|Comune di Ferrara|
|Frazioni||Aguscello, Albarea, Baura, Boara, Borgo Scoline, Bova, Casaglia, Cassana, Castel Trivellino, Chiesuol del Fosso, Cocomaro di Cona, Cocomaro di Focomorto, Codrea, Cona, Contrapò, Corlo, Correggio, Denore, Focomorto, Francolino, Gaibana, Gaibanella, Sant'Egidio, Malborghetto di Boara, Malborghetto di Correggio, Marrara, Mezzavia, Monestirolo, Montalbano, Parasacco, Pescara, Pontegradella, Pontelagoscuro, Ponte Travagli, Porotto, Porporana, Quartesana, Ravalle, Sabbioni, San Bartolomeo in Bosco, San Martino, Spinazzino, Torre della Fossa, Uccellino, Viconovo, Villanova|
|• Mayor||Alan Fabbri (LN)|
|• Total||404.36 km2 (156.12 sq mi)|
|Elevation||9 m (30 ft)|
|• Density||330/km2 (850/sq mi)|
|Time zone||UTC+1 (CET)|
|• Summer (DST)||UTC+2 (CEST)|
44121 to 44124
|Patron saint||St. George|
|Saint day||April 23|
Ferrara ( // , Italian: [ferˈraːra] ( listen ); Emilian : Fràra [ˈfraːra] ) is a city and comune in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. As of 2016 [update] it had 132,009 inhabitants. It is situated 44 kilometres (27 miles) northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km (3 miles) north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site.
The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC.The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a major role.
There is uncertainty among scholars about the proposed Roman origin of the settlement in its current location (Tacitus and Boccaccio refer to a "Forum Alieni"), for little is known of this period, but some archeologic evidence points to the hypothesis that Ferrara could have been originated from two small Byzantine settlements: a cluster of facilities around the Cathedral of St. George, on the right bank of the main branch of the Po, which then ran much closer to the city than today, and a castrum, a fortified complex built on the left bank of the river to defend against the Lombards.
Ferrara appears first in a document of the Lombard king Desiderius of 753 AD, when he captured the town from the Exarchate of Ravenna.Later the Franks, after routing the Lombards, presented Ferrara to the Papacy in 754 or 756. In 988 Ferrara was ceded by the Church to the House of Canossa, but at the death of Matilda of Tuscany in 1115 it became a free commune. During the 12th century the history of the town was marked by the wrestling for power between two preeminent families, the Guelph Adelardi and the Ghibelline Salinguerra; however, at this point, the powerful Imperial House of Este had thrown his decisive weight behind the Salinguerra and eventually reaped the benefits of victory for themselves. In 1264 Obizzo II of Este was thus proclaimed lifelong ruler of Ferrara, Lord of Modena in 1288 and of Reggio in 1289. His rule marked the end of the communal period in Ferrara and the beginning of the Este rule, which lasted until 1598.
In 1452 Borso of Este was created duke of Modena and Reggio by Emperor Frederick III and in 1471 duke of Ferrara by Pope Paul II.Lionello and, especially, Ercole I were among the most important patrons of the arts in late 15th- and early 16th-century Italy. During this time, Ferrara grew into an international cultural centre, renowned for its architecture, music, literature and visual arts.
The architecture of Ferrara greatly benefited from the genius of Biagio Rossetti, who was requested in 1484 by Ercole I to draft a masterplan for the expansion of the town. The resulting "Erculean Addition" is considered one of the most important examples of Renaissance urban planningand contributed to the selection of Ferrara as a UNESCO World Heritage Site.
In spite of having entered its golden age, Ferrara was severely hit by a war against Venice fought and lost in 1482–84. Alfonso I succeeded to the throne in 1505 and married the notorious Lucrezia Borgia. He again fought Venice in the Italian Wars after joining the League of Cambrai. In 1509 he was excommunicated by Pope Julius II, but was able to overcome the Papal and Spanish armies in 1512 at the Battle of Ravenna. These successes were based on Ferrara's artillery, produced in his own foundry which was the best of its time.
Upon his death in 1534, Alfonso I was succeeded by his son Ercole II, whose marriage in 1528 to the second daughter of Louis XII, Renée of France, brought great prestige to the court of Ferrara. Under his reign, the Duchy remained an affluent country and a cultural powerhouse. However, an earthquake struck the town in 1570, causing the economy to collapse, and when Ercole II's son Alfonso II died without heirs, the House of Este lost Ferrara to the Papal States.
Ferrara, a university city second only to Bologna, remained a part of the Papal States for almost 300 years, an era marked by a steady decline; in 1792 the population of the town was only 27,000, less than in the 17th century.In 1805–1814 it was briefly part of the Napoleonic Kingdom of Italy, a client-state of the French Empire. After the 1815 Congress of Vienna, Ferrara was given back to the Pope, now guaranteed by the Empire of Austria. A bastion fort was erected in the 1600s by Pope Paul V on the site the Castel Tedaldo, an old castle at the south-west angle of the town, this was occupied by an Austrian garrison from 1832 until 1859. The fortress was completely dismantled following the birth of the Kingdom of Italy and the bricks were used for new constructions throughout over town.
During the last decades of the 1800s and the early 1900s, Ferrara remained a modest trade centre for its large rural hinterland that relied on commercial crops such as sugar beet and industrial hemp. Large land reclamation works were carried out for decades with the aim to expand the available arable land and eradicate malaria from the wetlands along the Po delta.Mass industrialisation came to Ferrara only at the end of the 1930s with the set-up of a chemical plant by the Fascist regime that should have supplied the regime with synthetic rubber. During the Second World War Ferrara was repeatedly bombed by Allied warplanes that targeted and destroyed railway links and industrial facilities. After the war, the industrial area in Pontelagoscuro was expanded to become a giant petrochemical compound operated by Montecatini and other companies, that at its peak employed 7,000 workers and produced 20% of plastics in Italy. In recent decades, as part of a general trend in Italy and Europe, Ferrara has come to rely more on tertiary and tourism, while the heavy industry, still present in the town, has been largely phased out.
After almost 450 years, another earthquake struck Ferrara in May 2012 causing only limited damage to the historic buildings of the town and no victims.
The town of Ferrara lies on the southern shores of the Po river, about 44 km (27 mi) north-east of the regional capital, Bologna, and 87 km (54 mi) south of Venice. The territory of the municipality, entirely part of the Padan plain, is overwhelmingly flat, situated on average just 9 metres (30 ft) above sea-level. The proximity to the largest Italian river has been a constant concern in the history of Ferrara, that has been affected by recurrent, disastrous floods, the latest occurring as recently as 1951. The Idrovia Ferrarese links the river Po from Ferrara to the Adriatic at Porto Garibaldi.
The climate of the Po valley is classified as humid subtropical (Cfa) under the Köppen climate classification, a type of climate commonly referred to as "continental", that features severe winters and warm summers and heavy rains in spring and autumn.
The legislative body of the Italian communes is the City Council (Consiglio Comunale), which, in towns having between 100,000 and 250,000 population, is composed by 32 councillors elected every five years with a proportional system, contextually to the mayoral elections. The executive body is the City Committee (Giunta Comunale), composed by 12 assessors, that is nominated and presided over by a directly elected mayor. The current mayor of Ferrara is Alan Fabbri of the Lega Nord. The urban organisation is governed by the Italian Constitution (art. 114), the Municipal Statuteand several laws, notably the Legislative Decree 267/2000 or Unified Text on Local Administration (Testo Unico degli Enti Locali).
The current division of the seats in the city council, after the 2019 local election, is the following:
The imposing Este Castle, sited in the very centre of the town, is iconic of Ferrara. A very large manor house featuring four massive bastions and a moat, it was erected in 1385 by architect Bartolino da Novara with the function to protect the town from external threats and to serve as a fortified residence for the Este family.It was extensively renovated in the 15th and 16th centuries.
The Cathedral of Saint George, designed by Wiligelmus and consecrated in 1135, is one of the finest examples of Romanesque architecture.The duomo has been renovated many times through the centuries, thus its resulting eclectic style is a harmonious combination of the Romanesque central structure and portal, the Gothic upper part of the façade and the Renaissance campanile. The sculptures of the main portal are attributed to Nicholaus . The upper part of the main façade, with arcades of pointed arches, dates from the 13th century. The recumbent marble lions guarding the portals are copies of the originals, now in the cathedral's museum. An elaborated 13th-century relief depicting the Last Judgement is found in the second storey of the porch. The interior was restored in baroque style in 1712. The marble campanile attributed to Leon Battista Alberti was initiated in 1412 but is still incomplete, missing one projected additional storey and a dome, as it can be observed from numerous historical prints and paintings on the subject.
Near the cathedral and the castle also lies the 15th-century city hall, that served as an earlier residence of the Este family, featuring a grandiose marble flight of stairs and two ancient bronze statues of Niccolò III and Borso of Este.
The southern district is the town's oldest, crossed by a myriad of narrow alleys that date back to the Early Middle Ages. Casa Romeiis perhaps the best preserved Medieval building in Ferrara. It was the private residence of merchant Giovanni Romei, related by marriage to the Este family, and likely the work of the court architect Pietrobono Brasavola. Thanks to the nuns of the Corpus Domini order, much of the original decorations in the inner rooms have been saved. The house features fresco cycles in the "Sala delle Sibille" ("room of sibyls"), an original terracotta fireplace bearing the coat of arms of Giovanni Romei in the adjoining Saletta dei Profeti ("room of the prophets"), depicting allegories from the Bible, and in other rooms, some of which were commissioned by cardinal Ippolito d'Este, paintings by the school of Camillo and Cesare Filippi (16th century).
Palazzo Schifanoia ("sans souci") was built in 1385 for Alberto V d'Este. The palazzo includes frescoes depicting the life of Borso d'Este, the signs of the zodiac and allegorical representations of the months. The vestibule was decorated with stucco mouldings by Domenico di Paris. The building also contains fine choir-books with miniatures and a collection of coins and Renaissance medals. The Renaissance Palazzo Paradiso, part of the Ferrara University library system, displays part of the manuscript of Orlando furioso and letters by Tasso as well as Ludovico Ariosto's grave. Its famous alumni include Nicolaus Copernicus and Paracelsus.
The northern quarter, which was added by Ercole I in 1492–1505 thanks to the master plan of Biagio Rossetti, and hence called the Addizione Erculea , features a number of Renaissance palazzi. Among the finest is Palazzo dei Diamanti (Diamond Palace), named after the diamond points into which the façade's stone blocks are cut. The palazzo houses the National Picture Gallery, with a large collection of the school of Ferrara, which first rose to prominence in the latter half of the 15th century, with Cosimo Tura, Francesco Cossa and Ercole dei Roberti. Noted masters of the 16th-century School of Ferrara include Lorenzo Costa and Dosso Dossi, the most eminent of all,Girolamo da Carpi and Benvenuto Tisi (il Garofalo). The district is also home to University of Ferrara Botanic Garden.
The town is still almost totally encircled by 9 kilometres (6 miles) of ancient brick walls, mostly built between 1492 and 1520. Today the walls, after a careful restoration, make up a large urban park around the town and are a popular destination for joggers and cyclists.
In 2007, there were 135,369 people residing in Ferrara, of whom 46.8% were male and 53.2% were female. Minors (children ages 18 and younger) totalled 12.28% of the population compared to pensioners who number 26.41%. This compares with the Italian average of 18.06% (minors) and 19.94% (pensioners). The average age of Ferrara residents is 49 compared to the Italian average of 42. In the five years between 2002 and 2007, the population of Ferrara grew by 2.28%, while Italy as a whole grew by 3.85%.The current birth rate of Ferrara is 7.02 births per 1,000 inhabitants compared to the Italian average of 9.45 births. Ferrara is known as being the oldest city with a population over 100,000, as well the city with lowest birth rate.
As of 2006 [update] , 95.59% of the population was Italian. The largest immigrant group was other European nations with Ukraine and Albania: 2.59% followed by North Africa: 0.51%, and East Asia: 0.39%. The city is predominantly Roman Catholic, with small Orthodox Christian adherents. The historical Jewish community is still surviving.
The Jewish community of Ferrara is the only one in Emilia Romagna with a continuous presence from the Middle Ages to the present day. It played an important role when Ferrara enjoyed its greatest splendor in the 15th and 16th century, with the duke Ercole I d'Este. The situation of the Jews deteriorated in 1598, when the Este dynasty moved to Modena and the city came under papal control. The Jewish settlement, located in three streets forming a triangle near the cathedral, became a ghetto in 1627. Apart from a few years under Napoleon and during the 1848 revolution, the ghetto lasted until Italian unification in 1859.
In 1799, the Jewish community saved the city from sacking by troops of the Holy Roman Empire. During the spring of 1799, the city had fallen into the hands of the Republic of France, which established a small garrison there. On 15 April, Lieutenant Field Marshal Johann von Klenau approached the fortress with a modest mixed force of Austrian cavalry, artillery and infantry augmented by Italian peasant rebels, commanded by Count Antonio Bardaniand and demanded its capitulation. The commander refused. Klenau blockaded the city, leaving a small group of artillery and troops to continue the siege. For the next three days, Klenau patrolled the countryside, capturing the surrounding strategic points of Lagoscuro, Borgoforte and the Mirandola fortress. The besieged garrison made several sorties from the Saint Paul's Gate, which were repulsed by the insurgent peasants. The French attempted two rescues of the beleaguered fortress: the first, on 24 April, when a force of 400 Modenese was repulsed at Mirandola and the second, General Montrichard tried to raise the city-blockade by advancing with a force of 4,000. Finally, at the end of the month, a column led by Pierre-Augustin Hulin reached and relieved the fortress.
Klenau took possession of the town on 21 May, and garrisoned it with a light battalion. The Jewish residents of Ferrara paid 30,000 ducats to prevent the pillage of the city by Klenau's forces; this was used to pay the wages of Gardani's troops. Although Klenau held the town, the French still possessed the town's fortress. After making the standard request for surrender at 0800, which was refused, Klenau ordered a barrage from his mortars and howitzers. After two magazines caught fire, the commandant was summoned again to surrender; there was some delay, but a flag of truce was sent at 2100, and the capitulation was concluded at 0100 the next day. Upon taking possession of the fortress, Klenau found 75 new artillery pieces, plus ammunition and six months worth of provisions.
In 1938, Mussolini's fascist government instituted racial laws reintroducing segregation of Jews which lasted until the end of the German occupation. During the Second World War, 96 of Ferrara's 300 Jews were deported to German concentration and death camps; five survived. The Italian Jewish writer, Giorgio Bassani, was from Ferrara. His celebrated book, The Garden of the Finzi-Continis, was published in Italian as Giardino dei Finzi-Contini, 1962, by Giulio Einaudi editore s.p.a. It was made into a film by Vittorio de Sica in 1970.
During WWII, the Este Castle, adjacent to the Corso Roma, now known as the Corso Martiri della Libertà, was the site of an infamous massacre in 1943.
On December 13, 2017, the first day of Hanukkah, Italy's Museum of Italian Judaism and the Shoah opened on the site of a restored two-story brick prison built in 1912 that counted Jews during the Fascist period among its detainees. This is the initial phase of a project—known as MEIS, after its initials in Italian—to be completed in 2021, with additional buildings that will create a major Jewish cultural hub and add exhibits focusing on the Jews in the Italian Renaissance and the Shoah.
During the Renaissance the Este family, well known for its patronage of the arts, welcomed a great number of artists, especially painters, that formed the so-called School of Ferrara. The astounding list of painters and artists includes the names of Andrea Mantegna, Vicino da Ferrara, Giovanni Bellini, Leon Battista Alberti, Pisanello, Piero della Francesca, Battista Dossi, Dosso Dossi, Cosmé Tura, Francesco del Cossa and Titian. In the 19th and 20th centuries, Ferrara again hosted and inspired numerous painters who grew fond of its eerie atmosphere. Among them Giovanni Boldini, Filippo de Pisis and Giorgio de Chirico. A large collection of paintings is displayed in the National Gallery of Palazzo dei Diamanti.
The Renaissance literary men and poets Torquato Tasso (author of Jerusalem Delivered ), Ludovico Ariosto (author of the romantic epic poem Orlando Furioso ) and Matteo Maria Boiardo (author of the grandiose poem of chivalry and romance Orlando Innamorato ) lived and worked at the court of Ferrara during the 15th and 16th century.
The Ferrara Bible was a 1553 publication of the Ladino version of the Tanakh used by Sephardi Jews. It was paid for and made by Yom-Tob ben Levi Athias (the Spanish Marrano Jerónimo de Vargas, as typographer) and Abraham ben Salomon Usque (the Portuguese Jew Duarte Pinhel, as translator), and was dedicated to Ercole II d'Este. In the 20th century, Ferrara was the home and workplace of writer Giorgio Bassani, well known for his novels that were often adapted for cinema ( The Garden of the Finzi-Continis , Long Night in 1943 ). In historical fiction, British author Sarah Dunant set her 2009 novel Sacred Hearts in a convent in Ferrara.
Ferrara gave birth to Girolamo Savonarola, the famous medieval Dominican priest and leader of Florence from 1494 until his execution in 1498. He was known for his book burning, destruction of what he considered immoral art, and hostility to the Renaissance. He vehemently preached against the moral corruption of much of the clergy at the time, and his main opponent was Pope Alexander VI (Rodrigo Borgia).
During the time that Renée of France was Duchess of Ferrara, her court attracted Protestant thinkers such as John Calvin and Olympia Fulvia Morata.The court became hostile to Protestant sympathizers after the marriage of Renée's daughter Anna d'Este to the fervently Catholic Duke of Guise.
The Ferrarese musician Girolamo Frescobaldi was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. His masterpiece Fiori musicali (Musical Flowers) is a collection of liturgical organ music first published in 1635. It became the most famous of Frescobaldi's works and was studied centuries after his death by numerous composers, including Johann Sebastian Bach.Maurizio Moro (15??–16??) an Italian poet of the 16th century best known for madrigals is thought to have been born in Ferrara.
Ferrara is the birthplace of Italian film directors Michelangelo Antonioni and Florestano Vancini. The latter shot in Ferrara his 1960 film Long Night in 1943 . The town was also the setting of the famous 1970 movie The Garden of the Finzi-Continis by Vittorio De Sica, that tells the vicissitudes of a rich Jewish family during the dictatorship of Benito Mussolini and World War II. Furthermore, Wim Wenders and Michelangelo Antonioni's Beyond the Clouds in (1995) and Ermanno Olmi's The Profession of Arms in (2001), a film about the last days of Giovanni dalle Bande Nere, were also shot in Ferrara.
The Palio of St. George is a medieval-themed horse race held every last Sunday of May. Established in 1279, it is probably the oldest such competition in the world.The Ferrara Buskers Festival is a non-competitive parade of street musicians from all over the world. At the 2017 edition, more than 1,000 artists from 35 different nations took part in the festival, including dancers, clowns, equilibrists, jugglers and other original performers. Additionally, the town hosts the yearly Ferrara Balloons Festival, a large hot-air balloon show.
The town's football team, SPAL, was established in 1907. In 2017 it was promoted to Serie A, Italy's top-level football league, after a 49-year absence. Its home ground is Paolo Mazza Memorial Stadium, with a capacity of 16,134.
Ferrara's basketball team Kleb Basket Ferrara competes in the Serie A2 Basket and plays its home games at the Palasport di Ferrara.
The culinary tradition of Ferrara features many typical dishes that can be traced back to the Middle Ages, and that sometimes reveals the influence of its important Jewish community.
The signature dish is cappellacci di zucca, special ravioli with a filling of butternut squash, Parmigiano-Reggiano and flavored with nutmeg. It is served with a sauce of butter and sage or bolognese sauce. Another peculiar dish, that was allegedly cooked by Renaissance chef Cristoforo di Messisbugo, is pasticcio di maccheroni, a domed macaroni pie, consisting of a crust of sweet dough enclosing macaroni in a Béchamel sauce, studded with porcini mushrooms and ragù alla bolognese.
The traditional Christmas first course is cappelletti, large meat and cheese filled ravioli served in chicken broth. It is often followed by salama da sugo, a very big, cured sausage made from a selection of pork meats and spices kneaded with red wine.
Seafood is also an important part of the local tradition, that boast rich fisheries in the Po delta lagoons and Adriatic sea. Pasta with clams and grilled or stewed eel dishes are especially well-known. Popular food items include also zia garlic salami and the traditional coppia bread, protected by the IGP (Protected Geographical Status) label.Not unusual is the typical kosher salami made of goose meat stuffed in goose neck skin.
Local patisserie include spicy pampepato chocolate pie, tenerina, a dark chocolate and butter cake, and zuppa inglese, a chocolate and custard pudding on a bed of sponge cake soaked in Alchermes. The clay terroir of the area, an alluvial plain created by the river Po, is not ideal for wine; a notable exception is Bosco Eliceo (DOC) wine, made from grapes cultivated on the sandy coast line.
Ferrara is twinned with:
Dosso Dossi was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Comacchio is a town and comune of Emilia Romagna, Italy, in the province of Ferrara, 48 kilometres (30 mi) from the provincial capital Ferrara. It was founded about two thousand years ago; across its history it was first governed by the Exarchate of Ravenna, then by the Duchy of Ferrara, and eventually returned to be part of the territories of the Papal States. For its landscape and its history, it is considered one of the major centres of the Po delta.
Cosmê Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
The War of Ferrara was fought in 1482–1484 between Ercole I d'Este, duke of Ferrara, and the Papal forces mustered by Ercole's personal nemesis, Pope Sixtus IV and his Venetian allies. Hostilities ended with the Treaty of Bagnolo, signed on 7 August 1484.
The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well known for its patronage of the arts. Patronage was extended with the ascent of Ercole d'Este I in 1470, and the family continued in power till Alfonso II, Ercole's great-grandson, died without an heir in 1597. The duchy was then occupied in succession by Papal and Austrian forces. The school evolved styles of painting that appeared to blend influences from Mantua, Venice, Lombardy, Bologna, and Florence.
Palazzo Schifanoia is a Renaissance palace in Ferrara, Emilia-Romagna (Italy) built for the Este family. The name "Schifanoia" is thought to originate from "schivar la noia" meaning literally to "escape from boredom" which describes accurately the original intention of the palazzo and the other villas in close proximity where the Este court relaxed. The highlights of its decorations are the allegorical frescoes with details in tempera by or after Francesco del Cossa and Cosmè Tura, executed ca 1469–70, a unique survival of their time.
The Duchy of Ferrara was a state in what is now northern Italy. It consisted of about 1,100 km2 south of the lower Po River, stretching to the valley of the lower Reno River, including the city of Ferrara. The territory that was part of the Duchy was ruled by the House of Este from 1146 to 1597.
The Castello Estense or castello di San Michele is a moated medieval castle in the center of Ferrara, northern Italy. It consists of a large block with four corner towers.
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara.
Ippolito (II) d'Este was an Italian cardinal and statesman. He was a member of the House of Este, and nephew of the other Ippolito d'Este, also a cardinal. He is perhaps best known for his despoliation of the then 1,400-year-old Hadrian's Villa, built by the Roman emperor Hadrian, removing marbles and statues from it to decorate his own villa, the Villa d'Este.
Ercole I d'Este, KG was Duke of Ferrara from 1471 until 1505. He was a member of the House of Este. He was nicknamed North Wind and The Diamond.
Ercole Grandi was an Italian painter of the early-Renaissance period, active mainly in Ferrara. Also known as Ercole da Ferrara and Ercole di Giulio Cesare Grandi, he has been claimed to be a favourite pupil of the painter Lorenzo Costa. Ercole Grandi first appeared in the historical record as being in the service of the house of Este in 1489. Between 1489 and 1495, Ercole Grandi seems to have been working in Bologna, both in San Petronio and in the Cappella Bentivoglio of San Giacomo Maggiore, as an assistant to Lorenzo Costa. In 1495, he was in Ferrara as the chief architect for realising Duke Ercole's plans to embellish the city and renovate the churches; the facade and interior of Santa Maria in Vado were executed from his design. He worked with Ludovico Mazzolino and others on the decoration of the Castello, and painted in the apartments of Lucretia Borgia. Also in Ferrara, he painted the frescoes for the church of San Pietro Martire, although some frescoes are preserved. One problem in assigning attribution to the hand of Ercole Grandi is that none of his works is signed or dated, or accompanied by supporting documents, but he is thought by some scholars to have painted—in the manner of Mantegna—or had a hand in, the decorative frescoed ceiling in the Sala del Tesoro of the Palazzo Costabili in Ferrara between 1503 and 1506. Other scholars attribute the work to Benvenuto Tisi da Garofalo. Confusingly, the identity of Ercole Grandi is sometimes conflated with Garofalo, and an Ercole da Bologna, and with that of Ercole di Antonio Roberti or Ercole de' Roberti, who was first documented as being in Ferrara in 1479, and was author of the great frescoes of the Garganelli chapel in Bologna. Most of Ercole Grandi's works have been reattributed to other Ferrarese painters, such as Giovan Francesco Maineri and Lorenzo Costa, while other scholars insist that Ercole Grandi is a mythical character.
Ercole de' Roberti, also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori. The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari:
Ercole had an extraordinary love of wine, and his frequent drunkenness did much to shorten his life, which he had enjoyed without any accident up to the age of forty, when he was smitten one day by apoplexy, which made an end of him in a short time.
Tito Vespasiano Strozzi was an Italian Renaissance poet at the Este court of Ferrara, who figures as an interlocutor in Angelo Decembrio's De politia litteraria.
The Galleria Estense is an art gallery in the heart of Modena, centred around the collection of the d’Este family: rulers of Modena, Ferrara and Reggio from 1289 to 1796. Located on the top floor of the Palazzo dei Musei, on the St. Augustine square, the museum showcases a vast array of works ranging from fresco and oil painting to marble, polychrome and terracotta sculpture; musical instruments; numismatics; curios and decorative antiques.
The Addizione Erculea or Erculean Addition is the area of urban expansion created in 1492 by the enlargement of the walled city limits of Ferrara, Italy. It is celebrated as an example of Renaissance urban planning.
The following is a timeline of the history of the city of Ferrara in the Emilia-Romagna region of Italy.
The Gallerie Estensi is a network of three museums and a library, bringing together the collective fruits of artistic production from Ferrara, Modena and Sassuolo in the Emilia-Romagna region of Northern Italy. The galleries aim to preserve the historic heritage left by the influential House of Este, with a focus on relating their noble past to the local communities at each site.
The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.
Self-Portrait is a small oil on panel painting by Sofonisba Anguissola, signed and dated 1554 on the open book held by the artist. It is now in the Kunsthistorisches Museum in Vienna.
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