Giovanni Nanni, also Giovanni de' Ricamatori, better known as Giovanni da Udine (1487–1564), was an Italian painter and architect born in Udine. A painter also named Giovanni da Udine was exiled from his native city in 1472. [1]
Giovanni Nanni, also Giovanni de' Ricamatori, better known as Giovanni da Udine (1487–1564), was an Italian painter and architect born in Udine. A painter also named Giovanni da Udine was exiled from his native city in 1472. [1]
As a student and assistant of Raphael, he was responsible for most of the "decorative" (i.e. non-narrative) elements of the major Raphaellesque projects in Rome, and he was a specialist in fresco and stucco grotesque decorations. These included the stucco work in the Loggia di Raffaello (Vatican, 1517–1519) and the heavy fruit-laden wreaths in the loggia di psiche in the Villa Farnesina. He also assisted in the construction of a few monumental fountains, which are now destroyed. He is also known for his drawings of birds and fruit.
One of his well-known discoveries is the art of Stucco, that Giovanni was the "new-founder" of after antiquity: occasioned by the discovery of the Domus Aurea , Nero's residence near the Colosseum: in the first year of the 16th century Raphael and his students went down "Mons Coelius" into tunnels that were formed to explore that area. With candles and torches they explored the caves and looked at the walls onto which were painted little heavy coloured figures that were named "grottesche (pl.), grottesca (s.)" because in the darkness, these images seemed like paint in ancient caves that in Italian was -and is- said like above. There was a strange "pictorial relief" onto which some of this "grottesche" were realised: it was Roman stucco, an important technique that the ancient Romans utilised to reproduce a marble effect, real marble was already too expensive by that time even for the Imperator (we have to think that there were all a "Domus" in marble, for a size as like as a range of KM 1.5 - 2 around Colosseum, it was the most famous residence of the Roman Empire).
After the death of Raphael, da Udine continued to work on projects initiated by his master, namely the Villa Madama in Rome. He continued his work until the sack of Rome (1527) when he departed to work in Florence, where he worked on the stuccoes in Sagrestia Nuova in San Lorenzo, and Venice, where he worked on the stucco decoration in the Palazzo Grimani, around 1540.[ citation needed ]
In Udine, he worked as an architect on the Torre dell'Orologio (Clock-Tower) and the Fontana di Piazza Nuova (Piazza Nuova Fountain). In Cividale, he helped in the construction of Santa Maria dei Battuti.
He returned to Rome in 1560 to work on the third floor of the Logge Vaticane, and died in this city in 1564.
Giambologna, also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.
Udine is a city and comune in north-eastern Italy, in the middle of the Friuli Venezia Giulia region, between the Adriatic Sea and the Alps. Its population was 100,514 in 2012, 176,000 with the urban area.
The Domus Aurea was a vast landscaped complex built by the Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Since at least the 18th century, grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, grotesque may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
Villa Madama is a Renaissance-style rural palace (villa) located on Via di Villa Madama #250 in Rome, Italy. Located west of the city center and a few miles north of the Vatican, and just south of the Foro Olimpico Stadium. Even though incomplete, this villa with its loggia and segmented columned garden court and its casino with an open center and terraced gardens, was initially planned by Raphael, and highly influential for subsequent architects of the High Renaissance.
Morto da Feltre was an Italian painter of the Venetian school who worked at the close of the 15th century and beginning of the 16th.
Giovanni Maria Falconetto was an Italian architect and artist. He designed among the first high Renaissance buildings in Padua, the Loggia Cornaro, a garden loggia for Alvise Cornaro built as a Roman doric arcade. Along with his brother, Giovanni Antonio Falconetto, he was among the most prominent painters of Verona and Padua in the early 16th century.
The Palazzo Venezia or Palazzo Barbo, formerly Palace of St. Mark, is a palazzo (palace) in central Rome, Italy, just north of the Capitoline Hill. The original structure of this great architectural complex consisted of a modest medieval house intended as the residence of the cardinals appointed to the church of San Marco. In 1469 it became a residential papal palace, having undergone a massive extension, and in 1564, Pope Pius IV, to win the sympathies of the Republic of Venice, gave the mansion to the Venetian embassy to Rome on the terms that part of the building would be kept as a residence for the cardinals, the Apartment Cibo, and that the republic would provide for the building's maintenance and future restoration. The palace faces Piazza Venezia and Via del Plebiscito. It currently houses the National Museum of the Palazzo Venezia.
Perinodel Vaga was an Italian painter and draughtsman of the Late Renaissance/Mannerism.
Palazzo Borghese is a palace in Rome, Italy, the main seat of the Borghese family. It was nicknamed il Cembalo due to its unusual trapezoidal groundplan; its narrowest facade faces the River Tiber. The entrance at the opposite end of the building, the "keyboard" of the cembalo, faces onto the Fontanella di Borghese, with another in a great flanking facade to the Piazza Borghese that is extended by a slightly angled facade leading down Via Borghese towards the river. Both these entrances lead into a large courtyard on one side of which is a two level open arcade, with paired Doric and Ionic columns, that frames the garden beyond.
Flaminio Vacca or Vacchi was an Italian sculptor.
The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built between 1571 and 1572. It is located on the central Piazza dei Signori, facing the Basilica Palladiana.
The Palazzo Grimani of Santa Maria Formosa is a State museum, located in Venice in the Castello district, near Campo Santa Maria Formosa.
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.
The Renaissance in Rome occupied a period from the mid-15th to the mid-16th centuries, a period which spawned such masters as Michelangelo and Raphael, who left an indelible mark on Western figurative art. The city had been a magnet for artists wishing to study its classical ruins since the early 1400s. A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Filippo Brunelleschi and sculptor Donatello. This inspired a corresponding classicism in painting and sculpture, which manifested itself in the paintings of Masaccio and Uccello. Pisanello and his assistants also frequently took inspiration from ancient remains, but their approach was essentially cataloguing, acquiring a repertoire of models to be exploited later.
The Vatican loggias are a corridor space in the Apostolic Palace, originally open to the elements on one side, which were decorated in fresco around 1519 by Raphael's large team of artists, with Giovanni da Udine the main hand involved. Because of the relative unimportance of the space, and a desire to copy the recently re-discovered Domus Aurea style of Ancient Roman painting, no large paintings were used, and the surfaces were mostly covered with grotesque designs on a white background, with paintings imitating sculptures in niches, and small figurative subjects in a revival of Ancient Roman style. This large array provided a repertoire of elements that were the basis for later artists creating grotesque decoration across Europe.
Teodoro Matteini was an Italian painter, mainly of historical and religious subjects in a Neoclassical style.
Piazza Libertà, also known as Piazza della Libertà is the oldest square in Udine, in Friuli-Venezia Giulia region, Italy. The square sits in the open space below Udine Castle.
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