Sir David Lean was an English film director, producer, screenwriter, and editor, widely considered one of the most important figures of British cinema. He directed the large-scale epics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965), Ryan's Daughter (1970), and A Passage to India (1984). He also directed the film adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945).
Floyd Delafield Crosby, ASC was an American cinematographer. He won the Academy Award for Best Cinematography in 1931 for Tabu: A Story of the South Seas, his debut film, before going on to shoot over 120 productions in a career spanning over 40 years. Crosby worked with such directors as Fred Zinnemann. Beginning in the 1950's, he was the regular cinematographer for Roger Corman, totaling 21 films together.
Ronald Neame CBE, BSC was an English film producer, director, cinematographer, and screenwriter. Beginning his career as a cinematographer, for his work on the British war film One of Our Aircraft Is Missing (1943) he received an Academy Award nomination for Best Special Effects. During a partnership with director David Lean, he produced Brief Encounter (1945), Great Expectations (1946), and Oliver Twist (1948), receiving two Academy Award nominations for writing.
Frederick William FrancisBSC was an English cinematographer and film director whose filmmaking career spanned over 60 years, from the late 1930s until the late 2000s. One of the most celebrated British cinematographers of his time, he received numerous accolades for his photography, including two Academy Awards and five BAFTA Awards. As a director he was best known for his horror films, notably those made for production companies Amicus and Hammer in the 1960s and 1970s.
William H. Daniels ASC was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Christopher George Joseph Challis BSC, FRPS was a British cinematographer who worked on more than 70 feature films from the 1940s onwards.
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Guy Mervin Charles Green OBE BSC (5 November 1913 – 15 September 2005) was an English film director, producer, screenwriter, and cinematographer. In 1948, he won an Oscar as cinematographer for the film Great Expectations. In 2002, Green was given a Lifetime Achievement Award by the BAFTA, and, in 2004, he was named an Officer of the Order of the British Empire for his lifetime contributions to British cinema.
Lee Garmes, A.S.C. was an American cinematographer. During his career, he worked with directors Howard Hawks, Max Ophüls, Josef von Sternberg, Alfred Hitchcock, King Vidor, Nicholas Ray and Henry Hathaway, whom he had met as a young man when the two first came to Hollywood in the silent era. He also co-directed two films with legendary screenwriter Ben Hecht: Angels Over Broadway and Actors and Sin.
Sidney Barnett Hickox, A.S.C. was an American film and television cinematographer.
Otto Heller, B.S.C. was a Czech cinematographer long resident in the United Kingdom. He worked on more than 250 films, including Richard III (1955), The Ladykillers (1955) and Peeping Tom (1960).
The British Society of Cinematographers is an organisation formed in 1949 by Bert Easey, the then head of the Denham and Pinewood studio camera departments, to represent British cinematographers in the British film industry.
Desmond Evelyn Otho Cockburn Dickinson B.S.C. (1902–1986) was a British cinematographer.
Fritz Arno Wagner is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s. He played a key role in the Expressionist film movement during the Weimar period and is perhaps best known for excelling "in the portrayal of horror," according to noted film critic Lotte H. Eisner.
Geoffrey Faithfull B.S.C., was a British cinematographer who worked on more than 190 feature films from starting in the industry in the 1910s. Faithfull also directed two films: For You Alone (1945) and I'll Turn to You (1946). He worked on several films with Michael Powell and among his later work was responsible for the 1960 SF classic Village of the Damned.
Basil Emmott, BSC was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.
James Wilson was a British cinematographer.
Bruno Mondi was a German cameraman and director of photography.
Ernest Day, B.S.C. was a British cinematographer and director of film and television, known for his collaborations with David Lean and Lewis Gilbert. He spent the majority of his career as a camera operator, often referred to Lean as his "eyes", and was the first British cameraman to operate a 70mm film camera. He was nominated for an Academy Award and BAFTA Award for Lean's final film A Passage to India (1984).
John Laurence Wilcox, BSC was a British cinematographer. He frequently worked with director Freddie Francis and photographed many popular British films, including Carve Her Name with Pride, Summer Holiday and Dr. Who and the Daleks.
