Giovanni Pisano was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor".
Livorno is a port city on the Ligurian Sea on the western coast of the Tuscany region, Italy. It is the capital of the Province of Livorno, having a population of 158,493 residents in December 2017. It is traditionally known in English as Leghorn.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Santi di Tito was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.
Giovanni Baglione was an Italian Late Mannerist and Early Baroque painter and art historian. Although a prolific painter, Baglione is best remembered for his encyclopedic collection of biographies of the other artists working in Rome during his lifetime, and particularly his acrimonious relationship with the slightly younger artist Caravaggio through his art and writings.
The Accademia di San Luca is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first principe or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters.
Giovanni Antonio Amadeo was an Italian Renaissance sculptor of the Early Renaissance, architect, and engineer. He dominated late fifteenth-century Lombard architecture and sculpture.
Giovanni Battista (Giambattista) Foggini was an Italian sculptor active in Florence, renowned mainly for small bronze statuary.
Events from the year 1592 in art.
Matteo Rosselli was an Italian painter of the late Florentine Counter-Mannerism and early Baroque. He is best known however for his highly populated grand-manner historical paintings.
Events from the year 1636 in art.
The decade of the 1470s in art involved some significant events.
Tiziano Aspetti (1559–1606) was an Italian sculptor of the Renaissance. He was born in Padua and active mainly there and in Venice. He completed both large and small sculpture in bronze. Among his large works are bronze statues in the façade of San Francesco della Vigna and of Saint Anthony and many other sculptural decorations for the Basilica of Sant'Antonio of Padua.
Francesco Baratta the elder was an Italian sculptor of the Baroque period.
Pietro Baratta (1659–1729) was an Italian sculptor of the Baroque period, active in Venice.
Giovanni Battista Natali, also known as Joan(nes) or Ioannes Baptista Natali, was an Italian painter and draughtsman of the late-Baroque period, active in his natal (?) city of Piacenza,[apparent contradiction] but also Savona, Lucca, and Naples, and finally Genoa in 1736.
The Hercules Pavilion is a former royal pavilion now operated as a café in Rosenborg Castle Gardens in central Copenhagen, Denmark. Its history dates back to the foundation of the park in 1606 but it was adapted to its current Neoclassical style by Caspar Frederik Harsdorff in 1773 after the gardens had been opened to the public. The pavilion takes its name from a statue of Hercules positioned in a deep niche in its facade. The sculpture was created by the Italian sculptor Giovanni Baratta from whom it was acquired by King Frederik IV during his visit to Italy.
The Accademia Albertina di Belle Arti is an institution of higher education in Turin, Italy
San Ferdinando is a Baroque style, Roman Catholic church located in Venezia Nuova district next to Piazza del Luogo Pio in Livorno, region of Tuscany, Italy. It is also called San Ferdinando Re or the Church of the Crocetta. Nearby is the deconsecrated church of Sant'Anna.
Renaissance sculpture is understood as a process of recovery of the sculpture of classical antiquity. Sculptors found in the artistic remains and in the discoveries of sites of that bygone era the perfect inspiration for their works. They were also inspired by nature. In this context we must take into account the exception of the Flemish artists in northern Europe, who, in addition to overcoming the figurative style of the Gothic, promoted a Renaissance foreign to the Italian one, especially in the field of painting. The rebirth of antiquity with the abandonment of the medieval, which for Giorgio Vasari "had been a world of Goths", and the recognition of the classics with all their variants and nuances was a phenomenon that developed almost exclusively in Italian Renaissance sculpture. Renaissance art succeeded in interpreting Nature and translating it with freedom and knowledge into a multitude of masterpieces.
