Arnolfo di Cambio was an Italian architect and sculptor.
Lorenzo Lotto was an Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other North Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Pintoricchio or Pinturicchio whose formal name was Bernardino di Betto, also known as Benetto di Biagio or Sordicchio, was an Italian painter of the Renaissance. Born in Perugia in 1454 and dying in Siena in 1513, Pintoricchio acquired his nickname, meaning, because of his small stature. He also used it to sign some of his 15th and 16th century artworks.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Domenico Zampieri, known as Domenichino for his shortness, was an Italian Baroque painter of the Bolognese or Carracci School of painters.
Francesco Vanni was an Italian painter active in Rome and his native city of Siena.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Carlo Marchionni was an Italian architect. He was also a sculptor and a virtuoso draughtsman, who mixed in the artistic and intellectual circles. He was born and died in Rome.
Giovanni Domenico Ferretti (Giandomenico), also called Giandomenico d'Imola was an Italian Rococo style painter from Florence. According to the contemporary Giovanni Camillo Sagrestani, Ferretti was a pupil of the Bolognese painter Giuseppe Maria Crespi. Others say he worked with painter Giovanni Gioseffo dal Sole.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or "Il Pomarancio.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Giuseppe Bartolomeo Chiari, also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome.
Giacinto Gimignani was an Italian painter, active mainly in Rome, during the Baroque period. He was also an engraver in aquaforte.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Luigi Pellegrini Scaramuccia (1616–1680) was an Italian painter and artist biographer of the Baroque period. He was a pupil, along with Giovanni Domenico Cerrini of the painter Guido Reni.
Fabrizio Spada was an Italian Cardinal of the Roman Catholic Church, and served as Secretary of State under Pope Innocent XII.
Giovanni Maria Riminaldi was an Italian Roman Catholic cardinal.
The Art Collection of the Fondazione Cassa di Risparmio di Perugia is a private collection of artworks, mainly from the region, and acquired by the financial institution. The collection is divided among two locations in the city of Perugia: the Palazzo Graziani and the Palazzo Baldeschi. The Palazzo Graziani (1554–1569) was designed by Jacopo Barozzi,. The building is also notable for its sumptuous main salon, the Sala della Presidenza, which was decorated at the end of the 19th century with large canvases and frescoes painted by Annibale Brugnoli, recalling both events of the Risorgimento and the history of Perugia. The Palazzo Baldeschi al Corso was obtained by the foundation on November 28, 2002.
