mythology is the mythology of Celtic polytheism, the religion of the Iron Age Celts. Like other Iron Age Europeans, the early Celts maintained a polytheistic mythology and religious structure. For Celts in close contact with Ancient Rome, such as the Gauls and Celtiberians, their mythology did not survive the Roman Empire, their subsequent conversion to Christianity and the loss of their Celtic languages. It is mostly through contemporary Roman and Christian sources that their mythology has been preserved. The Celtic peoples who maintained either political or linguistic identities left vestigial remnants of their ancestral mythologies that were put into written form during the Middle Ages.
Hellenistic influence on Indian art reflects the artistic influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of our era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
Sir John Boardman, is a classical art historian and archaeologist, "Britain's most distinguished historian of ancient Greek art."
Princeton University Press is an independent publisher with close connections to Princeton University. Its mission is to disseminate scholarship within academia and society at large.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.