Georges Flamant | |
---|---|
Born | 3 September 1903 |
Died | 23 July 1990 86) | (aged
Occupation | Actor |
Years active | 1931–1959 (film) |
Georges Flamant (1903–1990) was a French film actor.
Flamant came to attention for his role as a pimp in Jean Renoir's 1931 film La Chienne where he starred alongside Janie Marèse. He began a relationship with Marèse, but while driving on a holiday in the South of France their car crashed and she was killed. [1] Flamant was widely vilified in the press for his role in the tragedy, and was ostracised by some parts of the film community for several years. He subsequently married the star Viviane Romance, and appeared alongside her in several productions.
His final film performance was in François Truffaut's New Wave drama The 400 Blows in 1959.
Victor Andrew de Bier Everleigh McLaglen was a British-American actor and boxer. His film career spanned from the early 1920s through the 1950s, initially as a leading man, though he was better known for his character acting. He was a well-known member of John Ford’s Stock Company, appearing in 12 of the director’s films, seven of which co-starred John Wayne.
Charles Boyer was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Oscar nominations for Best Actor. He also appeared as himself on the CBS sitcom I Love Lucy.
The 400 Blows is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character.
Jean-Pierre Léaud, ComM is a French actor best known for being an important figure of the French New Wave and his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). He has worked with Jean-Luc Godard, Agnès Varda, and Jacques Rivette, as well as other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, and Aki Kaurismäki.
Donald William Crisp was an English film actor as well as an early producer, director and screenwriter. His career lasted from the early silent film era into the 1960s. He won an Academy Award for Best Supporting Actor in 1942 for his performance in How Green Was My Valley.
Jacques Tourneur was a French-American filmmaker, active during the Golden Age of Hollywood. He was known as an auteur of stylish and atmospheric genre films, many of them for RKO Pictures, including the horror films Cat People, I Walked with a Zombie, and The Leopard Man, and the classic film noir Out of the Past. He is also known for directing Night of the Demon, which was released by Columbia Pictures.
Viviane Romance was a French actress.
La Chienne is a 1931 French film by director Jean Renoir. It is the second sound film by the director and the twelfth film of his career. The film is based on the eponymous story "La Chienne" by Georges de La Fouchardière. The literal English translation of the film's title is "The Bitch", although the movie was never released under this title. It is often referred to in English as Isn't Life a Bitch? The film was remade by Fritz Lang in the United States as Scarlet Street (1945).
Michel Simon was a Swiss actor of German origin. He appeared in many notable French films, including La Chienne (1931), Boudu Saved from Drowning (1932), L'Atalante (1934), Port of Shadows (1938), The Head (1959), and The Train (1964).
René Lefèvre was a French actor and writer. Throughout his career, he worked with several notable directors, like Jean Renoir, Jean-Pierre Melville, Jules Dassin, and René Clair.
Catherine Hessling was a French actress and the first wife of film director Jean Renoir. Hessling appeared in 15, mostly silent, films before retiring from the acting profession and withdrawing from public life in the mid-1930s.
Janie Marèse was a French actress who appeared in four shorts and three feature-length films, most notably Jean Renoir's second sound film La Chienne, before her premature death, aged 23, in a road accident.
Gaby Morlay was a film actress from France.
The Dying Land is a 1936 French colour drama film directed by Jean Vallée and starring Pierre Larquey, Simone Bourday and Line Noro. It is based on a novel by René Bazin, previously adapted into a 1927 silent film of the same title.
Georges Vitray (1888–1960) was a French film actor.
Women's Prison or Women's Prisons is a 1938 French drama film directed by Roger Richebé and starring Viviane Romance, Renée Saint-Cyr and Marguerite Deval. Based on the 1930 novel of the same title by Francis Carco, it was remade twice as the 1947 Swedish film Two Women and the 1958 French film Women's Prison.
Jean Joffre (1872–1944) often styled simply as Joffre was a French film and stage actor. A character actor he played a variety of supporting roles in theatre and the cinema during his career. His final screen appearance was in the 1943 film The Count of Monte Cristo.
Marcel Pérès (1898–1974) was a French film actor who acted prolifically during his long career. He was a character actor often playing smaller, supporting roles.
Midnight Tradition is a 1939 French mystery thriller film directed by Roger Richebé and starring Viviane Romance, Georges Flamant and Marcel Dalio. It is based on the 1930 novel of the same title by Pierre Mac Orlan. It was shot at the Neuilly Studios in Paris. The film's sets were designed by the art directors René Renoux and Roland Quignon.