Related Research Articles
Orry-Kelly was the professional name of Orry George Kelly, an Australian-American Hollywood costume designer. Until being overtaken by Catherine Martin in 2014, he was the most prolific Australian-born Oscar winner, having won three Academy Awards for Best Costume Design.
Sidney Barnett Hickox, A.S.C. was an American film and television cinematographer.
Niles Eugene Welch was an American performer on Broadway, and a leading man in a number of silent and early talking motion pictures from the early 1910s through the 1930s.
Lafayette S. "Lafe" McKee was an American actor who appeared in more than 400 films from 1912 to 1948.
John Grant Mitchell Jr. was an American actor. He appeared on Broadway from 1902 to 1939 and appeared in more than 125 films between 1930 and 1948.
Harry Russell Hopton was an American film actor and director.
Peter Gawthorne was an Anglo-Irish actor, probably best known for his roles in the films of Will Hay and other popular British comedians of the 1930s and 1940s. Gawthorne was one of Britain's most called-upon supporting actors during this period.
Joseph Bridger Cawthorn was an American stage and film comic actor.
Gerhard Dammann was a German film actor.
Chesterfield Motion Picture Corporation, generally shortened to Chesterfield Pictures, was an American film production company of the 1920s and 1930s. The company head was George R. Batcheller, and the company worked in tandem with its sister studio, Invincible Pictures Corporation, which was led by Maury Cohen. The production company never owned its own studio and rented space at other studios, primarily Universal Pictures and RKO.
Maury Cohen, also known as Maury M. Cohen, was an American film producer most active during the 1930s. He owned one of the Poverty Row studios, Invincible films, which specialized in making low-budget feature films. After leaving film in the early 1940s, Cohen founded and ran the historic dance club in Los Angeles, the Hollywood Palladium.
M. A. Anderson was an American cinematographer. He worked for the Poverty Row studio Chesterfield Pictures during the 1930s.
Tremlet C. Carr was an American film producer, closely associated with the low-budget filmmaking of Poverty Row. In 1931 he co-founded Monogram Pictures, which developed into one of the leading specialist producers of B pictures in Hollywood.
Mayfair Pictures was an American film production and distribution company active between 1931 and 1934 during the early sound era. It grew out of Action Pictures, another low-budget studio location on Poverty Row. It was established by the producer Ralph M. Like and was located at the former Charles Ray Studios in Hollywood.
Ralph M. Like (1894–1955) was an American film producer. He was involved with several independent film companies producing low-budget releases on Poverty Row. In 1932 he established Mayfair Pictures. Other companies he was involved with were Action Pictures and Progressive Pictures. After his studios folded in 1934, he produced only one further film You Can't Beat the Law for Monogram in 1943. Like also worked as a sound engineer at some of the major studios.
Jules Cronjager (1871–1934) was a German-born American cinematographer active in the silent and early sound eras, as was his brother, Henry Cronjager. Towards the end of his career he worked mainly for Poverty Row studios such as Mayfair Pictures. He was also the uncle of cinematographers Edward Cronjager and Henry Cronjager Jr.
John Rudolph Freuler was an American businessman in the film industry who owned theaters, film exchanges, and film studios. He signed Charlie Chaplin to a lucrative contract at Mutual Film. Later in his career he owned Monarch Films studio. The Chicago History Museum has a collection of his papers.
Fred Bain (1895–1965) was an American film editor. A prolific worker, he edited over a hundred and seventy films, mainly westerns and action films, and also directed three. He worked at a variety of low-budget studios including Reliable Pictures, Grand National and Monogram Pictures. He was sometimes credited as Frederick Bain.
James Diamond (1894–1936) was an American cinematographer active during the silent and early sound eras. Much of his work during the 1930s was for lower-budget Poverty Row companies.
Byron Robinson (1900–1957) was an American film editor. He worked for a variety of studios including Tiffany Pictures, Universal Pictures, Mayfair Pictures and Columbia Pictures.
References
- ↑ Pitts p.108
