Genica Athanasiou | |
---|---|
Born | Eugénie Génica Tanase 3 January 1897 |
Died | 13 July 1966 Lagny-sur-Marne, Seine-et-Marne, France |
Other names | Ioana Athanasiu |
Occupation | Actress |
Years active | 1925-1962 (film) |
Genica Athanasiou (3 January 1897 – 13 July 1966) was a Romanian-French stage and film actress. [1]
The Last Warning is a 1928 American mystery film directed by Paul Leni, and starring Laura La Plante, Montagu Love, and Margaret Livingston. Its plot follows a New York producer's attempt to re-stage a play five years after one of the original cast members was murdered in the theater. The film is based on the 1922 Broadway melodrama of the same name by Thomas F. Fallon, which in turn was based on the story House of Fear by Wadsworth Camp, the father of the writer Madeleine L'Engle.
The Seashell and the Clergyman is a 1928 French experimental film directed by Germaine Dulac, from an original scenario by Antonin Artaud. It premiered in Paris on 9 February 1928.
Edward T. Lowe Jr. was an American film writer, producer and editor. He wrote 120 films between years 1913–1947, produced 18 films and directed one: The Losing Game (1915).
Jack Natteford was an American screenwriter. He wrote for more than 140 films between 1921 and 1967. He was born in Wahoo, Nebraska and died in Los Angeles County, California. He was married to fellow screenwriter Luci Ward.
Seven Footprints to Satan is a 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. It was first released as a silent film and later as a part-talkie.
The Count of Monte Cristo is a 1954 French-Italian historical drama film directed by Robert Vernay and starring Jean Marais, Lia Amanda and Roger Pigaut. It is based on the 1844 novel of the same title by Alexandre Dumas.
Misdeal is a 1928 French silent drama film directed by Jean Grémillon and starring Charles Dullin, Marcelle Dullin and Geymond Vital. The film's sets were designed by art director André Barsacq. The film tells the story of a wealthy young man flees from his family's estate, and finds employment as a canal worker. He falls in love with a gypsy girl, but when a death in the family requires him to return home and run his estate, he marries a neighbor's daughter. Years later, he becomes obsessed with his old lover after a chance meeting.
The Lighthouse Keepers is a 1929 French silent drama film directed by Jean Grémillon and starring Paul Fromet, Geymond Vital and Genica Athanasiou. It is set on the coast of Brittany where two keepers, a father and son, work a lighthouse together.
Heinrich Richter (1884–1981) was a German painter and art director. He designed the sets for more than a hundred films during his career.
Count Kostia is a 1925 French silent historical film directed by Jacques Robert and starring Conrad Veidt, Genica Athanasiou and Claire Darcas. It is based on the 1863 novel of the same title by Victor Cherbuliez which is set in the Russian Empire. It is a lost film.
Hugo Werner-Kahle was a German stage and film actor. He appeared in around a hundred films during his career.
Alfred Schirokauer was a German novelist and screenwriter. He also directed three films during the silent era. Many films were based on his novels including several adaptations of Lucrezia Borgia. After the rise of the Nazi Party to power in 1933 the Jewish Schirokauer emigrated to Amsterdam and then to Austria where he died the following year.
Saint Joan the Maid or The Marvellous Life of Joan of Arc is a 1929 French-German silent historical drama film directed by Marco de Gastyne and starring Simone Genevois, Fernand Mailly and Georges Paulais.
Theodore J. Pahle (1899–1979) was an American cinematographer who worked in the film industries of several countries. He is also known as Ted Pahle.
The Theatre Alfred Jarry was founded in January 1926 by Antonin Artaud with Robert Aron and Roger Vitrac, in Paris, France. It was influenced by Surrealism and Theatre of the Absurd, and was foundational to Artaud's theory of the Theatre of Cruelty. The theatre was named after Alfred Jarry, who is most known for creating Ubu Roi. Though short-lived, the theatre was attended by an enormous range of European artists, including Arthur Adamov, André Gide, and Paul Valéry.:249
James O. Taylor (1887–1974), generally credited as J.O. Taylor, was an American cinematographer best known for his work on King Kong (1933).
Code of the Air is a 1928 American silent thriller film directed by James P. Hogan and starring Kenneth Harlan, June Marlowe and Arthur Rankin.
James C. McKay (1894–1971) was an American film director and editor. His directorial debut was the 1916 Fox Film release The Ruling Passion shot in Jamaica under the supervision of Herbert Brenon. He directed several silent films for Tiffany Pictures in the mid-1920s. He was hired by MGM to shoot Tarzan Escapes in 1935, but the studio was dissatisfied with his efforts and he was replaced by Richard Thorpe.
Arthur Reeves (1892–1954) was an American cinematographer active in the silent and early sound era. He began his career at the Chicago-based Essanay and went on to work for a variety of other studios including Metro, Universal and FBO Pictures.
Gösta Gustafson was a Swedish stage and film actor. He acted prolifically in the theatre and on screen for several decades.