Ansel Easton Adams was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography.
Ernest Bloch was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing musical scores, Bloch had an academic career that culminated in his recognition as Professor Emeritus at the University of California, Berkeley in 1952.
Harry Morey Callahan was an American photographer and educator. He taught at both the Institute of Design in Chicago and the Rhode Island School of Design.
Raymond Moore was a post-war English art photographer.
Aperture magazine, based in New York City, is an international quarterly journal specializing in photography. Founded in 1952, Aperture magazine is the flagship publication of Aperture Foundation.
Wynn Bullock was an American photographer whose work is included in over 90 major museum collections around the world. He received substantial critical acclaim during his lifetime, published numerous books and is mentioned in all the standard histories of modern photography.
The Center for Creative Photography (CCP), established in 1975 and located on the University of Arizona's Tucson campus, is a research facility and archival repository containing the full archives of over sixty of the most famous American photographers including those of Edward Weston, Harry Callahan and Garry Winogrand, as well as a collection of over 80,000 images representing more than 2,000 photographers. The center also houses the archives for Ansel Adams, including all negatives known to exist at the time of his death. The CCP collects, preserves, interprets, and makes available materials that are essential to understanding photography and its history.
Emmet Gowin is an American photographer. He first gained attention in the 1970s with his intimate portraits of his wife, Edith, and her family. Later he turned his attention to the landscapes of the American West, taking aerial photographs of places that had been changed by humans or nature, including the Hanford Site, Mount St. Helens, and the Nevada Test Site. Gowin taught at Princeton University for more than 35 years.
Bruce Silverstein Gallery is a photographic art gallery in the Chelsea section of Manhattan, New York City. It was started in 2001 by Bruce Silverstein. The gallery is a member of the Association of International Photography Art Dealers.
Marvin E. Newman is an American artist and photographer.
Edmund Rudolph Teske was a 20th-century American photographer who combined a career of taking portraits of artists, musicians and entertainers with a prolific output of experimental photography. His use of techniques like: combined prints, montages and solarizations led to "often romantic and mysterious images". Although he exhibited extensively and was well known within artistic photography circles during his lifetime, his work was not widely known by the public. He has been called "one of the forgotten greats of American photography."
Morley Baer, an American photographer and teacher, was born in Toledo, Ohio. Baer was head of the photography department at the San Francisco Art Institute, and known for his photographs of San Francisco's "Painted Ladies" Victorian houses, California buildings, landscape and seascapes.
Dody Weston Thompson was a 20th-century American photographer and chronicler of the history and craft of photography. She learned the art in 1947 and developed her own expression of “straight” or realistic photography, the style that emerged in Northern California in the 1930s. Dody worked closely with contemporary icons Edward Weston, Brett Weston and Ansel Adams during the late 1940s and through the 1950s, with additional collaboration with Brett Weston in the 1980s.
Helen Gee (1919–2004) was an American photography gallery owner, co-owner of the Limelight in New York City, New York from 1954 to 1961. It was New York City's first important post-war photography gallery, pioneering sales of photographs as art.
Friends of Photography was a nonprofit organization started by Ansel Adams and others in 1967 to promote photography as a fine art. During its existence the organization held at least 330 photography exhibitions at its galleries in Carmel and San Francisco, California, and it published a lengthy series of monographs under the name Untitled. Among those who were featured in their exhibitions and publications were well-known photographers Ansel Adams, Wynn Bullock, Ruth Bernhard, Harry Callahan, Roy DeCarava, Lee Friedlander, Emmet Gowin, Mary Ellen Mark, Barbara Morgan, Aaron Siskind, Paul Strand, Brett Weston, Edward Weston and Minor White, as well as then newly starting photographers such as Marsha Burns, William Garnett, Richard Misrach, John Pfahl, Lorna Simpson, and Jo Ann Walters. The organization was formally dissolved in 2001.
Ray McSavaney was an American fine-art photographer based in Los Angeles, California. Throughout a spartan but active life, practicing classical Western black and white fine art photography, he made enduring photographs of buildings, bridges, and street scenes of the vast city, ancient ruins and panoramic vistas of the Southwest, and studio setups with varied floral subjects. He passed away from lymphoma in Los Angeles Veteran's Hospital. Warm tributes to his life and career by some of his close friends and colleagues appear in a ‘celebration of life’ memorial recounted in ‘View Camera’ magazine.
Robert Stiegler (1938–1990) was a Chicago filmmaker and photographer, whose work grew out of the approaches to photography and design taught at the Institute of Design (ID) in the 1960s and 1970s. Stiegler received his Bachelor's degree in 1960 and his Master's degree in 1970 from ID, where he studied under Harry Callahan and Aaron Siskind and was part of a group of students that included Barbara Crane, Kenneth Josephson, Tom Rago, and Richard Nickel. His work is in the collections of the Museum of Modern Art in New York, the Art Institute of Chicago, the George Eastman House, the Museum of Contemporary Art in Chicago, and the University of Illinois Chicago. His films Traffic (1960), Capitulation (1965), Licht Spiel Nur 1 (1967), and Full Circle (1968) are housed at the Chicago Film Archives.
Gita Lenz was an American born New York photographer whose imagery ranged from the humanist to the abstract.
Musya S. Sheeler (1908–1981), born Musya Metas Sokolova, was a Russian dancer who, at age 15, fled with her family from the Revolution to the USA, where she became a photographer. Her work was exhibited at the Museum of Modern Art three times and featured in magazines including Life and Vogue.
Rebecca A. “Becky” Senf is an American writer, and curator working in the field of photography. She is the Chief Curator at the Center for Creative Photography (CCP). She joined the CCP as Norton Family Assistant Curator in 2007, which was a joint appointment with Phoenix Art Museum, and was promoted to Chief Curator in 2016.
