Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
Andrew Sarris was an American film critic. He was a leading proponent of the auteur theory of film criticism.
Jonathan Rosenbaum is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008. He has published and edited numerous books about cinema and has contributed to such notable film publications as Cahiers du cinéma and Film Comment.
Elvis Mitchell is an American film critic, host of the public radio show The Treatment, and visiting lecturer at Harvard University. He has served as a film critic for the Fort Worth Star-Telegram, the LA Weekly, The Detroit Free Press, and The New York Times. He had also been an interviewer for Interview Magazine. In the summer of 2011, he was appointed as curator of LACMA's new film series, Film Independent at LACMA. He is also currently a Film Scholar and lecturer at the University of Nevada, Las Vegas.
Gordon Hugh Willis Jr., ASC was an American cinematographer and film director. He is best known for his photographic work on eight Woody Allen films, six Alan J. Pakula films, four James Bridges films, and all three films from Francis Ford Coppola's The Godfather series.
Richard Warren Schickel was an American film historian, journalist, author, documentarian, and film and literary critic. He was a film critic for Time from 1965–2010, and also wrote for Life and the Los Angeles Times Book Review. His last writings about film were for Truthdig.
Stanley Kauffmann was an American writer, editor, and critic of film and theater.
Dannis Peary is an American film critic and sports writer. He has written and edited many books on cinema and sports-related topics. Peary is most famous for his book Cult Movies (1980), which spawned two sequels, Cult Movies 2 (1983) and Cult Movies 3 (1988) and are all credited for providing more public interest in the cult movie phenomenon.
Janet R. Maslin is an American journalist, who served as a film critic for The New York Times from 1977 to 1999, serving as chief critic for the last six years, and then a literary critic from 2000 to 2015. In 2000, Maslin helped found the Jacob Burns Film Center in Pleasantville, New York. She is president of its board of directors.
Kenneth Turan is an American retired film critic, author, and lecturer in the Master of Professional Writing Program at the University of Southern California. He was a film critic for the Los Angeles Times from 1991 until 2020 and was described by The Hollywood Reporter as "arguably the most widely read film critic in the town most associated with the making of movies".
Verna Fields was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films including The Savage Eye (1959), on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets (1968). For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid (1961), led to her only industry recognition in this phase of her career, which was the 1962 Golden Reel award for sound editing.
Gerald Peary is an American film critic, filmmaker, editor of the University Press of Mississippi, and a former curator of the Harvard Film Archive.
Owen Gleiberman is an American film critic who has been chief film critic for Variety magazine since May 2016, a title he shares with Peter Debruge. Previously, Gleiberman wrote for Entertainment Weekly from 1990 until 2014. From 1981 to 1989, he wrote for The Phoenix.
Joseph Patrick Michael Leydon is an American film critic and historian. A critic and correspondent for Variety since 1990, he is the author of Joe Leydon's Guide to Essential Movies You Must See, and was a contributing critic for Leonard Maltin's Movie Guide. As of July 2021 he has 1225 reviews collected on the website Rotten Tomatoes. He is also a founding member of Houston Film Critics Society, and a voting member of Critics Choice. From 2001 until 2021, Leydon taught film and communication studies courses at Houston Community College and the Jack J. Valenti School of Communication at University of Houston.
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole.
Psychotronic Video was an American film magazine founded by publisher/editor Michael J. Weldon in 1980 in New York City, covering what he dubbed "psychotronic movies", which he defined as "the ones traditionally ignored or ridiculed by mainstream critics at the time of their release: horror, exploitation, action, science fiction, and movies that used to play in drive-ins or inner city grindhouses." It was published through 2006. Most of the magazine's hundreds of reviews were written by Weldon himself. Other contributors provided career histories/interviews with cult filmmakers and actors such as Radley Metzger, Larry Cohen, Jack Hill, William Rotsler, David Carradine, Sid Haig, Karen Black, and Timothy Carey. Regular features included "Record Reviews" by Art Black, "Spare Parts" by Dale Ashmun, and "Never To Be Forgotten", an obituary column.
Rel J. Dowdell is an American screenwriter, film director, film producer, and film studies/screenwriting/English educator. Born and raised in Philadelphia, after graduating from the prestigious Central High School in Philadelphia, he received his bachelor's degree in English with magna cum laude honors from Fisk University and his advanced degree in film and screenwriting with highest distinction from Boston University. He won the top prize in filmmaking at Boston University's noted Redstone Film Festival in 1995. He is also a full-time university professor, Director of Film Studies, English scholar, and film historian. Additionally, he has done prominent and extensive interviews with veteran award-winning actors such as Ving Rhames, Keith David, Tony Todd, Roger Guenveur Smith, Larenz Tate, and Mykelti Williamson. In spring of 2023, he participated in a major interview on The 700 Club where he spoke about the impact of the casting of an African-American female actress in the remake of The Little Mermaid which was very well received and praised for Dowdell's remarks of inclusion and youth inspiration for African-Americans.
Found footage is a cinematic technique in which all or a substantial part of the work is presented as if it were film or video recordings recorded by characters in the story, and later "found" and presented to the audience. The events on screen are typically seen through the camera of one or more of the characters involved, often accompanied by their real-time, off-camera commentary. For added realism, the cinematography may be done by the actors themselves as they perform, and shaky camera work and naturalistic acting are routinely employed. The footage may be presented as if it were "raw" and complete or as if it had been edited into a narrative by those who "found" it.
Lisa Schwarzbaum is an American film critic. She joined Entertainment Weekly as a senior writer in 1991, working as a film critic for the magazine alongside Owen Gleiberman from 1995 to 2013.
Jazz Fest: A New Orleans Story is the 2022 American documentary film based on the annual New Orleans Jazz and Heritage Festival.
