Francis Albert Marshall (November 1840 in London – 28 December 1889 in London) was a British playwright.
He was the fifth son of William Marshall (1796–1872) of Patterdale Hall and Hallstead, Westmoreland. The father was M.P. for Beverley (1831–2), Carlisle (1835–47) and East Cumberland (1847–65) and married, 17 June 1828, Georgiana Christiana, seventh daughter of George Hibbert of Munden, Hertfordshire.
Francis was educated at Harrow, and matriculated from Exeter College, Oxford, on 14 June 1859, but did not take a degree. For several years, he was a clerk in the audit office at Somerset House, but soon began contributing to newspapers and periodicals, and in 1868 resigned his appointment. He had already made some reputation as a playwright, and soon afterwards became a dramatic critic to the London Figaro .
With W. G. Wills he produced Cora, a drama in three acts, Globe Theatre, 28 February 1877. For his friend Henry Irving he wrote two pieces: a drama in four acts, founded on the history of Robert Emmet, and a version of Werner, altered and adapted for the stage. The latter was produced at the Lyceum Theatre on the occasion of the benefit given to Westland Marston by Henry Irving on 1 June 1887. Marshall's Robert Emmet has not been put on the stage. During his last years he edited, with the assistance of many competent scholars, a new edition of the works of Shakespeare, called The Henry Irving Edition. (Sir) Henry Irving contributed an introduction. Marshall was a genial companion, and collected a valuable library.
He died, after some years of declining health, at 8 Bloomsbury Square, London, 28 December 1889.
His first wife died on 19 February 1885; he married his second wife, actress Ada Cavendish, on 2 May 1885.
Sir Arthur Wing Pinero was an English playwright and, early in his career, actor.
Victorien Sardou was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as La Tosca (1887) on which Giacomo Puccini's opera Tosca (1900) is based, and Fédora (1882) and Madame Sans-Gêne (1893) that provided the subjects for the lyrical dramas Fedora (1898) and Madame Sans-Gêne (1915) by Umberto Giordano. His play Gismonda, from 1894, was also adapted into an opera of the same name by Henry Février.
Dame Alice Ellen Terry was a leading English actress of the late 19th and early 20th centuries.
William Gorman Wills, usually known as W. G. Wills, was an Irish dramatist, novelist and painter.
John Lawrence Toole was an English comic actor, actor-manager and theatrical producer. He was famous for his roles in farce and in serio-comic melodramas, in a career that spanned more than four decades, and the first actor to have a West End theatre named after him.
James Albery was an English dramatist.
The Lyceum Theatre is a West End theatre located in the City of Westminster, on Wellington Street, just off the Strand in central London. It has a seating capacity of 2,100. The origins of the theatre date to 1765. Managed by Samuel Arnold, from 1794 to 1809 the building hosted a variety of entertainments including a circus produced by Philip Astley, a chapel, and the first London exhibition of waxworks by Madame Tussauds. From 1816 to 1830, it served as The English Opera House. After a fire, the house was rebuilt and reopened on 14 July 1834 to a design by Samuel Beazley. The building is unique in that it has a balcony overhanging the dress circle. It was built by the partnership of Peto & Grissell. The theatre then played opera, adaptations of Charles Dickens novels and James Planché's "fairy extravaganzas", among other works.

Edward Solomon was an English composer, conductor, orchestrator and pianist. He died at age 39 by which time he had written dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, including The Nautch Girl (1891). Early in his career, he was a frequent collaborator of Henry Pottinger Stephens. He had a bigamous marriage with Lillian Russell in the 1880s.
Le droit d'aînesse is an opéra bouffe, a form of operetta, in three acts by Francis Chassaigne with a French libretto by Eugène Leterrier and Albert Vanloo. It premiered in Paris in 1883. An English-language version titled Falka, with a libretto translated and adapted by Henry Brougham Farnie, was successfully premiered in London later that year followed by productions throughout the English-speaking world.

Joseph William Comyns Carr, often referred to as J. Comyns Carr, was an English drama and art critic, gallery director, author, poet, playwright and theatre manager.

Robert Reece was a British comic playwright and librettist active in the Victorian era. He wrote many successful musical burlesques, comic operas, farces and adaptations from the French, including the English-language adaptation of the operetta Les cloches de Corneville, which became the longest-running piece of musical theatre in history up to that time. He sometimes collaborated with Henry Brougham Farnie or others.

James Hamilton Siree Clarke, better known as Hamilton Clarke, was an English conductor, composer and organist. Although Clarke was a prolific composer, he is best remembered as an associate of Arthur Sullivan, for whom he arranged music and compiled overtures for some of the Savoy Operas, including Gilbert and Sullivan's The Mikado.
Henry Compton was an English actor best known for his Shakespearean comic roles.
Frank Wyatt was an English actor, singer, theatre manager and playwright.
Henry Hamilton was an English playwright, lyricist and actor. He is best remembered for his musical theatre libretti, including The Duchess of Dantzic (1903), The School Girl (1903), Véronique (1905) and The Little Michus (1907), often adapting foreign works for the British stage.
Samuel James Arnold (1774–1852) was an English dramatist and theatrical manager. Under his management the Lyceum Theatre, London became the English Opera House, and staged the first English productions of many operas, including in 1824 Carl Maria von Weber's Der Freischütz.
William Gill, also known as William Bain Gill, William B. Gill, and W. B. Gill, was a British North American born Australian playwright, actor, theatre critic, journalist, and theatre manager. He is most famous for authoring Broadway's first hit musical, Adonis.

Georges Jacobi was a German violinist, composer and conductor who was musical director of the Alhambra Theatre in London from 1872 to 1898. His best-known work was probably The Black Crook (1872) written with Frederick Clay for the Parisian operetta-star Anna Judic and which ran for 310 performances. Although never achieving the standing of Hervé, or Offenbach or Sullivan, he composed over 100 pieces for ballet and the theatre which were popular at the time.
The Theatre was a magazine published in London between 1877 and 1897.
Thomas James Serle (1798–1889) was an English dramatist and actor. He was also a journalist with the Weekly Dispatch.