Francesca Lebrun (née Danzi; 24 March 1756 – 14 May 1791) was a noted 18th-century German singer and composer.
She was born Franziska Dorothea Danzi in Mannheim, Germany. Her father was the Italian-born cellist Innocenz Danzi and her younger brother was the composer and cellist Franz Danzi (1763–1826). She was renowned for her vocal dexterity and highly sought after by notable contemporaries, such as Anton Schweitzer, Ignaz Holzbauer, and Antonio Salieri, for the lead roles in their most challenging opuses.
Her talent extended beyond the stage to the manuscript tablet[ citation needed ] and the keyboard; twelve sonatas of hers for fortepiano and violin survive, six of which have been recorded.
Francesca was the eldest child in the family of gifted musicians. Her mother (Barbara Sidonia Margaretha Toeschi), a dancer, and her father (Innocenz Danzi), an Italian cellist, were the core of the elite elector Mannheim court performers in the late 1750s. Her brothers, Franz (Ignaz) and Johann Baptist, were cellist and violinist respectively and were successful composers. Karl Joseph (Carlo Giuseppe) Toeschi, a violinist, composer and conductor, was her maternal uncle.
She made her first public appearance as a singer at the age of 16 and the following year was engaged by the Mannheim Opera. There seems to be some debate whether she first performed in Gassmann's L’amore artigiano in May 1772, or Sacchini's La Contadina in Corte, the role for which she earned the title virtuosa da camera. She stayed with the Mannheim court opera for four years and was cast in the premier roles: Parthenia in Anton Schweitzer's Alceste (1775, Schlosstheater Schwetzingen), and Anna in Holzbauer's Günther von Schwarzburg (1777), a role composed specifically for her voice. At twenty-one she traveled to London to sing four opera series by J.C. Bach & Sacchini.
In 1778, she married oboe virtuoso and composer Ludwig August Lebrun (1752–1790) from Mannheim. That summer, now known as Signora Lebrun, she toured Italy with Ludwig. At the opening of the Teatro alla Scala in Milan on 3 August 1778, Francesca Lebrun was the female lead in Antonio Salieri's opera Europa Riconosciuta . She created a sensation in 1779 in Paris at the Concert Spirituel through her ability to fit Italian words to instrumental parts of symphonies concertantes and sing them. The Lebruns lived in London from 1779 through 1781 while Francesca appeared at the King's Theater. In 1780 the celebrated English artist Thomas Gainsborough painted her portrait.
Her compositions for Fortepiano and Violin were published in 1780. Schubart noted that she could sing A, 3 octaves above middle C with ‘clarity and distinctness’. Charles Burney wrote that and when she and her husband performed divisions of thirds and sixths it was impossible to discover who was uppermost of the interval. A celebrated soprano, she sang on major operatic and concert stages through Europe, including England, Germany and Italy to great acclaim.
Francesca's family flourished as well, she gave birth to daughter Sophie while in London in June 1781 and daughter Rosine in 1783 in Munich. Francesca and Ludwig toured around Europe again in 1785, spending a season in Naples, then Berlin and London where Ludwig eventually died in 1790. She performed only twice after his death and survived him by only five months, dying on 14 May 1791 at the age of 35. Incidentally, she was born and died in the same years as Mozart.
She was a respected composer of sonatas for violin and piano. It is thought, too, that she was a fine pianist, as reflected in her writing for the instrument.
Her daughters also became well-known. Rosine Lebrun(1783–1855) was a successful opera singer and actress and was a member of the Munich theatre company, 1801–1830. Sophie [Dülken] (1781–1863) became a well-known pianist and composer. Sophie's daughters and their daughters also became musicians.
Franz Ignaz Danzi was a German cellist, composer and conductor, the son of the Italian cellist Innocenz Danzi (1730–98), and brother of the noted singer Franzeska Danzi. Born in Schwetzingen, Franz Danzi worked in Mannheim, Munich, Stuttgart and Karlsruhe, where he died.
This is a list of music-related events in 1808.
This article is about music-related events in 1826.
This is a list of music-related events in 1800.
Johann Christian Innocenz Bonaventura Cannabich, was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School.
Antonio Maria Gasparo Gioacchino Sacchini was an Italian composer, best known for his operas.
Ludwig August Lebrun was a German oboist and composer.
Günther von Schwarzburg is a Singspiel in three acts by Ignaz Holzbauer set to a German libretto by Anton Klein. Loosely based on events in the life of the 14th-century German king, Günther von Schwarzburg, the opera premiered on 5 January 1777 at the Hoftheater in the Mannheim Palace.
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Sophie Lebrun Dulken was a German pianist and composer, the daughter of Munich court oboist Ludwig August Lebrun and singer and composer Francesca Lebrun. Sophie Lebrun was born in London while her mother was on tour. She studied singing with her uncle, composer Franz Danzi, and piano with Andreas Streicher.
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Carl August Konrad Cannabich was a German composer, violinist, concertmaster and music director.