Giovanni Domenico Cerrini

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Self-portrait of Giovanni Domenico Cerrini (detail from Allegory of painting, c.1639). Giovanni Domenico Cerrini.jpg
Self-portrait of Giovanni Domenico Cerrini (detail from Allegory of painting, c.1639).

Giovanni Domenico Cerrini (1609–1681), also called Gian Domenico Cerrini or il Cavalier Perugino, was a painter of the Baroque period, born in Perugia and active mainly in Rome and influenced in large part by painters of the Bolognese School.

Baroque cultural movement, starting around 1600

The Baroque is a highly ornate and often extravagant style of architecture, music, painting, sculpture and other arts that flourished in Europe from the early 17th until the mid-18th century. It followed the Renaissance style and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain and Portugal, then to Austria and southern Germany. By the 1730s, it had evolved into an even more flamboyant style, called rocaille or Rococo, which appeared in France and central Europe until the mid to late 18th century.

Perugia Comune in Umbria, Italy

Perugia is the capital city of both the region of Umbria in central Italy, crossed by the river Tiber, and of the province of Perugia. The city is located about 164 kilometres north of Rome and 148 km southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche.

Biography

Cerrini initially apprenticed under Giovanni Antonio Scaramuccia, then in 1638 moved into the Roman studio of Guido Reni. He was anyway strongly influenced also by Lanfranco, Guercino, Domenichino and Andrea Sacchi. He was patronized by the family of Cardinal Bernardino Spada. Cardinal Giulio Rospigliosi gave him the commission to decorate the cupola of Santa Maria della Vittoria (1654–1655).

Giovanni Antonio Scaramuccia (1580–1633) was an Italian painter, active mainly in Rome and Perugia.

Guido Reni 17th-century Bolognese painter

Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicholas Poussin and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.

Giovanni Lanfranco was an Italian painter of the Baroque period.

Apollo and the Cumaean Sibyl (detail). Cerrini-apollo.jpg
Apollo and the Cumaean Sibyl (detail).

Paintings of his can be found in many of the churches of Rome, where he died, including Santa Maria in Traspontina, San Carlino alle Quattro Fontane, Santa Maria in Vallicella, San Carlo ai Catinari, Santissimo Sudario dei Piemontesi, Sant’Isidoro, as well as in Galleria Colonna, Palazzo Spada, and the Palazzo Corsini art gallery.

Santa Maria in Traspontina church building in Rome, Italy

Santa Maria in Traspontina is a Carmelite church in Rome, Italy. The shrine lies on the Via della Conciliazione, the main road of the Rione Borgo.

Santa Maria in Vallicella church building in Ponte, Italy

Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious organisations such as the Society of Jesus (Jesuits), the Theatines and the Barnabites.

San Carlo ai Catinari church building in Rome, Italy

San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle.

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References

The Art Collection of the Fondazione Cassa di Risparmio di Perugia is a private collection of artworks, mainly from the region, and acquired by the financial institution. The collection is divided among two locations in the city of Perugia: the Palazzo Graziani and the Palazzo Baldeschi. The Palazzo Graziani (1554–1569) was designed by Jacopo Barozzi,. The building is also notable for its sumptuous main salon, the Sala della Presidenza, which was decorated at the end of the 19th century with large canvases and frescoes painted by Annibale Brugnoli, recalling both events of the Risorgimento and the history of Perugia. The Palazzo Baldeschi al Corso was obtained by the foundation on November 28, 2002.