Personal life
Wolfe was born in New York City, the son of Mary Olivia ( née Ayers) and Emerson Leroy Wolfe. [9] He had polio as a small child. [10] He and his family moved to Houston when he was 6, and he went to high school and college in Texas, attending Lamar High School in Houston. While attending Texas A&M University, he published his first speculative fiction in The Commentator, a student literary journal. [lower-alpha 2] Early in his writing career, Wolfe exchanged correspondence with J. R. R. Tolkien. [12]
Wolfe dropped out during his junior year and subsequently was drafted to fight in the Korean War. [13] After returning to the United States, he earned a degree from the University of Houston and became an industrial engineer. He was a senior editor on the staff of the journal Plant Engineering for many years [14] before retiring to write full-time, but his most famous professional engineering achievement is a contribution to the machine used to make Pringles potato chips. [15]
Wolfe lived in Barrington, Illinois, a suburb of Chicago, with his wife Rosemary, where they raised four children. Wolfe also has three granddaughters. The Wolfes moved to Peoria, Illinois in 2013. Wolfe underwent double bypass surgery on April 24, 2010. [16] Wolfe also underwent cataract surgery on his right eye in early 2013. Wolfe's wife, Rosemary, died on December 14, 2013, after a series of illnesses, [17] [18] including Alzheimer's disease. Wolfe said, "There was a time when she did not remember my name or that we were married, but she still remembered that she loved me." [3]
Wolfe died at his Peoria home from cardiovascular disease on April 14, 2019, at the age of 87. [19] [20]
Literary works
Wolfe's first published book was the paperback original novel Operation Ares (Berkley Medallion, 1970). [11] He first received critical attention for The Fifth Head of Cerberus (Scribner's, 1972), which examines "colonial mentality within an orthodox science fiction framework". [21] It was published in German and French-language editions within the decade. [11]
His best-known and most highly regarded work is the multi-volume novel The Book of the New Sun . Set in a bleak, distant future influenced by Jack Vance's Dying Earth series, the story details the life of Severian, a journeyman torturer, exiled from his guild for showing compassion to one of the condemned. The novel is composed of the volumes The Shadow of the Torturer (1980), The Claw of the Conciliator (1981; winner of the Nebula Award for Best Novel), The Sword of the Lictor (1982), and The Citadel of the Autarch (1983). A coda, The Urth of the New Sun (1987), wraps up some loose ends but is generally considered a separate work. Several of Wolfe's essays about writing the Book of the New Sun series were published in The Castle of the Otter (1982; the title refers to a misprint of the fourth book's title in Locus magazine).
In 1984, Wolfe retired from his engineering position and was then able to devote more time to his writing. In the 1990s, Wolfe published two more works in the same universe as The Book of the New Sun. The first, The Book of the Long Sun , consists of the novels Nightside the Long Sun (1993), Lake of the Long Sun (1994), Caldé of the Long Sun (1994), and Exodus From the Long Sun (1996). These books follow the priest of a small parish as he becomes wrapped up in political intrigue and revolution in his city-state. Wolfe then wrote a sequel, The Book of the Short Sun , composed of On Blue's Waters (1999), In Green's Jungles (2000), and Return to the Whorl (2001), dealing with colonists who have arrived on the sister planets Blue and Green. The four Sun works (The Book of the New Sun, The Urth of the New Sun, The Book of the Long Sun, and The Book of the Short Sun) are often referred to collectively as the "Solar Cycle".
Wolfe also wrote many stand-alone books. His first novel, Operation Ares , was published by Berkley Books in 1970 and was unsuccessful. He subsequently wrote two novels held in particularly high esteem, Peace and The Fifth Head of Cerberus. The first is the seemingly-rambling narrative of Alden Dennis Weer, a man of many secrets who reviews his life under mysterious circumstances. The Fifth Head of Cerberus is either a collection of three novellas or a novel in three parts, dealing with colonialism, memory, and the nature of personal identity. The first story, which gives the book its name, was nominated for the Nebula Award for Best Novella.
Style
Wolfe's writing frequently relies on the first-person perspectives of unreliable narrators. He said: "Real people really are unreliable narrators all the time, even if they try to be reliable narrators." [15] The causes for the unreliability of his characters vary. Some are naive, as in Pandora by Holly Hollander or The Knight; others are not particularly intelligent [22] (There Are Doors); Severian, from The Book of the New Sun, tells his story from the perspective of his younger, ignorant self; and Latro of the Soldier series suffers from amnesia.
Wolfe wrote in a letter, "My definition of a great story has nothing to do with 'a varied and interesting background.' It is: One that can be read with pleasure by a cultivated reader and reread with increasing pleasure." [23] In that spirit, Wolfe also left subtle hints and lacunae that may never be explicitly referred to in the text. For example, a backyard full of morning glories is an intentional foreshadowing of events in Free Live Free, but is apparent only to a reader with a horticultural background, and a story-within-the-story provides a clue to understanding Peace.
Wolfe's language can also be a subject of confusion for the new reader. In the appendix to The Shadow of the Torturer, he says:
In rendering this book—originally composed in a tongue that has not achieved existence—into English, I might easily have saved myself a great deal of labor by having recourse to invented terms; in no case have I done so. Thus in many instances I have been forced to replace yet undiscovered concepts by their closest twentieth-century equivalents. Such words as peltast, androgyn, and exultant are substitutions of this kind, and are intended to be suggestive rather than definitive. [24]
This character of the fictional "translator" of his novel provides a certain insight into Wolfe's writing: all of his terms— fuligin , carnifex , thaumaturge , and so on—are real words.
Reception
Although he was not a best-selling author, Wolfe is highly regarded by critics [lower-alpha 3] and fellow writers. He was often considered to be not only one of the greatest science fiction authors, but one of the best American writers regardless of genre. In 2003, award-winning science fiction author Michael Swanwick said: "Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning." [25]
Patrick O'Leary has credited Wolfe for inspiration. He has said: "Forget 'Speculative Fiction.' Gene Wolfe is the best writer alive. Period. And as Wolfe once said, 'All novels are fantasies. Some are more honest about it.' No comparison. Nobody – I mean nobody – comes close to what this artist does." [26] O'Leary also wrote an extensive essay concerning the nature of Wolfe's artistry, entitled "If Ever A Wiz There Was", [27] originally published in his collection Other Voices, Other Doors. Ursula K. Le Guin is frequently quoted on the jackets of Wolfe's books as having said "Wolfe is our Melville."
Harlan Ellison, reviewing The Shadow of the Torturer , wrote: "Gene Wolfe is engaged in the holy chore of writing every other author under the table. He is no less than one of the finest, most original writers in the world today. His work is singular, hypnotizing, startlingly above comparison. The Shadow of the Torturer breaks new ground in American literature and, as the first novel of a tetralogy, casts a fierce light on what will certainly be a lodestone landmark, his most stunning work to date. It is often said, but never more surely than this time: This book is not to be missed at peril of one's intellectual enrichment." [28]
Wolfe's fans regard him with considerable dedication, and one Internet mailing list [29] (URTH, begun in November 1996) dedicated to his works amassed over ten years and thousands of pages of discussion and explication. Similarly, much analysis and exegesis has been published in fanzine and small-press form (e.g. Lexicon Urthus ISBN 0-9642795-9-2).
When asked the "Most overrated" and "Most underrated" authors, Thomas M. Disch identified Isaac Asimov and Gene Wolfe, respectively, writing: "...all too many have already gone into a decline after carrying home some trophies. The one exception is Gene Wolfe...Between 1980 and 1982 he published The Book of the New Sun, a tetralogy of couth, intelligence, and suavity that is also written in VistaVision with Dolby Sound. Imagine a Star Wars –style space opera penned by G. K. Chesterton in the throes of a religious conversion. Wolfe has continued in full diapason ever since, and a crossover success is long overdue." [30]
Michael Dirda included Wolfe's Book of the New Sun in his "Science Fiction Reading List", writing: "If Proust, while listening to late Beethoven string quartets, wrote I, Claudius and set it in the future, the result might resemble this measured, autumnal masterpiece." [31]
Neil Gaiman introduced Wolfe at the World Horror Convention, where Wolfe was the Guest of Honor. He offered some advice on how to read Wolfe, noting: "There are two kinds of clever writer. The ones that point out how clever they are, and the ones who see no need to point out how clever they are. Gene Wolfe is of the second kind, and the intelligence is less important than the tale. He is not smart to make you feel stupid. He is smart to make you smart as well." [32] Gaiman wrote about Wolfe for the "My Hero" feature in The Guardian :
I've met too many of my heroes, and these days I avoid meeting the few I have left, because the easiest way to stop having heroes is to meet them, or worse, have dinner with them. But Gene Wolfe remains a hero to me. He's just turned 80, looks after his wife Rosemary, and is still writing deep, complex, brilliant fiction that slips between genres. He's my hero because he keeps trying new ways of writing and because he remains as kind and as patient with me as he was when I was almost a boy. He's the finest living male American writer of SF and fantasy – possibly the finest living American writer. Most people haven't heard of him. And that doesn't bother Gene in the slightest. He just gets on with writing the next book. [33]
