Gervaise Macquart

Last updated

Gervaise Macquart, op. 119, is an opera in two acts by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the novel L'Assommoir (in German: Der Totschläger) by Émile Zola.

The opera premiered on 10 November 1995 at the Deutsche Oper am Rhein, Düsseldorf, Germany, under the direction of August Everding with Marta Marquez in the title role, Martha Mödl as Bazouga, Markus Müller as Lantier. [1] [2]

Related Research Articles

Ödön von Horváth Austro-Hungarian writer

Edmund Josef von Horváth was a German-writing Austro-Hungarian-born playwright and novelist. He preferred the Hungarian version of his first name and published as Ödön von Horváth.

Deutsche Oper am Rhein opera company with houses in Düsseldorf an Duisburg, Germany

The Deutsche Oper am Rhein is an opera company based in Düsseldorf and Duisburg. The opera also has an associated classical ballet company. Axel Kober has been its Music Director since 2009. The resident orchestra, the Düsseldorfer Symphoniker, play both opera and symphonic repertoire.

Giselher Klebe German composer

Giselher Wolfgang Klebe was a German composer, and an academic teacher. He composed more than 140 works, among them 14 literary operas, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music.

<i>Die Räuber</i> (opera) Klebe opera based on Schiller play

Die Räuber, Op. 25, is an opera in four acts by Giselher Klebe who also wrote the libretto based on the play by Friedrich Schiller.

<i>Die tödlichen Wünsche</i> opera

Die tödlichen Wünsche, Op. 27, is an opera by Giselher Klebe who also wrote the libretto based on La Peau de chagrin by Honoré de Balzac. It consists of fifteen lyrical scenes in three acts. It premiered on 14 June 1959 at the Deutsche Oper am Rhein in Düsseldorf, conducted by Reinhard Peters, and was published by Boosey & Hawkes. The opera was revived in 2006 at the Landestheater Detmold on the occasion of the composer's 80th birthday.

<i>Alkmene</i> (opera) opera by Giselher Klebe

Alkmene (Alcmene), op. 36, is an opera in three acts, with music and libretto by Giselher Klebe. Klebe based the libretto on Amphitryon by Heinrich von Kleist, which in turn was based on Molière's play of the same name. The composer dedicated the work to his mother, the violinist Gertrud Klebe.

<i>Figaro läßt sich scheiden</i> opera

Figaro läßt sich scheiden, op.40, is an opera in two acts by Giselher Klebe based on the comedy of the same name by Ödön von Horváth. Klebe also wrote the libretto for this work.

<i>Jacobowsky und der Oberst</i> (opera) opera

Jacobowsky und der Oberst, Op. 49, is an opera in four acts by Giselher Klebe who also wrote the libretto based on the 1944 play of the Jacobowsky und der Oberst by Franz Werfel.

<i>Das Märchen von der schönen Lilie</i> German opera

Das Märchen von der schönen Lilie, Op. 55, is an opera in two acts by Giselher Klebe, with a libretto by Lore Klebe, based on Goethe's fairy tale Das Märchen. On a commission by the SWR for the Schwetzingen Festival, it was premiered on 15 May 1969 at the Schlosstheater Schwetzingen, staged by Oscar Fritz Schuh and conducted by Hans Zender. The opera was published by Bärenreiter.

<i>Ein wahrer Held</i> opera

Ein wahrer Held, Op. 69, is an opera in three acts by Giselher Klebe who with his wife, Lore Klebe, also wrote the libretto based on the play The Playboy of the Western World by John Millington Synge.

<i>Das Rendezvous</i> opera in one act by Giselher Klebe

Das Rendezvous, op.78, is an opera in one act by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on a work by Michail Zoščenko.

<i>Der Jüngste Tag</i> opera

Der Jüngste Tag, op.82, is an opera in three acts composed by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the play of the same name by Ödön von Horváth.

<i>Die Fastnachtsbeichte</i> (opera) opera

Die Fastnachtsbeichte , op.90, is an opera in two acts by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the novella of the same name by Carl Zuckmayer.

<i>Chlestakows Wiederkehr</i> opera

Chlestakows Wiederkehr, op.149, is an opera in three acts by Giselher Klebe. He also wrote the libretto, based on the play Der Revisor by Nikolai Gogol. The work lasts about 70 minutes.

<i>Bluthochzeit</i> opera

Bluthochzeit is an opera in two acts by Wolfgang Fortner. The libretto, also by Fortner, is based on Enrique Beck's German translation of García Lorca's 1933 play Bodas de sangre. It premiered at the Cologne Opera on 8 June 1957.

Gwendolyn Killebrew is an American operatic contralto who has worked in Germany and internationally, including the Metropolitan Opera and the Bayreuth Festival.

Hans Wallat was a German conductor, GMD in Bremen, at the Nationaltheater Mannheim, Theater Dortmund and Deutsche Oper am Rhein. A specialist for the stage works of Richard Wagner, he appeared at the Bayreuth Festival and internationally.

Wünsche is a German suname.

Reinhard Peters was a German operatic conductor, violinist and an academic teacher at the Folkwangschule Essen. He was the Generalmusikdirektor for the opera companies Deutsche Oper am Rhein, Theater Münster and Deutsche Oper Berlin. He premiered music in opera and concert, such as Giselher Klebe's Die tödlichen Wünsche, Aribert Reimann's Melusine, Nicolas Nabokov's Love's Labour's Lost, and Wilhelm Killmayer's song cycle Tre Canti di Leopardi.

Rudolf Sellner, born Gustav Rudolf Sellner, was a German actor, dramaturge, stage director and intendant. He represented in the 1950s a radical Instrumentales Theater. After decades of acting and directing plays, he turned to staging operas, and was a long-time intendant of the Deutsche Oper Berlin from 1961, when the Berlin Wall was built. He staged notable world premieres, including Ernst Barlach's play Der Graf von Ratzeburg in 1951, Ionesco's Mörder ohne Bezahlung in 1958, Giselher Klebe's Alkmene in 1961 for the opening of the Deutsche Oper, and Aribert Reimanns opera Melusine in 1971.

References

  1. "Composers – Works: Gieselher Klebe (*1925)" at euro-opera.de (in German)
  2. Anne Midgette: "From around the world: Düsseldorf" in Opera News, January 20, 1996, Metropolitan Opera