George Edmund Street

Last updated

George Edmund Street
George E Street by Samuel A Walker.png
Born(1824-06-20)20 June 1824
Woodford, Essex
Died18 December 1881(1881-12-18) (aged 57)
Awards Royal Gold Medal (1874)
Buildings Royal Courts of Justice, The Strand, London

George Edmund Street RA (20 June 1824 – 18 December 1881), also known as G. E. Street, was an English architect, born at Woodford in Essex. Stylistically, Street was a leading practitioner of the Victorian Gothic Revival. Though mainly an ecclesiastical architect, he is perhaps best known as the designer of the Royal Courts of Justice on the Strand in London.


Early life

Street was the third son of Thomas Street, a solicitor, by his second wife, Mary Anne Millington. He went to school at Mitcham in about 1830, and later to the Camberwell Collegiate School, which he left in 1839. For a few months he worked in his father's business in Philpot Lane, but on his father's death he went to live with his mother and sister at Exeter. There his thoughts first turned to architecture, and in 1841 his mother obtained a place for him as pupil in the office of Owen Browne Carter at Winchester. Afterwards he worked for five years as an "improver" with George Gilbert Scott in London. [1]

His first commission – undertaken while still working for Scott – was for the design of Biscovey Church, Cornwall. In 1849 he set up in practice in an office of his own. [1] Much of his earliest work, which included many church restorations, was in Cornwall. [2]


Former parish church of SS Philip and James in North Oxford, now the Oxford Centre for Mission Studies. Oxford SSPhilip&James south.jpg
Former parish church of SS Philip and James in North Oxford, now the Oxford Centre for Mission Studies.

In November 1850, having been appointed architect to the diocese of Oxford by Bishop Samuel Wilberforce, he left London, and moved to Wantage, where he had already designed a vicarage, and was working on some schools. In May 1852 he went to live in Beaumont Street, Oxford. [3] He designed the parish church of SS Philip and James in the city, and another at Summertown, as well as restoring many others. Street built or restored 113 churches in the diocese of Oxford. [4] However, his only work for the university was the reordering of Jesus College Chapel. His son Arthur Edmund Street suggested that:

Possibly my father's very decided adherence to the earlier phase of Gothic, and the eagerness with which he argued that Oxford had already enough of debased types, and should revert to the purity of the early forms, may have frightened the authorities. [2]

During this period he developed his use of constructional polychromy, in churches such as All Saints, Boyne Hill. Maidenhead . [5]

Early in his career, he advocated the idea that architects should have a practical involvement with the decoration of their buildings, and painted murals at Boyne Hill church himself. However, with his increasing amount of business, he soon realised the difficulties of such an approach. [6]

He remained in Oxford until late in 1855, when he moved back to London, taking a house in Montagu Place, Bloomsbury. [7] At around this time he entered the competition to design the new cathedral at Lille, winning second prize, behind a design by Henry Clutton and William Burges. [8] He came second to Burges in another competition, to design the Crimea Memorial Church in Constantinople, but eventually received the commission. [9] He also submitted, unsuccessfully, Gothic schemes for the new Foreign Office in Whitehall, and for a projected rebuilding of the National Gallery. [10]

Gothic Revival

The church of St. James the Less, Westminster; completed to Street's design in 1861. St. James the Less, Westminster - - 1194429.jpg
The church of St. James the Less, Westminster; completed to Street's design in 1861.

Street was an active member of the Ecclesiological Society. [11] From an early age he had been interested in the principles of Gothic architecture, and made frequent tours to study and draw Gothic architecture across Europe. [12] He was an exceptional draughtsman, and in 1855 he published a very careful and well illustrated work on The Brick and Marble Architecture of Northern Italy, and in 1865 a book on The Gothic Architecture of Spain. [1] These works inspired the wider use of constructional polychromy by British architects, sometimes mocked as "The Streaky Bacon Style".

At St James the Less, in Thorndike Street, Westminster (1858–61), Street used red brick, with black brick decoration both inside and out, and gave the church a tall, square campanile-like tower, its roof based on a Genoese model. [13] Charles Locke Eastlake, writing in 1872, saw this as a prime example of the "revolt from [English] national style" that was occurring amongst Gothic Revival architects at this time, [14] at least in part inspired by John Ruskin's enthusiasm for the medieval architecture of Northern Italy, and by the publication of Viollet-le-Duc's exhaustive Dictionnaire raisonné de l'Architecture Française du XIe au XVIe Siècle: [15]

Here the whole character of the building, whether we regard its plan, its distinctive features, its external or internal decoration is eminently un-English. Even the materials used in its construction and the mode by which it is lighted were novelties. The detached tower with its picturesquely modelled spire, its belfry stage rich in ornamental brick-work and marble bosses, the semicircular apse and quasi-transepts, the plate tracery, the dormers inserted in the clerestory, the quaint treatment of the nave arcade, the bold vigour of the carving, the chromatic decoration of the roof—all bear evidence of a thirst for change which Mr. Street could satisfy without danger, but which betrayed many of his contemporaries into intemperance. [14]

Two features Street was particularly fond of using were the round apse and the louvred belfry windows. [16]

Street was commissioned by Alexander Lindsay, 25th Earl of Crawford in 1867 to design several aspects of the extension work undertaken at Dunecht House, Aberdeenshire. These included the Library and a Chapel. [17]

In 1868 Street was made Diocesan Architect of Ripon, in addition to the similar posts which he already held in the dioceses of York and Oxford, and to which Winchester was subsequently added. He was also appointed Architect to York Minster at around this time, and, later on, to Salisbury and Carlisle Cathedrals. [18]


The Royal Courts of Justice in The Strand in London Royal courts of justice.jpg
The Royal Courts of Justice in The Strand in London

Street's most recognisable building is probably the Law Courts (now the Royal Courts of Justice) in the Strand in London. The competition for this was prolonged, and much diversity of opinion was expressed. The judges wanted Street to make the exterior arrangements and Charles Barry the interior, while a special committee of lawyers recommended the designs of Alfred Waterhouse. In June 1868, however, Street was appointed sole architect; but the building was not complete at the time of his death in December 1881. [1]

Church of St John the Evangelist, Ardamine, County Wexford St John the Evangelist Ardamine.jpg
Church of St John the Evangelist, Ardamine, County Wexford

Apart from the Law Courts, by far the majority of Street's output was for ecclesiastical uses, the largest being the nave of Bristol Cathedral and the restoration of Christ Church Cathedral, Dublin. Chief amongst his complete works include St Margaret's convent, East Grinstead, and the theological college at Cuddesdon. Other churches of which he was the architect include All Saints' (Church of England), St Paul's Within The Walls (American Episcopal) in Rome, and, also for the American Episcopal Church, the American Cathedral in Paris, completed posthumously by Arthur E Street in 1886. His work was not exclusively in the Gothic revival manner, as is demonstrated by Ralli's dramatic Lycian-Byzantine temple at Norwood Cemetery, the Romanesque reworking of the nearby church of St Luke and the rebuilding of All Saints' at Roydon, in West Norfolk, in a style to match its two Norman doorways. Street also designed the family chapel at Gwrych Castle in Abergele. Denbighshire.


Street carried out a number of new works in Ireland, including the small clifftop church of St. John the Evangelist at Ardamine, Co. Wexford, and Piltown Church, Co. Kilkenny. His most significant work was the controversial re-edification of the historic Christ Church Cathedral, Dublin, in the course of which he was responsible for demolishing the choir which he considered to be of "no historic significance". Street designed the adjacent Synod Hall around the existing 12th-century St Michael's Church. [19] He also restored St. Brigid's Cathedral, Kildare Town, which was a roofless ruin when he started work. The Cathedral reopened in 1896. He succeeded in rebuilding the lost walls to match the remnants which remained of the original walls and square tower.

Societies and honours

Street was elected an associate of the Royal Academy in 1866, and a fellow in 1871; at the time of his death he was professor of architecture to the Royal Academy, where he had delivered a course of lectures on the development of medieval architecture. He was also president of the Royal Institute of British Architects. He was a member of the Royal Academy of Vienna, and in 1878, in reward for drawings sent to the Paris Exhibition, he was made a knight of the Legion of Honour.


In 1856–7, Philip Webb was Street's senior clerk and the young William Morris one of his apprentices. These two designers worked together on the Red House that became a memorial to William Morris's design principles and includes work by many of his now-famous friends. Another apprentice in the early 1870s was the Canadian architect Frank Darling.

Personal life

The monument to G. E. Street in the main hall of the Royal Courts of Justice. Royal Courts of Justice - Main Hall - G. E. Street Monument.png
The monument to G. E. Street in the main hall of the Royal Courts of Justice.

Street was twice married, first on 17 June 1852 to Mariquita Proctor, second daughter of Robert Proctor, who died in 1874 aged 44. They met when Street was employed to restore the church at Hadleigh, in Essex, where the rector was Mariquita's uncle. [4] His second wife was Jessie Holland, second daughter of William Holland. They married on 11 January 1876, but she died eight weeks after the wedding, having contracted a fever on their honeymoon in Rome. [20] His son, Arthur Edmund Street, was born in Oxford in 1855. He joined his father's office in 1878 and after his father's death completed the projects which were in the course of construction. He later wrote a biography of his father which was published in 1888. [21]

Street's death, on 18 December 1881 aged 57, was hastened by overwork and professional worries connected with the building of the law courts. He was buried on 29 December in the nave of Westminster Abbey, adjacent to the tombs of Sir George Gilbert Scott and Sir Charles Barry. A monument to Street by Henry Hugh Armstead was sponsored by the Prince of Wales and Sir Frederic Leighton and is sited in the central hall of the Royal Courts; it was unveiled on 24 March 1886 by Lord Herschell, the Lord Chancellor. [22]

Street was an adherent of the high church tradition of the Church of England. [23] For many years he was a churchwarden of All Saints, Margaret Street in London, [18] built in the 1850s as a "model church" under the supervision of the Ecclesiological Society. [24] He was particularly insistent that all seats in churches should be free of charge, rather than subject to pew rent. [23]

See also

Related Research Articles

<span class="mw-page-title-main">William Butterfield</span> British architect

William Butterfield was a Gothic Revival architect and associated with the Oxford Movement. He is noted for his use of polychromy.

<span class="mw-page-title-main">George Gilbert Scott</span> 19th-century English architect

Sir George Gilbert Scott, known as Sir Gilbert Scott, was a prolific English Gothic Revival architect, chiefly associated with the design, building and renovation of churches and cathedrals, although he started his career as a leading designer of workhouses. Over 800 buildings were designed or altered by him.

<span class="mw-page-title-main">Augustus Pugin</span> English architect and designer

Augustus Welby Northmore Pugin was an English architect, designer, artist and critic with French and, ultimately, Swiss origins. He is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England, and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England, and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby Pugin and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin. He also created Alton Castle in Alton, Staffordshire.

<span class="mw-page-title-main">Gothic Revival architecture</span> Architectural movement

Gothic Revival is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s.

<span class="mw-page-title-main">Philip Hardwick</span> English architect

Philip Hardwick was an English architect, particularly associated with railway stations and warehouses in London and elsewhere. Hardwick is probably best known for London's demolished Euston Arch and its twin station, the original Birmingham Curzon Street, which stands today as the oldest railway terminus building in the world.

<span class="mw-page-title-main">All Saints, Margaret Street</span> Church in United Kingdom

All Saints, Margaret Street, is a Grade I listed Anglo-Catholic church in London. The church was designed by the architect William Butterfield and built between 1850 and 1859. It has been hailed as Butterfield's masterpiece and a pioneering building of the High Victorian Gothic style that would characterize British architecture from around 1850 to 1870.

<span class="mw-page-title-main">Arthur Blomfield</span> English architect

Sir Arthur William Blomfield was an English architect. He became president of the Architectural Association in 1861; a Fellow of the Royal Institute of British Architects in 1867 and vice-president of the RIBA in 1886. He was educated at Trinity College, Cambridge, where he read Architecture.

<span class="mw-page-title-main">Edward Blore</span>

Edward Blore was a 19th-century English landscape and architectural artist, architect and antiquary.

<span class="mw-page-title-main">William Burges</span> English Gothic revival architect and designer (1827–1881)

William Burges was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.

John Shaw Sr. (1776–1832) was an English architect. He was architect to Christ's Hospital in London, and to the Port of Ramsgate. Many of his works, including the church of St Dunstan-in-the-West in Fleet Street, London, were in a Gothic Revival style.

<span class="mw-page-title-main">Ewan Christian</span> British architect (1814–95)

Ewan Christian (1814–1895) was a British architect. He is most frequently noted for the restorations of Southwell Minster and Carlisle Cathedral, and the design of the National Portrait Gallery. He was Architect to the Ecclesiastical Commissioners from 1851 to 1895. Christian was elected A RIBA in 1840, FRIBA in 1850, RIBA President 1884–1886 and was awarded the Royal Gold Medal in 1887.

Edmund Thomas Blacket was an Australian architect, best known for his designs for the University of Sydney, St. Andrew's Cathedral, Sydney and St. Saviour's Cathedral, Goulburn.

<span class="mw-page-title-main">J. D. Sedding</span>

John Dando Sedding was an English church architect, working on new buildings and repair work, with an interest in a "crafted Gothic" style. He was an influential figure in the Arts and Crafts movement, many of whose leading designers, including Ernest Gimson, Ernest Barnsley and Herbert Ibberson, studied in his offices.

Lewis Nockalls Cottingham was a British architect who pioneered the study of Medieval Gothic architecture. He was a restorer and conservator of existing buildings. He set up a Museum of Medieval Art in Waterloo Road, London with a collection of artefacts from demolished buildings and plaster casts of the medieval sculpture.

<span class="mw-page-title-main">St James the Less, Pimlico</span> Church in London , United Kingdom

St James the Less is a Church of England Parish Church in Pimlico, Westminster, built in 1858–61 by George Edmund Street in the Gothic Revival style. A grade I listed building, it has been described as "one of the finest Gothic Revival churches anywhere". The church was constructed predominantly in brick with embellishments from other types of stone. Its most prominent external feature is its free-standing Italian-style tower, while its interior incorporates design themes which Street observed in medieval Gothic buildings in continental Europe.

<span class="mw-page-title-main">John Chessell Buckler</span> British architect (1793–1894)

John Chessell Buckler was a British architect, the eldest son of the architect John Buckler. J. C. Buckler initially worked with his father before taking over his practice. His work included restorations of country houses and at the University of Oxford.

James Savage (1779–1852) was a British architect, based in London. His works included the Richmond Bridge in Dublin, and St Luke's Church, Chelsea, a pioneering work of the Gothic Revival. He was architect to the Honourable Society of the Middle Temple, and carried out restoration work at Lincoln Cathedral and St Mary-le-Bow. In 1836 he published a pamphlet in which he attacked the slavish imitation of historical styles.

<span class="mw-page-title-main">Victorian restoration</span> Movement to refurbish and rebuild Church of England churches and cathedrals

The Victorian restoration was the widespread and extensive refurbishment and rebuilding of Church of England churches and cathedrals that took place in England and Wales during the 19th-century reign of Queen Victoria. It was not the same process as is understood today by the term building restoration.

<span class="mw-page-title-main">James Brooks (architect)</span> English architect

James Brooks (1825–1901) was an influential English Gothic Revival architect and designer. Brooks established his reputation through a series of landmark churches built in the East End of London in the 1860 and 1870s, and was awarded the Royal Institute of British Architects' Royal Gold Medal in 1895.

Joseph John Scoles (1798–1863) was an English Gothic Revival architect, who designed many Roman Catholic churches.


  1. 1 2 3 4 Chisholm 1911.
  2. 1 2 Street (1888), p.11
  3. Street (1888), p.19
  4. 1 2 Peats, Richard. "The Church Interiors of George Edmund Street in the Diocese of Oxford: An Assessment of Significance - Historic England Research Report 59/2018". Retrieved 29 April 2020.
  5. Hitchcock (1977), p .250. Hitchcock describes All Saints as "[Street's] first important church".
  6. Davey (1995)[ page needed ]
  7. Street (1888), p.22
  8. Street (1888), pp.22–8
  9. Street (1888), p.32
  10. Street (1888), pp.52–58
  11. Street (1888), p.17
  12. Street (1888)[ page needed ]
  13. Hitchcock (1977), p .254.
  14. 1 2 Eastlake (1872), p.321
  15. Eastlake (1872), p.317–8
  16. Eastlake (1872), p.325
  17. ( Historic Environment Scotland & LB3133 )
  18. 1 2 Street (1888), p.196
  19. "1890 – St Michael's Church (Synod Hall), Christchurch Place, Dublin". Archiseek - Irish Architecture. 19 February 2010. Retrieved 4 August 2021.
  20. Street (1888), p. 230
  21. Hill, Robert G. "Street, Arthur Edmund". Biographical Dictionary of Architects in Canada: 1800-1950. Retrieved 19 June 2020.
  22. Street (1888), p. 294
  23. 1 2 Street (1888), p.67
  24. Eastlake (1872), p.251–3


Further reading