Edward Santree Brophy was an American character actor and comedian, as well as an assistant director and second unit director during the 1920s. Small of build, balding, and raucous-voiced, he frequently portrayed dumb cops and gangsters, both serious and comic.
William H. Daniels ASC was a film cinematographer who was Greta Garbo's personal lensman. Early in his career he worked regularly with director Erich von Stroheim.
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Mutz Greenbaum, sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer.
Sidney Hickox, A.S.C. was an American film and television cinematographer.
Nobert Brodine, also credited as Norbert F. Brodin and Norbert Brodin, was a film cinematographer. The Saint Joseph, Missouri-born cameraman worked on over 100 films in his career before retiring from film making in 1953, at which time he worked exclusively in television until 1960.
George Joseph Folsey, A.S.C., was an American cinematographer who worked on 162 films between 1919 and his retirement in 1976.
Rudolph Maté was a Polish-Hungarian-American cinematographer, film director and film producer who worked as cameraman and cinematographer in Hungary, Austria, Germany, France and the United Kingdom, before moving to Hollywood in the mid 1930s.
Otto Heller, B.S.C. was a Czech cinematographer long resident in the United Kingdom. He worked on more than 250 films, including Richard III (1955), The Ladykillers (1955) and Peeping Tom (1960).
Hal Mohr, A.S.C. was a famed movie cinematographer. He is known for his Oscar-winning work on the 1935 film, A Midsummer Night's Dream. He was awarded another Oscar for his work on The Phantom of the Opera in 1943, and received a nomination for The Four Poster in 1952.
Richard Alexander was an American film character actor.
Fritz Arno Wagner is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s. He played a key role in the Expressionist film movement during the Weimar period and is perhaps best known for excelling "in the portrayal of horror" according to noted film critic Lotte H. Eisner.
Geoffrey Faithfull B.S.C., was a British cinematographer who worked on more than 190 feature films from starting in the industry in the 1910s. Faithfull also directed two films: For You Alone (1945) and I'll Turn to You (1946). He worked on several films with Michael Powell and among his later work was responsible for the 1960 SF classic Village of the Damned.
Brock Williams was a prolific English screenwriter with over 100 films to his credit between 1930 and 1962. He also had a brief directorial career, and later also worked in television. Two of his novels The Earl of Chicago and Uncle Willie and the Bicycle Shop were both adapted into films.
Charles G. Clarke ASC was an American cinematographer who worked in Hollywood for over 40 years and was treasurer and president of the American Society of Cinematographers.
James Wilson was a British cinematographer.
Bruno Mondi was a German cameraman and director of photography.
Ray June, A.S.C. was an American cinematographer during the early and classical Hollywood cinema. His best-known films are Babes in Arms and Funny Face. June attended Columbia University but did not graduate. His experience as a cameraman in the U.S. Army Signal Corps during World War I was instrumental to his success in Hollywood.
Jack Parker was a British cinematographer and cameraman. He worked on a mixture of features and documentary films during his career. In the 1930s he worked on a number of BIP and Butcher's Film Service productions, while in the 1940s he was employed as a cameraman on Ealing Studios films.
