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Portrait from L’analyze des échecs. London, second edition, 1777
|Full name||François-André Danican Philidor|
|Born||7 September 1726|
|Died||31 August 1795 68) (aged|
François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player. He contributed to the early development of the opéra comique . He is also regarded as the best chess player of his age; his book Analyse du jeu des Échecs was considered a standard chess manual for at least a century. A well-known chess opening and a checkmate method are both named after him.
François-André Danican Philidor came from a well-known musical family, which included:
François-André Danican Philidor's father was 79 when he was born, a widower who married a 19-year-old woman, Elizabeth De Roy, when he was 72. The elder Philidor died when his son was 4 years old.
Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at the age of 11. It was said that Louis XV wanted to listen to the choir almost every day, and the singers, while waiting for the king to arrive, played chess to relieve their boredom; this may have sparked Philidor's interest in chess.
Starting in about 1740, he lived and worked in Paris as a performer, teacher and music copyist. He was the teacher of the Bohemian composer and pianist Ludwig Wenzel Lachnith. During this time he met Diderot, who called him 'Philidor le subtil' in Le neveu de Rameau . He spent much of the period 1745–1754 in London after a concert tour of the Netherlands collapsed, and moved in the same circles as Dr Johnson and Dr Burney. He returned to the French capital in 1754, although his music was found by some to be too Italianate (as a result of his travels). However he scored several triumphs at the fair theatres, starting with Blaise le savetier in 1759. His three most successful works were Le sorcier (1764), Tom Jones (after Henry Fielding, 1765), and Ernelinde, princesse de Norvège (1767).
For a time Philidor was among the leading opera composers in France, and during his musical career produced over 20 opéras comiques and two tragédies-lyriques. He also wrote secular cantatas and motets.
Philidor also wrote music for masonic rituals.The first performance of his Carmen Saeculare was performed at Freemasons' Hall in London in 1779. He was a member of the renowned Parisian Lodge Les Neuf Soeurs. This Lodge had an allied society for musicians, called the Société Apollonienne.
Philidor started playing regularly around 1740 at the chess Mecca of France, the Café de la Régence. It was also there that he famously played with a friend from New England, Benjamin Franklin. The best player in France at the time, Legall de Kermeur, taught him. At first, Legall could give Philidor rook odds, a handicap in which the stronger player starts without one of his rooks, but in only three years, Philidor equaled and then surpassed him.
Philidor visited England in 1747 and decisively beat the Syrian Phillip Stamma in a match +8−1=1, although Philidor let Stamma have the first move in every game and scored all draws as wins for Stamma.The same year, Philidor played many games with another strong player, Sir Abraham Janssen, who was then the best player in England, and with the exception of Legall, probably the best player Philidor ever encountered. He could win on an average one game in four from Philidor at even terms, and Philidor himself declared that he could only give to Janssen one-pawn odds in exchange for making the first move with the white pieces.
In 1754, Philidor returned to France, after nine years of absence, spent mostly in the Netherlands and England. He was now a much stronger player, having successfully played opponents of the calibre of Philip Stamma and Abraham Janssen, but, as G. Allen reports in The life of Philidor, it was not until his match with Legall (also known as de Legal) in 1755 that he can be considered the strongest player in the world.
When Philidor left Paris, in 1745, although he had for some time been playing even games with M. de Legal ... he had not ceased to recognize his old master as still his master and superior. But nine years of practice, with a great variety of players, had authorized him to look for neither superior nor equal; and when, in 1755, a match was arranged between the pupil and his master, who was still at the height of his strength, the result placed the crown firmly and indisputably upon the head of Philidor.
In 1771 and 1773, Philidor briefly stayed in London to play at the Salopian coffee house, Charing Cross and at the St. James Chess Club. In 1774, Parloe's chess club, on St. James Street in London, was created, and Philidor obtained remuneration as a chess master every year for a regular season from February to June. Philidor stayed faithful to this agreement until the end of his life, and he was replaced by Verdoni only after his death. Here, Philidor encountered George Atwood, a famous mathematician, physician and lecturer at Cambridge University. In an article by J. J. O'Connor and E. F. Robertson, devoted to George Atwood, there is the following passage: "Atwood was a renowned amateur chess-player and among other opponents played games against the famous French player Philidor, who was regarded as the unofficial world champion."
Henry Bird records:
Of the players who encountered Philidor, Sir Abraham Janssens, who died in 1775, seems to have been the best. Atwood, one of Pitt's secretaries, came next; he was of a class which we should call third or two grades of odds[ clarification needed ] below Philidor, a high standard of excellence to which but few amateurs attained. One of the most interesting features of Atwood as a chess player is that he recorded and preserved some of his games, an unusual practice at that time. These records have survived, among them the last games that Philidor played, which were against Atwood at Parsloe's Club in London on 20 June 1795.
In England, Philidor astounded his peers by playing three blindfold chess games simultaneously in the chess club of St. James Street on 9 May 1783. Philidor let all three opponents play white, and gave up a pawn to the third player. Some affidavits were signed, because those persons who were involved doubted that future generations would believe that such a feat was possible. Today, three simultaneous blindfold games would be fairly unremarkable among many chess masters. Even when he was 67 years old, he played and won two blindfold games simultaneously in London in 1793.
Philidor, both in England and France, was largely recognized in each of his fields and had a lot of admirers, protectors and friends, such as the French philosophers Voltaire, Rousseau and the famous English actor David Garrick (1717–1779).
In December 1792, however, when he was 65, Philidor was forced to leave France for England. He fled the French Revolution (1789–1799) because his name was on the Revolutionary banishment list, established by the Convention nationale . This was not probably due to his ideas (indeed it seems Philidor was rather reserved about his opinions apart from music and chess), but very likely in view of the traditional attachment of his family to the King's family service.
Andrew Soltis writes that Philidor "was the best player in the world for 50 years. In fact, he was probably about 200 rating points better than anyone else yet alive—set apart by the mysteries of the game he had solved."
Also interesting is GM Boris Alterman's opinion on Philidor's play:
Five hundred years ago, chess was different from today. Pawns didn't cost as much as they do today. The best players started games with the gambits. Pawns were only a small price to: Open a file or diagonal; Create an immediate attack on an opponent's king. It was the Italian style of chess. All positions of the King's Gambit were very popular. ... The best chess player of his day was Francois Andre Danican-Philidor. ... His published chess strategy stood for a hundred years without significant addition or modification. He preached the value of a strong pawn center, an understanding of the relative value of the pieces, and correct pawn formations. ...
In the same article, Alterman also noticed, analyzing the game Count Brühl–Philidor, F, 0–1, London 1783, that Philidor understood very well modern concepts like the power of passed pawns, bad and good pieces, space advantage, open files, pawn structure and the importance of center.
Jacques François Mouret, one of the best French players of the early 19th century, was Philidor's great-nephew.
|This section uses algebraic notation to describe chess moves.|
In 1749, Philidor published his famous book Analyse du jeu des Échecs. He printed a second edition in 1777 and a third in 1790.The book was such an advance in chess knowledge that, by 1871, it had gone through about 70 editions and had been translated into English, Spanish, German, Russian and Italian. In it, Philidor analyzed nine different types of game openings. Most of the openings of Philidor are designed to strengthen and establish a strong defensive center using pawns. He is the first one to realize the new role of the pawn in the chess game, and his most famous advice was the saying "The pawns are the soul of chess." More precisely Philidor said:
Mon but principal est de me rendre recommandable par une nouveauté dont personne ne s'est avisé, ou peut-être n'a été capable ; c'est celle de bien jouer les pions ; ils sont l'âme des Echecs : ce sont eux-mêmes qui forment uniquement l'attaque et la défense et de leur bon ou mauvais arrangement dépend entièrement le gain ou la perte de la partie.
Translation: My main purpose is to gain recognition for myself by means of a new idea of which no one has conceived, or perhaps has been unable to practice; that is, good play of the pawns; they are the soul of chess: it is they alone that determine the attack and the defense, and the winning or losing of the game depends entirely on their good or bad arrangement.
He also included analysis of certain positions of rook and bishop versus rook, such analysis being still current theory even today. He demonstrated an important drawing technique with a rook and pawn versus rook endgame in what is known as the Philidor position. The Philidor Defense (1.e4 e5 2.Nf3 d6) is named for him. Philidor's book was the very first to give detailed annotations on how to play the middlegame, present chess strategy as a whole, and present the concepts of the blockade, prophylaxis, positional sacrifice and mobility of the pawn formation.
Early critics of the Analyse du jeu des Échecs include those of the Modenese School (Ercole del Rio, Lolli or Ponziani), who in contrast to the French, advocated a free piece play, gambit openings and tactical complications; they also found some of the variations reported in the Analyse to be unsound (in particular those related with ...f7–f5 push in the Philidor Defence: 1.e4 e5 2.Nf3 d6 3.d4 f5). Some of Philidor's disciples—Bernard, Carlier, Leger, and Verdoni, who met at the Café de la Régence under the name of the Société des Amateurs—also criticized his work. In their book, Traité des Amateurs , they expressed many criticisms and comments on his earlier printed book, arguing that the variations reported in Philidor's Analyse are more instructive than correct. Nevertheless, the games in the Traité can be regarded, together of those of Philidor, as typical examples of the understanding of chess during the Enlightenment, and the Société des Amateurs was much closer to Philidor than to the Modenese school.
Philidor was stuck in England when the French Revolution occurred. Because of many of his social connections mentioned above, the Revolutionary Government put him on the banned list. He died on 31 August 1795 in London, and was buried in St James, Piccadilly. A few days later, his relatives succeeded in getting his name removed from the list.
Philidor's name is used for three well-known chess topics:
A one-act opéra-comique with music by Amédée Dutacq and libretto by Abraham Dreyfus entitled Battez Philidor ! (Beat Philidor!) was premiered on 13 November 1882 at the Opéra-Comique. Set in 1777, a poor musician is required to beat Philidor at chess before he can win the hand of his sweetheart. Although Philidor agrees to lose the match to help out, by distraction he nonetheless wins the game, although all turns out well for the lovers in the end. Battez Philidor ! also features Philidor's sometime collaborator A A H Poinsinet.
Philidor (Filidor) or Danican Philidor was a family of musicians that served as court musicians to the French kings. The original name of the family was Danican (D'Anican) and was of Scottish origin (Duncan). Philidor was a later addition to the family name, given first to Michel the elder by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist named Filidori. Both Michel the younger and Jean played in the Grande Écurie in Paris. Later members of the family were known as composers as well. One of them was a chess master.
The Opera Game was an 1858 chess game played at an opera house in Paris, during Bellini's opera Norma, between the American chess master Paul Morphy and two strong amateurs: the German noble Karl II, Duke of Brunswick and the French aristocrat Comte Isouard de Vauvenargues. It is among the most famous of chess games. Duke Karl and Count Isouard consulted together, playing as partners against Morphy. The game is often used by chess instructors to teach the importance of rapid of one's pieces, the value of sacrifices in mating combinations, and other chess concepts.
George Atwood was an English mathematician who invented a machine for illustrating the effects of Newton's first law of motion. He was also a renowned chess player whose skill for recording many games of his own and of other players, including François-André Danican Philidor, the leading master of his time, left a valuable historical record for future generations.
This is a timeline of chess.
Chess notations are various systems that have developed to record either the moves made in a game of chess or the position of pieces on a chessboard. The earliest systems of notation used lengthy narratives to describe each move; these gradually evolved into terser notation systems. Currently algebraic chess notation is the accepted standard and is widely used. Algebraic notation has several variations. Descriptive chess notation was used in English- and Spanish-language literature until the late 20th century, but is now obsolete. There are some special systems for international correspondence chess. Portable Game Notation is used when working with computer chess programs. Systems also exist for transmission using Morse code over telegraph or radio.
François Antoine de Legall de Kermeur (1702–92) was a French chess player. His name is variously written Kermur, Sire de Legalle, by Twiss, and Kermur and Kermuy, Sire de Legal, by others. In the List of Subscribers to Philidor's second edition it stands as in Twiss, but the spelling was, probably, in both cases Philidor's own.
The Philidor position usually refers to an important chess endgame which illustrates a drawing technique when the defender has a king and rook versus a king, rook, and a pawn, though it can also refer to a position in the queen versus rook endgame or a position in a rook and bishop versus rook endgame. In the case of a rook and pawn versus a rook, it is also known as the third rank defense, because of the importance of the rook on the third cutting off the opposing king. It was analyzed by François-André Danican Philidor in 1777. Many rook and pawn versus rook endgames reach either the Philidor position or the Lucena position. If played accurately the defending side tries to reach the Philidor position; the other side tries to reach the winning Lucena position. Jesús de la Villa said "[The Philidor position] is perhaps the most important position in endgame theory".
The history of chess can be traced back nearly 1500 years, although the earliest origins are uncertain. The earliest predecessor of the game probably originated in India, before the 6th century AD. From India, the game spread to Persia. When the Arabs conquered Persia, chess was taken up by the Muslim world and subsequently spread to Southern Europe. In Europe, chess evolved into roughly its current form in the 15th century.
Philipp Stamma, a native of Aleppo, Ottoman Syria, later resident of England and France, was a chess master and a pioneer of modern chess. His reputation rests largely on his authorship of the early chess book Essai sur le jeu des echecs published 1737 in France. This book brought the Middle Eastern concept of the endgame to the attention of Europe and helped revive European interest in the study of the endgame.
Alexandre Deschapelles was a French chess player who, between the death of François-André Danican Philidor and the rise of Louis-Charles Mahé de La Bourdonnais, was probably the strongest player in the world. He was considered the unofficial world champion from about 1800—1820.
The Café de la Régence in Paris was an important European centre of chess in the 18th and 19th centuries. All important chess masters of the time played there.
Chess endgame literature refers to books and magazines about chess endgames. A bibliography of endgame books is below.
The game of chess is commonly divided into three phases: the opening, middlegame, and endgame. There is a large body of theory regarding how the game should be played in each of these phases, especially the opening and endgame. Those who write about chess theory, who are often also eminent players, are referred to as "theorists" or "theoreticians".
In chess, the player who moves first is referred to as "White" and the player who moves second is referred to as "Black". Similarly, the pieces that each conducts are called, respectively, "the white pieces" and "the black pieces". The pieces are often not literally white and black, but some other colors. The 64 squares of the chessboard, which is colored in a checkered pattern, are likewise referred to as "white squares" or "light squares", and "black squares" or "dark squares", though usually the squares are of contrasting light and dark color rather than literally white and black. For example, the squares on plastic boards may be off-white ("buff") and green, while those on wood boards are often light brown and dark brown.
white: 1. There are 16 light-coloured pieces and 32 squares called white. Or 2. When capitalised, this also refers to the player of the white pieces.
Traité des Amateurs is the short name of the celebrated book Traité Théorique et Pratique du jeu des Echecs, par une Société des Amateurs, published in France in 1786 and subsequently translated into German and English.
A school of chess denotes a chess player or group of players that share common ideas about the strategy of the game. There have been several schools in the history of modern chess. Today there is less dependence on schools – players draw on many sources and play according to their personal style.
Le maréchal ferrant is a 1761 French two-act opéra comique with spoken dialogue and music composed by François-André Danican Philidor as well as several vaudevilles, which were typically included in opéras comiques of the time. The libretto is by Antoine-François Quétant, after one of the stories in Boccaccio's Decameron, with verses for the ariettes by Louis Anseaume and a plan devised by Serrière.
Jean Danican (D'Anican) Philidor was a court musician at Versailles during the reign of Louis XIII, and a member of the prestigious Philidor family. The name Philidor was conferred upon Jean's elder brother, Michel Danican, by Louis XIII, when his oboe playing reminded the monarch of the Italian virtuoso oboe player, Filidori of Siena; however, Michel never formally adopted the surname. Jean is the first individual to be found documented as "Danican dit Filidor", and evidence implies that he assumed the name at the time of his brother's death, in 1659.
André Danican Philidor the elder [French: l'aîné], a member of the Philidorit family of French musicians and referred to as André Danican Philidor le père after 1709, was a music librarian, instrumentalist, and composer. He is chiefly known as the organizer and principal copyist of what is now known as the Philidor Collection of French Baroque manuscript scores.
Louis-Augustin Richer was a French classical singer, singing professor and composer. He was a member of a family of musicians from Versailles who also had close ties to the family of André Danican Philidor. He gained prominence as a singer at the courts of Louis XV and Louis XV and also served as maître de musique for the courts of the Duke of Chartres and the Duke of Bourbon. After the abolition of the monarchy during the French Revolution, Richer became a professor at the Paris Conservatory. He died in Paris at the age of 78.
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