|Born||15 October 1878|
|Died||23 May 1960 81) (aged|
Franz Rauch (15 October 1878 – 23 May 1960) was a German screenwriter and actor.  He began his career as a stage actor and worked as a screenwriter on over forty films during his career and appeared in several roles as an actor.
Mutz Greenbaum, sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer.
Adele Sandrock was a German-Dutch actress. After a successful theatrical career, she became one of the first German movie stars.
Gustav Fröhlich was a German actor and film director. He landed secondary roles in a number of films and plays before landing his breakthrough role of Freder Fredersen in Fritz Lang's 1927 film Metropolis. He remained a popular film star in Germany until the 1950s.
William Reeves Eason, known as B. Reeves Eason, was an American film director, actor and screenwriter. His directorial output was limited mainly to low-budget westerns and action pictures, but it was as a second-unit director and action specialist that he was best known. He was famous for staging spectacular battle scenes in war films and action scenes in large-budget westerns, but he acquired the nickname "Breezy" for his "breezy" attitude towards safety while staging his sequences—during the famous cavalry charge at the end of Charge of the Light Brigade (1936), so many horses were killed or injured so severely that they had to be euthanized that both the public and Hollywood itself were outraged, resulting in the selection of the American Humane Society by the beleaguered studios to provide representatives on the sets of all films using animals to ensure their safety.
Theodor August Konrad Loos was a German actor.
Géza von Bolváry was a Hungarian actor, screenwriter, and film director, who worked principally in Germany and Austria.
Matthew Betz was an American film actor. Betz was born in St. Louis, Missouri, in 1881. Following an extended career in the U.S. Cavalry, Betz spent eight years in Vaudeville. His first stage play was Ellis Island. He appeared in more than 120 films between 1914 and 1937. He died in 1938.
Alfred Peter Abel was a German film actor, director, and producer. He appeared in more than 140 silent and sound films between 1913 and 1938. His best-known performance was as Joh Fredersen in Fritz Lang's 1927 film Metropolis.
Gustav von Seyffertitz was a German film actor and director. He settled in the United States. He was born in Haimhausen, Bavaria and died in Los Angeles, California, aged 81.
Kurt Vespermann was a German stage and film actor.
Ida Wüst was a German stage and film actress whose career was prominent in the 1920s and 1930s with Universum Film AG (UFA).
Georg Jacoby was a German film director and screenwriter.
Carl Eduard Hermann Boese was a German film director, screenwriter, and producer. He directed 158 films between 1917 and 1957.
Fritz Kampers was a German film actor. He appeared in more than 250 films between 1913 and 1950.
Wilhelm Thiele (1890–1975) was an Austrian screenwriter and film director. He directed over 40 films between 1921 and 1960.
Franz Schulz was a playwright and screenwriter who worked from 1920 through 1956.
Hans Adalbert Schlettow was a German film actor. Schlettow appeared in around a hundred and sixty films during his career, the majority during the silent era. Among his best-known film roles was Hagen von Tronje in Fritz Lang's film classic Die Nibelungen (1924). In 1929 he starred in the British director Anthony Asquith's film A Cottage on Dartmoor.
Herbert Juttke (1897–1952) was a British-born German screenwriter who worked on around fifty film screenplays during his career. He frequently collaborated with Georg C. Klaren, working on a number of Expressonist screenplays during the silent and early sound eras. They worked on the scenario for Alfred Hitchcock's 1931 German film Mary. Following the Nazi rise to power, Juttke emigrated to France.
Lotte Lorring was a German stage and film actress and operetta singer.
Paul Perez was an American screenwriter active primarily during the 1920s and 1930s; he wrote for both English- and Spanish-language films over the course of his career, and often worked on Westerns. He also had several credits as an actor and editor.