Marion Benson Owens
November 18, 1888
|Died||May 12, 1973 84) (aged|
Frances Marion (born Marion Benson Owens, November 18, 1888– May 12, 1973) was an American screenwriter, journalist, author, and film director, often cited as one of the most renowned female screenwriters of the 20th century alongside June Mathis and Anita Loos. During the course of her career, she wrote over 325 scripts. She was the first writer to win two Academy Awards. Marion began her film career working for filmmaker Lois Weber. She wrote numerous silent film scenarios for actress Mary Pickford, before transitioning to writing sound films.
Marion was born Marion Benson Owens in San Francisco, California, to Len D. Owens and Minnie Benson.She had an older sister, Maude, and a younger brother, Len. Her parents divorced when she was 10, and she lived with her mother. She dropped out of school at age 12, after having been caught drawing a cartoon strip of her teacher. She then transferred to a school in San Mateo and then to the Mark Hopkins Art Institute in San Francisco when she was 16 years old. Marion attended this school from 1904 until the school was destroyed by the fire that followed in the wake of the 1906 San Francisco earthquake.
While in San Francisco, Marion worked as a photographer's assistant to Arnold Genthe and experimented with photographic layouts and color film. Later she worked for Western Pacific Railroads as a commercial artist, then as a reporter for the San Francisco Examiner. After moving to Los Angeles, Marion worked as a poster artist for the Morosco Theater as well as an advertising firm doing commercial layouts.
In the summer of 1914 she was hired as a writing assistant, an actress and general assistant by Lois Weber Productions, a film company owned and operated by pioneer female film director Lois Weber. She could have been an actor, but preferred work behind the camera.[ citation needed ]
When Lois Weber went to work for Universal, she offered to bring Marion with her. Marion decided not to take Weber up on the offer. Soon after, close friend Mary Pickford offered Marion a job at Famous Players-Lasky. Marion accepted, and began working on scenarios for films like Fanchon the Cricket , Little Pal , and Rags. Marion was then cast alongside Pickford in A Girl of Yesterday . At the same time, she worked on an original scenario for Pickford to star in, The Foundling. Marion sold the script to Adolph Zukor for $125. The film was shot in New York, and Moving Picture World gave it a positive pre-release review. But the film negative was destroyed in a laboratory fire before prints could be made.
Marion, having traveled from Los Angeles to New York for The Foundling's premiere, applied for work as a writer at World Films and was hired for an unpaid two-week trial. For her first project, she decided to try recutting existing films that had been shelved as unreleasable. Marion wrote a new prologue and epilogue for a film starring Alice Brady, daughter of World Films boss William Brady. The new portions turned the film from a laughable melodrama into a comedy. The revised film sold for distribution for $9,000, and Brady gave Marion a $200/week contract for her writing services.
Soon Marion became head of the writing department at World Films, where she was credited with writing 50 films. She left in 1917 when, following the success of The Poor Little Rich Girl, Famous Players-Lasky signed her to a $50,000 a year contract as Mary Pickford's official scenarioist.Marion was reported at this time to be "one of the highest paid script writers in the business." Her first project under the contract was an adaptation of Rebecca of Sunnybrook Farm .
Marion worked as a journalist and served overseas as a combat correspondent during World War I.She documented women's contribution to the war effort on the front lines, and was the first woman to cross the Rhine after the armistice.
Upon Marion's return from Europe in 1919, William Randolph Hearst offered her $2,000 a week to write scenarios for his Cosmopolitan Productions. Marion shared a house with fellow screenwriter Anita Loos on Long Island.
While at Cosmopolitan, Marion wrote an adaptation of Fannie Hurst's Humoresque. Her success in adapting the novel and her friendship with Hurst contributed to her decision to adapt another Hurst story, "Superman," for her directorial debut. The resulting film, Just Around the Corner, was a best-seller for the studio.Marion directed one more film, The Love Light , starring Mary Pickford.
She won the Academy Award for Writing in 1931 for the film The Big House , she received the Academy Award for Best Story for The Champ in 1932, both featuring Wallace Beery, and co-wrote Min and Bill starring her friend Marie Dressler and Beery in 1930. She was credited with writing 300 scripts and over 130 produced films.
On October 23, 1915, Marion participated in a parade of more than thirty thousand supporters of women's suffrage in New York City.
After her success in Hollywood, Marion often visited Aetna Springs Resort in Aetna Springs, California, using it as a personal retreat and often bringing several film-industry colleagues with her on vacations. The resort, in fact, was directly connected to her own family's history, for Marion's father had built the resort in the 1870s.
Marion was married four times, first to Wesley de Lappe and then to Robert Pike, both prior to changing her name. In 1919, she wed Fred Thomson, who co-starred with Mary Pickford in The Love Light in 1921.She was such close friends with Mary Pickford that they honeymooned together when Mary married Douglas Fairbanks and Frances married Fred. After Thomson's unexpected death from a leg wound in 1928, she married director George W. Hill in 1930, but that marriage ended in divorce in 1933. She had two sons—Frederick C. Thomson and Richard Thomson (adopted). Frederick earned a PhD in English at Yale, taught there and later joined the faculty of the University of North Carolina. He became an editor of the writings of George Eliot, publishing editions of Felix Holt, the Radical in 1980 and later.
For many years she was under contract to MGM Studios. Independently wealthy, she left Hollywood in 1946 to devote more time to writing stage plays and novels.
Frances Marion published a memoir Off With Their Heads: A Serio-Comic Tale of Hollywood in 1972. Marion died the following year of a ruptured aneurysm in Los Angeles.
|1912||The New York Hat||Mary Pickford, Lionel Barrymore, Lillian Gish||Contributing writer|
|1915||Camille||Clara Kimball Young, Paul Capellani, Robert Cummings||Scenario|
|A Girl of Yesterday||Mary Pickford, Frances Marion, Glenn L. Martin||Actress|
|1916||The Foundling||Mary Pickford, Mildred Morris, Gertrude Norman||Writer|
|The Gilded Cage||Alice Brady, Montagu Love, Alec B. Francis||Scenarist/writer|
|1917||A Little Princess||Katherine Griffith, Mary Pickford, Norman Kerry, ZaSu Pitts, Theodore Roberts||Writer|
|Rebecca of Sunnybrook Farm||Mary Pickford, Eugene O'Brien||Writer|
|The Poor Little Rich Girl||Mary Pickford, Madlaine Traverse, Charles Wellesley, Gladys Fairbanks||Writer|
|1918||Stella Maris||Mary Pickford||Photoplay|
|How Could You, Jean?||Mary Pickford||Scenario|
|Amarilly of Clothes-Line Alley||Mary Pickford, William Scott, Kate Price||Writer|
|The Temple of Dusk||Sessue Hayakawa, Jane Novak, Louis Willoughby, Mary Jane Irving||Writer|
|1919||The Cinema Murder||Marion Davies, Eulalie Jensen, Anders Randolf, Reginald Barlow||Scenario|
|Anne of Green Gables||Mary Miles Minter||Writer|
|The Flapper||Olive Thomas, Warren Cook||Screenplay, story|
|The Restless Sex||Marion Davies, Ralph Kellard||Writer|
|1921||Just Around the Corner||Margaret Seddon, Lewis Sargent, Sigrid Holmquist||Director, scenario|
|The Love Light||Mary Pickford, Evelyn Dumo||Director, story (uncredited)|
|1922||The Toll of the Sea||Anna May Wong, Kenneth Harlan, Beatrice Bentley||Scenario (uncredited), story|
|1923||The Famous Mrs. Fair||Myrtle Stedman, Huntley Gordon||Adaptation, screenplay|
|Cytherea||Alma Rubens, Constance Bennett, Norman Kerry, Lewis Stone, Irene Rich||Adaptation|
|The Dramatic Life of Abraham Lincoln||George A. Billing, Ruth Clifford, George K. Arthur, Louise Fazenda||Story, screenplay|
|1925||Stella Dallas||Ronald Colman, Belle Bennett, Lois Moran||Adaptation|
|A Thief in Paradise||Doris Kenyon, Ronald Colman, Aileen Pringle||Adaptation|
|Thank You||Alec B. Francis, Jacqueline Logan||Writer|
|Lightnin'||Jay Hunt, Wallace MacDonald||Writer|
|1926||The Scarlet Letter||Lillian Gish, Lars Hanson||Adaptation, scenario, titles|
|The Winning of Barbara Worth||Ronald Colman, Vilma Bánky||Adaptation|
|Son of the Sheik||Rudolph Valentino, Vilma Bánky, Montagu Love, Karl Dane, George Fawcett||Adaptation|
|1927||The Red Mill||Marion Davies||Adaptation, screenplay|
|Love||John Gilbert, Greta Garbo||Continuity|
|Madame Pompadour||Dorothy Gish||Writer|
|1928||The Wind||Lillian Gish, Lars Hanson, Montagu Love, Dorothy Cumming||Scenario|
|The Awakening||Vilma Bánky, Walter Byron||Story|
|Bringing Up Father||J. Farrell MacDonald, Polly Moran, Marie Dressler||Writer|
|1929||Their Own Desire||Norma Shearer, Belle Bennett, Lewis Stone, Robert Montgomery, Helene Millard||Screenplay|
|1930||Min and Bill||Marie Dressler, Wallace Beery||Dialogue, scenario|
|The Big House||Robert Montgomery, Wallace Beery, Chester Morris, Lewis Stone||Dialogue, story|
Won the Academy Award for Best Writing (Adapted Screenplay)
|Good News||Mary Lawlor, Stanley Smith||Scenario|
|The Rogue Song||Lawrence Tibbett, Catherine Dale Owen||Writer|
|Anna Christie||Greta Garbo, Charles Bickford, George F. Marion, Marie Dressler||Writer|
|1931||The Secret Six||Wallace Beery, Lewis Stone, John Mack Brown, Jean Harlow, Clark Gable, Ralph Bellamy, Marjorie Rambeau||Dialogue, screenplay|
|The Champ||Wallace Beery, Jackie Cooper, Irene Rich, Roscoe Ates||Story|
Won the Academy Award for Best Story
|1932||Blondie of the Follies||Marion Davies, Robert Montgomery, Billie Dove||Screenplay, story|
|Emma||Marie Dressler, Richard Cromwell, Jean Hersholt, Myrna Loy||Story|
|1933||Peg o' My Heart||Marion Davies, Onslow Stevens, J. Farrell MacDonald||Adaptation|
|Dinner at Eight||Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Billie Burke||Screenplay|
|The Prizefighter and the Lady||Myrna Loy, Max Baer, Walter Huston, Primo Carnera, Jack Dempsey||Story|
Nominated for the Academy Award for Best Story
|Going Hollywood||Marion Davies, Bing Crosby, Fifi D'Orsay, Stuart Erwin||Story (uncredited)|
|Secrets||Mary Pickford, Leslie Howard||Writer|
|1936||Camille||Greta Garbo, Robert Taylor, Lionel Barrymore||Screenplay|
|Riffraff||Jean Harlow, Spencer Tracy||Screenplay, story|
|Poor Little Rich Girl||Shirley Temple, Alice Faye, Jack Haley, Gloria Stuart, Michael Whalen, Claude Gillingwater||Writer|
|1937||Knight Without Armour||Marlene Dietrich, Robert Donat||Adaptation|
|Love from a Stranger||Ann Harding, Basil Rathbone||Adaptation|
|1940||Green Hell||Douglas Fairbanks, Jr. Vincent Price, Joan Bennett, Alan Hale, Sr., George Sanders, John Howard||Original story, screenplay|
Gladys Marie Smith, known professionally as Mary Pickford, was a Canadian-American film actress and producer with a career that spanned five decades. A pioneer in the American film industry, she co-founded Pickford–Fairbanks Studios and United Artists, and was one of the 36 founders of the Academy of Motion Picture Arts and Sciences.
Jack Pickford was a Canadian-American actor, film director and producer. He was the younger brother of actresses Mary and Lottie Pickford.
Corinne Anita Loos was an American screenwriter, playwright, and author. In 1912, she became the first female staff scriptwriter in Hollywood, when D. W. Griffith put her on the payroll at Triangle Film Corporation. She is best known for her 1925 comic novel, Gentlemen Prefer Blondes, and her 1951 Broadway adaptation of Colette's novella Gigi.
Olive Thomas was an American silent-film actress, art model, and photo model.
Marion Fairfax was an American screenwriter, playwright, actress, and producer.
Florence Lois Weber was an American silent film actress, screenwriter, producer and director. She is identified in some historical references as "the most important female director the American film industry has known", and among "the most important and prolific film directors in the era of silent films". Film historian Anthony Slide has also asserted, "Along with D. W. Griffith, Weber was the American cinema's first genuine auteur, a filmmaker involved in all aspects of production and one who utilized the motion picture to put across her own ideas and philosophies".
Frederick Clifton Thomson was an American silent film cowboy who rivaled Tom Mix in popularity before dying at age 38 of tetanus.
Mary Pickford (1892–1979) was a Canadian-American motion picture actress, producer, and writer. During the silent film era she became one of the first great celebrities of the cinema and a popular icon known to the public as "America's Sweetheart".
The Love Light is a 1921 American silent drama film starring Mary Pickford. The film was written and directed by Frances Marion. Pickford selected the story as she wanted to play an adult and not another adolescent role.
A Chapter in Her Life is a 1923 American drama film based on the novel Jewel: A Chapter in Her Life by Clara Louise Burnham. The film was directed by Lois Weber. She had previously adapted the same novel as the 1915 film Jewel, which she co-directed (uncredited) with her then-husband and collaborator Phillips Smalley. Weber made this film shortly after her divorce from Smalley.
A Girl of Yesterday is a 1915 American silent comedy film directed by Allan Dwan, and distributed by Paramount Pictures and Famous Players-Lasky. The film starred Mary Pickford as an older woman. Before this film, Pickford was mainly cast in "little girl" roles which were popular with the public. A Girl of Yesterday costarred Pickford's younger brother Jack, Marshall Neilan, Donald Crisp and Frances Marion, who later became a prolific screenwriter. Real life aviation pioneer Glenn L. Martin also made a cameo in the film.
Humoresque is a 1920 American silent drama film produced by Cosmopolitan Productions, released by Famous Players-Lasky and Paramount Pictures, and was directed by Frank Borzage from a 1919 short story by Fannie Hurst and script or scenario by Frances Marion.
Just Around the Corner is an extant 1921 American silent drama film produced by William Randolph Hearst's Cosmopolitan Productions and distributed through Paramount Pictures. The film is based on a short story, "Superman," by Fannie Hurst and was directed by Frances Marion, a prolific Hollywood scenarist.
Cari Beauchamp is an American author, historian, journalist, and documentary filmmaker. She authored the biography Without Lying Down: Frances Marion and the Power of Women in Hollywood which was subsequently made into a documentary film. She is currently the resident scholar of the Mary Pickford Foundation.
Shoes is a 1916 silent film drama directed by Lois Weber and starring Mary MacLaren. It was distributed by the Universal Film Manufacturing Company and produced by Bluebird Photoplays, a subsidiary of Universal based in New York City and with access to Universal's studio facilities in Fort Lee, New Jersey as well as in California. Shoes was added to the National Film Registry in 2014.
Hop, the Devil's Brew is a 1916 American silent film directed by Lois Weber and Phillips Smalley. Inspired by an exposé of opium trafficking in the Saturday Evening Post, the semidocumentary film starred Smalley as a Customs official and Weber as his opium-addicted wife.
Cordelia D. "Delight" Evans was an American entertainment writer, editor, and film critic who was most widely known for her career as the editor of Screenland Magazine. Before accepting her career-making position at Screenland, Evans worked for Photoplay Magazine for six years. Screenland and Photoplay were both popular fan magazines that allowed fans to connect with movies outside the theaters. Some of the magazines' content consisted of movie reviews, movie promotions, and spreads of popular actors and actresses. Evans first started working for Screenland Magazine in October 1924 where she wrote reviews for various iconic films of that time. In 1929, Evans was promoted to Editor of the magazine. Nine years later in 1938, her success and ambitious attitude lead her to her own radio program, Food Secrets of the Movie Stars.
Winifred Dunn was an American screenwriter, editor, radio scenario writer, and art critic in the early 20th century. She was one of the youngest scenario editors of the silent era and was credited with writing over 40 productions.
Lois Zellner was an American screenwriter active during Hollywood's silent era. She also went by the name Lois Leeson later in her career.
Women's suffrage, the legal right of women to vote, has been depicted in film in a variety of ways since the invention of narrative film in the late nineteenth century. Some early films satirized and mocked suffragists and Suffragettes as "unwomanly" "man-haters," or sensationalized documentary footage. Suffragists countered these depictions by releasing narrative films and newsreels that argued for their cause. After women won the vote in countries with a national cinema, women's suffrage became a historical event depicted in both fiction and nonfiction films.
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